Toying with Neo-Riemannian music theory.
Motivating question: what would happen if you took some chord-progression in tonnetz (e.g. this), and rotated it?
Preliminary results: Nothing too magical, but maybe interesting:
## circle-esque:
Dm Gm C F Bb Em A D
Rotate1 Dm F#m F# Bb D C#m C# F
Rotate2 Dm Fm B D F C#m G Bb
Swap1 Dm Am Eb Bb F C#m G D
Swap2 Dm Bbm F# D Bb C#m A F
## north korea:
Dm D Gm F A Dm
Rotate1 Dm F F#m Bb C# Dm
Rotate2 Dm Bb Fm D G Dm
Swap1 Dm D Am Bb G Dm
Swap2 Dm F Bbm D A Dm
## neapolitan:
Dm Eb A
Rotate1 Dm F# C#
Rotate2 Dm G# G
Swap1 Dm C G
Swap2 Dm F# A
## WC2 Human 1:
Dm E Eb D Dm Gm A Dm
Rotate1 Dm E F# F Dm F#m C# Dm
Rotate2 Dm A G# Bb Dm Fm G Dm
Swap1 Dm C# C D Dm Am G Dm
Swap2 Dm E F# F Dm Bbm A Dm