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b/Audio/gordon_gow/Processed_44KHz/oclock.wav differ diff --git a/Audio/gordon_gow/Processed_44KHz/pips.wav b/Audio/gordon_gow/Processed_44KHz/pips.wav new file mode 100644 index 0000000..2595290 Binary files /dev/null and b/Audio/gordon_gow/Processed_44KHz/pips.wav differ diff --git a/Audio/gordon_gow/Processed_44KHz/precisely.wav b/Audio/gordon_gow/Processed_44KHz/precisely.wav new file mode 100644 index 0000000..7991c39 Binary files /dev/null and b/Audio/gordon_gow/Processed_44KHz/precisely.wav differ diff --git a/Audio/gordon_gow/Processed_44KHz/timing_sample.wav b/Audio/gordon_gow/Processed_44KHz/timing_sample.wav new file mode 100644 index 0000000..dc7258d Binary files /dev/null and b/Audio/gordon_gow/Processed_44KHz/timing_sample.wav differ diff --git a/Audio/gordon_gow/README.md b/Audio/gordon_gow/README.md index f52fad6..7782a97 100644 --- a/Audio/gordon_gow/README.md +++ b/Audio/gordon_gow/README.md @@ -3,3 +3,47 @@ Gordon Gow was the voice of the Speaking clock in Australia from 1954 to 1990 Recordings courtesy of the London Science Museum https://en.wikipedia.org/wiki/Speaking_clock#Australia + +## Audio Processing +The samples in this recording were recorded as 44.1KHz, 32bit, Stereo WAV files. The source files for these recordings can be found in the Source folder + +The recordings were then treated with audacity as follows: +- Mix from stereo to Mono (Tracks -> Stereo Track to Mono) +- Notch Filter to remove monitoring frequency (Effect -> Plug-Ins 1-12 -> Notch Filter. Frequency=3183Hz, Q=0.3) +- Low Pass Filter to remove much of the hiss (Effect -> Plug-Ins 1-12 -> Low Pass Filter. Rolloff=48dB, Cutoff=3000Hz) +- Normalize to centre everything (Effect -> Normalize. Remove DC offset, Normalize aplitude to -1.0dB) +- Export as 44.1KHz, 32bit, Mono WAV + +The results can be found in the Processed_44KHz folder + +The recordings were then cut up into the appropriate sections, trimmed to length with sox: +``` +# Syntax : sox old.wav new.wav trim [POSITION] ([POSITION]) +# If a position is preceded by an equals or minus sign, it is interpreted relative to the beginning or the end of the audio, +# respectively. (The audio length must be known for end-relative locations to work.) + +# eg to trim the first 2 seconds of audio +$ sox input.wav output.wav trim 0 2 + +# eg to trim the last 2 seconds of audio +$ sox input.wav output.wav trim -2 +``` + +The recordings were then converted to 8KHz, 8bit WAV files for asterisk playback with sox. See convert.sh for details. + +## Timings +The original recordings have spikes in them where the mechanism cut over from one optical disk to the next. Careful measurement using the cursor tool in Audacity reveals the timings to be: +"At the third stroke" - 1.9235s +"It will be three" - 1.8260s +"two" - 0.9785s +"and 10 seconds" - 1.9865s +"pip pip pip" - 3.2855s + +For the purposes of this project I have quantized the samples as follows: +"At the third stroke" - 2s +"It will be three" - 2s +"two" - 1s +"and 10 seconds" - 2s +"pip pip pip" - 3s + +Feel free to contribute more historically accurate timings back to the project! \ No newline at end of file diff --git a/Audio/gordon_gow/Source/TASCAM_0070_hours.wav b/Audio/gordon_gow/Source/TASCAM_0070_hours.wav new file mode 100755 index 0000000..ea7bcc3 Binary files /dev/null and b/Audio/gordon_gow/Source/TASCAM_0070_hours.wav differ diff --git a/Audio/gordon_gow/Source/TASCAM_0073_minutes_odd.wav b/Audio/gordon_gow/Source/TASCAM_0073_minutes_odd.wav new file mode 100755 index 0000000..99575a8 Binary files /dev/null and b/Audio/gordon_gow/Source/TASCAM_0073_minutes_odd.wav differ diff 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a/Audio/gordon_gow/at_the_third_stroke_it_will_be.wav b/Audio/gordon_gow/at_the_third_stroke_it_will_be.wav new file mode 100644 index 0000000..11709db Binary files /dev/null and b/Audio/gordon_gow/at_the_third_stroke_it_will_be.wav differ diff --git a/Audio/gordon_gow/convert.sh b/Audio/gordon_gow/convert.sh new file mode 100755 index 0000000..f959206 --- /dev/null +++ b/Audio/gordon_gow/convert.sh @@ -0,0 +1,6 @@ +#!/bin/bash +for i in $( ls Processed_44KHz ); do + echo Processing Processed_44KHz/$i: + sox Processed_44KHz/$i -c 1 -r 8000 Processed_8KHz/$i +done +echo Done! diff --git a/Audio/gordon_gow/hour_01.wav b/Audio/gordon_gow/hour_01.wav new file mode 100644 index 0000000..804d028 Binary files /dev/null and b/Audio/gordon_gow/hour_01.wav differ diff --git a/Audio/gordon_gow/hour_02.wav b/Audio/gordon_gow/hour_02.wav new file mode 100644 index 0000000..6605260 Binary files /dev/null and b/Audio/gordon_gow/hour_02.wav differ diff --git a/Audio/gordon_gow/hour_03.wav 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b/Audio/gordon_gow/pips.wav new file mode 100644 index 0000000..54bb75c Binary files /dev/null and b/Audio/gordon_gow/pips.wav differ diff --git a/Audio/gordon_gow/precisely.wav b/Audio/gordon_gow/precisely.wav new file mode 100644 index 0000000..dee9248 Binary files /dev/null and b/Audio/gordon_gow/precisely.wav differ diff --git a/Audio/gordon_gow/the_phrase.wav b/Audio/gordon_gow/the_phrase.wav new file mode 120000 index 0000000..00dc8f6 --- /dev/null +++ b/Audio/gordon_gow/the_phrase.wav @@ -0,0 +1 @@ +at_the_third_stroke.wav \ No newline at end of file diff --git a/Audio/standard_layout.md b/Audio/standard_layout.md new file mode 100644 index 0000000..ee017af --- /dev/null +++ b/Audio/standard_layout.md @@ -0,0 +1,97 @@ +Standard Sample Layout +====================== + +The Phrase +---------- +- the_phrase.wav + +Hours +----- +- hour_01.wav +- hour_02.wav +- hour_03.wav +- hour_04.wav +- hour_05.wav +- hour_06.wav +- hour_07.wav +- hour_08.wav +- hour_09.wav +- hour_10.wav +- hour_11.wav +- hour_12.wav + +Minutes +------- +- 01.wav +- 02.wav +- 03.wav +- 04.wav +- 05.wav +- 06.wav +- 07.wav +- 08.wav +- 09.wav +- 10.wav +- 11.wav +- 12.wav +- 13.wav +- 14.wav +- 15.wav +- 16.wav +- 17.wav +- 18.wav +- 19.wav +- 20.wav +- 21.wav +- 22.wav +- 23.wav +- 24.wav +- 25.wav +- 26.wav +- 27.wav +- 28.wav +- 29.wav +- 30.wav +- 31.wav +- 32.wav +- 33.wav +- 34.wav +- 35.wav +- 36.wav +- 37.wav +- 38.wav +- 39.wav +- 40.wav +- 41.wav +- 42.wav +- 43.wav +- 44.wav +- 45.wav +- 46.wav +- 47.wav +- 48.wav +- 49.wav +- 50.wav +- 51.wav +- 52.wav +- 53.wav +- 54.wav +- 55.wav +- 56.wav +- 57.wav +- 58.wav +- 59.wav +- oclock.wav + +Seconds +------- +- and_10_seconds.wav +- and_20_seconds.wav +- and_30_seconds.wav +- and_40_seconds.wav +- and_50_seconds.wav +- precisely.wav + +Pips +---- +- pips.wav diff --git a/CHANGELOG.md b/CHANGELOG.md index 0d8720d..04ee333 100644 --- a/CHANGELOG.md +++ b/CHANGELOG.md @@ -1,4 +1,9 @@ -## V0.3 +## v0.4 + - Rewrite to use a standardised set of sample names + - Parameterised voice selection in the macro + - Gordon Gow voice added + +## v0.3 - Fixed a timing issue which meant that if your call connected within the first 2 seconds of a 10 second block, the time would be announced incorrectly (2 seconds late) @@ -6,13 +11,13 @@ - re-trimed all samples to be exactly the right length (to minimise drift for non-asterisk implementations) -## V0.2 +## v0.2 - 35.wav corrected so it says 35 and not 36 (doh!) - Timezone support added to the macro - Macro rewritten to not reply on step numbering (labels ftw!) - Changelog added -## V0.1 +## v0.1 - Pat Simmons Audio samples provided by Andy Emmerson from the TIM2000 project - Bare bones speaking clock macro cribbed from an anonymous forum post - Most of the macro rewritten to work with our samples and timing diff --git a/README.md b/README.md index d25ff3b..5c93d30 100644 --- a/README.md +++ b/README.md @@ -16,14 +16,18 @@ The default voice is PAT Instalation ----------- -* Check this repository out into `/etc/asterisk/TIM` +* Check this repository out into `/etc/asterisk/asterisk-tim` +``` +cd /etc/asterisk +git clone https://github.com/paulseward/asterisk-tim.git +``` * Create a symlink to the audio files ``` -ln -s /etc/asterisk/TIM/Audio /usr/share/asterisk/sounds/TIM +ln -s /etc/asterisk/asterisk-tim/Audio /usr/share/asterisk/sounds/TIM ``` * Add an entry to `/etc/asterisk/extensions.conf` which includes the TIM macro ``` -#include /etc/asterisk/TIM/macro.conf +#include /etc/asterisk/asterisk-tim/macro.conf ``` * Steer a number in your dialplan (eg 123) towards the TIM macro ``` @@ -39,7 +43,6 @@ exten => 123,1,Macro(TIM,${VOICE}) ToDo ---- - Noise reduction on Pat Simmons samples -- Prep samples for Gordon Gow - Record Ethel Cain Credits diff --git a/macro.conf b/macro.conf index 6cdfbfc..537e292 100644 --- a/macro.conf +++ b/macro.conf @@ -4,19 +4,24 @@ exten => s,1,Set(tz=Europe/London) ; Change this to be your timezone, see /usr/share/zoneinfo for other options ; Check the voice parameter matches one of the voices available, default to PAT -exten => s,n,Set(VOICE=${FILTER(ABCDEFGHIJKLMNOPQRSTUVWXYZ,TOUPPER(${ARG1}))}) +exten => s,n,Set(VOICE=${FILTER(ABCDEFGHIJKLMNOPQRSTUVWXYZ,${TOUPPER(${ARG1})})}) exten => s,n,GotoIf($["${VOICE}":"GORDON"]?set_gordon) exten => s,n,GotoIf($["${VOICE}":"ETHEL"]?set_ethel) exten => s,n,GotoIf($["${VOICE}":"PAT"]?set_pat) exten => s,n,Goto(set_pat) -; Use Gordon Gow (Australia) - AUDIO NOT YET AVAILABLE +; Use Gordon Gow (Australia) exten => s,n(set_gordon),Set(VOICE="gordon_gow") exten => s,n,Goto(tim_ringtone) -; Use Ethel Cain (UK) - AUDIO NOT YET AVAILABLE -exten => s,n(set_ethel),Set(VOICE="ethel_cain") -exten => s,n,Goto(tim_ringtone) +; Use Ethel Cain (UK) - AUDIO NOT YET AVAILABLE so return congestion tone +; exten => s,n(set_ethel),Set(VOICE="ethel_cain") +; exten => s,n,Goto(tim_ringtone) +; +exten => s,n(set_ethel),Progress +exten => s,n,Playtones(congestion) +exten => s,n,Wait(10) +exten => s,n,Hangup ; Use Pat Simmons (UK) exten => s,n(set_pat),Set(VOICE="pat_simmons")