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Some procedures in Forsynth use the parameter SEMITONE defined by:
real(dp), parameter :: SEMITONE = 2.0_dp**(1.0_dp/12.0_dp)
It mean it implicitly uses the equal temperament: https://en.wikipedia.org/wiki/Equal_temperament
But we could also use Forsynth to study other tuning system. For example, in the Western music: https://en.wikipedia.org/wiki/Pythagorean_tuning https://en.wikipedia.org/wiki/Gioseffo_Zarlino https://en.wikipedia.org/wiki/Musical_tuning#Tuning_systems
But also the tuning used in other musical systems.
The text was updated successfully, but these errors were encountered:
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Some procedures in Forsynth use the parameter SEMITONE defined by:
It mean it implicitly uses the equal temperament: https://en.wikipedia.org/wiki/Equal_temperament
But we could also use Forsynth to study other tuning system. For example, in the Western music:
https://en.wikipedia.org/wiki/Pythagorean_tuning
https://en.wikipedia.org/wiki/Gioseffo_Zarlino
https://en.wikipedia.org/wiki/Musical_tuning#Tuning_systems
But also the tuning used in other musical systems.
The text was updated successfully, but these errors were encountered: