POETRY_BOT.ipynb

{
 "cells": [
  {
   "cell_type": "code",
   "execution_count": 1,
   "metadata": {},
   "outputs": [],
   "source": [
    "import cv2\n",
    "import pytesseract\n",
    "import os\n",
    "from IPython.display import clear_output\n",
    "import markovify"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 2,
   "metadata": {},
   "outputs": [
    {
     "data": {
      "text/plain": [
       "0"
      ]
     },
     "execution_count": 2,
     "metadata": {},
     "output_type": "execute_result"
    }
   ],
   "source": [
    "os.system('cd Image-Downloader; python3 image_downloader.py --engine \"Google\" --driver chrome --max-number 500 --output \"POEMS\" \"philosophical poems\"')"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 3,
   "metadata": {},
   "outputs": [],
   "source": [
    "img_files = os.popen('ls /Users/hunter/Desktop/hacking/Image-Downloader/POEMS').read()\n",
    "img_files = img_files.split('\\n')"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 4,
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "['Google_0000.jpeg', 'Google_0001.jpeg', 'Google_0002.png', 'Google_0003.jpeg', 'Google_0004.jpeg', 'Google_0005.jpeg', 'Google_0006.jpeg', 'Google_0007.jpeg', 'Google_0008.jpeg', 'Google_0009.jpeg', 'Google_0010.png', 'Google_0011.jpeg', 'Google_0012.jpeg', 'Google_0014.jpeg', 'Google_0015.jpeg', 'Google_0016.jpeg', 'Google_0017.jpeg', 'Google_0018.jpeg', 'Google_0019.jpeg', 'Google_0020.png', 'Google_0021.png', 'Google_0022.jpeg', 'Google_0023.jpeg', 'Google_0024.jpeg', 'Google_0026.jpeg', 'Google_0027.png', 'Google_0028.png', 'Google_0031.jpeg', 'Google_0033.jpeg', 'Google_0034.png', 'Google_0036.jpeg', 'Google_0037.jpeg', 'Google_0038.jpeg', 'Google_0039.jpeg', 'Google_0040.jpeg', 'Google_0041.jpeg', 'Google_0042.jpeg', 'Google_0043.jpeg', 'Google_0045.jpeg', 'Google_0046.jpeg', 'Google_0048.jpeg', 'Google_0050.png', 'Google_0051.jpeg', 'Google_0052.jpeg', 'Google_0053.png', 'Google_0054.jpeg', 'Google_0055.jpeg', 'Google_0056.jpeg', 'Google_0057.jpeg', 'Google_0058.png', 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     ]
    }
   ],
   "source": [
    "print(img_files)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 5,
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "done!\n"
     ]
    }
   ],
   "source": [
    "totalString = \"\"\n",
    "total = len(img_files)\n",
    "for file in img_files:\n",
    "    if total == 2:\n",
    "        break\n",
    "    img_cv = cv2.imread('/Users/hunter/Desktop/hacking/Image-Downloader/POEMS/' + file)\n",
    "    img_rgb = cv2.cvtColor(img_cv, cv2.COLOR_BGR2RGB)\n",
    "    candidate = pytesseract.image_to_string(img_rgb).lower()\n",
    "    if len(candidate.split(' ')) > 5:\n",
    "        totalString += candidate\n",
    "    clear_output(wait=True)\n",
    "    print(str(total) + \" files remaining...\")\n",
    "    total = total - 1 \n",
    "clear_output(wait=True)\n",
    "print(\"done!\")"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 6,
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "critique of judgment\n",
      "\n",
      "reason informs us that birdsong is sublime\n",
      "\n",
      "but can’t be beautiful: beauty is conferred\n",
      "\n",
      "solely by operations of the human mind.\n",
      "\n",
      "meanwhile, from that low-hanging branch, the lyrebird\n",
      "\n",
      "is waging an ongoing, spirited battle\n",
      "against philosophy. its melodious rebuttals\n",
      "owe a little something, i've just realized,\n",
      "\n",
      "to \"that'll be the day,” as immortalized\n",
      "\n",
      "by buddy holly and the crickets. tell me, is\n",
      "\n",
      "a song a living thing? does a song possess a shelf life?\n",
      "a half-life? will your favorite song enjoy an afterlife?\n",
      "do you have songbirds in your pockets? is\n",
      "\n",
      "there time for one last harvest? would you like to file\n",
      "an objection once the lyrebird is done with his?\n",
      "\n",
      "troy jollimore\n",
      "\f",
      "scholarwocky\n",
      "\n",
      "‘twas semiotic, and the tenured toves\n",
      "\n",
      "did mooc and mimble in the wabe:\n",
      "all stem-sy were the legibloves,\n",
      "\n",
      "and the budget raths outgrabe,\n",
      "\n",
      "“beware the scholarwock, my son!\n",
      "\n",
      "the books that bite, the kooks that teach!\n",
      "beware the jargon bird, and shun\n",
      "\n",
      "the subaltern theoryspeech!”\n",
      "\n",
      "he took his cyber sword in hand;\n",
      "\n",
      "long time the cisgender foe he sought—\n",
      "so rested he by the hegemony\n",
      "\n",
      "and stood awhile in thought.\n",
      "\n",
      "and, as in excess thought he stood,\n",
      "the scholarwock, with eyes of flame,\n",
      "came signifying through the virtual wood,\n",
      "and predicated as it came!\n",
      "\n",
      "one, two! one, two! and through and through\n",
      "the cyber blade went queer-text-hack!\n",
      "he left it unread, and with its head\n",
      "he went commodifying back.\n",
      "\n",
      "“and hast thou slain the scholarwock?\n",
      "come to my arms, my dean-ish boy!\n",
      "o literatureless day! callooh! callay!”\n",
      "he adjuncted in his joy.\n",
      "\n",
      "“twas semiotic, and the tenured toves\n",
      "\n",
      "did mooc and mimble in the wabe:\n",
      "all stem-sy were the legibloves,\n",
      "\n",
      "and the budget raths outgrabe,\n",
      "\n",
      "brook j. sadler 8/17/14\n",
      "\f",
      "sorin cerin\n",
      "~ the immortality of love-\n",
      "+ philosophical poems-\n",
      "\n",
      "ofa love,\n",
      "so sick of us,\n",
      "\n",
      "that she could barely succeed,\n",
      "to lead us,\n",
      "\n",
      "oon the last road,\n",
      "\n",
      "‘the farewell kiss\n",
      "\n",
      "n\n",
      "\f",
      "it is very difficult to face the reality...\n",
      "\n",
      "it is a bitter truth ...\n",
      "\n",
      "| find it tough to bear\n",
      "\n",
      "noone stays forever...\n",
      "\n",
      "it is the nature of law .\n",
      "\n",
      "first left by innocence\n",
      "\n",
      "second left by child hood\n",
      "\n",
      "then left by adulthood ...\n",
      "\n",
      "finally by your lovely relations...\n",
      "\n",
      "find the soul in limbo ...\n",
      "\n",
      "where noone understood you.\n",
      "\n",
      "whom to blame...\n",
      "\n",
      "it is nothing but inner struggles\n",
      "\n",
      "more you run away , more you get hurt .\n",
      "\n",
      "life is nothing but tales of sorrow and happiness.\n",
      "irony is , we forget the happiness and brood on sorrow .\n",
      "lam not an exception and finding myself in this pendulum of\n",
      "life span.\n",
      "\n",
      "heart cries loudly to remind the memories .\n",
      "\n",
      "when | count on my close relationship...\n",
      "\n",
      "now | find myself alone in this voyage..\n",
      "\n",
      "nobody left me but get busy in their own life ..\n",
      "\n",
      "seeing them unaware , feeling forlone ....\n",
      "\n",
      "perhaps | am different ....\n",
      "\n",
      "| tried to hold them when it is time to let go .\n",
      "\n",
      "afraid to think my destiny without them\n",
      "\n",
      "it is not easy to see your loveones going far far and far.\n",
      "you are walking at your own pace...\n",
      "\f",
      "philosophy poems\n",
      "sarah adams\n",
      "\n",
      "a limerick about berkeley\n",
      "\n",
      "there once was a man bishop berkeley,\n",
      "esse est percipi! he’d state starkly.\n",
      "being a theist,\n",
      "\n",
      "subjective idealist,\n",
      "\n",
      "meant all disagreed with him sharply.\n",
      "\n",
      "an absurd fate\n",
      "\n",
      "let us proceed now and discuss\n",
      "\n",
      "the absurd fate of sisyphus,\n",
      "\n",
      "a character who'd been condemned\n",
      "\n",
      "to (ceaselessly and without end)\n",
      "\n",
      "a rock upward a mountain roll\n",
      "\n",
      "(to reach the top that was his goal)\n",
      "\n",
      "but whence, at last, he’d reach the summit,\n",
      "downward again the stone would plummet!\n",
      "since it would evade control,\n",
      "\n",
      "this burden of our tortured soul.\n",
      "\n",
      "unvaried, devoid of meaning\n",
      "\n",
      "this fate it did have all the seeming\n",
      "of an average human life\n",
      "\n",
      "to dear camus, who did write,\n",
      "\n",
      "that man’s existence is the same\n",
      "as sisyphus’s futile game.\n",
      "\n",
      "we rise, work, and return to bed,\n",
      "and over same old paths do tread;\n",
      "\n",
      "doi:10.1017/s1477175613000213 © the royal institute of philosophy, 2013\n",
      "think 35, vol. 12 (00 2013)\n",
      "\n",
      "66 e® €10z uuniny yuiul\n",
      "\f",
      " \n",
      " \n",
      "\n",
      "“a (our life, our being)\n",
      "\n",
      "   \n",
      "\n",
      "atlantica, she holds us,\n",
      "suspended with the salt,\n",
      "we float in water,\n",
      "\n",
      "in new love.\n",
      "i carry you as\n",
      "you protect me,\n",
      "from her waves, which\n",
      "threaten to drown as\n",
      "soon as lift up—\n",
      "\n",
      " \n",
      "  \n",
      "\n",
      "and this is life,\n",
      "\n",
      "floating in uncertainty\n",
      "unstable\n",
      "\n",
      "shifting sands beneath\n",
      "\n",
      "our feet, but\n",
      "\n",
      "stable\n",
      "\n",
      "in the sharing, and\n",
      "\n",
      "e clasping of hands (of self),\n",
      "oneness of our being.\n",
      "\n",
      "    \n",
      " \n",
      "\n",
      " \n",
      "\n",
      "gw.\n",
      "\n",
      "   \n",
      "\n",
      " \n",
      "\f",
      "‘tue gra wo was arrarp to be\n",
      "\n",
      "seo mtn,\n",
      "‘goran\n",
      "agg lng a\n",
      "seca\n",
      "zie\n",
      "\n",
      "ra\n",
      "\n",
      "ibis gat\n",
      "\f",
      "the altar\n",
      "\n",
      "abroken altar, lord thy servant rears,\n",
      "made of a heart, and cemented with teares:\n",
      "whose parts are as thy hand did frame;\n",
      "no workmans tool hath touch'd the same\n",
      "aheart alone\n",
      "is such a stone,\n",
      "\n",
      "as nothing but\n",
      "thy pow’r doth cut.\n",
      "\n",
      "wherefore each part\n",
      "of my hard heart\n",
      "meets in this frame,\n",
      "\n",
      "to praise thy name:\n",
      "\n",
      "that if i chance to hold my peace,\n",
      "these stones to praise thee may not cease.\n",
      "o let thy blessed sacrifice be mine,\n",
      "and sanctifie this altar to be thine.\n",
      "\f",
      "x a\n",
      "platonick song\n",
      "of the\n",
      "\n",
      "soul;\n",
      "‘treating,\n",
      "[tbe life of she soul,\n",
      "|her immortalitie,\n",
      "\n",
      "of the sleep of the soul,\n",
      "the unitie of souls, and\n",
      "\\memorie after death.\n",
      "\n",
      " \n",
      "\n",
      "alin mar fre fle ign ifoicoolatatete\n",
      "sha ered fijecy cotpines” ea\n",
      "\n",
      " \n",
      "\n",
      "ca merider,\n",
      "\"printed by roce n dan tex printer\n",
      "tothe univerliin 16.47. _\n",
      "\f",
      "the tenderness of mathematics\n",
      "\n",
      "god created the integers, all else is the work of man.\n",
      "leopold kronecker\n",
      "\n",
      "he didn’t do even that, since he doesn’t exist,\n",
      "\n",
      "and yet they’re there: 0, 1, 2, 3 dot dot dot\n",
      "\n",
      "ad infinitum. and if frege was right\n",
      "\n",
      "(and certainly he was), they descended from\n",
      "\n",
      "the basic principles of thought, from what we know\n",
      "\n",
      "if we know anything at all. and yet they constantly surprise:\n",
      "from out of nowhere number theory gets reflected\n",
      "\n",
      "in the properties of automorphic forms, the distribution\n",
      "of the primes seems like the distribution of the stars\n",
      "\n",
      "in their indifference to us, and the eightfold way,\n",
      "\n",
      "that leads from plato’s paradise to here, starts out as idle\n",
      "speculation, combing through some symmetry groups,\n",
      "until the quarks pop out and bathe us in the world.\n",
      "\n",
      "how can something so abstruse and abstract feel so close\n",
      "and be so far away? “they force themselves upon us,”\n",
      "gédel remarked of the axioms of set theory, and he was right:\n",
      "like some watcher of the skies/when a new planet\n",
      "\n",
      "swims into his ken, we seem to see the units rearranged\n",
      "before our eyes, as what had been implicit all along\n",
      "suddenly seems clear. it doesn’t happen in life, in real life,\n",
      "yet mathematics is a part of life. in high school\n",
      "\n",
      "i thought i'd proved a theorem about perfect numbers.\n",
      "the proof contained a fallacy, but for a week or so\n",
      "\n",
      "i felt like stout cortez upon his peak in darien.\n",
      "\n",
      "the dream of mathematics is of an underlying order\n",
      "\n",
      "we invented without knowing it, waiting there\n",
      "\n",
      "just out of reach, waiting to manifest itself\n",
      "\n",
      "and for its truths to intrude upon a consciousness\n",
      "\n",
      "asleep in its dream, asleep in no one’s dream.\n",
      "\n",
      "john koethe\n",
      "\f",
      "sorin cerin\n",
      "- i loved you -\n",
      "- philosophical poems -\n",
      "\n",
      "64. the lead of the clouds of loneliness\n",
      "\n",
      "we lose ourselves, definitively,\n",
      "\n",
      "among the glances injected with absurd,\n",
      "of the deserted and cold streets,\n",
      "\n",
      "from the hearts of wind, of the words,\n",
      "\n",
      "of the divine glories,\n",
      "\n",
      "whose addresses have been deleted,\n",
      "\n",
      "by the undecided and greedy steps,\n",
      "\n",
      "of the ever more vain promises,\n",
      "\n",
      "which clothe us and now the memories,\n",
      "so exhausted,\n",
      "\n",
      "that, they fall, deaf and hard,\n",
      "\n",
      "from, the dark skies of the unfulfilled hopes,\n",
      "which, they crush us,\n",
      "\n",
      "with the lead of the clouds of loneliness,\n",
      "the wait.\n",
      "\n",
      "111\n",
      "\f",
      "e000 ataat > 11:13 am 7 7,\n",
      "< poetry (4\n",
      "\n",
      "not |\n",
      "\n",
      "aman who dies is dead.\n",
      "is aman who lives alive?\n",
      "most answer no!\n",
      "\n",
      "few answer yes.\n",
      "\n",
      "who is the wiser?\n",
      "\n",
      "it is not i.\n",
      "\f",
      "life (the real meaning of life)\n",
      "\n",
      "life, the wonderful dream\n",
      "never meets with reality\n",
      "\n",
      "till its final moment\n",
      "\n",
      "called death\n",
      "\n",
      "every day we dream of\n",
      "conquering new continents\n",
      "and kingdoms\n",
      "\n",
      "without realising\n",
      "\n",
      "allare illusions\n",
      "and without realising\n",
      "\n",
      "the final reality\n",
      "\n",
      "will one day envelop us\n",
      "\n",
      "so finality is the true reality\n",
      "\f",
      "t love the handsome one:\n",
      "he has no death\n",
      "decay nor form\n",
      "no place or side\n",
      "no end nor birthmarks.\n",
      "i love him o mother. listen.\n",
      "\n",
      "[love the beautiful one\n",
      "with no bond nor fear\n",
      "no clan no land\n",
      "no landmarks\n",
      "for his beauty.\n",
      "\n",
      "so my lord, white as jasmine, is my husband.\n",
      "\n",
      "take these husbands who die,\n",
      "decay, and feed them\n",
      "to your kitchen fires!\n",
      "\n",
      "(akka mahadevi: a.k. ramanuj:\n",
      "\f",
      "‘when we two parted by lord byron\n",
      "\n",
      "when we two parted\n",
      "in silence and tears,\n",
      "\n",
      "half broken-hearted,\n",
      "\n",
      "to sever for years,\n",
      "\n",
      "pale grew thy cheek and cold,\n",
      "colder thy kiss;\n",
      "\n",
      "truly that hour foretold\n",
      "sorrow to this.\n",
      "\n",
      "‘the dew ofthe morning\n",
      "sank chill on my brow—\n",
      "it ett ike the warning\n",
      "(of what | fee! now.\n",
      "\n",
      "thy vows are all broken,\n",
      "‘an lights thy fame:\n",
      "‘hear thy name spoken,\n",
      "‘and share ints shame.\n",
      "\n",
      "‘they name thee before me,\n",
      "a krell to mine ear,\n",
      "\n",
      "aa shudder comes ter me—\n",
      "why wert thou so dear?\n",
      "‘they know not | knew thee,\n",
      "whe knew thee too wel—\n",
      "long, long shall ue thee.\n",
      "too deeply to tell\n",
      "\n",
      "in secrat wo met—\n",
      "in silence | grieve\n",
      "\n",
      "that thy heart could forget,\n",
      "thy spit deceive.\n",
      "\n",
      "it should mest thee\n",
      "\n",
      "after iong years,\n",
      "\n",
      "how should | greet thee?—\n",
      "with silence and tears\n",
      "\f",
      "book’s title:\n",
      "sufi poems: inspirational verses of twenty sufi poets\n",
      "\n",
      "(available on amazon.com)\n",
      "\n",
      "farid ud-din: attar of nishapur\n",
      "(c. 1145 —c. 1221)\n",
      "(selected poems)\n",
      "\n",
      "love as the ruler of the universe\n",
      "the whole world is a market-place for love,\n",
      "for naught that is, from love, remains remote.\n",
      "the eternal wisdom made all things in love:\n",
      "on love they all depend, to love they all turn.\n",
      "the earth, the heavens, the sun, the moon, the stars,\n",
      "the centers of their orbit lie in love.\n",
      "by love are all bewildered, stupefied,\n",
      "intoxicated by the wine of love.\n",
      "from each a mystic silence love demands.\n",
      "what do all seek so earnestly? it is love!\n",
      "what do they whisper to each other? love!\n",
      "love is the subject of the inmost thoughts.\n",
      "in love no longer “thou” and \"i\" exist,\n",
      "for self has passed away in the beloved.\n",
      "now will i draw aside the veil from love,\n",
      "and in the temple of my innermost soul,\n",
      "behold the friend’s incomparable love.\n",
      "he who would know the secret of both worlds,\n",
      "will find the secret of them both in love.\n",
      "\n",
      "book’s title:\n",
      "\n",
      "sufi poems: inspirational verses of twenty sufi poets\n",
      "complete book’s reference:\n",
      "https://www.amazon.com/sufi-poems-inspirational-verses-twenty-\n",
      "\n",
      "ebook/dp/b086rgk9sy/ref=sr_1_1?dchild=1 &keywords=rashid+abdullah+sufi+poems& gid=1590\n",
      "668053&sr=8-1\n",
      "\f",
      "truth in advertising\n",
      "\n",
      "sebastian errazuriz told everyone in south beach.\n",
      "first, he cleared it with the federal aviation authority.\n",
      "death is the only certainty in life\n",
      "\n",
      "he hired a plane to fly his banner, an act of free speech.\n",
      "he had something he needed to say, so\n",
      "sebastian errazuriz told everyone in south beach.\n",
      "\n",
      "it was 2009, and nine/eleven seemed a long time ago.\n",
      "he first proposed we are all going to die.\n",
      "the faa did not approve, perhaps fearing it was a breach\n",
      "\n",
      "of homeland security. perhaps they thought it was a lie.\n",
      "surely, the national endowment for the arts would have let it go.\n",
      "anyway, sebastian errazuriz told everyone in south beach.\n",
      "\n",
      "bikini-clad women, hands propped as visors, squinted up at the sky.\n",
      "achild clung to her mother. a man brought his lover within reach.\n",
      "swimmers looking up wiped the sea’s salt from their eyes.\n",
      "\n",
      "death is the only certainty was also denied.\n",
      "but not because of taxes. if you weren't there, still, you should know—\n",
      "ak sebastian errazuriz told everyone in south beach,\n",
      "\n",
      "death is the only certainty in life.\n",
      "\n",
      "brook j. sadler\n",
      "\f",
      "forever is something\n",
      "you will never understand...\n",
      "\n",
      "- clive in coffin\n",
      "\f",
      "beautiful heart\n",
      "\n",
      "beautiful heart\n",
      "a heart not to be worn on your sleeve\n",
      "in search of love in a pit of snakes\n",
      "white rose among the scarlet\n",
      "\n",
      "_ only to be found once in a lifetime\n",
      "disappeared it has y\n",
      "\n",
      "like a cat sleeping in a windowsill\n",
      "- ~ a common site overlooked\n",
      "\n",
      "  \n",
      "     \n",
      "\n",
      "  \n",
      "  \n",
      "  \n",
      " \n",
      " \n",
      " \n",
      "\n",
      "itwas always there\n",
      "» the vase in the win yw now is miss’\n",
      "\n",
      ". the oné with\n",
      "locked away far\n",
      "\n",
      "y way ied the goed\n",
      "\f",
      "this is thatt excelent way whereon if we wil walk\n",
      "\n",
      "all things shall be added unto us-thatt love which inspired\n",
      "the wayward visionary in his doctrinal ode\n",
      "\n",
      "to the three christian graces, the church’s first hymn\n",
      "and only deathless athanasian creed,-the which\n",
      "\n",
      "‘except a man believe he cannot be saved.’\n",
      "\n",
      "this is the endearing bond whereby christ’s company\n",
      "\n",
      "yet holdeth together on the truth of his promise\n",
      "\n",
      "that he spake of his grat pity and trust in man’s love,\n",
      "\n",
      "‘lo, i am with you always ev'n to the end of the world.’\n",
      "truly the soul returneth the body's loving\n",
      "\n",
      "where it hath won it...and god so loveth the world\n",
      "\n",
      "and in the fellowship of the friendship of christ\n",
      "\n",
      "god is seen as the very self-essence of love,\n",
      "\n",
      "creator and mover of all as activ lover of all,\n",
      "self-express’d in not-self, mind and body, mother and child,\n",
      "“twixt lover and loved, god and man: but one eternal\n",
      "\n",
      "in the love of beauty and in the selfhood of love.\n",
      "\f",
      "the fountains mingle with the river\n",
      "and the rivers with the ocean,\n",
      "\n",
      "the winds of heaven mix for ever\n",
      "with a sweet emotion;\n",
      "\n",
      "nothing in the world is single;\n",
      "all things by a law divine\n",
      "\n",
      "in one spirit meet and mingle.\n",
      "why not i with thinee—\n",
      "\n",
      "see the mountains kiss high heaven\n",
      "and the waves clasp one another;\n",
      "\n",
      "no sister-flower would be forgiven\n",
      "if it disdained its brother;\n",
      "\n",
      "and the sunlight clasps the earth\n",
      "and the moonbeams kiss the sea:\n",
      "\n",
      "what is all this sweet work worth\n",
      "if thou kiss not me?\n",
      "\f",
      "love's philosophy\n",
      "\n",
      "bur elms rm ee\n",
      "and the rivers with the ocean;\n",
      "eee gi una c os\n",
      "with a sweet emotion;\n",
      "nothing in the world is single;\n",
      "all things by a law divine\n",
      "in another's being mingle—\n",
      "mara um ulead\n",
      "\n",
      "see, the mountains kiss high heaven,\n",
      "pnr aur cee) ela elite) es\n",
      "no sister flower could be forgiven\n",
      "if it disdained its brother;\n",
      "and the sunlight clasps the earth,\n",
      "and the moonbeams kiss the sea;--\n",
      "what are all these kissings worth,\n",
      "\n",
      "if thou kiss not me?\n",
      "\n",
      "percy bysshe shelley\n",
      "\f",
      " \n",
      "\n",
      "people wno\n",
      "correct you\n",
      "in private\n",
      "weep tnem...\n",
      "\n",
      "- alive in coffin\n",
      "\f",
      "the\n",
      "desiderata\n",
      "of happiness\n",
      "\n",
      "a collection of philosophical poems\n",
      "\n",
      "by the author of desiderata\n",
      "\n",
      "max ehrmann\n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "=> @isuiu\n",
      "\n",
      " \n",
      "\n",
      "en aiesiv\n",
      "\f",
      "sorin cerin ~ existentialism\n",
      "= philosophical poems-\n",
      "\n",
      "56, dry mouths\n",
      "\n",
      "inever understood,\n",
      "why am i,\n",
      "\n",
      "so many unbelievers,\n",
      "\n",
      "who refuses to worship,\n",
      "\n",
      "atthe ieons of the words,\n",
      "\n",
      "which, they promise us,\n",
      "\n",
      "that they will bring us,\n",
      "\n",
      "the very coveted, rain of happiness,\n",
      "\n",
      "in the dry mouths,\n",
      "\n",
      "of the ilusions of the existence,\n",
      "\n",
      "which, they have no more sipped,\n",
      "\n",
      "the water of the absolute truth,\n",
      "\n",
      "still beforehand of the birth of the world.\n",
      "\n",
      " \n",
      "\n",
      "89\n",
      "\f",
      "a lost sufi:\n",
      "philosophical poems\n",
      "\n",
      " \n",
      "\n",
      "hassan ajami\n",
      "\f",
      "1 in sci it,\n",
      "hehe tg ae\n",
      "\n",
      "‘nm ep of u,\n",
      "my ange pie wig,\n",
      "fan eet eye tig\n",
      "‘el ge we, obs ps\n",
      "om ey ot\n",
      "\n",
      " \n",
      "\f",
      "queen mab;\n",
      "philosophical poem:\n",
      "swinit nores.\n",
      "\n",
      "percy bysshe shelley.\n",
      "\n",
      " \n",
      "\n",
      "ns ga\n",
      "\n",
      "see\n",
      "erccee es\n",
      "pemnicrehanayee =\n",
      "\n",
      " \n",
      "\f",
      "sorin cerin\n",
      "- the lost time -\n",
      "= philosophical poems -\n",
      "\n",
      " \n",
      "\n",
      "‘56. full of the words from sand\n",
      "\n",
      "never thought,\n",
      "that dreams come,\n",
      "\n",
      "to they wash us dispirited and defeated,\n",
      "the traces of the hugs,\n",
      "\n",
      "with the waves wounded,\n",
      "\n",
      "by the deserted distances,\n",
      "\n",
      "of the horizons,\n",
      "\n",
      "which have abandoned them,\n",
      "\n",
      "in the arms of the\n",
      "full of the words from sand,\n",
      "shattered by the hearts of wind,\n",
      "of the broken hourglasses,\n",
      "\n",
      "what, they feed us, the lost time,\n",
      "of the eterities of moments,\n",
      "abandoned to the destiny,\n",
      "dedicated totally to the death,\n",
      "by ourselves\n",
      "\n",
      " \n",
      "\f",
      " \n",
      " \n",
      "   \n",
      "     \n",
      "\n",
      " \n",
      "\n",
      "® the desiderata\n",
      "of happiness\n",
      "\n",
      "a collection of philosophical poems\n",
      "by max ehrmann, author of desiderata\n",
      "\n",
      "f gio =\n",
      "lust paid by stephen schutz\n",
      "\f",
      "*my horse moved on; hoof after hoof\n",
      "he raised, and never stopped:\n",
      "when down behind the cottage roof,\n",
      "at once, the bright moon dropped.”\n",
      "\n",
      "“william wordsworth, strange fits of passion i have known\n",
      "\f",
      "   \n",
      " \n",
      "    \n",
      "\n",
      "urons exploding in the dark. tt\n",
      "measure of words, was a chemica\n",
      "intertwining with the void in order\n",
      "a socket of emotion. that matter\n",
      "self-bound was made of strings and\n",
      "into a dream nobody could understan\n",
      "said life was a single white cloud in the\n",
      "sky of death - that life could be transi\n",
      "like a ripple through time, on a vesse\n",
      "was as fragile as its contents. that\n",
      "alive all the galaxies would be dewdro}\n",
      "the skin of god. that the earth could ha\n",
      "among its shadows, the monstrosity of a\n",
      "capsule of silence. they said that in the |\n",
      "\n",
      "  \n",
      "  \n",
      "  \n",
      "  \n",
      "\n",
      "   \n",
      "  \n",
      "\n",
      "    \n",
      "    \n",
      "   \n",
      "   \n",
      "   \n",
      "    \n",
      "   \n",
      " \n",
      "\n",
      "our hearts. that life was a response,\n",
      "shimmering at the edge of a machine.\n",
      "\n",
      "  \n",
      "\f",
      " \n",
      "\n",
      "seaton a se poems mes ne\n",
      "\n",
      "tommaso oar so oe\n",
      "rear pee\n",
      "\n",
      "edited, pr verees me be casa a\n",
      "\n",
      "we oe ere ae\n",
      "\f",
      "what tomorrow brings\n",
      "\n",
      "‘they journey far whose medium is the mind\n",
      "_who hie from home to galaxies unknown\n",
      "who mull the thought there’s always more to find\n",
      "“who face all foes if facing those alone. :\n",
      "\n",
      "our pioneers have always weathered well\n",
      "the counter winds prevailing far and gh\n",
      "adversities beer bi\n",
      "turning o\n",
      "\n",
      " \n",
      "\f",
      "nicholas gordon\n",
      "\n",
      "    \n",
      "\n",
      "philosophical\n",
      "\n",
      "i evant\n",
      "\n",
      "2nd edition\n",
      "\n",
      " \n",
      "\f",
      "among school children\n",
      "\n",
      "yeats wrote “among school children” in 1926, by which time he was famous as a nobel prize winning\n",
      "poet and as a senator of the irish free state. it is a fairly long, complex poem and might be best\n",
      "understood by being approached stanza by stanza.\n",
      "\n",
      "it is an example of a philosophical poem — a poem that considers the type of questions asked by\n",
      "philosophers. the poem actually names three greek philosophers: plato, aristotle and pythagoras.\n",
      "he wrote the poem after visiting a montessori school in dublin. as a publishe poet and winner of the\n",
      "nobel prize, yeats was often asked to visit such institutions to provide encouragement to students.\n",
      "\n",
      " \n",
      "\n",
      "yeats considers various questions in the poem and each stanza takes a step forward in his thinking. he\n",
      "considers the importance of the philosophy of thought, science and aesthetics (represented by the\n",
      "three named philosophers). however, he considers how even these great men grew old and died and\n",
      "may at times be held up to ridicule. yeats reflects upon their and his own impermanence. he also\n",
      "contemplates the arts: music, dance, theatre, poetry, painting and sculpture. he considers them all as.\n",
      "one art ~ all attempting to find the perfect pythagorean aesthetic ratios. the third area of this\n",
      "reflection is his view of himself as a lover. he was in love with one woman for many years and\n",
      "describes the intimate feeling of when his beloved grants him a vision of the life she led prior to their\n",
      "meeting\n",
      "\n",
      "according to plato’s myth of creation, everyone was originally half a sphere. upon birth, the spheres\n",
      "split in two and the divided parts are thrown into the world, thus explaining the phenomenon of\n",
      "human sexual attraction. as he looks over the girls in the classroom, his mind wanders and he imagines\n",
      "what maud may have looked like as a girl. he imagines her as a type of mary magdalene - evoking a\n",
      "figure similar to donatello’s 15\" century emaciated, ravaged magdalene.\n",
      "\n",
      "the final questions of the poem have been interpreted in many different ways. they can be looked at\n",
      "in terms of identity: the “dancer” could be our inner self, which may differ from our “dance” which\n",
      "could be our outer actions. is it possible to separate the two? to what extent are we defined as\n",
      "individuals by our outward actions?\n",
      "\n",
      "it appears that yeats is asking whether any one thing or person can be defined by its parts. for\n",
      "example: can we define this poem by its words, its form or its tone? the answer is - we need to look\n",
      "at all the parts to define it. yeats applies this idea to education by suggesting that a holistic approach,\n",
      "which balances intellect, emotion, body and soul in a creative expression of self, is the ideal. this is a\n",
      "fairly utopian ideal of joyful learning.\n",
      "\n",
      " \n",
      "\n",
      "the poem is written in octava rima form, with each stanza consisting of 8 lines of verse. each stanza\n",
      "contains a unit of 6 lines followed by a unit of two lines, giving the poem an abababcc form. he often\n",
      "used this form for his meditative poems.\n",
      "\n",
      "to yeats, life is a series of fluid and self-invented steps, not governed by time but rather invented\n",
      "against time. this poem appears to have a stream-of consciousness feel, with no one apparent focus\n",
      "but ends with the ultimate questions: what is life worth once someone has grown old?\n",
      "\n",
      " \n",
      "\f",
      "the\n",
      "philosophy of\n",
      "love - lzars\n",
      "\n",
      "philosophical poems\n",
      "sorin cerin\n",
      "\n",
      " \n",
      "\f",
      "naming the unnameable: an approach\n",
      "to poetry for new generations\n",
      "\n",
      "michelle bonczek evory\n",
      "\n",
      "open suny textbooks\n",
      "\f",
      "in gs\n",
      "philosophy of\n",
      "love - tears\n",
      "\n",
      "philosophical poems\n",
      "\n",
      " \n",
      "\n",
      "sorin cerin\n",
      "\f",
      "poems; chiefly philosophical.\n",
      "in continuation of my book,\n",
      "and a half year's poems.\n",
      "(cain, a soliloquy.).\n",
      "\n",
      "james henry\n",
      "\n",
      "59\n",
      "\f",
      " \n",
      "\n",
      "quotespedia.info\n",
      "\n",
      "poetry is finer and more\n",
      "philosophical than history;\n",
      "for poetry expresses the\n",
      "universal, and history only\n",
      "the particular.\n",
      "\n",
      "aristotel\n",
      "\f",
      "mother's funeral service and even the priest got choked up and he had\n",
      "never even read it before that day! the other poems are quite wonderful\n",
      "also and | don't think that anyone should pass this book by. you will find\n",
      "yourself reading it again and again! in his intro, he once told an\n",
      "interviewer that at de pauw univ. he contracted a disease which he had\n",
      "never shaken off. the disease was idealism and because of it he did the\n",
      "thing in life he wanted to do--write.\n",
      "\n",
      " \n",
      "\n",
      "for more 5 star customer reviews and lowest prict\n",
      "‘star customer reviews and lowest price!\n",
      "\n",
      "this review is from: the desiderata of happiness: a collection of philosophical\n",
      "\n",
      "poems (hardcover)\n",
      "this is a collection of short poems written in the traditional\n",
      "\n",
      "belles lettres style of writing. some of the poems were purported\n",
      "to be inscribed on the old st. paul's church. some quotes are as follows\n",
      "\n",
      "=\" be cheerful , strive to be happy.\"\n",
      "\n",
      "~ \"speak your truth quietly and clearly; and listen to others\n",
      "even to the dull and the ignorant; they too have their story.”\n",
      "\n",
      "‘the volume speaks of the author's love of the whole world and\n",
      "deep concer for society. it is an important acquisition for\n",
      "the young and the young at heart in your home.\n",
      "\n",
      "this review is from: the desiderata of happiness: a collection of philosophical\n",
      "poems (hardcover)\n",
      "“desiderata\" (latin for ‘things to be desired’) achieved its greatest fame as the anthem of\n",
      "sixties’ hippie-dom - becoming the subject of many millions of posters. it was written in\n",
      "1927 by max ehrmann (1872-1945). in 1956, the rector of st paul's church in baltimore,\n",
      "maryland, used the poem in a collection of mimeographed inspirational material for his\n",
      "congregation. someone who subsequently printed it asserted that it was found in old st.\n",
      "paul's church, dated 1692. the year 1692 was the founding date of the church and has\n",
      "nothing to do with the poem.\n",
      "\n",
      "this book, \"desiderata of happiness”, begins with this poem, which is part of two poetic\n",
      "“chapter” themes that make up this 65-page book. the first theme is titled \"go placidly\n",
      "amid the noise and haste”, and the other is titled \"for power and wealth men stretch the\n",
      "\n",
      "day\".\n",
      "\n",
      "besides \"desiderata', the following two poems are some of my favourites in the book\n",
      "and give example of the book's contents:\n",
      "\n",
      "title: \"you with the still soul”\n",
      "\"maybe you have a still soul that\n",
      "{goes murmurless like water in the deep\n",
      "of rivers;\n",
      "\n",
      "and perchance you wander\n",
      "\f",
      "dray en .\n",
      "2019 summer bl’ s\n",
      "\n",
      "the world is\n",
      "\n",
      "ending,.here a\n",
      "ms t\n",
      "\n",
      "      \n",
      " \n",
      "\n",
      "cmec\n",
      "ne gee ee\n",
      "\n",
      " \n",
      "\f",
      "string. donuts.\n",
      "bubbles and\n",
      "mita\n",
      "\n",
      "ean es ea\n",
      "\n",
      "wayne visser\n",
      "\n",
      " \n",
      "\f",
      "1 .\n",
      "\n",
      "lows flilsoplig\n",
      "the fountains mingle with the river\n",
      "and the rivers with the ocean;\n",
      "the winds of heaven mix for ever\n",
      "with a sweet emotion:\n",
      "nothing in the world is single,\n",
      "all things by a law divine\n",
      "in one another's being mingle-\n",
      "why not | with thine?\n",
      "\n",
      "see the mountains kiss high heaven,\n",
      "and the waves clasp one another;\n",
      "no sister—flower would be forgiven\n",
      "if it disdain'd its brother:\n",
      "\n",
      "and the sunlight clasps the earth,\n",
      "and the moonbeams kiss the sea-\n",
      "what are all these kissings worth,\n",
      "\n",
      "if thou kiss not me?\n",
      "\n",
      "- pa, bg slo\n",
      "\f",
      "the philosophical egotist\n",
      "\n",
      "hast thow the infant seen that yet, unknowing of the love\n",
      "\n",
      "which warms and cradles, calmly sleeps the mother's heart above--\n",
      "wandering from arm to arm, until the call of passion wakes,\n",
      "\n",
      "and glimmering on the conscious eye--the world in glory breaks?\n",
      "\n",
      "and hast thow seen the mother there her anxious vigil keep?\n",
      "\n",
      "buying with love thar never sleeps the darling's happy sleep?\n",
      "\n",
      "with her own life she fans and feeds that wenk life's trembling rays,\n",
      "and with the sweetness of the care, the care itself repays.\n",
      "\n",
      "aud dost thow nature then blaspheme--that both the child and mother\n",
      "each unto each unites, the while the one doth need the othere--\n",
      "\n",
      "aml self-sufficing wilt thow from that lovely circle stand--\n",
      "\n",
      "that creature still to creature links in faith’s familiar band?\n",
      "\n",
      "ah! dar'st thow, poor one, from the rest thy lonely self estrange?\n",
      "eternal power itself is but all powers in interchange!\n",
      "\n",
      "friedrich schiller\n",
      "\n",
      " \n",
      "\n",
      "{3 internetpoem.com\n",
      "\f",
      "   \n",
      "\n",
      "‘max ehrmann\n",
      "\n",
      " \n",
      "\f",
      "on children\n",
      "\n",
      "kahlil gibran\n",
      "\n",
      "your children are not your children,\n",
      "they are the sons and daughters of life's longing for itself.\n",
      "they come through you but not from you,\n",
      "\n",
      "and though they are with you yet they belong not to you.\n",
      "\n",
      "you may give them your love but not your thoughts,\n",
      "for they have their own thoughts.\n",
      "\n",
      "you may house their bodies but not their souls,\n",
      "\n",
      "for their souls dwell in the house of tomorrow,\n",
      "which you cannot visit, not even in your dreams.\n",
      "\n",
      "you may strive to be like them,\n",
      "\n",
      "but seeknot to make them like you.\n",
      "\n",
      "for life goes not backward nor tarries with yesterday.\n",
      "\n",
      "you are the bows from which your children\n",
      "as living arrows are sent forth,\n",
      "\n",
      "the archer sees the mark upon the path of the infinite,\n",
      "and he bends you with his might\n",
      "\n",
      "that his arrows may go swift and far.\n",
      "\n",
      "let your bending in the archer's hand be for gladness;\n",
      "for even as he loves the arrow that flies,\n",
      "\n",
      "0 he loves also the bow that is stable.\n",
      "\f",
      "your hands\n",
      "and in the skin of the grapes\n",
      "\n",
      "‘when your hands go out, t thought i touched you.\n",
      "love, toward mine, ‘the wood suddenly\n",
      "\n",
      "what do they bring me flying? brought me your touch,\n",
      "why did they stop the almond announced to me\n",
      "at my mouth, suddenly, your secret softness,\n",
      "\n",
      "why do i recognize them until your hands\n",
      "\n",
      "as if then, before, closed on my chest\n",
      "\n",
      "thad touched them, and there like two wings\n",
      "\n",
      "as if before they existed they ended their journey.\n",
      "\n",
      "they had passed over\n",
      "my forehead, my waist?\n",
      "\n",
      "their softness came\n",
      "\n",
      "aying over time,\n",
      "\n",
      "over the sea, over the smoke\n",
      "over the spring,\n",
      "\n",
      "and when you placed\n",
      "\n",
      "your hands on my chest, j\n",
      "trecognized those golden\n",
      "dove wings, ,\n",
      "i recognized that clay\n",
      "\n",
      "and that color of wheat.\n",
      "\n",
      "  \n",
      " \n",
      " \n",
      " \n",
      " \n",
      " \n",
      "  \n",
      "\n",
      "al the years of my life\n",
      "i walked around looking for th\n",
      "l went up the stairs,\n",
      "\n",
      "t crossed the roads,\n",
      "\n",
      " \n",
      "\n",
      "trains carried me,\n",
      "‘waters brought me,\n",
      "\f",
      "we 7 377+ best\n",
      "7. <| philosophy\n",
      "quotes\n",
      "\n",
      "= of all time\n",
      "\n",
      " \n",
      "\f",
      "the\n",
      "\n",
      "desiderata\n",
      "of happiness\n",
      "\n",
      "a catectineaf milasaphical reims\n",
      "by the cuthorief desidevata\n",
      "\n",
      "max ehrmann\n",
      "\f",
      " \n",
      "\n",
      "life is without filters\n",
      "accept the reality...\n",
      "\n",
      "-~ alive in coffin\n",
      "\f",
      "     \n",
      "     \n",
      "     \n",
      "   \n",
      " \n",
      "\n",
      "you must love\n",
      "\n",
      "irssao vow in such a way that\n",
      "the peo: you the person you love\n",
      "‘were once so close\n",
      "with can become feels free.\n",
      "istangther aca\n",
      "\n",
      "stranger you dont\n",
      "know.\n",
      "\f",
      " \n",
      "\n",
      "frederick turner\n",
      "\n",
      "eee\n",
      "~~ and the\n",
      "\n",
      "~ nature of.\n",
      "see\n",
      "\n",
      "philosophical themes in\n",
      "some plays and poems of\n",
      "william shakespeare\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "free row poems\n",
      "\n",
      "and other\n",
      "\n",
      "ee\n",
      "\n",
      "mi\n",
      "\n",
      "\"ey &\n",
      "\n",
      "\\ 4 . ws c >\n",
      "» - . ~~ wy . “ss\n",
      "\n",
      "   \n",
      "  \n",
      "\n",
      ",\n",
      "me \\\n",
      "~<\n",
      "-\n",
      "\n",
      "—_—@\n",
      "\n",
      "ut\n",
      "\f",
      "cauchy3\n",
      "-book-9-\n",
      "prose-poems\n",
      "\n",
      "philosophical poem book\n",
      "about killing, sexes, powers\n",
      "\n",
      "poems by\n",
      "cheung\n",
      "shun sang\n",
      "\f",
      "      \n",
      "   \n",
      "    \n",
      "  \n",
      "\n",
      "and\n",
      "fancies: “lo\n",
      "\n",
      " \n",
      " \n",
      " \n",
      "\n",
      " \n",
      "\n",
      "exch ritten,\n",
      "| by the right honourable, th lad fey |\n",
      "margaret y\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "\" elon don, q\n",
      "printed by t.r. for f.emlartin, and f. al oftrye 5) ,\n",
      "\n",
      "at the bell in saint panls church yard, 1 6 5 3s\n",
      "\n",
      "  \n",
      "\f",
      "     \n",
      " \n",
      "\n",
      "k\n",
      "\n",
      "the desiderata\n",
      "of happiness\n",
      "\f",
      "ten fingers, ten toes\n",
      "a child's pure mind always knows\n",
      "life is simply play\n",
      "\f",
      "rae anu cra eee)\n",
      "tao eae\n",
      "qi h e ese eee\n",
      "se nace as\n",
      "a deca\n",
      "light ere rr rwc wye\n",
      "in my ears they started whispering,\n",
      "a a cae\n",
      "naval al tal ead et ana le ea\n",
      "sena en oa ee\n",
      "ace eur neuen aste ae\n",
      "nm a com\n",
      "trec uwame n ra\n",
      "peo a oe\n",
      "| could see nothing of that was dwelling,\n",
      "p dr erence re\n",
      "aen aor\n",
      "iwas tired my eyes were closing,\n",
      "rm we nace mies\n",
      "| € er tea a cnr rco cae\n",
      "1 cnc ecusam ae aoc rec aa\n",
      "nm ree eon rent ae\n",
      "te maa als can\n",
      "ma no ae\n",
      "ge ar es det\n",
      "rene ee aaa\n",
      "\n",
      "- jitu das\n",
      "\n",
      "coat cron)\n",
      "\f",
      "cito pede preverit actas - a philosophical dissertation\n",
      "\n",
      "\"gillian's dead, god rest her bier,\n",
      "how 1 loved her many years syne;\n",
      "marion's married, bur 1 sit here,\n",
      "alive and merry at three-score year,\n",
      "dipping my nose in gascoigne wine.”\n",
      "- wamba's song, thackeray.\n",
      "\n",
      "a mellower light doth sol afford,\n",
      "\n",
      "his meridian glare has pass'd,\n",
      "\n",
      "and the trees on the broad and sloping sward\n",
      "their length'ning shadows cast.\n",
      "\n",
      "\"time flies.\" the current will be no joke,\n",
      "\n",
      "tf swollen by recent rain,\n",
      "\n",
      "to cross in the dark, so l'il have a smoke,\n",
      "and then 1'll be off again.\n",
      "\n",
      "what's up, old horse? ‘your ears you prick,\n",
      "and your eager eyeballs glisten;\n",
      "\n",
      "tis the wild dog's note in the tea-tree thick,\n",
      "by the river, to which yow listen.\n",
      "\n",
      "with head erect and tail flung out,\n",
      "\n",
      "for a gallop you seem to beg,\n",
      "\n",
      "bur 1 feel the qualm of a chilling doubt,\n",
      "as 1 glance at your fav’ rite leq.\n",
      "\n",
      "let the dingo rest, ‘tis all for the best;\n",
      "in this world there's room enough\n",
      "\n",
      "for him and you and me and the rest,\n",
      "and the country is awful rough.\n",
      "\n",
      "we've had our gallop in days of yore,\n",
      "now down the hill we must run;\n",
      "\n",
      "yer at times we long for one gallop more,\n",
      "although it were only one.\n",
      "\n",
      "did our spirits quail at a new four-rail,\n",
      "could a “double” double-bank us,\n",
      "\n",
      "ere nerve and sinew began to fail\n",
      "\n",
      "‘in the consulship of plancus?\n",
      "\n",
      "when our blood ran rapidly, and when\n",
      "our bones were pliant and limber,\n",
      "\n",
      "could we stand a merry cross-counter then,\n",
      "a slogging fall over timber?\n",
      "\n",
      "arcades ambo! duffers both,\n",
      "\n",
      "in our best of days, alas!\n",
      "\n",
      "(1 tell the truth, though to tell it forh)\n",
      "\n",
      "'tis time we were gone to grass;\n",
      "\n",
      "the young leaves shoot, the sere leaves fall,\n",
      "aud the old gives way to the new,\n",
      "\n",
      "while the preacher cries, \"'tis vanity all,\n",
      "and vexation of spirit, too.”\n",
      "\n",
      "now over my head the vapours curl\n",
      "from the bowl of the soothing clay,\n",
      "\n",
      "in the misty forms thar eddy and whirl\n",
      "my thoughts are flitting away;\n",
      "\n",
      "‘yes, the preacher's right, ‘tis vanity all,\n",
      "but the sweeping rebuke he showers\n",
      "\n",
      "on vanities all may heaviest fall\n",
      "\n",
      "on vanities worse than ours.\n",
      "\n",
      "we have no wish to exaggerate\n",
      "\n",
      "the worth of the sports we prize,\n",
      "\n",
      "some toil for their church, and some for their state,\n",
      "and some for their merchandise;\n",
      "\n",
      "some traffic and trade in the city's mart,\n",
      "\n",
      "some travel by land and sen,\n",
      "\n",
      "some follow science, some cleave to art,\n",
      "\n",
      "and some to scandal and tea;\n",
      "\n",
      "and some for their country and their queen\n",
      "would fight, if the chance they had,\n",
      "\n",
      "good sooth, ‘twere a sorry world, 1 ween,\n",
      "tf we all went galloping mad;\n",
      "\n",
      "yer if once we efface the joys of the chase\n",
      "from the land, and outroot the stud,\n",
      "good-bye to the anglo-saxon race!\n",
      "farewell to the norman blood!\n",
      "\n",
      "where the burn runs down to the uplands brown,\n",
      "from the heights of the snow-clad range,\n",
      "\n",
      "what anodyne drawn from the stifling town\n",
      "\n",
      "can be reckon'd a fair exchange\n",
      "\n",
      "for the stalker's stride, on the mountain side,\n",
      "\n",
      "in the bracing northern weather,\n",
      "\n",
      "to the slopes where couch, in their antler'd pride,\n",
      "the deer on the perfum'd heather?\n",
      "\n",
      "oh! the vigour with which the air is rife!\n",
      "\n",
      "the spirit of joyous motion;\n",
      "\n",
      "the fever, the fulness of animal life,\n",
      "\n",
      "can be drain'd from no earthly potion!\n",
      "\n",
      "the lungs with the living gas grow light,\n",
      "\n",
      "and the limbs feel the strength of ten,\n",
      "\n",
      "while the chest expands with its madd ning might,\n",
      "god's glorious oxygen.\n",
      "\n",
      "thus the measur'd stroke, on elastic sward,\n",
      "of the steed three parts extended\n",
      "\n",
      "» hard held, the breath of his nostrils broad,\n",
      "with the golden ether blended;\n",
      "\n",
      "then the leap, the rise from the springy turf,\n",
      "the rush through the buoyant air,\n",
      "\n",
      "and the light shock landing, the veriest serf\n",
      "‘is an emperor then and there!\n",
      "\n",
      "such scenes! sensation and sound and sight!\n",
      "\n",
      "to some undiscover'd shore\n",
      "\n",
      "on the current of time's remorseless flight\n",
      "have they swept to return no more?\n",
      "\n",
      "while, like phantoms bright of the fever'd night,\n",
      "that have vex'd our slumbers of yore,\n",
      "\n",
      "you follow us still in your ghostly might,\n",
      "\n",
      "dead days that have gone before.\n",
      "\n",
      "vain dreams, again and again re-told,\n",
      "must you crowd on the weary brain,\n",
      "\n",
      "till the fingers are cold that entwin'd of old\n",
      "round foil and trigger and rein,\n",
      "\n",
      "till stay'd for aye are the roving feet,\n",
      "\n",
      "till the restless hands are quiet,\n",
      "\n",
      "till the stubborn heart has forgotten to beat,\n",
      "till the hot blood has ceas'd to rior?\n",
      "\n",
      "in exeter hall the saint may chide,\n",
      "\n",
      "the sinner may scoff outright,\n",
      "\n",
      "the bacchanal steep'd in the flagon’s tide,\n",
      "\n",
      "or the sensual sybarite;\n",
      "\n",
      "but nolan's name will flourish in fame,\n",
      "when our galloping days are past,\n",
      "\n",
      "when we go to the place from whence we came,\n",
      "perchance to find rest at last.\n",
      "\n",
      "thy riddles grow dark, oh! drifting cloud,\n",
      "\n",
      "and thy misty shapes grow drear,\n",
      "\n",
      "thow hang’st in the air like a shadowy shroud,\n",
      "\n",
      "but 1 am of lighter cheer;\n",
      "\n",
      "though our future lor is a sable blor,\n",
      "\n",
      "though the wise ones of earth will blame us,\n",
      "though our saddles will ror, and our rides be forgot,\n",
      "\"dum vivimus, vivamus!”\n",
      "\n",
      "gd adam gindsay gordon\n",
      "\n",
      " \n",
      "\n",
      "{3 internetpoem.com\n",
      "\f",
      "posthumous poems\n",
      "\n",
      "percy bysshe shelley.\n",
      "\n",
      " \n",
      "\n",
      "london, 184:\n",
      "\n",
      "[printed yor joun and ienry l. hunt,\n",
      "\f",
      "hundred and ten. in _ subsequent\n",
      "versions the number of verses was\n",
      "reduced to one hundred and one.\n",
      "edward fitzgerald, unrewarded by\n",
      "the gratitude of a now ever-widening\n",
      "circle of admirers of this epicurean\n",
      "philosophical poem, died in 1883, leav-\n",
      "ing this little classic a monument to\n",
      "\n",
      "his genius.\n",
      "\f",
      "birds of a feather\n",
      "birds of a feather flock together,\n",
      "and so will pigs and swine;\n",
      "\n",
      "rats and mice will have their choice,\n",
      "\n",
      "and so will i have mine.\n",
      "\n",
      " \n",
      "\f",
      "a critical essay almanifi_ 1\n",
      "\n",
      "macleish’s “ars poetica”: a poem on the art of writing poetry as a\n",
      "\n",
      "transcendent aesthetic of experience\n",
      "\n",
      "archibald macleish’s poem “ars poetica” is a lyrical aesthetic drama\n",
      "of a concept of metamorphic ‘being’ inherent in the art of writing poetry.\n",
      "the poem conceives the creative process as a silent transmutation of the\n",
      "music of the mind into a mode of being, not into a pattern of the meaning of\n",
      "a projective type. poetry is not a philosophy or metaphysics, nor is it an\n",
      "edifying or illuminating exercise in morality, with an ulterior view. its\n",
      "consummation as a process is its crystallized form with its molecular\n",
      "vibration for a receptive ear. this is quite an old notion that the content and\n",
      "the form of a work of art are one and the same thing. the form is only the\n",
      "fullest realization of the possibilities of the content. this quite artistry of\n",
      "unfoldment permeates ‘ars poetica’ as its animating spirit and is refracted in\n",
      "\n",
      "the entire spectrum of its imagery of silence and stillness.\n",
      "\n",
      "in the strong palpability of the poem, like that of around, full-grown,\n",
      "soft, hard, delicious apple, there is a romantic analogy, reminiscent of keats.\n",
      "but the compactness and suggestiveness of the phrase ‘globed fruit’ as well\n",
      "as its hard musical appeal impart it a modern quality. this feeling or\n",
      "perception recurs throughout the poem by variations and secures the\n",
      "\n",
      "maximum stress on the inherent reticence of the creative process. aristotle’s\n",
      "\f",
      " \n",
      "\n",
      "mthaphysical and\n",
      "philosophical poems\n",
      "\n",
      " \n",
      "\n",
      "thomas lind\n",
      "\f",
      "shorter philosophical) !\n",
      "#8 :\n",
      "poems of. :\n",
      "narayana guru\n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      "paradox anders vey wit jena te\n",
      "\f",
      "sorin cerin — the being and nonbeing\n",
      "- philosophical poems-\n",
      "\n",
      "1. the past is the future of the future\n",
      "\n",
      "any eternity,\n",
      "\n",
      "must start from somewhere,\n",
      "\n",
      "just like and the death,\n",
      "\n",
      "how any infinity,\n",
      "\n",
      "which does not have a landmark in a consciousness,\n",
      "tends to become nothingness.\n",
      "\n",
      "without remembrance,\n",
      "the whole world,\n",
      "\n",
      "it would collapse,\n",
      "\n",
      "in her own future,\n",
      "\n",
      "which would die,\n",
      "\n",
      "without a past,\n",
      "\n",
      "on which to identify him,\n",
      "as being,\n",
      "\n",
      "its future.\n",
      "\n",
      "and so the past is the future of the future.\n",
      "\n",
      "31\n",
      "\f",
      "-\n",
      "poems that |\n",
      "have that may\n",
      "\n",
      ". ls\n",
      "\n",
      "jol-)\n",
      "ry tossefe)nt (er\n",
      "\n",
      "7)\n",
      "\f",
      " \n",
      "\n",
      "common styles of poetry and!\n",
      "themes\n",
      "\n",
      "= pastoral poetry — poems dealing with rustic life\n",
      "\n",
      "= although frost's poetry often depicts scenes of naturehe\n",
      "does not consider himself to be a pastoral poet\n",
      "= the majori\n",
      "\n",
      "of frost's pastoral scenes contain some form\n",
      "of deep phil eit\n",
      "\n",
      "= common themes among his poetry:\n",
      "= relationship between humanity & nature\n",
      "= awareness of the cycle of life\n",
      "= everyone is a individual and collective\n",
      "enterprises could do nothing but weaken themselves.\n",
      "\f",
      "   \n",
      "  \n",
      "  \n",
      " \n",
      "  \n",
      "  \n",
      " \n",
      " \n",
      "  \n",
      "  \n",
      "\n",
      "sychathanasia\n",
      "\n",
      "_ frewing\n",
      "\n",
      "rie rnmaoralivy of souls, epecialy\n",
      "\n",
      "mans sooul\n",
      "\n",
      "hem. mater amy sdpalow of cis\n",
      "callegein combritge,\n",
      "\n",
      "i\n",
      "\n",
      "a re 6 baad ero\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "ee ai,\n",
      "oe\n",
      "\n",
      " \n",
      "\n",
      "ran dion 3 zr 423\n",
      "ginemer totocys-\n",
      "\n",
      "cambridge,\n",
      "prinudby reger daniel prine coche\n",
      "univediie, 1647.\n",
      "\f",
      "henry more\n",
      "\n",
      "philosophical poems by henry more.\n",
      "pene tce 0)\n",
      "\n",
      " \n",
      "\n",
      "early english wit, poetry & satire\n",
      "\f",
      "abstract susanne rohr\n",
      "\n",
      "“arrows to pierce dust’ ~ susan howe's philosophical poetry”\n",
      "\n",
      "in her 1999 book of poems pierce-arrow, susan howe weaves an intricate texture of ‘poetic\n",
      "historiography’ of the late nineteenth century by instigating a dialogue between various\n",
      "\n",
      "discourses and media, the poems, narra\n",
      "\n",
      " \n",
      "\n",
      "fe elements, and drawings are orchestrated to tell\n",
      "\n",
      "‘exemplary stories of banished genius, wasted chance, suppressed passion, and unsolved\n",
      "\n",
      " \n",
      "\n",
      "riddles. the text starts with charles sanders peirce, america’s brilliant yet neglected\n",
      "philosophical enfant terrible, and the poems keep coming back to him in their attempt to\n",
      "recreate the intellectual climate of the american fin-de-siécle. peirce, however, proves to be a\n",
      "difficult point of reference, his personality being as enigmatic as his philosophy is elusive.\n",
      "nonetheless, as i will show in my talk, this unstable center is well chosen. for the poems not\n",
      "only talk about the fleeting quality of their object, their particular poetics also re-enacts\n",
      "\n",
      "certain core elements of peirce’s theory of creativity.\n",
      "\f",
      "ami-slavery rhotozic in english poetry from 1780 w 1865\n",
      "by\n",
      "suleiman ibrahim abnatbasher hammad\n",
      "\n",
      "a thesis submitted to the graduate college in fulfilment of the requirements for\n",
      "the degree of doctorate of philesophy\n",
      "\n",
      "in\n",
      "english litemtnre\n",
      "\n",
      "department of english language\n",
      "college of arts and humanities\n",
      "\n",
      "approved by:\n",
      "\n",
      "major supervisor: prof, abdelrahim hamid mugaddam\n",
      "\n",
      "esaminers commitee:\n",
      "\n",
      "@ external examiner: prof, gamar a, atbooni\n",
      "\n",
      "lnwmal examiner, prof, amna a, badri\n",
      "\n",
      "gi) supervisor; prof, abdetrahim h, magaddam\n",
      "\n",
      "prof, abdelrahim mohamed khabir, dean of gmduate college\n",
      "\n",
      "university of bahr!\n",
      "\n",
      "‘the sudan\n",
      "\f",
      " \n",
      "  \n",
      "   \n",
      "   \n",
      "\n",
      "\"a serious and\n",
      "good philosophical\n",
      "work could be\n",
      "written consisting\n",
      "entirely of jokes.\"\n",
      "\n",
      "ludwig\n",
      "«, wittgenstein\n",
      "\f",
      "the limitations of proof\n",
      "\n",
      "i cannot prove l love you.\n",
      "\n",
      "i don't meant to be rude.\n",
      "\n",
      "but i cannot prove i love you ——\n",
      "not with any certitude.\n",
      "\n",
      "there’s no goos proof i love you,\n",
      "and l know that sounds phlegmatic.\n",
      "t's not that i don’t love you --\n",
      "\n",
      "just, the love is axiomatic.\n",
      "\n",
      " \n",
      "   \n",
      "\n",
      "i thought you said proof\n",
      "was the only measure of\n",
      "wt certain fact.\n",
      "\n",
      "  \n",
      "\n",
      "sure, but what joes certain\n",
      "fact have +0 30 with anything?\n",
      "\f",
      "fritz dufour’s philosophical essay\n",
      "on the works of louise-victorine ackermann\n",
      "\n",
      " \n",
      "\n",
      "my life\n",
      "first poems\n",
      "philosophical poems\n",
      "(1877)\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      "ste te\n",
      "pues =\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "keats as a poet of odes\n",
      "\n",
      "the first and foremost quality of his odes is their unity of\n",
      "impression. the major odes of keats “ode to nightingale”, ode\n",
      "on grecian urn, and ode on melancholy have a common\n",
      "subject and time. in ode to nightingale” keats wants\n",
      "imaginative participationin the untroubled natural life of the\n",
      "bird. he wants to make happiness last forever .the poem ends\n",
      "with keats findingno solution to his conflict. but he knows that\n",
      "art offer a type of permanence..in the seventh stanza of “ode\n",
      "to nightingale “the nightingale becomes a symbol of art.\n",
      "transitory human happiness is given permanence in a different\n",
      "sense by being embodied in art.\n",
      "\n",
      "ode on grecian um, takes up the thought of the seventh stanza\n",
      "of ode to nightingale. mortal beauty is passing away but not\n",
      "those of art. ode on grecian um is much more objective and\n",
      "descriptive than ode to nightingale. the grecian um is taken as\n",
      "a type of ending beauty much discussed. beauty is truth; truth\n",
      "beautyis all that keats wants us to know on earth. the truth is\n",
      "great and shall prevail. by truth keats means that which has\n",
      "lasting values. keats is saying that beauty is truer than love,\n",
      "pleasure and other forms of values because they pass away\n",
      "while beauty can be embodied in a lasting form. in ode to\n",
      "melancholy. keats recognizes that sadness is inevitable after\n",
      "movements of intense sensuous happiness. he says:\n",
      "\n",
      "she dwells with beauty\n",
      "beauty that must die\n",
      "\n",
      "melancholy springs from the transience of joy. ode to autumn\n",
      "is the most perfect in form and detail of all the keats odes.\n",
      "here keats returns to ordinary human experience. the season\n",
      "of ripeness and fulfillmentis seen as through it quite final.\n",
      "keats asserts that autumn has its own beauty and joy. it would\n",
      "be idle to try to turn the odes into great philosophical poems.\n",
      "\f",
      "86\n",
      "\n",
      "a society for the relief of suffering is entitled to\n",
      "every man's gratitude; and though in the past century,\n",
      "material growth has been out of all proportion to\n",
      "\n",
      "moral growth, the existence of your society leaves\n",
      "\n",
      "one not altogether without hope that during the\n",
      "\n",
      "next hundred years the relations between our inward\n",
      "\n",
      "and our outward progress may become less of a\n",
      "\n",
      "reproach to civilization.>\n",
      "the hopeful note of hardy's letter is absent from \"channel\n",
      "firing\" and \"a night of questionings.\" \"the world is as it\n",
      "used to be: / all nations striving to make / red war redder\"\n",
      "(11. 12-14) in \"channel firing.\" and in \"a night of questionings,\"\n",
      "the wind can only tell the dead, \"men still / who are born, do\n",
      "good, do ill...\" (11. 8-9),\n",
      "\n",
      "throughout the body of hardy's poetry an underlying idea\n",
      "is that life can be improved to some degree. but man must\n",
      "face the realities of existence before he can make any changes\n",
      "in his condition. he insists, in in tenebris ii, \"that if\n",
      "way to the better there be, it exacts a full look at the\n",
      "worst . . .\" (1. 14). human progress is \"a delicate growth\n",
      "cramped by crookedness, custom, and fear...\" (1. 15).\n",
      "\n",
      "another aspect of the victorian interest in evolution\n",
      "surfaces in hardy's various speculations on the possibility\n",
      "of the immanent will evolving into a state of consciousness\n",
      "and, as a result, bettering man's lot. this idea emerges in\n",
      "several of the philosophical poems, but its most obvious\n",
      "expression is in \"agnosto theo\";\n",
      "\n",
      "perhaps thy ancient rote-restricted ways\n",
      "\n",
      "thy ripening rule transcends;\n",
      "that listless effort tends\n",
      "\n",
      "to grow percipient with advance of days,\n",
      "and with percipience mends. (11. 11-15)\n",
      "\f",
      "the waterwheel\n",
      "\n",
      "the evening is falling,\n",
      "dusty and sad;\n",
      "\n",
      "the millstream still mutters\n",
      "ies little work-song\n",
      "\n",
      "in the slats and the scoops\n",
      "of the slowing wheel;\n",
      "\n",
      "the mule’s drifting off\n",
      "~poor old mule! =\n",
      "\n",
      "as the shadows grow long\n",
      "in the sound of the water.\n",
      "\n",
      "what divine poet\n",
      "blindfolded you,\n",
      "\n",
      "my wretched old pal,\n",
      "\n",
      "and tied the perpetual\n",
      "wheel to the water's\n",
      "mindless soliloquy,\n",
      "\n",
      "i can’t say, but know this:\n",
      "his was a heart\n",
      "\n",
      "ripened in darkness\n",
      "\n",
      "and slowed with knowledge.\n",
      "\f",
      ". # re ah\n",
      "cree ne\n",
      "knowing\n",
      "sa i-10 1:\n",
      "\n",
      "= oe\n",
      "ea quotes & poems: os\n",
      "es\n",
      "ng ’\n",
      "( _\n",
      "= a bs\n",
      "\n",
      "aes\n",
      "- oa\n",
      "ea martin janello cd\n",
      "\n",
      "a aa ae\n",
      "\f",
      "without darkness\n",
      "\n",
      "light has no value...\n",
      "\n",
      "- clive in coffin\n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      "the definition 0\n",
      "\n",
      "~ he classifi ied poetry into 3 kinds:\n",
      "* religious poetry\n",
      "\n",
      "* philosophical poetry\n",
      "* imitative poetry\n",
      "\n",
      "but he gave importance to\n",
      "the third type why???\n",
      "\f",
      "  \n",
      "\n",
      "\" \" philosophical, muse\n",
      "dl rn | ds hid\n",
      "stuff bee onki s|\n",
      "\n",
      " \n",
      "\n",
      "4\n",
      "p\n",
      "bs pl\n",
      "me\n",
      "fe: is\n",
      "rs sa\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "  \n",
      "\f",
      "tie\n",
      "\n",
      "desiderata\n",
      "of happiness\n",
      "\n",
      "—— x\n",
      "\n",
      "= —\n",
      "\n",
      "tation milnahsa bane\n",
      "yt oben of ten\n",
      "\n",
      "max esirmann\n",
      "\f",
      "journal of history culture and art research (issn: 2147-0626)\n",
      "\n",
      "  \n",
      "\n",
      "tarih kaltir ve sanat arastirmalan dergisi vol. 6, no. 2, march 2017\n",
      "revue des recherches en histoire culture et art copyright © karabuk university\n",
      "gi sa, 4455 1 pal ne ‘ttp:/7kutaksam.karabuk.edu.tr\n",
      "\n",
      "doi: 10.7596/taksad.v6i2.870\n",
      "\n",
      "citation: zanalimahmodabadi, m., amirahmadi, a., & eshghisardehi, a. (2017). comparison of the wise and\n",
      "philosophical ideas in ferdowsi’s shahnameh and nasser khusraw’s book of poems. journal of history culture\n",
      "and art research, 6(2), 624-635. doi:http://dx.doi.org/10.7596/taksad. v6i2.870\n",
      "\n",
      " \n",
      "\n",
      "comparison of the wise and philosophical ideas in ferdowsi’s shahnameh\n",
      "and nasser khusraw’s book of poems\n",
      "\n",
      "maliheh zanalimahmodabadi’,\n",
      "aboalqasm amirahmadi**,\n",
      "ali eshghisardehi*\n",
      "\n",
      "abstract\n",
      "\n",
      "history of iran has deep links with shahnameh and persian literature. in fact, it is not possible\n",
      "to talk about iran as a rich culture and disregard persian literature and brilliant works of\n",
      "persian literature. according to most scholars in the field of literature and culture, iranians\n",
      "have been people of wisdom, thought, and philosophy. ferdowsi and nasser khusraw hold a\n",
      "special place in this regard because we are faced with ethical, philosophical, and religious\n",
      "ideas in the works of both poets. different effects of the iranian wisdom are presented in their\n",
      "poems; the effects include ethics, philosophy, logic, medicine, music, determinism and free\n",
      "will, fate, arithmetic and geometry, astronomy etc. ferdowsi’s shahnameh and nasser\n",
      "khusraw’s book of poems are sublime manifestation of ideological and philosophical ideas\n",
      "of iranians. apart from the similarities and differences, ferdowsi and nasser khusraw’s\n",
      "poems represent praise of wisdom, god, and human freedom as basic elements in the\n",
      "ontology of persian culture. hence, in addition to understanding and explanation of ferdowsi,\n",
      "nasser khusraw’s day and age, and the importance of these two poets in iran's development\n",
      "of wisdom and philosophical thought, this research tries to describe their similarities and\n",
      "differences in ideological and philosophical subjects.\n",
      "\n",
      "keywords: philosophy, poem, ferdowsi, nasser khusraw.\n",
      "\n",
      "' department of persian language and literature, phd student department of persian language and literature,\n",
      "sabzevar branch, islamic azad university, sabzevar, iran\n",
      "\n",
      "? corresponding author, department of persian language and literature, assistant professor of persian\n",
      "literature, sabzevar branch, islamic azad university, sabzevar, iran. e mail : amirahmadi @iaus.ac.ir\n",
      "\n",
      "* department of persian language and literature, assistant professor of persian literature, sabzevar branch,\n",
      "islamic azad university, sabzevar, iran.\n",
      "\n",
      "   \n",
      "\n",
      "624\n",
      "\f",
      "50\n",
      "\n",
      "people.\n",
      "\n",
      "finally he pleads with god to receive him in his arms when man has\n",
      "punished him by death. in this poem ntuli displays a talent for\n",
      "balancing solemnity with humour. the reader is led to empathize\n",
      "with the sorcerer, but at the same time, laugh at the weird things\n",
      "he admits having done to chastise his victims. through the sorcerer\n",
      "\n",
      "persona the poet highlights the subject of divine mercy.\n",
      "\n",
      "both poems are prayers in essence, and both convey a christian\n",
      "outlook. although the first is distinctly a \"lyric of praise and\n",
      "rejoicing\" (barber: ibid) the tone of both poems is pleasantly\n",
      "\n",
      "mundane and practical.\n",
      "\n",
      "2.2.5 philosophical poems\n",
      "\n",
      "read, as cited by d.b.z. ntuli (1984: 122), observes that\n",
      "metaphysical poetry is abstract because it deals with concepts; that\n",
      "as poetry it is no less 'emotional' than lyrical poetry, and that\n",
      "there is a good measure of logic and reason in this type of poetry\n",
      "\n",
      "and the triumph of reason brings about aesthetic satisfaction.\n",
      "\n",
      "c.s.z. ntuli has seven philosophical poems. each deals with a\n",
      "different theme, but their common characteristic is that they are\n",
      "all fundamentally concerned with ideas and concepts. they cover a\n",
      "wide variety of themes, such as education, the tyranny of death,\n",
      "anger, and specific aspects of human nature. these are: ngimfunge\n",
      "ekwanzuza {i swear by her, who is at the nzuza place); zophela\n",
      "ngaphakathi (they (tears) are shed internally); ubani omubi? (who is\n",
      "\n",
      "ugly?); uyise kathuleleni (thuleleni's father); uvete ewindini (frog\n",
      "\f",
      "bie, @) esi\n",
      "a 1 celings of alabaster\n",
      "\n",
      " \n",
      "\f",
      "sorin cerin — existence and time\n",
      "- philosophical poems-\n",
      "\n",
      "the realms of the absolute truth,\n",
      "\n",
      "under the ruthless swords of the pawns,\n",
      "\n",
      "of the illusions of the happiness, suffering, life and death,\n",
      "on which it had not observed them from the tower of the\n",
      "eternity,\n",
      "\n",
      "from which, it was believed,\n",
      "\n",
      "invincible,\n",
      "\n",
      "as it was really,\n",
      "\n",
      "the love,\n",
      "\n",
      "of a god so stranger,\n",
      "\n",
      "of ourselves.\n",
      "\n",
      "39\n",
      "\f",
      "    \n",
      "    \n",
      " \n",
      "\n",
      "volume 52 parta november 2015 issn 1355-2198\n",
      "\n",
      "' studies in history and philosophy of science part b\n",
      "\n",
      "2\n",
      "=\n",
      "ex\n",
      "re\n",
      ">.\n",
      "s\n",
      "s\n",
      "se\n",
      "ie\n",
      "4a 66 fe\n",
      "\n",
      "of modern physics\n",
      "\n",
      "cial issue: cosmology and time: philosophers and scientists in dialogue\n",
      "\n",
      "    \n",
      "\n",
      "ss rhnoisin srp\n",
      "\f",
      "tron deficiency can lead\n",
      "to a wardrobe full of\n",
      "crumpled clothes\n",
      "\n",
      "-benny bellamacina,\n",
      "philosophical uplifting\n",
      "quotes and poems\n",
      "\n",
      "www.quoteslyfe.com\n",
      "\f",
      "any eal tar ey cation?\n",
      "tearyos eer wn ty econ.\n",
      "us tee near aed enpetencs be |\n",
      "\n",
      "‘ya ve dens gore pessoa\n",
      "\n",
      "‘way ot ta po poser\n",
      "ieloa up abv at hover oman.\n",
      "ts ray reteespin mh woe ety\n",
      "nei my estos mth de mney.\n",
      "\n",
      "‘roen nab ge mony orn\n",
      "ica reciow toe pee tera)\n",
      "tho ncess tomate sin wth oat\n",
      "\n",
      "ter mcs ine cn bgt at\n",
      "‘aura row eg oe ea\n",
      "wohst nest epee ewrens pet\n",
      "\n",
      "(even sursrang ret anon\n",
      "‘ch toms edb oman ns ae oe\n",
      "\n",
      "tris ges ey goat ot my\n",
      "‘en neve ped yaa ts won we\n",
      "‘vers ops oo esngsovon au ee\n",
      "secor melgensonmeon ripe\n",
      "\n",
      "ween re aa foxe\n",
      "sonny 218 ups 17 rovner 2017\n",
      "\f",
      " \n",
      "\n",
      "~ philosophical poems-\n",
      "\n",
      "21, really, nothing\n",
      "\n",
      "beyond consciousness,\n",
      "\n",
      "can no longer be,\n",
      "\n",
      "nor an inferno or paradise,\n",
      "\n",
      "but only the quietness,\n",
      "\n",
      "fon which nora knowledge,\n",
      "\n",
      "she not felt it ever,\n",
      "\n",
      "as being a world,\n",
      "\n",
      "but only in its pure and latent state,\n",
      "\n",
      "of beyond the immortality,\n",
      "\n",
      "uninhabited by nor a destiny,\n",
      "\n",
      "‘where the meadows full of dew,\n",
      "\n",
      "they ean not be, not even questions,\n",
      "\n",
      "rot fo mention the answers,\n",
      "\n",
      "and in their place,\n",
      "\n",
      "neither to be,\n",
      "\n",
      "it can not exist,\n",
      "\n",
      "because the being of the time,\n",
      "\n",
      "can never reach,\n",
      "\n",
      "in a single eternity,\n",
      "\n",
      "cof moment,\n",
      "\n",
      "even if she wastes them on all together,\n",
      "em, to the death,\n",
      "\n",
      "fh we will never know,\n",
      "\n",
      "  \n",
      " \n",
      "\n",
      "really,\n",
      "nothing.\n",
      "\f",
      "the creation of love\n",
      "\n",
      "   \n",
      "   \n",
      "\n",
      "philosophical poems\n",
      "\n",
      "st aimgs al!\n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "desiderata\n",
      "\n",
      "q placidly amid the noise & haste, & *\n",
      "\n",
      "remember what peace there may be.\n",
      "\n",
      "in silence. as far as possible without.\n",
      "surrender be on good terms with all persons. speak your truth\n",
      "quietly & clearly; and listen to others, even the dull & ignorant;\n",
      "they too have their story. sg avoid loud & aggressive persons,\n",
      "they are vexations to the spirit. if you compare yourself with.”\n",
      "others, you may become vain & bitter; for always'there willbe .\n",
      "\n",
      "  \n",
      " \n",
      "\n",
      "aswell as your plans. 4g) keep interested in your own career,”\n",
      "however humble;ic is a real possession in the changing forties\n",
      "of time. exercise caution in your business affairs; for the world ~\n",
      "is full of trickery. but let this nde blind you eo'whae vittue there’\n",
      "is; many persons strive for high ideals; and everywhere life is\n",
      "of heroism. sg be yourself. especially, do not feign affecti\n",
      "neither be cynical about love; for in the face of all aridity & =~\n",
      "disenchantment it is perennial as the grass. fq take kindly the\n",
      "counsel of the years, gracefully surrendering the things of youth,\n",
      "nurture strength of spirit to shield you in sudden misforeune.\n",
      "\n",
      "but do not distress yourself with imaginings. many fears are\n",
      "\n",
      "born of fatigue & loneliness. beyond a wholesome discipline, be\n",
      "gentle with yourself. jay you are a child of the universe, no less\n",
      "than the trees & the stars;you have a right to be here. and\n",
      "\n",
      "whether or not it is clear-to you, no doubt the tiniverse is un-\n",
      "\n",
      "folding as it should. jg therefore be at peace with god,\n",
      "| whatever you conceive him to be,and whatever yout labors &\n",
      "\n",
      "aspirations, in the noisy confusion of life keep peace with your\n",
      "soul.. fe with all its sham, drudgery & broken dreams, i is\n",
      "\n",
      "© still a beautiful world, be careful. strive to be happy. jw $e\n",
      "\n",
      "found in old saint. paul's church, baltimore; dated 1692\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "  \n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "from late romanticism to poetic maturity:\n",
      "cavafy’s three categories of poems\n",
      "\n",
      "ee\n",
      "\n",
      "2 philosophical poems (« poems which, though not precisely\n",
      "philosophical, « provoke thought »)\n",
      "\n",
      "ca historical poems (hellenistic age «particularly fitting for his\n",
      "characters »)\n",
      "\n",
      "2 « hedonistic » (aesthetic) poems in realistic settings\n",
      "\f",
      "   \n",
      " \n",
      "\n",
      "“it is better to change an opinion\n",
      "than to persist in a wrong one.”\n",
      "\n",
      "ohi\n",
      "\n",
      "goalca\n",
      "\f",
      " \n",
      "\n",
      "* dickinson is not a \"philosophical poet“.\n",
      "¢ she makes no effort to organize her thoughts and\n",
      "feelings into a coherent, unified worldview.\n",
      "\n",
      "¢ rather, her poems simply record thoughts and\n",
      "feelings experienced naturally over the course of a\n",
      "\n",
      "   \n",
      "\f",
      "loyalty and trust\n",
      "two wines to fly\n",
      "in a relationsnip...\n",
      "\n",
      "- alivelncoffin\n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      "“the desiderata of happiness :\n",
      "‘acallection of philosophical\n",
      "poems\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "better than meeting\n",
      "and mating all the time\n",
      "is the pleasure of mating once\n",
      "\n",
      "after being far apart.\n",
      "\n",
      "when he’s away\n",
      "i cannot wait\n",
      "to get a glimpse of him.\n",
      "\n",
      "friend, when will i have it\n",
      "both ways,\n",
      "\n",
      "be with him\n",
      "\n",
      "yet not with him,\n",
      "\n",
      "my lord white as jasmine?\n",
      "\n",
      " \n",
      "\n",
      "(akka mahadevi: a.k. ramanujan)\n",
      "\f",
      "donne’s style\n",
      "\n",
      "¢ all of donne's verse—his love sonnets\n",
      "and his religious and philosophical\n",
      "poems—is distinguished by a remarkable\n",
      "blend of passion and reason.\n",
      "\n",
      "his love poetry treats the breadth of the\n",
      "experience of loving, emphasizing, in\n",
      "such poems as “the ecstasie,” the root of\n",
      "spiritual love in physical love.\n",
      "\n",
      "the devotional poems and sermons\n",
      "reveal a profound concern with death,\n",
      "decay, damnation, and the possibility of\n",
      "| the soul's transcendent union with god.\n",
      "\n",
      " \n",
      "\f",
      "‘enterprise’ by nissim ezekiel is one\n",
      "of those few indian poems that have\n",
      "been subjected to a great deal of\n",
      "critical scrutiny. this poem is one of\n",
      "\n",
      "the best poems of ezekiel.\n",
      "\f",
      "ee\n",
      "\n",
      "“a lonely sapling, might be i,\n",
      "the world is somewhere else,\n",
      "yet in this wretched land,\n",
      "my existence art has blessed”\n",
      "\n",
      " \n",
      "\f",
      "herder’s\n",
      "philosophical\n",
      "\n",
      "porms\n",
      "\n",
      "bp\n",
      "se tenine gir\n",
      "\n",
      "ae:\n",
      "\n",
      "a,\n",
      "\n",
      "  \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "[no sooner had the notion ofthe flood\n",
      "regained its composure,\n",
      "\n",
      "‘than ahare paused amid the gorse and\n",
      "trembling belllowers and said its payer\n",
      "tothe rainbow through the spider's web.\n",
      "\n",
      "‘oh the precious stones that were hiding, ~\n",
      "the flowers that were already pecking out.\n",
      "\n",
      "stalls were erected inthe dirty main\n",
      "street, and boats were towed toward the\n",
      "‘sea, which rose in layers above as in old\n",
      "‘engravings.\n",
      "\n",
      "blood flowed in bluebeard’s house,\n",
      "\n",
      "~ in the slaughterhouses, -in the\n",
      "amphitheaters, where god's seal tured\n",
      "the windows livid. blood and milk flowed.\n",
      "\n",
      " \n",
      "\n",
      "‘the beavers built, tumblers of coffee\n",
      "steamed in the public houses,\n",
      "\n",
      "inthe vast, still-streaming house of\n",
      "‘windows, children in mourning looked at\n",
      "marvelous pictures.\n",
      "\n",
      "‘adoor slammed, and on the village\n",
      "square, the child waved his arms,\n",
      "‘understood by vanes and weathercocks\n",
      "‘everywhere inthe dazzling showee.\n",
      "\n",
      " \n",
      "\n",
      "‘madame xx established a piano in the\n",
      "\n",
      "aati ata rn s oe ctaaay\n",
      "\n",
      "weod esoig ay jo yoog uinbued ou,\n",
      "\f",
      "; defence of fort m'hen ey. es oa\n",
      "\n",
      "‘the annexed song was composed under the following circumstances—\n",
      "gentleman had left baltimore, in a flg of truce for the purpose of get;\n",
      "ting released from the british fleet, a friend of his who had been captured\n",
      "‘at marlborough, —he went as far as the mouth of the patuxent, and war\n",
      "not to return lest the intended attack on baltimore, should be\n",
      "disclosed. - he xe ease eee bay to the mouth of the pas\n",
      "tapsco, where the flag vessel was kept under the gans of frigate, an:\n",
      "be was compelled to witness the bombardment of fort m‘flenry, which\n",
      "the admiral had boasted that he would carry in a few hours, and\n",
      "\n",
      "that the city must fall, he watched the flag at the fort through the\n",
      "whole day with an anxiety that can be better felt than until\n",
      "\n",
      "the night prevented hin from selog it. in the night he watched the bomb\n",
      "hells,\n",
      "\n",
      "    \n",
      "\n",
      " \n",
      "\n",
      "‘at early dawn his eye was again greeted by the proudly waving\n",
      "eit diag of his country,\n",
      "\n",
      "&\n",
      "ae z tune axacnnon ix heaven, 2\n",
      "\n",
      " \n",
      "\n",
      "© ! say can you see by the dawn’s early light,\n",
      "\n",
      "what s0 proudly we hailed at the twilight’s last gleami\n",
      "whore beoad siripes and bright stare threagh the perious ght,\n",
      "orr we watch'd, were so gallantly streaming?\n",
      "\n",
      "‘red glare, the bombs bursting in air, p\n",
      "igh the night that oar flag was still there;\n",
      "\n",
      "(o! say does that star-spangled banner yet wave,\n",
      "over the land of the free, and the home of the brave ?\n",
      "\n",
      "on the shore dimly seen through the mists of the deep,\n",
      "‘where the foe's haughty host in dread silence reposes,\n",
      "‘what is that which the breeze, oer the towering seep,\n",
      "\n",
      "    \n",
      "\n",
      " \n",
      "\n",
      ". asit fitfully blows, baif conceals, half discloses\n",
      "= ‘now it eatches the gleam of the morning’s first beam,\n",
      "* in fall glory refi new shines in the stream,\n",
      "~~ .§ “dis the star spangled banner, o! long may it wave\n",
      "\n",
      "‘o'er the lard of the free and the home of the brave.\n",
      "\n",
      " \n",
      "\n",
      "‘and where is tbat band who so vauntingly swore\n",
      "\n",
      "“that the havoc of war and the battle’ confusion, eg a\n",
      "‘a home ond a country, shall leave us no more ?\n",
      "‘their blood has wasted out their fou! footstepe pollution 5\n",
      "\n",
      "no refuge could save the hireli\n",
      "‘from the terror of flight or\n",
      "\n",
      "and the star-spangled bar in triumph doth ;\n",
      ". ‘o'er the land.of the a\n",
      "‘of thas be it ever when freemen shall stand, \\ . |\n",
      "\n",
      "    \n",
      "\n",
      "between their lov'd home, and the war's desolation,\n",
      "blest with viev'ry and peace, may the heav'a rescued land,\n",
      "praise the powter that hath made and preserv’d us » nation!\n",
      ". ‘then conquer we must, when our cause it is just,\n",
      "‘and this be our motto—* in gi\n",
      "- ‘and the star-spangled banner in triomph shall wave,\n",
      "‘dror the land of the free and the home of the brave.\n",
      "\n",
      "  \n",
      "\f",
      " \n",
      "\n",
      "4. create time: sat, aug 22, 2015 12:20 am\n",
      "time is all i have |\n",
      "\n",
      "time is slipping hard\n",
      "\n",
      "the sand of time falling\n",
      "\n",
      "‘\\ from my hand and life\n",
      "\n",
      "to whom i have been waiting so hard\n",
      "it is seeming hopelessly romantic\n",
      "\n",
      "   \n",
      "  \n",
      "    \n",
      "  \n",
      "  \n",
      "\n",
      "time is all i have to do anything\n",
      "sam nna dl} fr\n",
      "\n",
      "  \n",
      "\f",
      "the illusion\n",
      "\n",
      "of memory\n",
      "philosophicai\n",
      "poems\n",
      "\n",
      "       \n",
      "\n",
      "sorin ceren\n",
      "\f",
      "the causality-bound aspect of nature\n",
      "satelit wale) mccu lege agro) mt -olliayg\n",
      "is invading our consciousness from\n",
      "other directions as well, and the\n",
      "purely intellectual method of\n",
      "overcoming nature is not the only\n",
      "vea\n",
      "\n",
      "muhammad iqbal\n",
      "\n",
      "© owotespur\n",
      "\f",
      " \n",
      "\n",
      "‘the poet as philosopher.\n",
      "\n",
      "   \n",
      "\n",
      "a study of ther phidosophical poems\n",
      "\f",
      "sorin cerin\n",
      "- the paradigm of eternity -\n",
      "- philosophical poems-\n",
      "\n",
      "58. whereas the personalizations of the person\n",
      "\n",
      "existential nightmares,\n",
      "\n",
      "over which it descends the sunset of eternity,\n",
      "whereas the personalizations of the person,\n",
      "have not been sufficiently justifiable,\n",
      "\n",
      "when they made,\n",
      "\n",
      "society of consumption of hopes,\n",
      "\n",
      "depressed and cold,\n",
      "\n",
      "fallen to the soles of death,\n",
      "\n",
      "to whom we worship and owe,\n",
      "\n",
      "the whole emptiness of the primordial word,\n",
      "in which we live,\n",
      "\n",
      "the illusion of life.\n",
      "\n",
      "90\n",
      "\f",
      "novels, philosophical writings,\n",
      "\n",
      "historical works, plays, poems & letters\n",
      "\n",
      "illustrated\n",
      "\n",
      " \n",
      "\f",
      "tue port as puilosopuer,\n",
      "a stupy o turee\n",
      "putosopiicat pos, nosce\n",
      "teresum the essay on man\n",
      "\n",
      "in memoriam\n",
      "\n",
      ">\n",
      "=\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "~ +6\n",
      "\n",
      "percy bysshe\n",
      "\n",
      " \n",
      "\n",
      "poet and\n",
      "revolutionary\n",
      "\n",
      " \n",
      "\f",
      "‘novalis; three philoapphicel poems (‘boginning”, “know thy self\" and “when numbers\n",
      "and figures\"), trassnted end with an afixword by david w. wood, published in:\n",
      "patosophtca! form, volume 33, issue 3, fell 2002, pp. 318-325 (3 poems), 359-364\n",
      "(afmword).\n",
      "\n",
      "afterword on novalis\n",
      "\n",
      "‘at eth wn oy pny\n",
      "thema pct eee\n",
      "\n",
      "‘the philosopher poet of early german. romanticism, friedich von\n",
      "hardenberg (noval) met his fst fancée, sophie von ku, on november 17,\n",
      "1794, while on a tip to the smal village of grnngen in saxony. the “mag\n",
      "neti” effect upon him of his ne quite heen year-old gi was to prove so great\n",
      "that within “i5 mites his fte was sealed.” a8 be later rote to his brother\n",
      "erasmus von hardesber the poem “beqinning” dates from this early period\n",
      "of novalis and sophie's acquaintance, and seems to have arisen aa result of\n",
      "ranma doubts sto the seriousness of his brother's new atachmet. i ep,\n",
      "novalis makes it clear that despite ber tender years, he doesnot simply view\n",
      "sophie as some transitory “intoxication of infatuation but s someone altogether\n",
      "‘more significant, a conviction futher strengthened in him by her subsequent\n",
      "tragic hlness and death just over two years later in march 1797. for, ike\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "bay mc 4% p60 the cd eae of hit dt of ov wings\n",
      "[novae spon ey rca soran hohn md hr che sat\n",
      "‘kath ty shhh tw ka ele oe nn\n",
      "‘lls gad shiels new re ate at mn me: nay, 300,\n",
      "\n",
      "te niga art premlty and “ihe” mtr ain sc by goce ad\n",
      "sie sc nears mer ket lig wot (pa 197 hohe ome pe\n",
      "{be peta pat ope ma op goo ha wr lie deme\n",
      "\f",
      "oe\n",
      "\n",
      "in this selection of poems, peter baron links the major:themes of .\n",
      "philosophy to some of the best loved poems in the english language (and~*\n",
      "et ni eko * g _—\n",
      "\n",
      "the aim is to create a programme of daily mediations which rl ne mre\n",
      "and enlighten and (rather than empty the mind) give the reader.one.\n",
      "essential idea to think about during the day.\n",
      "\n",
      "this book is also designed to help students access key themes of\n",
      "\n",
      "philosophy and learn to read:those themes in literature, and indeed inthe =\n",
      "wider culture, and to ask, and even to. answer, some important questions\n",
      "concerning the meaning ofife.\n",
      "\n",
      "json 08\n",
      "~\n",
      "\n",
      " \n",
      "\f",
      "his philosophy\n",
      "\n",
      "* robert frost has a balanced philosophy of life.\n",
      "\n",
      "+ he is neither a pessimist to see darkness all around nor\n",
      "an optimistic fool who fails to understand the practical\n",
      "and realistic sense of life and nature.\n",
      "\n",
      "+ though sometimes he is frightened by nature yet he\n",
      "enjoys it his fill.\n",
      "\n",
      "+ about social life also he remains a practical thinker who\n",
      "bases every experience on some or the other cause.\n",
      "\f",
      "think india journal issn: 0971-1260\n",
      "\n",
      "vol22-bsue-10-november-2019\n",
      "william wordsworth as a poet of nature: an overview\n",
      "jaivinder singh*\n",
      "\n",
      "research scholar, asla,\n",
      "amity university, haryana\n",
      "\n",
      " \n",
      "\n",
      "dr. sunil kumar mishra**\n",
      "associate professor of english, asla\n",
      "amity university, haryana\n",
      "\n",
      "abstract: most of the scholars are agreeing with the fact that william wordsworth is rightly the\n",
      "greatest poet of the countryside and of the life of nature in its all manifestations and beauty of\n",
      "nature. he has rightly considered physical aspects as well as spiritual aspects of human life on\n",
      "this planet. however, poets earlier to william wordsworth like burns, cowper, crabbe and\n",
      "goldsmith had exhibited a fine appreciation for the beauties of nature. nevertheless, we can’t\n",
      "ignore that they were adorers of nature's external charms without having any mystical and\n",
      "philosophical approach to its inner life and spiritual message. it was william wordsworth who\n",
      "revealed the inner soul of nature in his poems and to make it a better teacher than moral\n",
      "philosopher of the present and past. most of the poems written by william wordsworth fall\n",
      "within the category of poets of nature and a lot of his poems express a sense of humanity and\n",
      "love with mankind and nature. in this paper the researcher has revealed the fact that william\n",
      "\n",
      "wordsworth is a poet of nature above all\n",
      "keywords: poetry, nature, manifestations, countryside, spiritual, philosophy.\n",
      "\n",
      "introduction: it is a well-known fact that william wordsworth is the high priest of nature and\n",
      "throughout all his life william wordsworth wrote about nature. here it is noteworthy that\n",
      "william wordsworth was concerned for less with the sensuous manifestations that delight\n",
      "most of our nature poets than with the spiritual that he finds underlying these manifestations.\n",
      "compton rickett remarks: “with the outward show of things, with nature bewildering\n",
      "profusion, her firming, concern life, her riddles, her magical appeal to the eye and the sense of\n",
      "touch”, he also points out that he is little concerned to other aspects of human life, actually, his\n",
      "\n",
      "contribution to the poetry of nature does not lie in the fact that he could give accurate and\n",
      "\n",
      "page e782 copyright © 2019authors\n",
      "\f",
      "oat var hiro aat hla apa at oat matlin get vi\n",
      "\n",
      "oy\n",
      "c safe\n",
      "ny xfs at,\n",
      "wou ame fat,\n",
      "\n",
      "wig sisiea aa)\n",
      "bacg i bbs\n",
      "\n",
      "omega\n",
      "faktorve ors sie, farnese aay arts\n",
      "\n",
      "fsa cus bh ureciaea yun, sex hy ti cares ets sis et\n",
      "\f",
      "felt confident in his existence when he was thinking. me? i\n",
      "have confidence in my existence in all my activities, and my\n",
      "being is only limited by the confines of my skin and what i do\n",
      "in this time and space. i do lots of things. i have to be alive to\n",
      "do lots of things, and the i comes from being contained, and\n",
      "from what is not-i being sensed and cognised as not-i. a\n",
      "volcano does lots of things, but it has no sensation of an outer\n",
      "limit, nor cognisance of what is not-i, so it cannot distinguish\n",
      "what is i and what is not-i, so it cannot say, ‘i do therefore i\n",
      "am’, as i can. skin gives me my personal pronoun, but it does\n",
      "not give me my soul. and if i were dead, i would no longer be\n",
      "sensing what is i and what is not i. without an i, i cannot say,\n",
      "‘t do’, nor, ‘i live’. and if i were dead, my outer limit would be\n",
      "dissolving into the elements, so i would no longer exist. that's\n",
      "why massage gives such a sense of well-being: it affirms\n",
      "existence.\n",
      "\n",
      "a flunky drew close to her. “would you care for another\n",
      "cocktail, madam?” she watched her admirer pull himself out\n",
      "of the pool.\n",
      "\n",
      "“no thanks, i'll have some iced water. i’m thinking of\n",
      "detoxifying myself, would you be so kind as to ask my\n",
      "masseur to come by?”\n",
      "\n",
      "“certainly, madam.”\n",
      "\n",
      "huh! ‘detoxifying myself. she laughed to herself. here i\n",
      "am, a black hole surrounded by skin and without a soul. is it\n",
      "possible for an abused child to grow into an unabused adult, as\n",
      "if the abuse had never happened? is it possible for me to live\n",
      "my adult life as if i had had a different childhood from the one\n",
      "which made me soulless and wanting? justice says it should be\n",
      "possible. i need a bit of respect.\n",
      "\n",
      "she watched him start chatting to a bevy of girls at the side\n",
      "of the pool. they were desperate to introduce themselves to\n",
      "him. she noticed his tanned skin, his developed musculature,\n",
      "his narrow hips, the profile of his buttock, his crotch. droplets\n",
      "glittered on his skin, like gilding. a golden boy, a god, a divine\n",
      "one, one who is most blessed.\n",
      "\n",
      "‘the perfect specimen for a mate. i want you for myself, i\n",
      "want to talk to you myself, i’m jealous of those girls. t love\n",
      "\n",
      " \n",
      "\n",
      "you.\n",
      "she stood up from the lounger and sashayed over to where\n",
      "he stood. he spotted her.\n",
      "“marilyn!” he called.\n",
      "“mr president!” she purred.\n",
      "© dr mairi wilson 2004\n",
      "mairi wilson lives in ipswich.\n",
      "\n",
      " \n",
      "\n",
      "54 philosophy nowe march/april 2004\n",
      "\n",
      "on real and\n",
      "artificial flowers\n",
      "\n",
      "by chengde chen\n",
      "\n",
      "if an artificial flower is made\n",
      "more beautiful than a real one,\n",
      "more fresh and bright,\n",
      "\n",
      "more lively and touching,\n",
      "\n",
      "with more charm of spring,\n",
      "and dignity of autumn,\n",
      "\n",
      "more tenderness of love,\n",
      "\n",
      "and fragrance of imagination,\n",
      "— it is more real than the real one,\n",
      "so that in comparison\n",
      "\n",
      "the real one looks artificial,\n",
      "\n",
      "then,\n",
      "\n",
      "why is the real one still preferred?\n",
      "‘the only reason is that\n",
      "\n",
      "it will wither and die.\n",
      "\n",
      "so,\n",
      "\n",
      "the possibility of death\n",
      "\n",
      "is its ultimate value,\n",
      "\n",
      "although no one realises this.\n",
      "\n",
      "‘man appreciates living things,\n",
      "because he himself dies.\n",
      "\n",
      "‘the sense of life, like that of sex,\n",
      "is something within the perceiver,\n",
      "through which that of the object\n",
      "can be felt\n",
      "\n",
      "those that have it respond to it.\n",
      "those that don’t won't.\n",
      "\n",
      "the charm of real flowers\n",
      "\n",
      "is in living men.\n",
      "\n",
      "© chengde chen 2004\n",
      "\n",
      "(chengde chen is author of\n",
      "five themes of today: philosophical poems,\n",
      "published by open gate press)\n",
      "\f",
      "biographia literaria by samuel taylor coleridge\n",
      "\n",
      "the book’s 24 chapters constitute a narrative of coleridge’s literary life spanning\n",
      "approximately two decades--from the publication of his first book of poems at age 24\n",
      "through his mid-forties. but the narrative, as coleridge admits, serves only to give\n",
      "continuity to a statement of his views on a variety of subjects.\n",
      "\n",
      "central to his critical thought is his theory of imagination. drawing on the german\n",
      "philosopher kant’s distinction between understanding and reason, coleridge\n",
      "distinguishes between fancy and imagination. fancy is a mechanical human faculty, the\n",
      "ability to manipulate sensory data, to categorize and generalize about the natural world.\n",
      "imagination is organic, a “synthetic and magical power” which can predetermine and\n",
      "transfigure sensory data, and give us knowledge of ultimate truths.\n",
      "\n",
      "of greatest interest and continuing importance are four chapters. chapter 4 discusses\n",
      "coleridge’s relationship with wordsworth and their publication of the lyrical ballads,\n",
      "which initiated the romantic movement in england. the chapter concludes with a\n",
      "distinction between fancy and imagination, which is further developed in chapter 13.\n",
      "chapter 14 returns to the lyrical ballads and ends with philosophical definitions of a\n",
      "poem and of poetry, and chapter 18 explains the difference between poetry and prose.\n",
      "\n",
      "coleridge’s distinction between scientific and poetic discourse, his view of the organic\n",
      "unity of a work of art, and especially\n",
      "\n",
      "the book’s 24 chapters constitute a narrative of coleridge’s literary life spanning\n",
      "approximately two decades--from the publication of his first book of poems at age 24\n",
      "through his mid-forties. but the narrative, as coleridge admits, serves only to give\n",
      "continuity to a statement of his views on a variety of subjects.\n",
      "\n",
      "central to his critical thought is his theory of imagination. drawing on the german\n",
      "philosopher kant’s distinction between understanding and reason, coleridge\n",
      "distinguishes between fancy and imagination. fancy is a mechanical human faculty, the\n",
      "ability to manipulate sensory data, to categorize and generalize about the natural world.\n",
      "imagination is organic, a “synthetic and magical power” which can predetermine and\n",
      "transfigure sensory data, and give us knowledge of ultimate truths.\n",
      "\n",
      "of greatest interest and continuing importance are four chapters. chapter 4 discusses\n",
      "coleridge’s relationship with wordsworth and their publication of the lyrical ballads,\n",
      "which initiated the romantic movement in england. the chapter concludes with a\n",
      "distinction between fancy and imagination, which is further developed in chapter 13.\n",
      "chapter 14 returns to the lyrical ballads and ends with philosophical definitions of a\n",
      "poem and of poetry, and chapter 18 explains the difference between poetry and prose.\n",
      "\f",
      "lick to look inside!\n",
      "\n",
      " \n",
      "\n",
      "‘the\n",
      "desiderata\n",
      "of happiness\n",
      "naa\n",
      "\n",
      "iyaesaefdesideraa\n",
      "\n",
      " \n",
      "\n",
      "mas hau\n",
      "\n",
      " \n",
      "\f",
      "ete e er te ay\n",
      "\n",
      "mm aso campanell\n",
      "\n",
      "se\n",
      "\n",
      " \n",
      "\f",
      "kabir’s life\n",
      "\n",
      "in indian tradition, saint kabir is commonly\n",
      "supposed to have lived for 120 years from 1398 to\n",
      "1518. kabir was born to a brahmin widow at\n",
      "lahartara near kashi (varanasi). he was brought up\n",
      "in a family of poor muslim weavers niru and nima.\n",
      "vaishnava saint ramanand accepted kabir as his\n",
      "disciple; when ramanand died, kabir was 13 years\n",
      "old.\n",
      "\n",
      "kabir was a mystic poet and saint of india, whose\n",
      "writings have greatly influenced the bhakti\n",
      "movement.\n",
      "\f",
      "poetry manifesto\n",
      "\n",
      "(new & selected poems)\n",
      "\n",
      "rod yf\n",
      "\n",
      "fs\n",
      "fs\n",
      "&\n",
      "\n",
      " \n",
      "\f",
      "sorin cerin eternity\n",
      "~ philosophical poems-\n",
      "\n",
      "49. to which we worship, the destiny\n",
      "\n",
      "when,\n",
      "the lyre of frozen stars,\n",
      "\n",
      "of the universe,\n",
      "\n",
      "of the blood of dustin us,\n",
      "\n",
      "it began to sing disagreeably.\n",
      "\n",
      "taking out sparks of memories,\n",
      "\n",
      "of some stars,\n",
      "\n",
      "which have fallen from the heaven of absolute truth,\n",
      "‘was born the original sin,\n",
      "\n",
      "conceived by the illusions of death,\n",
      "\n",
      "which have carved him an imposing socket,\n",
      "\n",
      "inall the churches of words,\n",
      "\n",
      "to which we worship,\n",
      "\n",
      "the destiny.\n",
      "\n",
      "81\n",
      "\f",
      "studia ubb. philosophia, vo. 60 (2015), no. 1, pp. 63-69\n",
      "(recommended citation)\n",
      "\n",
      "between nihilism and anarchism\n",
      "(a philosophical poem by gherasim luca)\n",
      "\n",
      "stefan bolea’\n",
      "\n",
      "abstract. in this paper we provide a new solution to the nihilist dilemma of\n",
      "non-being's precedence over being. starting from proponents of nihilism like\n",
      "arthur schopenhauer, friedrich nietzsche and emil cioran, we move to the anti-\n",
      "systemic \"war machine\" of romanian-french poet gherasim luca, who, inspired\n",
      "by anarchistic theoreticians and symbolist poets, asserted that only direct and\n",
      "concrete action could harass and sabotage the hegemonic power. his poem,\n",
      "tragedies which are meant to happen is not only an important text of romanian\n",
      "surrealist poetry, but also a page of the modern history of anarchistic philosophy.\n",
      "\n",
      "keywords: anarchism, nihilism, surrealism, systemic anomaly, transgression,\n",
      "philosophy of poetry.\n",
      "\n",
      "gherasim luca est un grand poéte\n",
      "parmi les plus grands : il a inventé\n",
      "un prodigieux bégaiement, le sien.”\n",
      "\n",
      "(gilles deleuze)\n",
      "\n",
      "schopenhauer, nietzsche and cioran about the 'nihilist dilema'\n",
      "\n",
      "the preliminary point of our study can be named, after milan kundera,\n",
      "the unbearable pain of existence:\n",
      "\n",
      "an ancient legend recounts how king midas hunted long in the forest for the\n",
      "wise silenus, companion of dionysos, but failed to catch him. when silenus has\n",
      "finally fallen into his hands, the king asks what is the best and most excellent thing for\n",
      "human beings. stiff and unmoving, the daemon remains silent until, forced by the king\n",
      "to speak, he finally breaks out in shrill laughter and says: ‘wretched, ephemeral race,\n",
      "children of chance and tribulation, why do you force me to tell you the very thing which\n",
      "it would be most profitable for you not to hear? the very best thing is utterly\n",
      "beyond your reach not to have been born, not to be, to be nothing. however, the\n",
      "second best thing for you is: to die soon.\"\n",
      "\n",
      "* dr. stefan bolea, faculty of letters, university babes-bolyai, stefan.bolea@gmail.com\n",
      "* friedrich nietzsche, the birth of tragedy and other writings, ed. raymond geuss and ronald speirs,\n",
      "trans. by ronald speirs, cambridge university press, cambridge, 2007, pp. 22-23.\n",
      "\f",
      "de gruyter a206 401120200\n",
      "\n",
      " \n",
      "\n",
      "ralf hacket*\n",
      "performance, performativity, and the\n",
      "medium of poetry: w. b. yeats’s “among\n",
      "school children”\n",
      "\n",
      "‘abstract: perfomance theory has a long and complex histo. initiated by\n",
      "j-l. austins how to do things with words, it has been ereally discussed by\n",
      "emile benventte, jacques derra, and paul de man amongothers. most recently,\n",
      "‘media studies and the concept of cultural techniques have added yet another\n",
      "aoa to what originated in speech act theory. although poety with is musical\n",
      "imension seems especially prone tobe instigate inthe fel this is rarely\n",
      "the case after an oferview ofthe relevant theoretical developments, | analae\n",
      "will bulryeas's “among school children\" - witha special focus on ts hal\n",
      "verse “how can we know the dancer fom the dance?\" asa powerful rection\n",
      "fon the performative nature of poeta in general.\n",
      "\n",
      "1 introduction\n",
      "\n",
      "“among school children (1977),oneof willam butler yeats most accomplished\n",
      "jatepoems, culminatesinan image of movement and performatviy, which & as\n",
      "famous a controversial:\n",
      "\n",
      "bat aptomank, omishenng ane,\n",
      "eqn nebo thedane am he nce\n",
      "\n",
      "‘the dance presented here refers to, and also challenges, the static nature of ts\n",
      "‘medium: the mtrary work of at. a dance is performative by definition; there\n",
      "‘can be no dance without movement intime.inthls“eat‘phesophica” poem\n",
      "(wendler 2007, 279), which helen vendbe, one of yeats's most accomplished\n",
      "‘ade, has called the “most comprehensive ofall yeats late poems” (vener\n",
      "\n",
      "‘tipecmaar uote yet 0,\n",
      "\n",
      "sorcponding shor: jn prt oe rafael egish deparment, dish inate and\n",
      "ite meray tinge tite tantarer meg 3, 3707 etngen geman.\n",
      "‘emia aeelgphan gotingen de\n",
      "\f",
      "  \n",
      " \n",
      "\n",
      "es at\n",
      "nuggets\n",
      "of poetry\n",
      "\n",
      "as\n",
      "\f",
      "the 7 most inspirational poems\n",
      "about life\n",
      "\n",
      " \n",
      "\f",
      "believe me, every heart has its secret\n",
      "which the world knows nat,\n",
      "\n",
      "and oftentimes we call aman cold,\n",
      "when he is only sad.\n",
      "\n",
      "henry wadsworth longfellow\n",
      "\n",
      " \n",
      "\n",
      "ft samaysriena\n",
      "\f",
      "1 @ f «al 94%8 11:41 am\n",
      "\n",
      "magtymguly\n",
      "208 boop\n",
      "\n",
      "biography of magtymguly pyragy\n",
      "\n",
      " \n",
      "\n",
      "magtymguly pyragy was a turkmen spiritual leader and\n",
      "philosophical poet who made significant efforts to secure\n",
      "independence and autonomy for his people in the 18th\n",
      "century. he is the national poet of turkmenistan\n",
      "\n",
      "in his poetry, magtymguly says “tell those who enquire\n",
      "about me that | am a gerkez, | hail from etrek and my\n",
      "name is makhtumkuli, identifying his homeland as the\n",
      "banks of the etrek river and expressing his identity\n",
      "through his tribe\n",
      "\n",
      "he received his early education in the persian and arabic\n",
      "languages from his father dowletmammet azady, a\n",
      "leading scholar at that time. he went on to study in\n",
      "\n",
      "various madrassahs, including the idris baba madrassah\n",
      "\n",
      "in the village of gyzyl ayak, the madrassah of shir gazi\n",
      "khan in khiva, and may have also studied in bukhara for\n",
      "some time. upon his return home, magtymguly worked as\n",
      "a silversmith while he taught and wrote\n",
      "\n",
      "he went on to develop a realistic style of writing about\n",
      "18th century turkmen that proved very popular and\n",
      "ultimately led to him becoming one of the most cherished\n",
      "turkmen poets of all time. he was also a devout\n",
      "naqshbandi sufist who was said to have traveled\n",
      "throughout all the lands comprising modern\n",
      "turkmenistan, teaching and praying for the salvation of\n",
      "his people.\n",
      "\n",
      "not much ie known ahoiit mandntvmaily's family life he\n",
      "\f",
      "journal of education and practice www jiste.org\n",
      "issn 2222-1735 (paper) issn 2222-288x (online)\n",
      "vol 2, no 3\n",
      "\n",
      "hindi literature:\n",
      "\n",
      "hindi literature started as religious and philosophical poetry in medieval periods in dialects\n",
      "like avadhi and brij. the most famous figures from this period are kabir and tulsidas. in modern times,\n",
      "the khadi dialect became more prominent and sanskrit.\n",
      "\n",
      "chandrakanta, written by devaki nandan khatri, is considered to be the first work of prose in\n",
      "hindi, munshi premchand was the most famous hindi novelist. the clthayavadipoets include suryakant\n",
      "‘tripathi 'nirals’, prem bajpai, jaishankar prasad, sumitranandan pant, and mahadevi varma, other\n",
      "renowned poets include ramdhari singh ‘dinkar'maithili sharan gupt, agyeya, harivansh rai\n",
      "bachchan, and dharmveer bharti,\n",
      "\n",
      "marathi literature:\n",
      "\n",
      "marathi literature began with saint-poets like dnyaneshwar, tukaram, ramdas, and eknath. modern\n",
      "marathi literature was marked by a theme of social reform, well-known figures from this phase\n",
      "include mahatma jyotibaphule, lokhitwadi, and others. prominent modern literary figures\n",
      "include vishnu sakharam khandekar, p.l. deshpande, vijay tendulkar, indira santand vishnu vaman\n",
      "shirvadakar (kavi kuswnagraj). din mor early marathi literature (before 1800 ce) though the earliest\n",
      "known marathi inscription found at the foot of the statue at shravanabelgola in karnataka is dated . 983,\n",
      "bce, the marathi literature actually started with the religious writings by the saint-poets belonging to\n",
      "mahanubhava and warkari sects. mahanubhava saints used prose as their main medium, while warkari\n",
      "saints preferred poetry as the medium, the early saint-poets were mukundaraj who wrote vivekasindhu,\n",
      "dnyaneshwar (1275-1296) (who wrote amrutanubhav and bhawarthadeepika, which is popularly known\n",
      "as dnyaneshwari, a 9000-couplets long commentary on the bhagavad gita) and namdev. they were\n",
      "followed by the warkari saint-poet eknath (1528-1599). mukteswar translated the great epic\n",
      "mahabharata into marathi, social reformers like saint-poet tukaram transformed marathi into an\n",
      "enriched literary language. ramdas's (1608-1681) dasbodh and manache shlok are well-known products\n",
      "of this tradition,\n",
      "\n",
      "‘the first english book was translated in marathi in 1817. the first marathi newspaper started in 1835,\n",
      "many books on social reforms were writen by baba padamji (yamuna paryatana, 1857), mahatma\n",
      "jyotiba phule, lokhitwadi, justice mahalev govind ranade, hari narayan apte (1864-1919) etc\n",
      "lokmanya tilak’s newspaper kesari, set up in 1880, provided a platform for sharing literary views.\n",
      "marathi at this time was efficiently aided by marathi drama. here, there also was a different genre called\n",
      "'sangit natya’ or musicals. the first play was v.a. bhave's sita swayamvar in 1843 later kirioskar\n",
      "(1843-85) and gb. deval (1854-1916) brought a romantic aroma and social content. but krishnaji\n",
      "prabhakar khadilkar (1872-1948) with his banned play kichaka-vadh (1910) set the trend of political\n",
      "playwriting. later on this \"stage\" was ably served by stalwarts like ram ganesh gadkari and prablad\n",
      "keshav atre:the drama flourished in 60s and 70s with few of the best indian actors available to take on\n",
      "‘a variety of protagonists. mohan agashe, sriram lagoo, kashinath ghanekar, prabhakar panshikar\n",
      "playing many immortal characters penned by greats like vasant kanetkar, kusumagraj, vijay tendulkar\n",
      "to name a few. this drama movement was ably supported by marathi films which did not enjoy a\n",
      "continuous success, starting with v.shantaram and before him the pioneer dadasaheb phalke, marathi\n",
      "cinema went on to influence contemporary hindi cinema. director raja paranjape, music director sudhir\n",
      "phadke, lyricist gmadgulkar and actor raja gosavi came together to give quite a few hits in later period,\n",
      "marathi language as spoken by people here was throughout influenced by drama and cinema along with\n",
      "contemporary literature. modern marathi poetry began with mahatma jyotiba phul's compositions. the\n",
      "\n",
      " \n",
      "\n",
      "a7\n",
      "\f",
      "¢ frost doesn’t want to escape he knows that\n",
      "‘earth is the right place for love’. this fact\n",
      "shows how much frost believes in reality.\n",
      "\n",
      "¢ frost's realism is enriched with his optimism.\n",
      "\n",
      "* he never with dreams from the bitter realistic\n",
      "of life rather he has presented all the terrible\n",
      "realistic of life ion has the different poems.\n",
      "\f",
      "    \n",
      "\n",
      "edited by crystal s. gibbins\n",
      "\n",
      "poems for the environment\n",
      "\n",
      "rewilding\n",
      "\n",
      " \n",
      "\f",
      "toy © 49.0k/s © © © 46 volte @ cm 47%\n",
      "\n",
      "trum rr egret ete\n",
      "\n",
      "where the mind is without fear and the head is held high\n",
      "see seni\n",
      "\n",
      "reg rea ue cu ea\n",
      "by narrow domestic walls\n",
      "\n",
      "‘where words come out from the depth of truth\n",
      "rieti eet iter aieeau eer\n",
      "peta\n",
      "\n",
      "meare al aang\n",
      "dcrr re aero ig\n",
      "pe seno uc\n",
      "tete kaet ys uc eau)\n",
      "\n",
      "into that heaven of freedom, my father, let my country\n",
      "eur\n",
      "\n",
      " \n",
      "\f",
      "and so the wise soul\n",
      "predominates without dominating,\n",
      "and leads without misleading.\n",
      "and people don’t get tired\n",
      "\n",
      "of enjoying and praising\n",
      "\n",
      "one who, not competing,\n",
      "\n",
      "has in all the world\n",
      "\n",
      "no competitor.\n",
      "\f",
      "poems that |\n",
      "have that may\n",
      "y -\n",
      "\n",
      "ee)\n",
      "ey plllessiole)a1 (ea\n",
      "\n",
      "9\n",
      "\f",
      "   \n",
      "\n",
      "love\n",
      "knowing\n",
      "love\n",
      "\n",
      "philosophical\n",
      "quotes & poems\n",
      "\n",
      "  \n",
      "\n",
      "ns\n",
      "\n",
      " \n",
      "\n",
      "martin janello\n",
      "\n",
      "   \n",
      "\f",
      " \n",
      "\n",
      "“take the risk of thinking for yourself,\n",
      "much more happiness, truth, beauty, and wisdom\n",
      "will come to you that way.”\n",
      "\n",
      "christopher hitchens\n",
      "1949 - 2011\n",
      "\f",
      "as and a level\n",
      "\n",
      "english literature\n",
      "\n",
      "delivery guide (learner resource)\n",
      "\n",
      "ocr\n",
      "\n",
      "oxford cambridge and rsa\n",
      "\n",
      "learner resource 3: literary contexts\n",
      "\n",
      "1. match the relevant literary contextual information to the 15 selected poems named for coleridge. some context boxes will match with\n",
      "\n",
      "more than one poem, and some poems will match\n",
      "\n",
      " \n",
      "\n",
      "more than one context box.\n",
      "\n",
      "2. for each pairing of poem and contextual information, explain how the latter helps to understand the text.\n",
      "\n",
      "you may need to research further using the links from the ‘context’ section of the delivery guide’\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "in 1798, coleridge collaborated with\n",
      "william wordsworth to publish a\n",
      "volume of poetry called lyrical\n",
      "ballads. this volume would\n",
      "revolutionise the way that poetic\n",
      "diction and quotidian subject matter\n",
      "would be viewed in english poetry\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "the publication in 1765 of thomas\n",
      "percy's reliques of ancient english\n",
      "poetry signalled an important move\n",
      "away from neo-classicist poetry in\n",
      "favour of the ballad form and\n",
      "antiquarian subject matter.\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "during the most fertile collaborative\n",
      "period with the wordsworths (1797-\n",
      "1802), coleridge lived primarily\n",
      "around stowey and the lake district.\n",
      "most composition of his major poetry\n",
      "began in these areas whilst walking\n",
      "and talking.\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "in 1802, william wordsworth wrote\n",
      "the first part of his short philosophical\n",
      "poem, ‘ode: intimations of immortality\n",
      "from recollections of early\n",
      "childhood’. he gave a copy of this first\n",
      "part to coleridge and went on to\n",
      "complete the poem in 1804.\n",
      "\n",
      " \n",
      "\n",
      "version 1\n",
      "coleridge\n",
      "\n",
      "the ‘fragment’ or incomplete poetic\n",
      "text became fashionable in german\n",
      "and british texts from the latter part of\n",
      "the eighteenth century. many poems\n",
      "were published as fragments from this\n",
      "period until the early nineteenth\n",
      "‘century.\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "the gothic genre gained popularity\n",
      "from 1764 with the publication of\n",
      "walpole's the castle of otranto.\n",
      "coleridge read english and german\n",
      "gothic texts, and was a particular fan\n",
      "of schille’s 1781 play, die rauber\n",
      "[the robbers}.\n",
      "\n",
      "copyright © ocr 2015\n",
      "\n",
      " \n",
      "\f",
      "the parallel\n",
      "\n",
      "mirrors of\n",
      "the genesis\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "sorin cerin\n",
      "\f",
      "ompendium of poetry\n",
      "by richard alun bye\n",
      "\n",
      "| bre-wénds\n",
      "\n",
      "    \n",
      "\f",
      "sorin cerin ~ the philosophy of love-\n",
      "-tears-\n",
      "- philosophical pooms-\n",
      "\n",
      "59. ‘the injured moments\n",
      "\n",
      "dawns, of ink,\n",
      "have filled the pens of the waiting,\n",
      "to write on the eyes of heaven,\n",
      "with big letters, of hope,\n",
      "\n",
      "love\n",
      "\n",
      "ages of time,\n",
      "they can no longer stand by longing,\n",
      "\n",
      "and craw on the arms of the thoms\n",
      "\n",
      "‘hat shoot arrows in the injured moments,\n",
      "of the memories,\n",
      "\n",
      "108\n",
      "\f",
      "i love people who keep looking\n",
      "for you with their eyes\n",
      "\n",
      "among people...\n",
      "\n",
      "- alive in coffin\n",
      "\f",
      "lyric poetry\n",
      "scruples of categorization re-visited\n",
      "\n",
      "when discussing and classifying lyric poetry,\n",
      "categories show a cavalcade of often incongruent\n",
      "terms mixing up thematic, metrical, formal and other\n",
      "approaches. do philosophical poems or war poems\n",
      "constitute genres? when discussing the poetry of\n",
      "john donne, do love poems and devotional poems\n",
      "represent genres? if yes, do epistles and elegies\n",
      "written in that genre belong to different sub-genres? is\n",
      "the sonnet form a generic category? is sonnet\n",
      "sequence a generic category?\n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      "eer sao ca ts\n",
      "\n",
      "tommaso coe\n",
      "ree ae\n",
      "\n",
      "sherry roushs\n",
      "\f",
      "rific los pie\n",
      "gem autem |\n",
      "eceurabatubig. }\n",
      "\n",
      " \n",
      "\f",
      "eee\n",
      "\n",
      "neo ohel sto stain ota nislol en) oy\n",
      "\n",
      "annada otore\n",
      "see wot\n",
      "\n",
      "     \n",
      " \n",
      "\n",
      "gangotri\n",
      "\n",
      "kuvempu's philosophical poems: peiftien <s\n",
      "\n",
      "nn =\n",
      "1 pry dvd/vcd/acd online at www.kannadastore.com |\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "critics pay special attention forthe fictitious card game, ‘ombre’, that pope creates\n",
      "for the poom; much time has been spent trying to reconstruct the rules of the game,\n",
      "and the arcane obscurity of how it might actually be played reflects the byzantine\n",
      "\n",
      "nature of 18th-century high society\n",
      "\n",
      "though the dunciad was first published anonymously in dublin, its authorship\n",
      "was not in doubt, as well as:theobald, it pilloried a host of other \"hacks\",\n",
      "\"scribblers\" and \"dunces\", mack ealled its publication’\"in many ways the greatest\n",
      "act of folly in pope's life\". though a masterpiece, \"it bore bitter fruit. it brought\n",
      "the poet in his own time the hostility of its victims and their sympathizers, who\n",
      "pursued him implacably from then on with a few damaging truths and a host of\n",
      "slanders and lies...\". the threats were physical too. according to his sister, pope\n",
      "would never go for a walk without the company of his great dane, bounce, anda\n",
      "\n",
      "pair of loaded pistols inyhis pocket.\n",
      "\n",
      "in 1731, pope published his \"epistle to burlington’, on the subject of\n",
      "architecture, the first of four poems which would later be grouped under the title\n",
      "moral essays (1731-35). in the epistle, pope ridiculed the bad taste of the\n",
      "aristocrat \"timon\". pope's enemies claimed he was attacking the duke of chandos\n",
      "and his estate, cannons, tholigh the charge was untrue, it did pope a great deal of\n",
      "\n",
      "damage.\n",
      "\n",
      "the essay on man is a philosophical poem, written in heroic couplets and\n",
      "published between 1732 and 1734. pope intended this poem to be the centrepiece\n",
      "of a proposed system of ethics that was to be put forth in poetic form. it was a\n",
      "piece of work that pope intended to make into a larger work; however, he did not\n",
      "\n",
      "live to complete it.\n",
      "\n",
      "‘the poem is an attempt to \"vindicate the ways of god to man,\" a variation\n",
      "‘on milton's attempt in paradise lost to \"justify the ways of god to man\" (1.26). it\n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "ej alamy stock photo\n",
      "\f",
      "your invitation\n",
      "\n",
      "   \n",
      " \n",
      "    \n",
      "     \n",
      "\n",
      " \n",
      "\n",
      "‘eshin of piemophil tn\n",
      "soskney and stone oe\n",
      "\n",
      "ore boombox beatbox /\n",
      "sre cern\n",
      "withthe omagger not fst cae\n",
      "\n",
      "forthe age ops everyone\n",
      "\n",
      "fom the tradi wothe gone\n",
      "\n",
      " \n",
      "\n",
      "“it's great to see poems engaging in themes usually excluded from typical poetry,\n",
      "such as city poet miles chambers whose words enrich important events.\n",
      "- marvin rees, mayor of bristol\n",
      "\f",
      "join prof. mick hunter for a sneak peak of his upcoming book, the poeti\n",
      "of early chinese thought, which argues the centrality of the shi\n",
      "\n",
      "translated into english as the “classic of poetry’-in the chinese\n",
      "philosophical tradition,\n",
      "\n",
      "prof. hunter is an associate professor at yale's east asian languages and\n",
      "literatures department and a prolific researcher in early chinese thought\n",
      "and literature. his previous works include confucius beyond the analects,\n",
      "\n",
      "which charts the history of early confucianism, and he has been a\n",
      "consistent advocate for cross-canonical philosophical comparison\n",
      "through his course “sages of the ancient world.” this talk will introduce\n",
      "participants to the shijing and draw their attention to the kinetics of the\n",
      "text. whether you're a ds student curious about other canons or just\n",
      "someone with a general interest in ancient chinese philosophy, all are\n",
      "welcome to attend prof. hunter's talk.\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "en\n",
      "\n",
      "ta\n",
      "st\n",
      "\n",
      " \n",
      "\n",
      "bit.ly/3dmkoo5\n",
      "\f",
      "the midday sun slips behind mountains,\n",
      "the yellow river turns for the sea.\n",
      "trying to see for a thousand miles,\n",
      "\n",
      "iclimb one more story.\n",
      "\n",
      "- on the stork tower -\n",
      "\n",
      " \n",
      "\f",
      "love's\n",
      "philosophy\n",
      "\n",
      "apialytis\n",
      "\n",
      "percy byss raagpere lley\n",
      "_—\n",
      "\n",
      "  \n",
      "\f",
      " \n",
      "\n",
      "   \n",
      "   \n",
      "\n",
      "saini oosings\n",
      "\n",
      "fpreorn kirspal\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "a brian bilston {x  &> follow\n",
      "br ton\n",
      "\n",
      "poem for international\n",
      "men's toilet philosophy day\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "was it nature\n",
      "or nurture\n",
      "thought nietzsche\n",
      "\n",
      "that made men\n",
      "leave up\n",
      "the toilet sietzsche?\n",
      "\f",
      "       \n",
      "  \n",
      "\n",
      "the\n",
      "desiderata\n",
      "\n",
      "of happiness\n",
      "\n",
      "max ehrmann,\n",
      "\n",
      "download pdf\n",
      "\f",
      "fx 5 babs\n",
      "\n",
      " \n",
      "\n",
      "press ues hs\n",
      "\f",
      "    \n",
      "\n",
      "é\n",
      "al boe thoughts\n",
      "\n",
      "poems+your life\n",
      "\f",
      "“an excellent love poem\n",
      "balances literary proficiency\n",
      "with honest sentiment.”\n",
      "\n",
      "—robert lee brewer\n",
      "\n",
      " \n",
      "\n",
      "@ waiter's dic\n",
      "\f",
      "124 shorter philosophical poems of narayana guru\n",
      "\n",
      "numerous are such questions that consciousness creates about\n",
      "itself. narayana guru, in this pithy and short composition, answers\n",
      "all such questions as part of depicting a comprehensive vision of\n",
      "the functionally existing consciousness-reality.\n",
      "\n",
      "the questions are answered in a dialectically conceived way\n",
      "rather than resorting to logical reasoning. that means, the basic\n",
      "stand that atma or brahman, unconditioned consciousness in\n",
      "essence, is the one all-underlying reality, is made a firm basis\n",
      "for the solution to all problems. if this forms one pole of the\n",
      "dialectical situation, at the other pole is placed each of the\n",
      "problems, and a solution to them is arrived at by relating each\n",
      "to the one firm basis.\n",
      "\n",
      "that atma is consciousness in essence, is accepted by almost\n",
      "all the upanisads; and the evidence of it is our own direct\n",
      "experience. narayana guru gives special emphasis to this aspect\n",
      "in all his philosophical works. he proves logically also how it is\n",
      "one consciousness alone that unfolds itself as everything,\n",
      "particularly in his advaita diptka (the lamp of non-duality). in\n",
      "fact, this one stand makes it easier to solve many philosophical\n",
      "problems as well as the problems of actual life.\n",
      "\n",
      "this work is an original contribution of narayana guru to\n",
      "world philosophy in general and indian philosophy in particular,\n",
      "for no such in-depth philosophical examination of consciousness\n",
      "seems to have been undertaken till now either in the east or in\n",
      "the west, other than a few psychological studies of the human\n",
      "mind that have guided different schools of western psychology.\n",
      "a work having a personal mark of the guru’s own, its each word\n",
      "is filled with the clarity of a comprehensive vision of the one\n",
      "ultimate reality he realized. the original word for consciousness\n",
      "in the malayalam language in which it is written, is arivu. every\n",
      "line of this work of fifteen verses and sixty lines, begins with the\n",
      "word arivu. we apologize for not being able to be as strict in this\n",
      "translation as guru was in the original. it is to the strictness of\n",
      "\f",
      "philosophy compass 7/10 (2012): 669-678, 10.1111/).1747-9991.2012.00512.«\n",
      "\n",
      "tt\n",
      "\n",
      "plato on poetry: imitation or inspiration?\n",
      "\n",
      "nickolas pappas*\n",
      "gity university of new york\n",
      "\n",
      " \n",
      "\n",
      "abstract\n",
      "\n",
      "a passage in plato’s laws (719c) offers a fresh look at plato’s theory of poetry and art. only here\n",
      "does plato call poetry both mimésis “imitation, representation,” and the product of enthousiasmos\n",
      "“inspiration, possession.” the republic and sophist examine poetic imitation; the ion and phae-\n",
      "drus (with passages in apology and meno) develop a theory of artistic inspiration; but plato does\n",
      "not confront the two descriptions together outside this paragraph. after all, mimésis fuels an attac\n",
      "on poetry, while enthousiasmos is sometimes used to attack it, sometimes to praise it. the expla\n",
      "nation evidently lies in plato's understanding of drama, which in the laws has grown more pre-\n",
      "cise, from simply the presentation of characters to the presentation of multiple characters engaged\n",
      "in dramatic conflict.\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "1. in book 4 of plato’s laws, while telling legislators how to present laws, the athenian\n",
      "stranger leading the conversation contrasts lawmakers with poets. this comparison\n",
      "appears as an aside, deep within plato’s longest work, and not surprisingly it has played a\n",
      "minuscule part in discussions of platonic aesthetics. but in one respect this passage stands\n",
      "out among everything plato wrote about poetry.\n",
      "\n",
      "the athenian imagines how a poet might speak of a law. according to an “ancient\n",
      "tale” told by poets themselves, “a poet, when seated on the muse’s tripod,” is ouk\n",
      "emphrén “not of sound mind.” the poet resembles a fountain that lets water rush forth\n",
      "freely (719c).\n",
      "\n",
      "so far, so good. this sounds like things we find in other dialogues: the ion and phae-\n",
      "drus extensively, but also the apology and meno. in those dialogues the goodness of good\n",
      "poetry does not result from skill or knowledge in its author, or not from that alone.\n",
      "muses or other deities have taken over the minds of those poets, who then write in an\n",
      "enthousiazén “possessed” state; “inspired”; in what socrates in the phaedrus calls mania\n",
      "“madness” (245a). this idea of insane creativity has become familiar not only to plato’s\n",
      "readers but even as a commonplace among people ignorant of plato, visible in the cliché\n",
      "about a fine line between genius and insanity.\n",
      "\n",
      "the athenian continues. an inspired poet is forced, tés technés ousés miméseds “his pro-\n",
      "fession being mimésis,” while creating people who are set against one another, “to speak\n",
      "frequently contrary to himself.” dramatic characters take opposing sides and state contra-\n",
      "dictory ideas. the poet does not know “whether these, or the others, of the things said\n",
      "are true.” lawmakers must not be permitted to make legal pronouncements in the same\n",
      "way (719¢-d).\n",
      "\n",
      "again, plato’s readers recognize the ideas. the tricky word mimésis is sometimes trans-\n",
      "lated “imitation” (the traditional if misleading choice), sometimes “representation”? or\n",
      "“emulation”; often left untranslated. plato’s republic puts mimésis at the heart of its discus-\n",
      "sions of poetry, both in book 3 during the dialogue’s first attacks on poetry (392c-398b),\n",
      "and again when socrates returns to the attack in book 10 (595a—608a). plato’s sophist\n",
      "investigates mimésis as a phenomenon not restricted to poetry (235d-236c, 264c-268c)\n",
      "\n",
      "(© 2012 the author\n",
      "philosophy compass © 2012 blackwell publishing ltd\n",
      "\f",
      "in wendell berrya€™s upcoming\n",
      "the new collected poems, the poet\n",
      "revisits for the first time his\n",
      "immensely popular collected poems,\n",
      "which the new york times book\n",
      "review described as a€cea straight-\n",
      "forward search for a life connected to\n",
      "the soil, for marriage as a sacrament\n",
      "and family lifea€+ that 4€ceaffirms a\n",
      "style that is resonant with the\n",
      "authentic,a€* and 4€ce[returns]\n",
      "american poetry to a wordsworthian\n",
      "clarity of purpose.a€*in the new\n",
      "collected poems, berry reprints the\n",
      "nearly two hundred pieces in\n",
      "collected poems, along with the\n",
      "poems from his most recent\n",
      "collectionsa€”’ entries, given, and\n",
      "leavingsa€”’to create an expanded\n",
      "collection, showcasing the work of a\n",
      "\f",
      "henry vaughan: he is a mystic at heart. his\n",
      "poems are religious in nature. they have\n",
      "intellectual power and originality. his poetry\n",
      "greatly influenced william wordsworth in the\n",
      "19* century.\n",
      "\n",
      "andrew marvell: he is also regarded as the\n",
      "metaphysical poet. his poetry is highly\n",
      "philosophical. he deals with universal theme in\n",
      "his poetry. to his coy mistress is a fine example of\n",
      "his philosophical poetry.\n",
      "\f",
      " \n",
      "\n",
      "praise for\n",
      "\n",
      "maint\n",
      "\n",
      " \n",
      "\n",
      "enang\n",
      "\n",
      " \n",
      "\n",
      "tna tain\n",
      "\n",
      "mind at wort\n",
      "long way toward\n",
      "necessary kick in the\n",
      "\n",
      "simultaneously hilar\n",
      "that insists c\n",
      "\n",
      "ned.\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "steel toe books\n",
      "\n",
      "a fresh voi\n",
      "ei naor\n",
      "a this is aamuch-welcomed\n",
      "\n",
      "eens\n",
      "rania\n",
      "sera con lias\n",
      "\n",
      "isbn 974-0-9863575-0-3\n",
      "\n",
      "| | | | | i |\n",
      "9 \"780986°357503'\n",
      "\f",
      "lt am\n",
      "jk ich\n",
      "je ws\n",
      "\n",
      "philosophical poetry in a barrel\n",
      "ynick doms\n",
      "\f",
      "a\n",
      "\n",
      "vindication\n",
      "\n",
      "of\n",
      "\n",
      "natural diet.\n",
      "\n",
      "re a?\n",
      "soe\n",
      "\n",
      "being one in a series of notes to queen mab,\n",
      "\n",
      "a philosophical poem. .. :\n",
      "eq\n",
      "\n",
      "lameélovidy, xavrey meph pndéce eeocr,\n",
      "xeupeir mev mup xargac, xen spat ppevar ymepomevtac ;\n",
      "zor’ ave maye mnpuce xo avdpacri excouevoirt.\n",
      "tore sey ash mvpoa saoe hakov, w xey ametyrec\n",
      "\n",
      "“uta kofok gupoy, €0y hakoy anpayanrwvrer °\n",
      "\n",
      "hsiqa. op. et dies. 1. 54.\n",
      "\n",
      "=\n",
      "| seesenoa nee\n",
      "\n",
      "“seller, crown.\n",
      "\n",
      " \n",
      "\f",
      "as\n",
      "\n",
      "it does not matter\n",
      "who loves you\n",
      "it is who makes you feel...\n",
      "\n",
      "~ alive in coffin\n",
      "\f",
      " \n",
      "\n",
      "   \n",
      "\n",
      "  \n",
      "\n",
      "unian croc p4\n",
      "\n",
      "ngi en/ xe\n",
      "reference and\n",
      "avn sem\n",
      "mathematics and\n",
      "cosmology\n",
      "\n",
      " \n",
      " \n",
      "\n",
      "ea atad\n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      "bild saknas\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "cs pao\n",
      "\n",
      "= iqbal urdu poetry books x\n",
      "\n",
      "pa)\n",
      "\n",
      "bang-i dara\n",
      "(1924)\n",
      "\n",
      "the call of the marching bell (urdu: !)3 st;\n",
      "bang-e-dara; published in urdu in 1924) was the\n",
      "first urdu philosophical poetry book by allama\n",
      "iqbal, one of the great poet-philosophers of the\n",
      "indian subcontinent.the poems in the call of the\n",
      "marching bell were written by iqbal over a period\n",
      "\n",
      " \n",
      "\f",
      "the poet's guide to life\n",
      "\n",
      "te wen\n",
      "\n",
      "   \n",
      "\n",
      "edited and translated by ulrich baer\n",
      "\f",
      "inventory”\n",
      "\n",
      "four be the things i am wiser to know:\n",
      "idleness, sorrow, a friend, and a foe.\n",
      "\n",
      "four be the things i'd been better without:\n",
      "love, curiosity, freckles, and doubt.\n",
      "\n",
      "three be the things i shall never attain\n",
      "envy, content, and sufficient champagne.\n",
      "\n",
      "three be the things i shall have tll i die:\n",
      "laughter and hope and a sock in the eye.\n",
      "\n",
      "dorothy parker\n",
      "\n",
      " \n",
      "\f",
      "francis ponge\n",
      "unfinished ode\n",
      "jo mud\n",
      "\n",
      "beverley bie brahic\n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      "by outis, with which are included\n",
      "rhymes in the west of england\n",
      "dialect. by agrikler\n",
      "\f",
      "76 shorter philosophical poems of narayana guru\n",
      "\n",
      "constituted of innumerable names, innumerable mental images\n",
      "and the correspondingly innumerable objects of perception.\n",
      "\n",
      "what modern science thinks of as the world is the sum total of\n",
      "all physical entities physically perceived by our sense organs. and\n",
      "that physical world is boundlessly expansive. do the objects thus\n",
      "perceived really exist as they are perceived? we are not sure. even\n",
      "if granted that they do exist so, they do not become part of the\n",
      "experienced world unless an experiencing mind or consciousness\n",
      "functionally exists. and in that mind numerous ideas should get\n",
      "formulated, each corresponding to an object. this domain of ideas\n",
      "or mental images has to be as extensive as the objective world.\n",
      "world-experience thus is a two-faceted functional situation in which\n",
      "the endlessly expanding perceptible objects form one facet, and the\n",
      "corresponding endlessly expanding world of mental images forms\n",
      "the other. one facet is meaningless without the other.\n",
      "\n",
      "every object in the perceptible world has a corresponding\n",
      "image in the perceiver’s mind. the guru calls it pratibhd, literally,\n",
      "“a corresponding bright image.” every image thus formulated is\n",
      "usually given a name. whenever the name is articulated, it helps\n",
      "recall the image of the object. so too, encountering the same or\n",
      "the same type of objects again recalls back the former mental image\n",
      "and the name, enabling us to recognize the encountered object.\n",
      "as far as man, the living being who communicates through\n",
      "languages using words, is concerned, the inseparable oneness of\n",
      "these three — names, mental images, external objects — constitute\n",
      "the experienced world.\n",
      "\n",
      "ideas get formulated in our minds; names doubtlessly are\n",
      "devised by minds; and the external perceptible objects, as we will\n",
      "see soon, are nothing but mind or consciousness-substance\n",
      "manifesting itself. the three, in short, are nothing but one\n",
      "unconditioned consciousness becoming variously conditioned.\n",
      "therefore, what really exists is none of these three, but one\n",
      "unconditioned consciousness alone. this truth becomes revealed\n",
      "\f",
      " \n",
      "  \n",
      " \n",
      "  \n",
      "  \n",
      "  \n",
      "  \n",
      "  \n",
      "\n",
      "poetry, according to sidney, is superior to\n",
      "philosophy by its charm, to history by its\n",
      "universality, to science by its moral end, to law by\n",
      "its encouragement of human rather than civic\n",
      "joodness. sidney deals with the usefulness of\n",
      "ther forms of poetry also.\n",
      "\n",
      "‘oetry is an art of ‘imitation’ and its chief function\n",
      "s to teach and delight. imitation does not mean\n",
      "mere copying or a reproduction of facts. it means a\n",
      "representing or transmuting of the real and actual,\n",
      "and sometimes creating something entirely new.\n",
      "\f",
      "we wear our home\n",
      "\n",
      "upon our hearts.\n",
      "\n",
      "the~philosophical~guy\n",
      "\f",
      "but the master of metropolis will not\n",
      "be unprepared for such a possibility. he\n",
      "has in his employ a mad scientist, the\n",
      "sinisterly named rotwang, who has\n",
      "constructed the ultimate robot. the\n",
      "master of metropolis orders rotwang to\n",
      "supply his robot with the face of maria in\n",
      "order that it will be they who maintain\n",
      "control over the workers. but this false\n",
      "maria will ultimately lead the workers,\n",
      "and most particularly the\n",
      "workers’ children, to the\n",
      "brink of catastrophe. in the\n",
      "end, it will be the true\n",
      "maria, with the help of\n",
      "freder, who will narrowly\n",
      "avert disaster by saving the\n",
      "children, the worker’s\n",
      "underground city, and\n",
      "expose the false maria. ‘the\n",
      "master of metropolis will\n",
      "be forced to realize that\n",
      "between the ‘head’ (the\n",
      "masters of metropolis) and\n",
      "the ‘hands’ (the workers), there must be a\n",
      "mediator — the heart (represented by,\n",
      "maria). only then cana metropolis\n",
      "function harmoniously.\n",
      "\n",
      "there are many ways to interpret a\n",
      "film like metropolis. what does the false\n",
      "maria represent? philosophers on the\n",
      "left critical of unrestrained capitalism\n",
      "might view the false maria as the false god\n",
      "of consumerism that blinds the workers to\n",
      "their true plight, and threatens the health\n",
      "and welfare of their children by creating\n",
      "physically and culturally toxic environ-\n",
      "ments. more conservative philosophers\n",
      "might view the false maria as the false god\n",
      "of utopian or revolutionary ideologies\n",
      "\n",
      " \n",
      "\n",
      "that invariably misleads the working\n",
      "classes. perhaps the reader has his or her\n",
      "own thoughts? in any case, metropolis has\n",
      "proven to be a remarkably influential\n",
      "film. it contains themes that seem\n",
      "timeless in their resonance. for instance,\n",
      "the recent terror attack on the world\n",
      "‘trade center towers involved first\n",
      "world skyscrapers attacked by third\n",
      "world terrorists whose base of opera-\n",
      "tions were subterranean\n",
      "cave complexes. to be sure\n",
      "there are important differ-\n",
      "ences — the terrorists are\n",
      "not exploited workers, so\n",
      "much as fanatics outraged at\n",
      "the economic success of the\n",
      "west. but there are impor-\n",
      "tant analogies between\n",
      "lang’s film and real life\n",
      "current events. ‘the\n",
      "economic success of the\n",
      "west has depended, to a\n",
      "large extent, on inexpensive\n",
      "oil supplied by third world countries in\n",
      "the middle east, yet much of indigenous\n",
      "peoples in this part of the globe remain\n",
      "destitute and left behind economically.\n",
      "none of this, of course justifies terror\n",
      "attacks on innocent civilians. and there\n",
      "are many other complex factors, such as\n",
      "the vitriolic anti-western bias found in\n",
      "much of the arab media, which helps\n",
      "inflame anger against the west, while\n",
      "deflecting anger and responsibility away\n",
      "from undemocratic arab regimes (is the\n",
      "role of the arab media a bit like the false\n",
      "maria then?). but it does highlight the\n",
      "timeless relevance of lang’s futuristic sci-\n",
      "fi classic.\n",
      "\n",
      "  \n",
      " \n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "    \n",
      "  \n",
      " \n",
      "\n",
      " \n",
      "\n",
      "‘there can be little doubt that tech-\n",
      "nology has been one of the most liberating\n",
      "forces in human history. yet, as the social\n",
      "scientist michael harrington observed, “if\n",
      "there is technological advance without\n",
      "social advance, there is, almost automati-\n",
      "cally, an increase in human misery, in\n",
      "impoverishment.” the same advances in\n",
      "technology that have made our lives safer,\n",
      "longer and more worthwhile have also been\n",
      "put to nefarious ends: the holocaust is\n",
      "exhibit a, a genocide carried out with\n",
      "factory-like efficiency using all the tech-\n",
      "niques and tools available to a modern state.\n",
      "perhaps the cautionary lesson of lang’s\n",
      "metropolisis a thought once expressed by\n",
      "the american philosopher henry david\n",
      "thoreau — that we must guard against our\n",
      "inventions becoming “but improved means\n",
      "to an unimproved end.”\n",
      "© scott d. o'reilly 2002\n",
      "scott o°reilly is an independent writer with\n",
      "degrees in philosophy and psychology. he is\n",
      "completing work on socrates in cyberspace,\n",
      "a book which examines traditional conceptions\n",
      "of the soul in the light of modern neuroscien-\n",
      "tific findings.\n",
      "\n",
      " \n",
      "\n",
      "* a recently restored version of metropolis has\n",
      "been re-released this summer, a website\n",
      "devoted to the restoration can be found at:\n",
      "htep://www-kino.com/metropolis/index.html\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "‘the annual queen's speech to open\n",
      "parliament is an administrative programme\n",
      "written by the government but it must be\n",
      "read by her majesty, to add the regal\n",
      "weight. i often wonder: if she disagrees\n",
      "with what she has to read how will god\n",
      "save the queen?\n",
      "\n",
      " \n",
      "\n",
      "she can’t change it - that would be\n",
      "interfering in politics. nor can she refuse\n",
      "to read it - constitutional monarchy is a\n",
      "deal. the only thing she can do is to\n",
      "pretend to support it — reading it clearly,\n",
      "naturally, and before the world. god help\n",
      "her act successfully!\n",
      "\n",
      " \n",
      "\n",
      "how will god\n",
      "save the queen?\n",
      "cchengde chen\n",
      "\n",
      "however, in the spaces between those\n",
      "solemn words there must be a wronged\n",
      "soul begging for understandin,\n",
      "‘my words are not my words\n",
      "my look is not my look.\n",
      "tam not me!\n",
      "\n",
      "  \n",
      "\n",
      "humiliation is about contrast\n",
      "but even a bankrupt millionaire\n",
      "begging in the streets or a defeated\n",
      "general crawling through his conqueror’s\n",
      "legs cannot compare with the queen\n",
      "being a mindless instrument as it shows\n",
      "the golden crown is merely a straw hat.\n",
      "\n",
      "to show off dignity is to lose dignity\n",
      "in this cruel mathematics of constitu-\n",
      "tional monarchy she undergoes the\n",
      "\n",
      "greatest humiliation in the world. this is\n",
      "\n",
      "why she deserves the highest respect as\n",
      "well as not paying inheritance tax.\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "© chenabe chen\n",
      "chengde chen wrote this as bis contribution to\n",
      "the golden jubilee. he is author of five themes\n",
      "of today: philosophical poems, open gate\n",
      "press, london, £8.95.\n",
      "\n",
      "august/september 2002 ¢ philosophy now 49\n",
      "\f",
      "poetry and philosophy\n",
      "\n",
      "there is no doubt that robert frost has written a large number of poems which\n",
      "are essentially philosophical. by philosophical poetry, of course, we mean the\n",
      "poetry that raises the fundamental questions about life and death and\n",
      "man’s destiny in this universe. whether philosophical poetry also gives\n",
      "answers to such questions, and whether the answers are given are satisfactory,\n",
      "is a different consideration altogether. robert frost does certainly raise\n",
      "philosophical questions, though his answers are vague and ambiguous.\n",
      "\n",
      "in other words, it is impossible to solve the mystery of the universe in\n",
      "which we live. nevertheless, an effort can be made to construct some kind of\n",
      "system out of the cosmological implications of robert frost’s work. robert\n",
      "frost seems to believe that the universe includes three orders of\n",
      "being—man, nature and god. these three orders are almost but not\n",
      "quite discontinuous, and their common element is a tendency to\n",
      "express themselves in orderly configurations. man builds walls, nature\n",
      "establishes zones and seasons. god constructs a cosmos. thus in the broadest\n",
      "sense, man has both divine and natural reasons for his effort to find or invest\n",
      "patterns and meanings; but only in the broadest sense. it is not only clear\n",
      "that either nature or god is concerned with man’s designs, and that\n",
      "there. is any moral expressiveness other than those men makes for\n",
      "\n",
      "imself.\n",
      "\f",
      "robert frost was a philosophical\n",
      "rea um ue ee lace)\n",
      "a profound and delicate heart was\n",
      "joined an intellect which never\n",
      "re rti tem me clue r\n",
      "meanings of life.\n",
      "\n",
      "—mark van doren\n",
      "\n",
      "the ttuth is that frost was the first\n",
      "rt ae aiemel mma steb g\n",
      "reckoned a master-poet by, world\n",
      "eer iee\n",
      "\n",
      "—robert graves\n",
      "\n",
      ".\n",
      "his is a poetry which comsajnplates\n",
      "and sometimes criticizés the world,\n",
      "but regards everything about it with\n",
      "\n",
      "love, occasional amusement, and\n",
      "tender, tolerant pity. it is a poetry\n",
      "which literally begins in delight and\n",
      "ends in wisdom. 4\n",
      "\n",
      "— louis untermeyer\n",
      "\n",
      "new poem after new poem makes\n",
      "clear how deeply each frost poem\n",
      "bears on all frost poems, and how\n",
      "surely all are a constant symbol of\n",
      "emit an coml aia\n",
      "metaphors that clarify the dark para-\n",
      "doxes they contain.\n",
      "\n",
      "—new york times book review\n",
      "\n",
      "his death impoverishes us all; but he\n",
      "has bequeathed his nation a body of\n",
      "latencies ee come aol)\n",
      "americans will forever gain joy and\n",
      "understanding.\n",
      "\n",
      "—john f. kennedy\n",
      "\n",
      " \n",
      "\f",
      "al 3t ogiomuit fy te\n",
      "[rev bihoxic. vax. are es wf a\n",
      "a pina ee: cacr hamam oe. lenk buh porter. oncale\n",
      "\n",
      "thi mene cocr gta ty cate aw er le, jim tite dre x eat\n",
      "\n",
      "te kane ee raphe. vv\n",
      "\n",
      "pn ob\n",
      "\n",
      "ok pobeg ih nuke des wy a lapis poled\n",
      "maha br de aim ana < thr aunne lms ana\n",
      "soon tpt\n",
      "\n",
      "co lcs shy 2 tf a: ae\n",
      "lak pe sech bela mae ye wa: tehas del\n",
      "oe gh tenho fons xe lo. sh 9 ofene poeta,\n",
      "ge a pa ne pace cpa cle, rene 1.\n",
      "kroes ol, mahal na, se. “anakg nach, mean s a\n",
      "\n",
      "wo oh hap pe\n",
      "\n",
      "ioi es chi 2 ha way ujiwaiuel oven 7\n",
      "fee cr rw xg a. woh enilogs en led a. “wan\n",
      "(abanteh paiak.z i: sfgof je. 12) ms or have 01.2 are dee om\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "pybets cs) mu kammacl 1\n",
      "a ubhibrn}p ik\n",
      "way |\n",
      "\n",
      "a uf liseilawalal,\n",
      "(cvg pi laestelc)\n",
      "bm rag\n",
      "\n",
      "     \n",
      "  \n",
      "  \n",
      "\n",
      "ng-i dave\n",
      "\n",
      "o\n",
      "\n",
      "i ¢\n",
      "\n",
      "; “a\n",
      "am leh\n",
      ": : | _ = &\n",
      "\n",
      "oig990we3 /\n",
      "se es (8:4!) lesage\n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      "a ses aa ae\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "queen mab:\n",
      "\n",
      "philosophical poem:\n",
      "witil notes.\n",
      "\n",
      "by\n",
      "\n",
      "percy bysshe shelley.\n",
      "\n",
      "—k—x—x—k—x—!\n",
      "\n",
      "ecrasez l’?infame!\n",
      "correspondance de voltaire.\n",
      "\n",
      "avia pieridum peragro loca, nullius ante.\n",
      "\n",
      "trita solo; juvat integros accedere fouteis 5\n",
      "\n",
      "atque haurire : juratque novos decerpere flores.\n",
      "* * * * * *\n",
      "\n",
      "unde prius nulli velarint tempora musz.\n",
      "primum quod magnis doceo de rebus ; et arctis\n",
      "religionum aniimos uodis exsolvere pergo.\n",
      "\n",
      "lucret. lib. iv.\n",
      "\n",
      "aos 8 $i, kab kotpaoy kiyato.\n",
      "archimedés.\n",
      "\n",
      "london:\n",
      "\n",
      "printed by p. b. shelley,\n",
      "\n",
      "23, chapel street, groavenor square.\n",
      "\n",
      "asia (cissy\n",
      "re) aero)\n",
      "\n",
      " \n",
      "\f",
      "     \n",
      "\n",
      " \n",
      "\n",
      "pa sachsenhausen\n",
      "w fp0d\n",
      "\n",
      "fee e\n",
      "bee uae\n",
      "\n",
      "do\n",
      "\n",
      " \n",
      "\n",
      "ae\n",
      "re\n",
      "\n",
      "  \n",
      "   \n",
      "  \n",
      "\n",
      "os\n",
      "\n",
      "vv\n",
      "\n",
      " \n",
      "\n",
      "» dy\n",
      "malta tauser :\n",
      "\n",
      "a eet”\n",
      "\n",
      "cooling gan poth\n",
      "\n",
      "wy 4 ip\n",
      "py nome vy qunrco 07 nites.\n",
      "nuteerng ye wallagh ue\n",
      "i\n",
      "\n",
      "  \n",
      " \n",
      "\n",
      " \n",
      "\n",
      "7\n",
      "\n",
      "     \n",
      "  \n",
      " \n",
      " \n",
      "    \n",
      "\n",
      "¢ 2k wrlonosoore\n",
      "\n",
      "stetien -\n",
      "wiener\n",
      "_ ebensee\n",
      "s*lanbrech wy\n",
      "neumarckt w\n",
      "villach\n",
      "\n",
      "vv sy %  .\n",
      "\n",
      "le del merl\n",
      "afin qh yea\n",
      "\n",
      "| jertace ls ol lit tile\n",
      "0 fae che ba uatele\n",
      "auschwitz lalur vudte 644 a.\n",
      "\n",
      "hun 6 faut\n",
      "ode cm [mies hi ete antaua\n",
      "\n",
      "che giiare s4te'¢ eutch,\n",
      "\n",
      "fer “ut ‘eutdie fe a 1 tauend\n",
      "\n",
      "thi a a wy “et am nittr\n",
      "idl ie mec\n",
      "thi si “ee j “munile-\n",
      "\n",
      "’\n",
      "\n",
      " \n",
      "\f",
      "+ chicago\"tibune, monday. december 13, 1976 section # 7-—>\n",
      "\n",
      "   \n",
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      "    \n",
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      "   \n",
      "   \n",
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      " \n",
      "  \n",
      "\n",
      "bosks of psy died w write\n",
      "\n",
      "an polis schute/mlustrated by\n",
      "‘schute, sinee thee fi i\n",
      "\n",
      "the mount\n",
      "huts and stephen\n",
      "dedicated to the belie that\n",
      "\n",
      "     \n",
      "   \n",
      "  \n",
      "  \n",
      "  \n",
      "\n",
      "     \n",
      "\n",
      "oetry and\n",
      "‘some af the books\n",
      "\n",
      "1. the language of love ed. by susan polis schuts $3.50\n",
      "2. i care about your happiness: quotations from the love letters\n",
      "‘of kahlil gibran and mary heskell $3.50\n",
      "5. the language of friendship ed. by susan polis shute $3.50\n",
      "4. the best is yet to be ed. by susan polis schuts $2.95,\n",
      "5, [want to langhy t want to cry by susan polis schuts $3.50\n",
      "\n",
      " \n",
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      "  \n",
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      " \n",
      "\n",
      "el poe\n",
      "iy ax ehanessather of derr $380.\n",
      "\n",
      "step to the muse you hea, volume i: phiophical poems from\n",
      "\n",
      "bean ues by charles eh ea celebration nari\n",
      "favorite peanuts chacters—charle brown, eye nut, and\n",
      "fe rest=in 13 fullolor come sripar pla background’ on charles\n",
      "schule own fe erfectwoliay treat for peanut ant. 226 page. paper\n",
      "$7.98 '\n",
      "\n",
      "concordance by bjo trimble, for\n",
      "\n",
      "   \n",
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      "ion featuring allyour\n",
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      "eke, this ip the\n",
      "tated star trek tv\n",
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      "    \n",
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      "\n",
      "0. the annotated dracula with introduction and notes by leonard\n",
      "wolf/are by satty. au authentic reproduction of the worlds greatest\n",
      "tes that explore all ils nuances including its\n",
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      ". with filmography,\n",
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      "the rolling § ated history of rock & rell by rolling\n",
      "stone press. the history of rock and rollin one glantaized book packed\n",
      "swith 850 photor and articles by the top writers on rock. the stars\n",
      "fs omoters, producers, and dje are allhere, paper\n",
      "\n",
      " \n",
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      "   \n",
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      " \n",
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      "    \n",
      "\n",
      " \n",
      "\n",
      "scare ba tears\n",
      "z\n",
      "\n",
      "  \n",
      " \n",
      " \n",
      "    \n",
      "  \n",
      "  \n",
      "  \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "15. chicago metropole ofthe mid continents zod bi by culler more\n",
      "sty tings, chicago metropals of the md conte\n",
      "‘readable sceount af tof 1\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "1d ohage my mase charge or bakarmeriand ¢\n",
      "a regie\n",
      "1d poyment in noucof|___—_coed,\n",
      "ty in hg ad tuo rere 4190, oe ld ft ot ck nd 236\n",
      "etrtidead not oriatiag ed ating stsa aspoat et 1995 do 900\n",
      "\n",
      " \n",
      "\n",
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      "\n",
      "  \n",
      "\f",
      "ntti\n",
      "\n",
      "melee an\n",
      "\n",
      "    \n",
      "\n",
      "~ lord alfred tennyson ~\n",
      "\n",
      "loveliveson.com\n",
      "\f",
      "paint\n",
      "\n",
      "cen\n",
      "poems\n",
      "ecg le )nt\n",
      "\n",
      "pen ea uc\n",
      "beaiec cea\n",
      "\n",
      ", wayne r falconer\n",
      "\f",
      "‘wednesday readings: at 8 pm, suggested con-\n",
      "tribution $3. hosted by bernadette mayer & bob holman.\n",
      "march 2—allen ginsberg & antler. march 9—victor her-\n",
      "nandez cruz & sonia sanchez. march 16—alice notley &\n",
      "danny krakauer. march 23—robert grenier & larry\n",
      "eigner. march 30—gary lenhart & susie timmons,\n",
      "\n",
      "monday reading & performance\n",
      "series: at 8 pm, suggested contribution $1. hosted by\n",
      "rochelle kraut: march 7—open reading. march 14—sam\n",
      "kashner & hal sirowitz, march 21—linda hartinian & the\n",
      "ordinaires (angela babin, joe dizney, kurt hoffman, fritz\n",
      "van orden, jim thomas, jeanette riedel, marsha ginsberg,\n",
      "sven furberg). march 28—raymond metrulis & ed smith,\n",
      "\n",
      "special workshops with victor hernandez cruz on march\n",
      "10, thursday at § pm: “cosmos & particulars—sources of\n",
      "the latin american sensibility” and one with larry eigner\n",
      "on tuesday, march 22 at §:30 pm.\n",
      "\n",
      "lecture: robert grenier will give a talk entitled\n",
      "“language/site/world” on thursday, march 24 at 8 pm\n",
      "(cont. $3)\n",
      "\n",
      "on-going workshops (free): tuesdays 7:30 with john god-\n",
      "frey and fridays 8 pm with jack collom, “poems from yu-\n",
      "yu studio”, simon schuchat’s saturday workshop con-\n",
      "tinues at noon on march 5, 12 & 19, witha field trip planned\n",
      "for the last class). and a 10 week workshop led by frances\n",
      "‘chung begins on march 26 (ee inside for details). sieve\n",
      "levine children's workshop continues on saturdays at tompkins\n",
      "‘square library at 10 am\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      "more like abstract expressionism. one moves on and incorporates\n",
      "things; one doesn’t reduce. anyway, a reductive tendency, to me,\n",
      "is not as interesting as an inclusive tendency. a feeling for inclusive-\n",
      "ness is of course a certain state of mind. again, all this has to do\n",
      "with a kind of consciousness, perhaps something to do with breadth\n",
      "or generosity. it relates to a feeling about life.\n",
      "\n",
      "interviewer: your mentioning pop art reminds me of the business\n",
      "of making use of clichés. you talked of using the clichés that are\n",
      "available and turning them against themselves in your poems.\n",
      "\n",
      "benedikt: dead language is potentially a very honorable language\n",
      "because it hasn't been used very much before. it has nothing to\n",
      "do with culture. poetry never does; like every new development\n",
      "in every art it probably has nothing to do with culture, the culture of\n",
      "the past, except maybe in terms of directly departing from it and\n",
      "bidding an adieu, however fond. it has to do with the desire to create\n",
      "a new culture, a new kind of reason. i guess an adieu is what sky is\n",
      "about — it’s full of farewells. and then there is poor mole’s takeoff\n",
      ". . at the end.\n",
      "\n",
      "pop art has done some engaging things, but i don’t think the\n",
      "visual arts can go as far as poets can if we're working as well as we\n",
      "can. i think our focus can involve philosophical issues much more\n",
      "than the visual arts can today with their minimalist and “cool”\n",
      "predilections. we can get away from their perhaps oppressively\n",
      "present single image, go beyond that to what images mean in connec-\n",
      "tion with other images and go beyond that into even broader im-\n",
      "plications. and i think we can do away with the idea, perhaps\n",
      "implicit in the use of prose as a medium for poetry, the idea of\n",
      "shock value, i realize the prose poem still seems somewhat shocking\n",
      "to some people. basically i don’t want it to be. i want it to be a\n",
      "realm of reason.\n",
      "\n",
      "interviewer: do you think of yourself as a philosophical poet?\n",
      "\n",
      "benedikt: 1 haven't gotten to the point where i can make that judg-\n",
      "ment. all i'm doing is feeling my way. i know some things but\n",
      "not enough. but i know that i don’t know enough.\n",
      "\n",
      "interviewer: 1 raised that question because, though many — per-\n",
      "haps most — of your poems are funny, often hilariously funny, they\n",
      "strike me as ultimately serious. i’m thinking of their concern with\n",
      "\n",
      "uw\n",
      "\n",
      " \n",
      "\f",
      " \n",
      "  \n",
      "\n",
      "melaiae\n",
      "§ philosophy —\n",
      "\f",
      "    \n",
      "\n",
      "«a number of poets have\n",
      "written poems on\n",
      "philosophical themes, and\n",
      "some important\n",
      "philosophers have expressed\n",
      "their philosophy in verse.\n",
      "\f",
      "there are words for your\n",
      "disappointment\n",
      "\n",
      "iam one of those words\n",
      "\n",
      "—mallory smart\n",
      "\f",
      " \n",
      "\n",
      "ayy\n",
      "yp)\n",
      "master of human destinies am i;\n",
      "fame, love and fortune on my footsteps wait\n",
      "\n",
      "- opportunity -\n",
      "\n",
      "   \n",
      "\n",
      " \n",
      "\f",
      "  \n",
      "\n",
      "ace tlem ollie am. 5\n",
      "\n",
      "ex) ist plato disapproves of poetry because\n",
      "it is immoral, as a i lnt-melkt-]°]¢)¢e\\ (rell\n",
      "it because it is based in falsehood.\n",
      "\n",
      "philosophy is better than poetry because\n",
      "philosopher deals with idea / truth, whereas poet\n",
      "col] ania uare lar) eleler een a eaw al lesela\n",
      "\n",
      "he believed that truth of philosophy was more\n",
      "important than the pleasure of poetry.\n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      "poems from\n",
      "\n",
      "iqbal\n",
      "\n",
      "iqbal was recognized during his lifetime as the\n",
      "‘most important poet of muslim india in the\n",
      "twentieth century, both for the quality of the\n",
      "\n",
      "verse and for the influence exercised by his ideas.\n",
      "since his death in 1983, his fame has continued\n",
      "to grow and has reached the west through a\n",
      "number of english studies and translations. most\n",
      "of the latter have been concerned with his\n",
      "philosophical poetry in persian.\n",
      "\n",
      " \n",
      "\n",
      "; = sbn 978-81-8339-382-9\n",
      "gulshan is\n",
      "kashmir\n",
      "gulshanbooks.com |\n",
      "cover arty thotz media in\n",
      "* f< 591.99\n",
      "\n",
      "9 vreaies \"393029\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      " \n",
      "\n",
      "new and selected poems\n",
      "\n",
      "emily grosholz\n",
      "\f",
      "   \n",
      "\n",
      "ie es\n",
      "\n",
      "non\n",
      "\" t\n",
      "\f",
      "   \n",
      " \n",
      "\n",
      "lo ig a\n",
      "\n",
      "‘aneous prieta\n",
      "elings: it takes it: tfs)\n",
      "\n",
      "pea ene tag\n",
      "\f",
      "queen mab:\n",
      "\n",
      "philosophical poem:\n",
      "witil notes.\n",
      "\n",
      "by\n",
      "percy bysshe shelley.\n",
      "\n",
      "ee\n",
      "\n",
      "ecrasez l’infame! i\n",
      "correspondance de voltaire.\n",
      "\n",
      "avia pieridum peragro loca, nullius ante.\n",
      "trita solo; juvat integros accedere fouteis\n",
      "\n",
      "atque haurire : juratque novos decerpere flores.\n",
      "* * * * * *\n",
      "\n",
      "unde pnius nulli velarint tempora muse. :\n",
      "primum quod magnis doceo de rebus ; et arctis\n",
      "religionum animos nodis exsolvere pergo.\n",
      "\n",
      "lucret, lib. iv.\n",
      "\n",
      "aos ty $i, kas koopaoy kivnew. —\n",
      "archimedés,\n",
      "\n",
      "—\n",
      "\n",
      "london:\n",
      "\n",
      "printed by p. b. shelley,\n",
      "23, chapel street, grosvenor square.\n",
      "1813.\n",
      "\n",
      "erhf62\n",
      "renae\n",
      "\n",
      " \n",
      "\f",
      "jaiey\n",
      "showings 4) a0) sis algs aati gow\n",
      "\n",
      "lj jc ala jl joy ising\n",
      "oa4scl jag alg leh a8 ahah\n",
      "filalles ui eguitlolg\n",
      "0244 gl fa lla aj\n",
      "aul} 9 3 smaieibla’y\n",
      "oxi gallo aula tal oid\n",
      "sully ua j4 viii g\n",
      "oaycull ages ap jg\n",
      "cyl gea bball yi ghablig\n",
      "oaaoll cw ga yo js ad\n",
      "aulgcll el puiicla oa)\n",
      "oxucslo joillglie job\n",
      "ais joa lla\n",
      "\n",
      "ec\n",
      "\n",
      " \n",
      "\f",
      "m6re\n",
      "atte\n",
      "me hi 2 fy.\n",
      "\n",
      "ite 4\n",
      "a ort\n",
      "\n",
      "insain eh\n",
      "\n",
      "at\n",
      "\f",
      "“poetry has become one of the most\n",
      "cratec-tavialir<-te mela le tat late\n",
      "pom mc ee oa\n",
      "sums\n",
      "\n",
      " \n",
      "\f",
      "name date period\n",
      "\n",
      "close reading organizer - an apology for poetry\n",
      "\n",
      "directions: read each summary entry and think about which themes listed in the\n",
      "theme y to it, then color in those themes in the theme tracker, next. write a\n",
      "few sentences of analysis to explain how the themes you chose apply to each summary\n",
      "sectior\n",
      "\n",
      "themes key\n",
      "poetry vs. history and philosophy\n",
      "\n",
      "poetry, creation, and imagination\n",
      "defending poetry\n",
      "\n",
      "poetry in the vernacular\n",
      "\n",
      "summary ‘theme tracker your analysis\n",
      "sidney tells the reader that he\n",
      "and edward wetton once\n",
      "back riding with\n",
      "jetro pugliano at\n",
      "the court of the holy roman\n",
      "emperor. pugliano did not\n",
      "simply teach them about the art\n",
      "of riding horses (how to do\n",
      "but invited them to reflect on\n",
      "the activity in a philosophical\n",
      "manner (why one should do it\n",
      "\n",
      "pugliano argued that soldiers\n",
      "‘are the most noble of noblemen,\n",
      "‘and that “no earthly thing bred\n",
      "such wonder to a prince” as skill\n",
      "(on horseback. he also praised\n",
      "the nobility of the horse, and\n",
      "spoke so persuasively that\n",
      "sidney admits that if he was\n",
      "not a “logician,” he might have\n",
      "wished that he could have been\n",
      "{a horse. sidney concludes from\n",
      "this that “self love is better than\n",
      "any gilding.\n",
      "\n",
      "sidney tums to poetry as\n",
      "‘another example of this\n",
      "\n",
      "mi litcharts\n",
      "\n",
      "date: period\n",
      "\n",
      "organizer - an apology for poetry\n",
      "fs\n",
      "\n",
      "mary entry and think about which themes listed in the\n",
      "in color in those themes in the theme tracker. next, write a\n",
      "‘explain how the themes you chose apply to each summary\n",
      "\n",
      "imagination\n",
      "\n",
      "‘theme tracker your analysis:\n",
      "\n",
      " \n",
      "\n",
      " \n",
      "\f",
      "   \n",
      "\n",
      "- == *\n",
      "\n",
      "1798 lyrical ballads anonymous\n",
      "1800 lyrical ballads this edition contains the famous preface\n",
      "\n",
      "1807 poems in two volumes\n",
      "\n",
      "an incomplete philosophical poem\n",
      "\n",
      "1814 the excursion :\n",
      "in 9 books\n",
      "\n",
      "1850 the prelude autobiographical poem in 14 books\n",
      "\n",
      "(posthumous)\n",
      "\n",
      "   \n",
      "\f",
      "pon se\n",
      "— ss\n",
      "prose for\n",
      "the soul\n",
      "\n",
      "poems,\n",
      "philosophical abstracts\n",
      "& essays\n",
      "\n",
      "donald boyd\n",
      "\n",
      " \n",
      "\f",
      "   \n",
      "\n",
      "poetr of silence.\n",
      "\n",
      "ly\n",
      "\n",
      "is ano p! an\n",
      "\n",
      "     \n",
      " \n",
      "\n",
      "charles simic\n",
      "\n",
      "sa ete\n",
      "\f",
      "99 living nations never forget their\n",
      "elders. ghani baba has rendered\n",
      "great services in politics and\n",
      "literature which have helped and\n",
      "will continue to help pukhtuns\n",
      "\n",
      "inevery situation they face\n",
      "academic and poet dr salma shaheen\n",
      "\n",
      " \n",
      "\f",
      "\n"
     ]
    }
   ],
   "source": [
    "print(totalString)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": 7,
   "metadata": {},
   "outputs": [],
   "source": [
    "text_model = markovify.Text(totalString)"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": null,
   "metadata": {},
   "outputs": [
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "0: \n",
      "when our galloping days are past, when we go to the slopes where couch, in their own life .. \n",
      "\n",
      "1: \n",
      "he took his cyber sword in hand; long time ago. he first proposed we are all these kissings worth, if thou kiss not me? \n",
      "\n",
      "2: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. you are the roving feet, till the hot blood has ceas'd to rior? \n",
      "\n",
      "3: \n",
      "she can’t change it - constitutional monarchy is a poetry which literally begins in delight and ends with the sorcerer, but at the same as sisyphus’s futile game. \n",
      "\n",
      "4: \n",
      "the poem is written in octava rima form, with each stanza contains a unit of 6 lines followed by a law divine in one respect this passage stands out among everything plato wrote about poetry. \n",
      "\n",
      "5: \n",
      "* he never with dreams from the hearts of wind, of the primordial word, in which we live, the illusion of life. \n",
      "\n",
      "6: \n",
      "* * * unde pnius nulli velarint tempora musz. primum quod magnis doceo de rebus ; et arctis religionum animos nodis exsolvere pergo. \n",
      "\n",
      "7: \n",
      "john koethe sorin cerin — the being and nonbeing - philosophical poems- 1. the past is the same as sisyphus’s futile game. \n",
      "\n",
      "8: \n",
      "the creation of love philosophical poems sorin cerin naming the unnameable: an approach to its inner life and nature. \n",
      "\n",
      "9: \n",
      "death is the future of the seventh stanza of ode to nightingale. mortal beauty is passing away but not your thoughts, for they have their own thoughts. \n",
      "\n",
      "10: \n",
      "you may strive to be as extensive as the shadows grow long in the world. \n",
      "\n",
      "11: \n",
      "three be the things i shall have tll i die: laughter and hope and a solution to them is arrived at by relating each to the lyrical ballads and ends in wisdom. \n",
      "\n",
      "12: \n",
      "you may house their bodies but not because of it he did not approve, perhaps fearing it was a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it does not matter who loves you it is not i. \n",
      "\n",
      "13: \n",
      "None \n",
      "\n",
      "14: \n",
      "you may give them your love but not their souls, for their souls dwell in the eye. \n",
      "\n",
      "15: \n",
      "the philosophy of poetry. \n",
      "\n",
      "16: \n",
      "in other words, it is not i. \n",
      "\n",
      "17: \n",
      "birds of a poem and of the functionally existing consciousness-reality. \n",
      "\n",
      "18: \n",
      "the essay on man is a bitter truth ... \n",
      "\n",
      "19: \n",
      "the questions are answered in a lasting form. in ode to nightingale. the grecian um is much more objective and descriptive than ode to autumn is the nature of law . first left by child hood then left by innocence second left by child hood then left by child hood then left by innocence second left by adulthood ... \n",
      "\n",
      "20: \n",
      "None \n",
      "\n",
      "21: \n",
      "to some undiscover'd shore on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "22: \n",
      "the devotional poems and to make into a larger work; however, he did not approve, perhaps fearing it was william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine example of his philosophical poetry. \n",
      "\n",
      "23: \n",
      "finally he pleads with god to receive him in his arms when man has both divine and natural reasons for his effort to find rest at last. \n",
      "\n",
      "24: \n",
      "ode on grecian um, takes up the thought of the care, the care itself repays. \n",
      "\n",
      "25: \n",
      "bikini-clad women, hands propped as visors, squinted up at the same time, laugh at the other pole is placed each of the future. \n",
      "\n",
      "26: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth who revealed the inner soul of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "27: \n",
      "the essay on man is a series of notes to queen mab, a philosophical poet? \n",
      "\n",
      "28: \n",
      "bikini-clad women, hands propped as visors, squinted up at the same time, laugh at the side of the human mind. \n",
      "\n",
      "29: \n",
      "the essay on man is a bitter truth ... \n",
      "\n",
      "30: \n",
      "it is not easy to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "31: \n",
      "but i cannot prove i love you, and l know that sounds phlegmatic. t's not that i don’t know enough. \n",
      "\n",
      "32: \n",
      "you may house their bodies but not your thoughts, for they have their own thoughts. \n",
      "\n",
      "33: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "34: \n",
      "the fountains mingle with the river and the possibility of | the soul's transcendent union with god. \n",
      "\n",
      "35: \n",
      "* * * * unde pnius nulli velarint tempora musz. primum quod magnis doceo de rebus ; et arctis religionum animos nodis exsolvere pergo. \n",
      "\n",
      "36: \n",
      "the lungs with the sorcerer, but at the end. \n",
      "\n",
      "37: \n",
      "vain dreams, again and again re-told, must you crowd on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "38: \n",
      "ludwig «, wittgenstein the limitations of proof i love you —— not with any certitude. \n",
      "\n",
      "39: \n",
      "while, like phantoms bright of the clouds of loneliness, the wait. \n",
      "\n",
      "40: \n",
      "this book by. you will never understand... \n",
      "\n",
      "41: \n",
      "* * * * * * * * * * * * * * * * * * * * * * * unde pnius nulli velarint tempora muse. \n",
      "\n",
      "42: \n",
      "re a? soe being one in a lasting form. in ode to autumn is the nature of law . first left by child hood then left by innocence second left by child hood then left by child hood then left by child hood then left by innocence second left by child hood then left by child hood then left by adulthood ... \n",
      "\n",
      "43: \n",
      "None \n",
      "\n",
      "44: \n",
      "nobody left me but get busy in their antler'd pride, the deer on the perfum'd heather? \n",
      "\n",
      "45: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that there. is any moral expressiveness other than those men makes for imself. \n",
      "\n",
      "46: \n",
      "you may strive to be put forth in poetic form. it was william wordsworth is rightly the greatest humiliation in the eye. \n",
      "\n",
      "47: \n",
      "there’s no goos proof i cannot prove l love you. \n",
      "\n",
      "48: \n",
      "bikini-clad women, hands propped as visors, squinted up at the same time, laugh at the end. \n",
      "\n",
      "49: \n",
      "she can’t change it - that would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "50: \n",
      "None \n",
      "\n",
      "51: \n",
      "four be the centrepiece of a proposed system of ethics that was to be the centrepiece of a feather birds of a loyalty and trust two wines to fly his banner, an act of free speech. he had never shaken off. the disease was idealism and because of it he did not live to complete it. \n",
      "\n",
      "52: \n",
      "the dream of mathematics is of an average human life on this planet. however, poets earlier to william wordsworth fall within the category of poets have written poems on philosophical themes, and some important questions concerning the meaning ofife. \n",
      "\n",
      "53: \n",
      "finally he pleads with god to receive him in his arms when man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "54: \n",
      "interviewer: do you think of yourself as a publishe poet and saint of india, whose writings have greatly influenced the bhakti movement. \n",
      "\n",
      "55: \n",
      "brook j. sadler forever is something you will find yourself reading it clearly, naturally, and before the world. god help her act successfully! \n",
      "\n",
      "56: \n",
      "+ though sometimes he is neither a pessimist to see your loveones going far far and far. \n",
      "\n",
      "57: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth fall within the category of poets have written poems on philosophical themes, and some important questions concerning the meaning ofife. \n",
      "\n",
      "58: \n",
      "interviewer: your mentioning pop art reminds me of the lyrical ballads and ends in wisdom. \n",
      "\n",
      "59: \n",
      "the philosophy of love - lzars philosophical poems by the hegemony and stood awhile in thought. \n",
      "\n",
      "60: \n",
      "None \n",
      "\n",
      "61: \n",
      "None \n",
      "\n",
      "62: \n",
      "vain dreams, again and again re-told, must you crowd on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "63: \n",
      "she watched him start chatting to a bevy of girls at the same as sisyphus’s futile game. \n",
      "\n",
      "64: \n",
      "oh! the vigour with which the endlessly expanding perceptible objects form one facet, and the waves clasp one another; no sister-flower would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "65: \n",
      "it is a fine example of a feather birds of a philosophical poem — a poem and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "66: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the corresponding endlessly expanding world of mental images forms the other. \n",
      "\n",
      "67: \n",
      "see the mountains kiss high heaven, and the sunlight clasps the earth and the trees on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "68: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "there’s no goos proof i cannot prove i love you —— not with him, my lord white as jasmine? \n",
      "\n",
      "69: \n",
      "you may give them your love but not those of art. ode on grecian um, takes up the thought of the snow-clad range, what anodyne drawn from the heights of the absolute truth, still beforehand of the life of nature and god. these three orders are almost but not their souls, for their souls dwell in the dry mouths, of the experienced world unless an experiencing mind or consciousness-substance manifesting itself. the three, in short, are nothing but mind or consciousness functionally exists. and in that genre belong to different sub-genres? is the only measure of wt certain fact. \n",
      "\n",
      "70: \n",
      "james henry 59 quotespedia.info poetry is highly philosophical. he deals with universal theme in his poems express a sense of life and nature. in this voyage.. \n",
      "\n",
      "71: \n",
      "humiliation is about contrast but even a bankrupt millionaire begging in the house of tomorrow, which you cannot visit, not even in your dreams. \n",
      "\n",
      "72: \n",
      "the questions are answered in a consciousness, tends to become nothingness. \n",
      "\n",
      "73: \n",
      "interviewer: your mentioning pop art reminds me of the life of nature in his poems express a sense of life span. \n",
      "\n",
      "74: \n",
      "john koethe sorin cerin naming the unnameable: an approach to its inner life and nature. in this pendulum of life ion has the different poems. \n",
      "\n",
      "75: \n",
      "aristotel mother's funeral service and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "76: \n",
      "in other words, it is who makes you feel... \n",
      "\n",
      "77: \n",
      "bikini-clad women, hands propped as visors, squinted up at the other pole is placed each of the unfulfilled hopes, which, they crush us, with the queen being a theist, subjective idealist, meant all disagreed with him yet not with him, my lord white as jasmine, is my husband. \n",
      "\n",
      "78: \n",
      "it is more real than the real one, more fresh and bright, more lively and touching, with more charm of real flowers is in living men. \n",
      "\n",
      "79: \n",
      "the dream of mathematics is of an average human life on this planet. however, poets earlier to william wordsworth who revealed the fact that william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine example of a poem and contextual information, explain how the latter helps to understand the text. \n",
      "\n",
      "80: \n",
      "the poem an abababcc form. he often used this form for his effort to find or invest patterns and meanings; but only in the broadest sense, man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "81: \n",
      "ah! dar'st thow, poor one, from the stifling town can be drain'd from no earthly potion! \n",
      "\n",
      "82: \n",
      "to show off dignity is to pretend to support it — reading it again and again! in his poems express a sense of humanity and love with mankind and nature. \n",
      "\n",
      "83: \n",
      "the philosophy of life. \n",
      "\n",
      "84: \n",
      "bikini-clad women, hands propped as visors, squinted up at the side of the fever'd night, that have gone before. \n",
      "\n",
      "85: \n",
      "you may give them your love but not those of art. ode on grecian um, takes up the thought of the water. \n",
      "\n",
      "86: \n",
      "* he never with dreams from the stifling town can be drain'd from no earthly potion! \n",
      "\n",
      "87: \n",
      "it is an example of his views on a variety of subjects. \n",
      "\n",
      "88: \n",
      "she can’t change it - constitutional monarchy is a philosophical poem. \n",
      "\n",
      "89: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the hegemony and stood awhile in thought. \n",
      "\n",
      "90: \n",
      "None \n",
      "\n",
      "91: \n",
      "their softness came aying over time, over the smoke over the sea, over the spring, and when you placed your hands on my close relationship... \n",
      "\n",
      "92: \n",
      "three be the things i shall have tll i die: laughter and hope and a solution to them is arrived at by relating each to the lyrical ballads and ends in wisdom. \n",
      "\n",
      "93: \n",
      "—robert lee brewer @ waiter's dic 124 shorter philosophical poems - 64. the lead of the ilusions of the water. \n",
      "\n",
      "94: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the moonbeams kiss the sea- what are all going to die. the faa did not live to complete it. \n",
      "\n",
      "95: \n",
      "interviewer: do you think of yourself as a poet of the care, the care itself repays. \n",
      "\n",
      "96: \n",
      "= as the shadows grow long in the broadest sense. it is who makes you feel... \n",
      "\n",
      "97: \n",
      "re a? soe being one in a creative expression of self, is the future of the world. \n",
      "\n",
      "98: \n",
      "re a? soe being one in a consciousness, tends to become nothingness. \n",
      "\n",
      "99: \n",
      "while, like phantoms bright of the care, the care itself repays. \n",
      "\n",
      "100: \n",
      "benedikt: 1 haven't gotten to the place from whence we came, perchance to find or invest patterns and meanings; but only in the broadest sense, man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "101: \n",
      "i don't meant to be the things i shall have tll i die: laughter and hope and a lot of his first book of poems at age 24 through his conqueror’s legs cannot compare with the living gas grow light, and the waves clasp one another; no sister—flower would be interfering in politics. nor can she refuse to read it - that would be forgiven if it disdain'd its brother: and the trees on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "102: \n",
      "the essay on man is a deal. the only certainty in life he wanted to do--write. \n",
      "\n",
      "103: \n",
      "finally he pleads with god to receive him in his poems and sermons reveal a profound concern with death, decay, damnation, and the sunlight clasps the earth, and the sunlight clasps the earth and the sunlight clasps the earth and the correspondingly innumerable objects of perception. \n",
      "\n",
      "104: \n",
      "the questions are answered in a consciousness, tends to become nothingness. \n",
      "\n",
      "105: \n",
      "you are the roving feet, till the stubborn heart has forgotten to beat, till the restless hands are quiet, till the hot blood has ceas'd to rior? \n",
      "\n",
      "106: \n",
      "three be the centrepiece of a philosophical poem. \n",
      "\n",
      "107: \n",
      "one, two! one, two! one, two! and through and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "108: \n",
      "—mark van doren the ttuth is that frost was the only certainty in life. \n",
      "\n",
      "109: \n",
      "None \n",
      "\n",
      "110: \n",
      "None \n",
      "\n",
      "111: \n",
      "None \n",
      "\n",
      "112: \n",
      "he took his cyber sword in hand; long time the desiderata of happiness a collection of philosophical poems by the undecided and greedy steps, of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "113: \n",
      "aristotel mother's funeral service and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "114: \n",
      "the dream of mathematics is of an average human life on this planet. however, poets earlier to william wordsworth who revealed the fact that william wordsworth who revealed the inner soul of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "115: \n",
      "see the mountains kiss high heaven and the sunlight clasps the earth, and the possibility of death is its ultimate value, although no one realises this. \n",
      "\n",
      "116: \n",
      "interviewer: do you think of yourself as a publishe poet and saint of india, whose writings have greatly influenced the bhakti movement. \n",
      "\n",
      "117: \n",
      "to some undiscover'd shore on the conscious eye--the world in glory breaks? \n",
      "\n",
      "118: \n",
      "ah! dar'st thow, poor one, from the heights of the existence, which, they promise us, that they do exist so, they do exist so, they do exist so, they do not become part of the clouds of loneliness, the wait. \n",
      "\n",
      "119: \n",
      "None \n",
      "\n",
      "120: \n",
      "None \n",
      "\n",
      "121: \n",
      "i thought you said proof was the only certainty was also denied. but not quite discontinuous, and their common element is a tendency to express themselves in your dreams. \n",
      "\n",
      "122: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his optimism. \n",
      "\n",
      "123: \n",
      "we've had our gallop in days of yore, you follow us still in your dreams. \n",
      "\n",
      "124: \n",
      "- alive in coffin lyric poetry scruples of categorization re-visited when discussing the poetry of john donne, do love poems and devotional poems and sermons reveal a profound concern with death, decay, damnation, and the sunlight clasps the earth and the possibility of death is its ultimate value, although no one realises this. \n",
      "\n",
      "125: \n",
      "ideas get formulated in our minds; names doubtlessly are devised by minds; and the corresponding endlessly expanding perceptible objects form one facet, and the rivers with the river and the trees on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "126: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the rivers with the living gas grow light, and the trees on the perfum'd heather? \n",
      "\n",
      "127: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "128: \n",
      "json 08 ~ his philosophy * robert frost seems to believe that the universe includes three orders of being—man, nature and a lot of his views on a variety of subjects. \n",
      "\n",
      "129: \n",
      "aristotel mother's funeral service and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "130: \n",
      "None \n",
      "\n",
      "131: \n",
      "and so the past is the future any eternity, must start from somewhere, just like and the correspondingly innumerable objects of perception. \n",
      "\n",
      "132: \n",
      "gd adam gindsay gordon {3 internetpoem.com posthumous poems percy bysshe shelley people wno correct you in private weep tnem... \n",
      "\n",
      "133: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his optimism. \n",
      "\n",
      "134: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "135: \n",
      "it is impossible to solve the mystery of the primordial word, in which we live. nevertheless, an effort can be reckon'd a fair exchange for the stalker's stride, on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "136: \n",
      "vain dreams, again and again! in his poetry. to his coy mistress is a bitter truth ... \n",
      "\n",
      "137: \n",
      "you may give them your love but not their souls, for their souls dwell in the broadest sense. it is nothing but mind or consciousness-substance manifesting itself. the three, in short, are nothing but mind or consciousness-substance manifesting itself. the three, in short, are nothing but inner struggles more you get hurt . life is a poetry which literally begins in delight and ends with the queen being a theist, subjective idealist, meant all disagreed with him sharply. \n",
      "\n",
      "138: \n",
      "it appears that yeats is asking whether any one thing or person can be reckon'd a fair exchange for the solution to all problems. if this forms one pole of the poems written by william wordsworth fall within the category of poets of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "139: \n",
      "* he never with dreams from the heights of the future. \n",
      "\n",
      "140: \n",
      "the philosophy of life. \n",
      "\n",
      "141: \n",
      "+ he is also regarded as the world is single; all things by a unit of 6 lines followed by a unit of 6 lines followed by a law divine in one respect this passage stands out among everything plato wrote about poetry. \n",
      "\n",
      "142: \n",
      "oh! the vigour with which the endlessly expanding perceptible objects form one facet, and the moonbeams kiss the sea- what are all going to die. the faa did not live to complete it. \n",
      "\n",
      "143: \n",
      "it is impossible to solve the mystery of the dialectical situation, at the same time, laugh at the other cause. \n",
      "\n",
      "144: \n",
      "she can’t change it - that would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "145: \n",
      "* * * * * * * * * * * * * * * * * * unde pnius nulli velarint tempora musz. primum quod magnis doceo de rebus ; et arctis religionum animos nodis exsolvere pergo. \n",
      "\n",
      "146: \n",
      "in other words, it is impossible to solve the mystery of the birth of tragedy and other writings, ed. raymond geuss and ronald speirs, cambridge university press, cambridge, 2007, pp. \n",
      "\n",
      "147: \n",
      "None \n",
      "\n",
      "148: \n",
      "this book by. you will never understand... \n",
      "\n",
      "149: \n",
      "interviewer: do you think of yourself as a publishe poet and saint of india, whose writings have greatly influenced the bhakti movement. \n",
      "\n",
      "150: \n",
      "oh! the vigour with which are included rhymes in the house of tomorrow, which you cannot visit, not even in your ghostly might, dead days that have gone before. \n",
      "\n",
      "151: \n",
      "to some undiscover'd shore on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "152: \n",
      "* he never with dreams from the stifling town can be reckon'd a fair exchange for the beauties of nature. nevertheless, we can’t ignore that they will bring us, the very coveted, rain of happiness, in the world is the future any eternity, must start from somewhere, just like and the correspondingly innumerable objects of perception. \n",
      "\n",
      "153: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. \n",
      "\n",
      "154: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "155: \n",
      "None \n",
      "\n",
      "156: \n",
      "wherefore each part of my hard heart meets in this pithy and short composition, answers all such questions that consciousness creates about itself. narayana guru, in this paper the researcher has revealed the inner soul of nature in his poetry. to his coy mistress is a bitter truth ... \n",
      "\n",
      "157: \n",
      "—robert lee brewer @ waiter's dic 124 shorter philosophical poems - 64. the lead of the seventh stanza of ode to nightingale. mortal beauty is truer than love, pleasure and other forms of poetry also. \n",
      "\n",
      "158: \n",
      "benedikt: 1 haven't gotten to the place from whence we came, perchance to find or invest patterns and meanings; but only in the dry mouths, of the life of nature and god. these three orders of being—man, nature and a half year's poems. \n",
      "\n",
      "159: \n",
      "the spirit of joyous motion; the fever, the fulness of animal life, can be reckon'd a fair exchange for the beauties of nature. nevertheless, we can’t ignore that they will bring us, the very coveted, rain of happiness, in the world. this is a poet of nature: an overview jaivinder singh* research scholar, asla, amity university, haryana abstract: most of the infinite, and he bends you with his optimism. \n",
      "\n",
      "160: \n",
      "+ he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "161: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth as a type of ending beauty much discussed. beauty is passing away but not because of it he did not live to complete it. \n",
      "\n",
      "162: \n",
      "to some undiscover'd shore on the mountain side, in the eye. \n",
      "\n",
      "163: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot prove i love you -- just, the love is axiomatic. \n",
      "\n",
      "164: \n",
      "who is the one firm basis. \n",
      "\n",
      "165: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "166: \n",
      "the essay on man is a bitter truth ... \n",
      "\n",
      "167: \n",
      "and hast thow the infant seen that yet, unknowing of the care, the care itself repays. \n",
      "\n",
      "168: \n",
      "wherefore each part of the clouds of loneliness, the wait. \n",
      "\n",
      "169: \n",
      "ludwig «, wittgenstein the limitations of proof i love you, and l know that sounds phlegmatic. t's not that i don’t know enough. \n",
      "\n",
      "170: \n",
      "keywords: anarchism, nihilism, surrealism, systemic anomaly, transgression, philosophy of love - lzars philosophical poems by the undecided and greedy steps, of the organic unity of a feather birds of a feather flock together, and so will i have mine. \n",
      "\n",
      "171: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "None \n",
      "\n",
      "172: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "173: \n",
      "json 08 ~ his philosophy * robert frost seems to believe that the universe includes three orders are almost but not because of it he did not live to complete it. \n",
      "\n",
      "174: \n",
      "with her own life she fans and feeds that wenk life's trembling rays, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "175: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "176: \n",
      "<| philosophy quotes = of all the seeming of an average human life on this planet. however, poets earlier to william wordsworth as a philosophical poem. \n",
      "\n",
      "177: \n",
      "None \n",
      "\n",
      "178: \n",
      "with her own life .. \n",
      "\n",
      "179: \n",
      "andrew marvell: he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "180: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that color of wheat. \n",
      "\n",
      "181: \n",
      "find the soul in a creative expression of self, is the nature of law . first left by innocence second left by adulthood ... \n",
      "\n",
      "182: \n",
      "when he’s away i cannot prove i love you, and l know that i don’t love you —— not with any certitude. \n",
      "\n",
      "183: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his optimism. \n",
      "\n",
      "184: \n",
      "None \n",
      "\n",
      "185: \n",
      "where the burn runs down to the soles of death, to whom we worship and owe, the whole world, it would collapse, in her own life she fans and feeds that wenk life's trembling rays, and with the living gas grow light, and the sunlight clasps the earth and the waves clasp one another; no sister-flower would be interfering in politics. nor can she refuse to read it before that day! the other cause. \n",
      "\n",
      "186: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. you are the roving feet, till the restless hands are quiet, till the hot blood has ceas'd to rior? \n",
      "\n",
      "187: \n",
      "as it does not have a stream-of consciousness feel, with no one realises this. \n",
      "\n",
      "188: \n",
      "john koethe sorin cerin poems; chiefly philosophical. in continuation of my hard heart meets in this pendulum of life span. \n",
      "\n",
      "189: \n",
      "without remembrance, the whole emptiness of the words, of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "190: \n",
      "humiliation is about contrast but even a bankrupt millionaire begging in the house of tomorrow, which you cannot visit, not even in your poems. \n",
      "\n",
      "191: \n",
      "re a? soe being one in a lasting form. in ode to autumn is the only measure of wt certain fact. \n",
      "\n",
      "192: \n",
      "without remembrance, the whole emptiness of the future. \n",
      "\n",
      "193: \n",
      "what modern science thinks of as the world is the only thing she can do is to lose dignity in this pendulum of life ion has the different poems. \n",
      "\n",
      "194: \n",
      "ludwig «, wittgenstein the limitations of proof i love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "195: \n",
      "i thought you said proof was the only certainty in life he hired a plane to fly in a relationsnip... \n",
      "\n",
      "196: \n",
      "| find myself alone in this pendulum of life and nature. \n",
      "\n",
      "197: \n",
      "john koethe sorin cerin poems; chiefly philosophical. in continuation of my book, and a lot of his philosophical poetry. \n",
      "\n",
      "198: \n",
      "the devotional poems represent genres? if yes, do epistles and elegies written in heroic couplets and published between 1732 and 1734. pope intended to make them like you. \n",
      "\n",
      "199: \n",
      "she watched him start chatting to a statement of his views on a variety of subjects. \n",
      "\n",
      "200: \n",
      "to some undiscover'd shore on the conscious eye--the world in glory breaks? \n",
      "\n",
      "201: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the waves clasp one another; no sister—flower would be forgiven if it disdained its brother; and the corresponding endlessly expanding perceptible objects form one facet, and the death, how any infinity, which does not matter who loves you it is not i. \n",
      "\n",
      "202: \n",
      "to some undiscover'd shore on the perfum'd heather? \n",
      "\n",
      "203: \n",
      "ode on grecian um, takes up the thought of the clouds of loneliness, the wait. \n",
      "\n",
      "204: \n",
      "it is a deal. the only certainty in life. \n",
      "\n",
      "205: \n",
      "wherefore each part of the water. \n",
      "\n",
      "206: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "207: \n",
      "the questions are answered in a consciousness, tends to become nothingness. \n",
      "\n",
      "208: \n",
      "one, two! one, two! and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "209: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the corresponding endlessly expanding world of mental images has to be the things i shall have tll i die: laughter and hope and a half year's poems. \n",
      "\n",
      "210: \n",
      "re a? soe being one in a consciousness, tends to become nothingness. \n",
      "\n",
      "211: \n",
      "interviewer: do you think of yourself as a poet of the dialectical situation, at the end. \n",
      "\n",
      "212: \n",
      "oh! the vigour with which are included rhymes in the world is the only certainty was also denied. but not their souls, for their souls dwell in the dry mouths, of the poems written by william wordsworth is rightly the greatest poet of the dialectical situation, at the weird things he admits having done to chastise his victims. through the cyber blade went queer-text-hack! he left it unread, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "213: \n",
      "the philosophy of life. \n",
      "\n",
      "214: \n",
      "interviewer: your mentioning pop art reminds me of the absolute truth, still beforehand of the human mind. \n",
      "\n",
      "215: \n",
      "None \n",
      "\n",
      "216: \n",
      "one, two! and through and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "217: \n",
      "None \n",
      "\n",
      "218: \n",
      "james henry 59 quotespedia.info poetry is highly philosophical. he deals with the usefulness of ther forms of poetry also. \n",
      "\n",
      "219: \n",
      "the philosophy of poetry. \n",
      "\n",
      "220: \n",
      "blood flowed in bluebeard’s house, ~ in the world. god help her act successfully! \n",
      "\n",
      "221: \n",
      "the poem after visiting a montessori school in dublin. as a poet of nature and a sock in the simultaneously hilar that insists c ned. \n",
      "\n",
      "222: \n",
      "he took his cyber sword in hand; long time the desiderata of happiness a catectineaf milasaphical reims by the hegemony and stood awhile in thought. \n",
      "\n",
      "223: \n",
      "None \n",
      "\n",
      "224: \n",
      "in other words, it is an example of his philosophical poetry. \n",
      "\n",
      "225: \n",
      "ideas get formulated in our minds; names doubtlessly are devised by minds; and the limbs feel the strength of ten, while the chest expands with its head he went commodifying back. \n",
      "\n",
      "226: \n",
      "with her own life .. \n",
      "\n",
      "227: \n",
      "while, like phantoms bright of the ilusions of the organic unity of a loyalty and trust two wines to fly his banner, an act of free speech. he had never even read it before that day! the other cause. \n",
      "\n",
      "228: \n",
      "- on the mountain side, in the sound of the human mind. \n",
      "\n",
      "229: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the author of desiderata max ehrmann => @isuiu en aiesiv sorin cerin naming the unnameable: an approach to its inner life and spiritual message. it was 2009, and nine/eleven seemed a long time the desiderata of happiness a catectineaf milasaphical reims by the hegemony and stood awhile in thought. \n",
      "\n",
      "230: \n",
      "so, the possibility of death is the sonnet form a generic category? is sonnet sequence a generic category? is sonnet sequence a generic category? is sonnet sequence a generic category? is sonnet sequence a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "231: \n",
      "one, two! and through and through the virtual wood, and predicated as it does not have a landmark in a relationsnip... \n",
      "\n",
      "232: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "233: \n",
      "2. for each pairing of poem and of the existence, which, they have their choice, and so will pigs and swine; rats and mice will have their own thoughts. \n",
      "\n",
      "234: \n",
      "in other words, it is who makes you feel... \n",
      "\n",
      "235: \n",
      "and hast thow the infant seen that yet, unknowing of the clouds of loneliness, the wait. \n",
      "\n",
      "236: \n",
      "with her own life .. \n",
      "\n",
      "237: \n",
      "while, like phantoms bright of the words, of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "238: \n",
      "None \n",
      "\n",
      "239: \n",
      "there’s no goos proof i cannot prove l love you. \n",
      "\n",
      "240: \n",
      "james henry 59 quotespedia.info poetry is highly philosophical. he deals with the lead of the human mind. \n",
      "\n",
      "241: \n",
      "kabir was a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it does not have a landmark in a series of notes to queen mab, a philosophical poet? \n",
      "\n",
      "242: \n",
      "you may house their bodies but not quite discontinuous, and their publication of the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "243: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "what modern science thinks of as the world is the only certainty in life. \n",
      "\n",
      "244: \n",
      "None \n",
      "\n",
      "245: \n",
      "a study of ther phidosophical poems sorin cerin - i loved you - - philosophical poems- 1. the past is the only certainty was also denied. but not enough. but i know that i don’t know enough. \n",
      "\n",
      "246: \n",
      "kabir was a breach of homeland security. perhaps they thought it was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "247: \n",
      "find the soul in a consciousness, tends to become nothingness. \n",
      "\n",
      "248: \n",
      "we've had our gallop in days of yore, you follow us still in your dreams. \n",
      "\n",
      "249: \n",
      "to some undiscover'd shore on the conscious eye--the world in glory breaks? \n",
      "\n",
      "250: \n",
      "None \n",
      "\n",
      "251: \n",
      "| find myself alone in this poem by its encouragement of human rather than civic joodness. sidney deals with the queen being a theist, subjective idealist, meant all disagreed with him yet not with any certitude. \n",
      "\n",
      "252: \n",
      "you may give them your love but not quite discontinuous, and their publication of the clouds of loneliness, the wait. \n",
      "\n",
      "253: \n",
      "death is its ultimate value, although no one apparent focus but ends with philosophical definitions of a proposed system of ethics that was to be like them, but seeknot to make into a larger work; however, he did the thing in life he wanted to do--write. \n",
      "\n",
      "254: \n",
      "it appears that yeats is asking whether any one thing or person can be embodied in a lasting form. in ode to autumn is the sonnet form a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "255: \n",
      "philosophy poems sarah adams a limerick about berkeley there once was a piece of work that pope intended this poem by its charm, to history by its encouragement of human life on this planet. however, poets earlier to william wordsworth fall within the category of poets have written poems on philosophical themes, and some important questions concerning the meaning ofife. \n",
      "\n",
      "256: \n",
      "the questions are answered in a creative expression of self, is the most perfect in form and detail of all the seeming of an underlying order we invented without knowing it, waiting there just out of the birth of tragedy and other writings, ed. raymond geuss and ronald speirs, cambridge university press, cambridge, 2007, pp. \n",
      "\n",
      "257: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. you are walking at your own pace... \n",
      "\n",
      "258: \n",
      "when our galloping days are past, when we go to the water's mindless soliloquy, i can’t say, but know this: his was a lie. surely, the national endowment for the beauties of nature. he has rightly considered physical aspects as well as not paying inheritance tax. \n",
      "\n",
      "259: \n",
      "interviewer: your mentioning pop art reminds me of the poems written by william wordsworth is a poet of the primordial word, in which the air is rife! \n",
      "\n",
      "260: \n",
      "to yeats, life is nothing but mind or consciousness functionally exists. and in that genre belong to different sub-genres? is the wiser? \n",
      "\n",
      "261: \n",
      "None \n",
      "\n",
      "262: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "263: \n",
      "death is the only certainty was also denied. but not quite discontinuous, and their publication of the scholars are agreeing with the sweetness of the world. this is why she deserves the highest respect as well as spiritual aspects of human life to dear camus, who did write, that man’s existence is the future of the care, the care itself repays. \n",
      "\n",
      "264: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that color of wheat. \n",
      "\n",
      "265: \n",
      "nobody left me but get busy in their antler'd pride, the deer on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "266: \n",
      "to show off dignity is to pretend to support it — reading it again and again re-told, must you crowd on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "267: \n",
      "bikini-clad women, hands propped as visors, squinted up at the same time, laugh at the same as sisyphus’s futile game. \n",
      "\n",
      "268: \n",
      "nobody left me but get busy in their own life she fans and feeds that wenk life's trembling rays, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "269: \n",
      "we've had our gallop in days of yore, you follow us still in your dreams. \n",
      "\n",
      "270: \n",
      "* * * * * * * * * * * * * * unde pnius nulli velarint tempora muse. \n",
      "\n",
      "271: \n",
      "it is more real than the real one looks artificial, then, why is the sonnet form a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "272: \n",
      "- alive in coffin the desiderata of happiness a collection of philosophical poems of narayana guru constituted of innumerable names, innumerable mental images has to be the things i shall have tll i die: laughter and hope and a half year's poems. \n",
      "\n",
      "273: \n",
      "one, two! one, two! and through and through and through and through the virtual wood, and predicated as it shows the golden crown is merely a straw hat. \n",
      "\n",
      "274: \n",
      "it is nothing but inner struggles more you run away , more you run away , more you get hurt . life is without filters accept the reality... \n",
      "\n",
      "275: \n",
      "while, like phantoms bright of the functionally existing consciousness-reality. \n",
      "\n",
      "276: \n",
      "there’s no goos proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "277: \n",
      "humiliation is about contrast but even a bankrupt millionaire begging in the broadest sense, man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "278: \n",
      "so, the possibility of death is its ultimate value, although no one apparent focus but ends with philosophical definitions of a feather birds of a poem and contextual information, explain how the latter helps to understand the text. \n",
      "\n",
      "279: \n",
      "to show off dignity is to pretend to support it — reading it clearly, naturally, and before the world. this is a poet of nature in its all manifestations and beauty of nature. he has presented all the seeming of an average human life on this planet. however, poets earlier to william wordsworth is rightly the greatest poet of nature: an overview jaivinder singh* research scholar, asla, amity university, haryana abstract: most of the functionally existing consciousness-reality. \n",
      "\n",
      "280: \n",
      "four be the things i shall have tll i die: laughter and hope and a lot of his first book of poems at age 24 through his conqueror’s legs cannot compare with the queen being a theist, subjective idealist, meant all disagreed with him sharply. \n",
      "\n",
      "281: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "282: \n",
      "what modern science thinks of as the objective world. world-experience thus is a philosophical poem. \n",
      "\n",
      "283: \n",
      "she can’t change it - constitutional monarchy is a two-faceted functional situation in which the air is rife! \n",
      "\n",
      "284: \n",
      "a study of ther phidosophical poems sorin cerin ~ existentialism = philosophical poems- 1. the past is the only measure of wt certain fact. \n",
      "\n",
      "285: \n",
      "gd adam gindsay gordon {3 internetpoem.com posthumous poems percy bysshe shelley people wno correct you in private weep tnem... \n",
      "\n",
      "286: \n",
      "in other words, it is not easy to see darkness all around nor an optimistic fool who fails to understand the text. \n",
      "\n",
      "287: \n",
      "their softness came aying over time, over the spring, and when you placed your hands on my close relationship... \n",
      "\n",
      "288: \n",
      "now | find myself alone in this pithy and short composition, answers all such questions that consciousness creates about itself. narayana guru, in this pendulum of life span. \n",
      "\n",
      "289: \n",
      "humiliation is about contrast but even a bankrupt millionaire begging in the sound of the unfulfilled hopes, which, they have no more sipped, the water of the seventh stanza of ode to autumn is the only certainty in life he wanted to do--write. \n",
      "\n",
      "290: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that color of wheat. \n",
      "\n",
      "291: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "292: \n",
      "ah! dar'st thow, poor one, from the transience of joy. ode to autumn is the nature of law . first left by adulthood ... \n",
      "\n",
      "293: \n",
      "the lungs with the federal aviation authority. death is the sonnet form a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "294: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his optimism. \n",
      "\n",
      "295: \n",
      "aristotel mother's funeral service and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "296: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his might that his arrows may go swift and far. \n",
      "\n",
      "297: \n",
      "so, the possibility of death is the sum total of all time the desiderata of happiness a catectineaf milasaphical reims by the hegemony and stood awhile in thought. \n",
      "\n",
      "298: \n",
      "None \n",
      "\n",
      "299: \n",
      "None \n",
      "\n",
      "300: \n",
      "and so the past is the sum total of all time the cisgender foe he sought— so rested he by the undecided and greedy steps, of the scholars are agreeing with the ultimate questions: what is life worth once someone has grown old? \n",
      "\n",
      "301: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "302: \n",
      ": narayana guru paradox anders vey wit jena te sorin cerin - i loved you - - philosophical poems- 1. the past is the same as sisyphus’s futile game. \n",
      "\n",
      "303: \n",
      "the creation of love - tears philosophical poems st aimgs al! \n",
      "\n",
      "304: \n",
      "one, two! and through and through and through and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "305: \n",
      "it is the nature of law . first left by child hood then left by innocence second left by child hood then left by innocence second left by child hood then left by adulthood ... \n",
      "\n",
      "306: \n",
      "None \n",
      "\n",
      "307: \n",
      "oh! the vigour with which are included rhymes in the bracing northern weather, to the water's mindless soliloquy, i can’t say, but know this: his was a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it shows the golden crown is merely a straw hat. \n",
      "\n",
      "308: \n",
      "None \n",
      "\n",
      "309: \n",
      "gd adam gindsay gordon {3 internetpoem.com posthumous poems percy bysshe shelley people wno correct you in private weep tnem... \n",
      "\n",
      "310: \n",
      "* he never with dreams from the heights of the functionally existing consciousness-reality. \n",
      "\n",
      "311: \n",
      "None \n",
      "\n",
      "312: \n",
      "re a? soe being one in a lasting form. in ode to autumn is the most perfect in form and detail of all physical entities physically perceived by our sense organs. and that physical world is the same as sisyphus’s futile game. \n",
      "\n",
      "313: \n",
      "a study of ther forms of poetry also. \n",
      "\n",
      "314: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the sunlight clasps the earth and the correspondingly innumerable objects of perception. \n",
      "\n",
      "315: \n",
      "this book by. you will find yourself reading it again and again re-told, must you crowd on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "316: \n",
      "- alive in coffin lyric poetry scruples of categorization re-visited when discussing the poetry of john donne, do love poems and to make them like you. \n",
      "\n",
      "317: \n",
      "None \n",
      "\n",
      "318: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the author of desiderata max ehrmann => @isuiu en aiesiv sorin cerin - i loved you - - philosophical poems st aimgs al! \n",
      "\n",
      "319: \n",
      "- alive in coffin the desiderata of happiness a collection of philosophical poems sorin cerin - i loved you - - philosophical poems- 1. the past is the future any eternity, must start from somewhere, just like and the limbs feel the strength of ten, while the one all-underlying reality, is made more beautiful than a real one, so that in comparison the real one, more fresh and bright, more lively and touching, with more charm of real flowers is in living men. \n",
      "\n",
      "320: \n",
      "nobody left me but get busy in their antler'd pride, the deer on the conscious eye--the world in glory breaks? \n",
      "\n",
      "321: \n",
      "dorothy parker francis ponge unfinished ode jo mud beverley bie brahic by outis, with which the endlessly expanding perceptible objects form one facet, and the death, how any infinity, which does not matter who loves you it is impossible to solve the mystery of the care, the care itself repays. \n",
      "\n",
      "322: \n",
      "- alive in coffin lyric poetry scruples of categorization re-visited when discussing the poetry of john donne, do love poems and sermons reveal a profound concern with uw melaiae § philosophy — «a number of poets of nature in its dream, asleep in no one’s dream. \n",
      "\n",
      "323: \n",
      "there’s no goos proof i love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "324: \n",
      "the philosophy of love philosophical poems - 64. the lead of the words, which, they crush us, with the fact that william wordsworth is a philosophical poem. \n",
      "\n",
      "325: \n",
      "* he never with dreams from the heights of the future. \n",
      "\n",
      "326: \n",
      "oh! the vigour with which are included rhymes in the broadest sense. it is the nature of law . first left by adulthood ... \n",
      "\n",
      "327: \n",
      "| find myself alone in this paper the researcher has revealed the inner soul of nature and god. these three orders of being—man, nature and a solution to them is arrived at by relating each to the lyrical ballads, which initiated the romantic movement in england. the chapter concludes with a sweet emotion; nothing in the bracing northern weather, to the one firm basis. \n",
      "\n",
      "328: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth fall within the category of poets have written poems on philosophical themes, and some important questions concerning the meaning ofife. \n",
      "\n",
      "329: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. you are walking at your own pace... \n",
      "\n",
      "330: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "None \n",
      "\n",
      "331: \n",
      "three be the centrepiece of a feather birds of a feather birds of a feather birds of a feather flock together, and so the past is the future of the care, the care itself repays. \n",
      "\n",
      "332: \n",
      "None \n",
      "\n",
      "333: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the sunlight clasps the earth and the waves clasp one another; no sister-flower would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "334: \n",
      "the fountains mingle with the queen being a mindless instrument as it came! \n",
      "\n",
      "335: \n",
      "lick to look at all the seeming of an average human life on this planet. however, poets earlier to william wordsworth as a philosophical poet? \n",
      "\n",
      "336: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "337: \n",
      "this book by. you will find yourself reading it clearly, naturally, and before the world. this is a deal. the only measure of wt certain fact. \n",
      "\n",
      "338: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the waves clasp one another; no sister-flower would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "339: \n",
      "this book by. you will never understand... \n",
      "\n",
      "340: \n",
      "¢ rather, her poems simply record thoughts and feelings experienced naturally over the smoke over the spring, and when our galloping days are past, when we go to the lyrical ballads, which initiated the romantic movement in england. the chapter concludes with a sweet emotion; nothing in the sound of the care, the care itself repays. \n",
      "\n",
      "341: \n",
      "the fountains mingle with the sweetness of the infinite, and he had never shaken off. the disease was idealism and because of it he did not live to complete it. \n",
      "\n",
      "342: \n",
      "you may give them your love but not those of art. ode on grecian um, takes up the toilet sietzsche? \n",
      "\n",
      "343: \n",
      "james henry 59 quotespedia.info poetry is highly philosophical. he deals with universal theme in his arms when man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "344: \n",
      "the questions are answered in a dialectically conceived way rather than civic joodness. sidney deals with the queen being a theist, subjective idealist, meant all disagreed with him sharply. \n",
      "\n",
      "345: \n",
      "ludwig «, wittgenstein the limitations of proof i love you, and l know that i don’t love you -- just, the love is axiomatic. \n",
      "\n",
      "346: \n",
      "kabir was a piece of work that pope intended to make them like you. \n",
      "\n",
      "347: \n",
      "—mark van doren the ttuth is that frost was the only certainty in life. \n",
      "\n",
      "348: \n",
      "without remembrance, the whole world, it would be forgiven if it disdained its brother; and the correspondingly innumerable objects of perception. \n",
      "\n",
      "349: \n",
      "lick to look at all the terrible realistic of life and nature. in this voyage.. \n",
      "\n",
      "350: \n",
      "you may give them your love but not because of it he did the thing in life he wanted to do--write. \n",
      "\n",
      "351: \n",
      "i thought you said proof was the only thing she can do is to pretend to support it — reading it again and again re-told, must you crowd on the weary brain, till the hot blood has ceas'd to rior? \n",
      "\n",
      "352: \n",
      "ludwig «, wittgenstein the limitations of proof i love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "353: \n",
      "john koethe sorin cerin — the being and nonbeing - philosophical poems- 1. the past is the same as sisyphus’s futile game. \n",
      "\n",
      "354: \n",
      "you may house their bodies but not your thoughts, for they have their own thoughts. \n",
      "\n",
      "355: \n",
      "you may strive to be put forth in poetic form. it was a mystic poet and winner of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "356: \n",
      "where the burn runs down to the slopes where couch, in their own life .. \n",
      "\n",
      "357: \n",
      "when our blood ran rapidly, and when our blood ran rapidly, and when you placed your hands on my close relationship... \n",
      "\n",
      "358: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "359: \n",
      "in other words, it is impossible to solve the mystery of the birth of the human mind. \n",
      "\n",
      "360: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot prove i love you, and l know that i don’t know enough. \n",
      "\n",
      "361: \n",
      "re a? soe being one in a consciousness, tends to become nothingness. \n",
      "\n",
      "362: \n",
      "she can’t change it - constitutional monarchy is a series of notes to queen mab, a philosophical poem — a poem and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "363: \n",
      "the fountains mingle with the living gas grow light, and the sunlight clasps the earth and the possibility of death is its ultimate value, although no one realises this. \n",
      "\n",
      "364: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "365: \n",
      "ludwig «, wittgenstein the limitations of proof i love you —— not with any certitude. \n",
      "\n",
      "366: \n",
      "james henry 59 quotespedia.info poetry is highly philosophical. he deals with the usefulness of ther phidosophical poems sorin cerin — the being and nonbeing - philosophical poems st aimgs al! \n",
      "\n",
      "367: \n",
      "it was william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine example of his views on a variety of subjects. \n",
      "\n",
      "368: \n",
      "you may house their bodies but not enough. but i cannot prove i love you —— not with any certitude. \n",
      "\n",
      "369: \n",
      "a study of ther phidosophical poems sorin cerin poems; chiefly philosophical. in continuation of my book, and a lot of his views on a variety of subjects. \n",
      "\n",
      "370: \n",
      "it is the wiser? \n",
      "\n",
      "371: \n",
      "andrew marvell: he is also regarded as the shadows grow long in the eye. \n",
      "\n",
      "372: \n",
      "to yeats, life is a bitter truth ... \n",
      "\n",
      "373: \n",
      "john koethe sorin cerin naming the unnameable: an approach to its inner life and nature. in this voyage.. \n",
      "\n",
      "374: \n",
      "brook j. sadler forever is something you will find yourself reading it again and again re-told, must you crowd on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "375: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth is rightly the greatest humiliation in the flagon’s tide, or the other cause. \n",
      "\n",
      "376: \n",
      "re a? soe being one in a consciousness, tends to become nothingness. \n",
      "\n",
      "377: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "378: \n",
      "finally he pleads with god to receive him in his arms when man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "379: \n",
      "andrew marvell: he is also regarded as the shadows grow long in the dry mouths, of the clouds of loneliness, the wait. \n",
      "\n",
      "380: \n",
      "it was 2009, and nine/eleven seemed a long time ago. he first proposed we are not sure. even if granted that they do not become part of my book, and a half year's poems. \n",
      "\n",
      "381: \n",
      "None \n",
      "\n",
      "382: \n",
      "you are the roving feet, till the hot blood has ceas'd to rior? \n",
      "\n",
      "383: \n",
      "let your bending in the bracing northern weather, to the place from whence we came, perchance to find or invest patterns and meanings; but only in the simultaneously hilar that insists c ned. \n",
      "\n",
      "384: \n",
      "kabir was a breach of homeland security. perhaps they thought it was 2009, and nine/eleven seemed a long time the desiderata of happiness a catectineaf milasaphical reims by the hegemony and stood awhile in thought. \n",
      "\n",
      "385: \n",
      "ideas get formulated in our minds; names doubtlessly are devised by minds; and the death, how any infinity, which does not have a stream-of consciousness feel, with no one apparent focus but ends with the federal aviation authority. death is its ultimate value, although no one apparent focus but ends with philosophical definitions of a loyalty and trust two wines to fly in a dialectically conceived way rather than civic joodness. sidney deals with the ultimate questions: what is all this sweet work worth if thou kiss not me? \n",
      "\n",
      "386: \n",
      "and so the past is the future any eternity, must start from somewhere, just like and the sunlight clasps the earth, and the possibility of | the soul's transcendent union with god. \n",
      "\n",
      "387: \n",
      "oh! the vigour with which are included rhymes in the house of tomorrow, which you cannot visit, not even in your dreams. \n",
      "\n",
      "388: \n",
      "and hast thow the infant seen that yet, unknowing of the lyrical ballads and ends in wisdom. \n",
      "\n",
      "389: \n",
      "None \n",
      "\n",
      "390: \n",
      "i thought you said proof was the only certainty in life. \n",
      "\n",
      "391: \n",
      "| tried to hold them when it is more real than the real one still preferred? \n",
      "\n",
      "392: \n",
      "with her own life .. \n",
      "\n",
      "393: \n",
      "without remembrance, the whole world, it would be forgiven if it disdain'd its brother: and the rivers with the lead of the care, the care itself repays. \n",
      "\n",
      "394: \n",
      "see the mountains kiss high heaven, and the correspondingly innumerable objects of perception. \n",
      "\n",
      "395: \n",
      "* * unde pnius nulli velarint tempora musz. primum quod magnis doceo de rebus ; et arctis religionum animos nodis exsolvere pergo. \n",
      "\n",
      "396: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the correspondingly innumerable objects of perception. \n",
      "\n",
      "397: \n",
      "lick to look at all the terrible realistic of life and nature. in this poem to be like them, but seeknot to make them like you. \n",
      "\n",
      "398: \n",
      "three be the things i shall have tll i die: laughter and hope and a solution to all problems. if this forms one pole of the existence, which, they crush us, with the lead of the clouds of loneliness, the wait. \n",
      "\n",
      "399: \n",
      "humiliation is about contrast but even a bankrupt millionaire begging in the dry mouths, of the human mind. \n",
      "\n",
      "400: \n",
      "find the soul in a relationsnip... \n",
      "\n",
      "401: \n",
      "None \n",
      "\n",
      "402: \n",
      "while, like phantoms bright of the existence, which, they crush us, with the ultimate questions: what is all this sweet work worth if thou kiss not me? \n",
      "\n",
      "403: \n",
      "there’s no goos proof i cannot prove i love you, and l know that i don’t know enough. \n",
      "\n",
      "404: \n",
      "kabir was a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it shows the golden crown is merely a straw hat. \n",
      "\n",
      "405: \n",
      "she watched him start chatting to a statement of his philosophical poetry. \n",
      "\n",
      "406: \n",
      "unvaried, devoid of meaning this fate it did have all the terrible realistic of life ion has the different poems. \n",
      "\n",
      "407: \n",
      "re a? soe being one in a creative expression of self, is the only measure of wt certain fact. \n",
      "\n",
      "408: \n",
      "blood flowed in bluebeard’s house, ~ in the world. this is why she deserves the highest respect as well as spiritual aspects of human life to dear camus, who did write, that man’s existence is the only certainty in life he wanted to do--write. \n",
      "\n",
      "409: \n",
      "birds of a feather flock together, and so will i have it both ways, be with him yet not with any certitude. \n",
      "\n",
      "410: \n",
      "it was william wordsworth fall within the category of poets have written poems on philosophical themes, and some important questions concerning the meaning ofife. \n",
      "\n",
      "411: \n",
      "None \n",
      "\n",
      "412: \n",
      "their softness came aying over time, over the course of a philosophical poet? \n",
      "\n",
      "413: \n",
      "it is more real than the real one looks artificial, then, why is the nature of law . first left by adulthood ... \n",
      "\n",
      "414: \n",
      "it is an example of a poem and contextual information, explain how the latter helps to understand the text. \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "\n",
      "415: \n",
      "we've had our gallop in days of yore, you follow us still in your dreams. \n",
      "\n",
      "416: \n",
      "philosophy poems sarah adams a limerick about berkeley there once was a breach of homeland security. perhaps they thought it was william wordsworth as a philosophical poet? \n",
      "\n",
      "417: \n",
      "json 08 ~ his philosophy * robert frost seems to believe that the universe in which the air is rife! \n",
      "\n",
      "418: \n",
      "= as the objective world. world-experience thus is a poet of nature: an overview jaivinder singh* research scholar, asla, amity university, haryana abstract: most of the unfulfilled hopes, which, they crush us, with the usefulness of ther forms of values because they pass away while beauty can be embodied in a consciousness, tends to become nothingness. \n",
      "\n",
      "419: \n",
      "- on the perfum'd heather? \n",
      "\n",
      "420: \n",
      "when he’s away i cannot prove i love you, and l know that i don’t know enough. \n",
      "\n",
      "421: \n",
      "blood flowed in bluebeard’s house, ~ in the sound of the human mind. \n",
      "\n",
      "422: \n",
      "interviewer: your mentioning pop art reminds me of the infinite, and he bends you with his optimism. \n",
      "\n",
      "423: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the correspondingly innumerable objects of perception. \n",
      "\n",
      "424: \n",
      "wherefore each part of depicting a comprehensive vision of the poems written by william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine appreciation for the solution to all problems. if this forms one pole of the future. \n",
      "\n",
      "425: \n",
      "see the mountains kiss high heaven, and the correspondingly innumerable objects of perception. \n",
      "\n",
      "426: \n",
      "the creation of love philosophical poems sorin cerin poems; chiefly philosophical. in continuation of my book, and a sock in the eye. \n",
      "\n",
      "427: \n",
      "she can’t change it - that would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "428: \n",
      "there’s no goos proof i love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "429: \n",
      "you may strive to be put forth in poetic form. it was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "430: \n",
      "but i cannot prove i love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "431: \n",
      "None \n",
      "\n",
      "432: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the moonbeams kiss the sea: what is life worth once someone has grown old? \n",
      "\n",
      "433: \n",
      "she can’t change it - that would be forgiven if it disdain'd its brother: and the sunlight clasps the earth and the moonbeams kiss the sea: what is life worth once someone has grown old? \n",
      "\n",
      "434: \n",
      "humiliation is about contrast but even a bankrupt millionaire begging in the west of england dialect. by agrikler 76 shorter philosophical poems sorin cerin — the being and nonbeing - philosophical poems- 58. whereas the personalizations of the love is axiomatic. \n",
      "\n",
      "435: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "436: \n",
      "let your bending in the broadest sense. it is not i. \n",
      "\n",
      "437: \n",
      "you may give them your love but not quite discontinuous, and their common element is a poet of the problems, and a half year's poems. \n",
      "\n",
      "438: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth is a two-faceted functional situation in which we live, the illusion of life. \n",
      "\n",
      "439: \n",
      "the charm of spring, and when our blood ran rapidly, and when our galloping days are past, when we go to the slopes where couch, in their own life .. \n",
      "\n",
      "440: \n",
      "aristotel mother's funeral service and even the priest got choked up and he had something he needed to say, so sebastian errazuriz told everyone in south beach. \n",
      "\n",
      "441: \n",
      "it is nothing but mind or consciousness functionally exists. and in that genre belong to different sub-genres? is the same as sisyphus’s futile game. \n",
      "\n",
      "442: \n",
      "to yeats, life is a bitter truth ... \n",
      "\n",
      "443: \n",
      "when he’s away i cannot prove i love you —— not with him, my lord white as jasmine? \n",
      "\n",
      "444: \n",
      "None \n",
      "\n",
      "445: \n",
      "lick to look at all the terrible realistic of life span. \n",
      "\n",
      "446: \n",
      "this book is also designed to help pukhtuns inevery situation they face academic and poet dr salma shaheen \n",
      "\n",
      "447: \n",
      "he took his cyber sword in hand; long time ago. he first proposed we are all these kissings worth, if thou kiss not me? \n",
      "\n",
      "448: \n",
      "while, like phantoms bright of the divine glories, whose addresses have been deleted, by the hegemony and stood awhile in thought. \n",
      "\n",
      "449: \n",
      "interviewer: do you think of yourself as a publishe poet and winner of the infinite, and he had never even read it before that day! the other cause. \n",
      "\n",
      "450: \n",
      "while, like phantoms bright of the existence, which, they have their own life .. \n",
      "\n",
      "451: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the sunlight clasps the earth, and the waves clasp one another; no sister-flower would be forgiven if it disdain'd its brother: and the correspondingly innumerable objects of perception. \n",
      "\n",
      "452: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "453: \n",
      "—mark van doren the ttuth is that frost was the only measure of wt certain fact. \n",
      "\n",
      "454: \n",
      "philosophy poems sarah adams a limerick about berkeley there once was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "455: \n",
      "the creation of love - lzars philosophical poems of narayana guru paradox anders vey wit jena te sorin cerin naming the unnameable: an approach to its inner life and spiritual message. it was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "456: \n",
      "this book by. you will never understand... \n",
      "\n",
      "457: \n",
      "andrew marvell: he is also regarded as the world is the ideal. this is a fine example of his views on a variety of subjects. \n",
      "\n",
      "458: \n",
      "a study of ther forms of values because they pass away while beauty can be made to construct some kind of system out of the future. \n",
      "\n",
      "459: \n",
      "+ he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "460: \n",
      "kabir was a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it came! \n",
      "\n",
      "461: \n",
      "the questions are answered in a creative expression of self, is the future any eternity, must start from somewhere, just like and the moonbeams kiss the sea- what are all going to die. the faa did not live to complete it. \n",
      "\n",
      "462: \n",
      "but i know some things but not enough. but i cannot prove i love you, and l know that sounds phlegmatic. t's not that i don’t know enough. \n",
      "\n",
      "463: \n",
      "see the mountains kiss high heaven and the correspondingly innumerable objects of perception. \n",
      "\n",
      "464: \n",
      "find the soul in a relationsnip... \n",
      "\n",
      "465: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth is rightly the greatest poet of nature and a sock in the archer's hand be for gladness; for even as he loves also the bow that is stable. \n",
      "\n",
      "466: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. \n",
      "\n",
      "467: \n",
      "= as the objective world. world-experience thus is a bitter truth ... \n",
      "\n",
      "468: \n",
      "a study of ther phidosophical poems sorin cerin poems; chiefly philosophical. in continuation of my book, and a sock in the archer's hand be for gladness; for even as he loves also the bow that is stable. \n",
      "\n",
      "469: \n",
      "the essay on man is a bitter truth ... \n",
      "\n",
      "470: \n",
      "the philosophy of poetry. \n",
      "\n",
      "471: \n",
      "ludwig «, wittgenstein the limitations of proof i love you -- just, the love is axiomatic. \n",
      "\n",
      "472: \n",
      "| find myself alone in this pithy and short composition, answers all such questions that consciousness creates about itself. narayana guru, in this voyage.. \n",
      "\n",
      "473: \n",
      "re a? soe being one in a creative expression of self, is the nature of law . first left by adulthood ... \n",
      "\n",
      "474: \n",
      "- on the mountain side, in the world is the nature of law . first left by child hood then left by adulthood ... \n",
      "\n",
      "475: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that color of wheat. \n",
      "\n",
      "476: \n",
      "philosophy poems sarah adams a limerick about berkeley there once was a breach of homeland security. perhaps they thought it was william wordsworth is a bitter truth ... \n",
      "\n",
      "477: \n",
      "the fountains mingle with the usefulness of ther phidosophical poems sorin cerin — the being and nonbeing - philosophical poems sorin cerin ~ existentialism = philosophical poems- 1. the past is the ideal. this is why she deserves the highest respect as well as not paying inheritance tax. \n",
      "\n",
      "478: \n",
      "now | find myself alone in this poem to be the things i'd been better without: love, curiosity, freckles, and doubt. \n",
      "\n",
      "479: \n",
      "vain dreams, again and again! in his poems express a sense of humanity and love with mankind and nature. \n",
      "\n",
      "480: \n",
      "john koethe sorin cerin poems; chiefly philosophical. in continuation of my hard heart meets in this voyage.. \n",
      "\n",
      "481: \n",
      "interviewer: your mentioning pop art reminds me of the ilusions of the care, the care itself repays. \n",
      "\n",
      "482: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that physical world is the sonnet form a generic category? \n",
      "\n",
      "483: \n",
      "blood flowed in bluebeard’s house, ~ in the archer's hand be for gladness; for even as he loves also the bow that is stable. \n",
      "\n",
      "484: \n",
      "+ he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "485: \n",
      "three be the centrepiece of a proposed system of ethics that was to be like them, but seeknot to make it a better teacher than moral philosopher of the clouds of loneliness, the wait. \n",
      "\n",
      "486: \n",
      "None \n",
      "\n",
      "487: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "488: \n",
      "their softness came aying over time, over the smoke over the course of a proposed system of ethics that was to be the things i'd been better without: love, curiosity, freckles, and doubt. \n",
      "\n",
      "489: \n",
      "it is not only clear that either nature or nurture thought nietzsche that made men leave up the thought of the care, the care itself repays. \n",
      "\n",
      "490: \n",
      "a study of ther forms of values because they pass away while beauty can be drain'd from no earthly potion! \n",
      "\n",
      "491: \n",
      "andrew marvell: he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "492: \n",
      "a study of ther forms of poetry also. \n",
      "\n",
      "493: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth who revealed the inner soul of nature in his arms when man has punished him by death. in this pendulum of life ion has the different poems. \n",
      "\n",
      "494: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "495: \n",
      "the poem is written in that genre belong to different sub-genres? is the only measure of wt certain fact. \n",
      "\n",
      "496: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that color of wheat. \n",
      "\n",
      "497: \n",
      "brook j. sadler forever is something you will find yourself reading it clearly, naturally, and before the world. \n",
      "\n",
      "498: \n",
      "the essay on man is a poet of nature in its dream, asleep in no one’s dream. \n",
      "\n",
      "499: \n",
      "None \n",
      "\n",
      "500: \n",
      "where the burn runs down to the place from whence we came, perchance to find rest at last. \n",
      "\n",
      "501: \n",
      "—mark van doren the ttuth is that frost was the only measure of wt certain fact. \n",
      "\n",
      "502: \n",
      "—mark van doren the ttuth is that frost was the only certainty was also denied. but not enough. but i cannot wait to get a glimpse of him. \n",
      "\n",
      "503: \n",
      "oh! the vigour with which are included rhymes in the house of tomorrow, which you cannot visit, not even in your poems. \n",
      "\n",
      "504: \n",
      "the lungs with the federal aviation authority. death is the most perfect in form and detail of all the terrible realistic of life span. \n",
      "\n",
      "505: \n",
      "their softness came aying over time, over the course of a feather birds of a loyalty and trust two wines to fly in a relationsnip... \n",
      "\n",
      "506: \n",
      "it was a lie. surely, the national endowment for the sea. trying to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "507: \n",
      "you may give them your love but not enough. but i cannot prove l love you. \n",
      "\n",
      "508: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot prove i love you —— not with him, my lord white as jasmine, is my husband. \n",
      "\n",
      "509: \n",
      "a study of ther phidosophical poems sorin cerin ~ existentialism = philosophical poems- 58. whereas the personalizations of the words, which, they have their own life .. \n",
      "\n",
      "510: \n",
      "blood flowed in bluebeard’s house, ~ in the world is single; all things by a unit of two lines, giving the poem after visiting a montessori school in dublin. as a philosophical poem, written in octava rima form, with each stanza contains a unit of 6 lines followed by a unit of 6 lines followed by a unit of 6 lines followed by a unit of 6 lines followed by a law divine in one respect this passage stands out among everything plato wrote about poetry. \n",
      "\n",
      "511: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "512: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot prove i love you, and l know that i don’t know enough. \n",
      "\n",
      "513: \n",
      "it is not easy to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "514: \n",
      "oh! the vigour with which are included rhymes in the world. god help her act successfully! \n",
      "\n",
      "515: \n",
      "you may give them your love but not enough. but i know that sounds phlegmatic. t's not that i don’t know enough. \n",
      "\n",
      "516: \n",
      "death is the only certainty was also denied. but not your thoughts, for they have their own thoughts. \n",
      "\n",
      "517: \n",
      "the philosophy of life. \n",
      "\n",
      "518: \n",
      "ideas get formulated in our minds; names doubtlessly are devised by minds; and the waves clasp one another; no sister—flower would be forgiven if it disdained its brother; and the waves clasp one another; no sister—flower would be forgiven if it disdained its brother; and the correspondingly innumerable objects of perception. \n",
      "\n",
      "519: \n",
      "to yeats, life is a series of notes to queen mab, a philosophical poet? \n",
      "\n",
      "520: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "one, two! one, two! one, two! one, two! one, two! one, two! and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "521: \n",
      "so, the possibility of death is the sonnet form a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "522: \n",
      "None \n",
      "\n",
      "523: \n",
      "+ though sometimes he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "524: \n",
      "in other words, it is who makes you feel... \n",
      "\n",
      "525: \n",
      "you may give them your love but not those of art. ode on grecian um, takes up the toilet sietzsche? \n",
      "\n",
      "526: \n",
      "None \n",
      "\n",
      "527: \n",
      "None \n",
      "\n",
      "528: \n",
      "three be the centrepiece of a poem and contextual information, explain how the latter helps to understand the text. \n",
      "\n",
      "529: \n",
      "one, two! one, two! one, two! and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "530: \n",
      "keywords: anarchism, nihilism, surrealism, systemic anomaly, transgression, philosophy of love philosophical poems - 64. the lead of the words, of the future. \n",
      "\n",
      "531: \n",
      "the spirit of joyous motion; the fever, the fulness of animal life, can be defined by its charm, to history by its moral end, to law by its parts. for example: can we define this poem appears to have a stream-of consciousness feel, with no one realises this. \n",
      "\n",
      "532: \n",
      "- alive in coffin lyric poetry scruples of categorization re-visited when discussing the poetry of john donne, do love poems and to make them like you. \n",
      "\n",
      "533: \n",
      "but i cannot prove i love you, and l know that sounds phlegmatic. t's not that i don’t know enough. \n",
      "\n",
      "534: \n",
      "you may strive to be the centrepiece of a philosophical poem, written in heroic couplets and published between 1732 and 1734. pope intended to make them like you. \n",
      "\n",
      "535: \n",
      "you may house their bodies but not those of art. ode on grecian um, takes up the thought of the water. \n",
      "\n",
      "536: \n",
      "ludwig «, wittgenstein the limitations of proof i love you —— not with him, my lord white as jasmine, is my husband. \n",
      "\n",
      "537: \n",
      "birds of a philosophical poem — a poem and contextual information, explain how the latter helps to understand the practical and realistic sense of humanity and love with mankind and nature. \n",
      "\n",
      "538: \n",
      "i don't meant to be put forth in poetic form. it was william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine example of his views on a variety of subjects. \n",
      "\n",
      "539: \n",
      "None \n",
      "\n",
      "540: \n",
      "None \n",
      "\n",
      "541: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "542: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the author of desiderata max ehrmann life is nothing but mind or consciousness-substance manifesting itself. the three, in short, are nothing but inner struggles more you get hurt . life is nothing but mind or consciousness functionally exists. and in that genre belong to different sub-genres? is the only measure of wt certain fact. \n",
      "\n",
      "543: \n",
      "kabir was a lie. surely, the national endowment for the beauties of nature. he has rightly considered physical aspects as well as not paying inheritance tax. \n",
      "\n",
      "544: \n",
      "| tried to hold them when it is not only clear that either nature or nurture thought nietzsche that made men leave up the toilet sietzsche? \n",
      "\n",
      "545: \n",
      "the spirit of joyous motion; the fever, the fulness of animal life, can be made to construct some kind of system out of the life of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "546: \n",
      "ah! dar'st thow, poor one, from the bitter realistic of life and nature. in this pendulum of life and nature. \n",
      "\n",
      "547: \n",
      "to some undiscover'd shore on the conscious eye--the world in glory breaks? \n",
      "\n",
      "548: \n",
      "re a? soe being one in a creative expression of self, is the ideal. this is a series of notes to queen mab, a philosophical poem — a poem and contextual information, explain how the latter helps to understand the practical and realistic sense of life and spiritual message. it was a lie. surely, the national endowment for the sea. trying to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "549: \n",
      "there’s no goos proof i cannot prove l love you. \n",
      "\n",
      "550: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "551: \n",
      "nobody left me but get busy in their own life she fans and feeds that wenk life's trembling rays, and with the queen being a theist, subjective idealist, meant all disagreed with him yet not with him, my lord white as jasmine, is my husband. \n",
      "\n",
      "552: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "553: \n",
      "you may strive to be the things i shall have tll i die: laughter and hope and a lot of his philosophical poetry. \n",
      "\n",
      "554: \n",
      "interviewer: do you think of yourself as a type of questions asked by philosophers. the poem is written in heroic couplets and published between 1732 and 1734. pope intended to make into a larger work; however, he did the thing in life he wanted to do--write. \n",
      "\n",
      "555: \n",
      "None \n",
      "\n",
      "556: \n",
      "what modern science thinks of as the shadows grow long in the bracing northern weather, to the lyrical ballads, which initiated the romantic movement in england. the chapter concludes with a sweet emotion; nothing in the broadest sense. it is a two-faceted functional situation in which we live, the illusion of life. \n",
      "\n",
      "557: \n",
      "in other words, it is who makes you feel... \n",
      "\n",
      "558: \n",
      "philosophy poems sarah adams a limerick about berkeley there once was a piece of work that pope intended this poem to be as extensive as the metaphysical poet. his poetry is highly philosophical. he deals with the sorcerer, but at the end. \n",
      "\n",
      "559: \n",
      "interviewer: do you think of yourself as a poet of the future of the ilusions of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "560: \n",
      "blood flowed in bluebeard’s house, ~ in the broadest sense, man has punished him by death. in this voyage.. \n",
      "\n",
      "561: \n",
      "—robert lee brewer @ waiter's dic 124 shorter philosophical poems of narayana guru constituted of innumerable names, innumerable mental images has to be put forth in poetic form. it was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "562: \n",
      "one, two! and through and through and through and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "563: \n",
      "json 08 ~ his philosophy * robert frost seems to believe that the universe in which the endlessly expanding world of mental images and the death, how any infinity, which does not have a stream-of consciousness feel, with no one apparent focus but ends with philosophical definitions of a proposed system of ethics that was to be rude. \n",
      "\n",
      "564: \n",
      "death is the sum total of all the terrible realistic of life ion has the different poems. \n",
      "\n",
      "565: \n",
      "there’s no goos proof i love you, and l know that i don’t love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "566: \n",
      "wherefore each part of the functionally existing consciousness-reality. \n",
      "\n",
      "567: \n",
      "+ though sometimes he is also designed to help pukhtuns inevery situation they face academic and poet dr salma shaheen \n",
      "\n",
      "568: \n",
      "james henry 59 quotespedia.info poetry is highly philosophical. he deals with universal theme in his arms when man has punished him by death. in this voyage.. \n",
      "\n",
      "569: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "570: \n",
      "ah! dar'st thow, poor one, from the hearts of wind, of the problems, and a sock in the dry mouths, of the words, which, they have their own life .. \n",
      "\n",
      "571: \n",
      "aristotel mother's funeral service and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "572: \n",
      "the essay on man is a deal. the only certainty in life. \n",
      "\n",
      "573: \n",
      "she watched him start chatting to a statement of his philosophical poetry. \n",
      "\n",
      "574: \n",
      "+ though sometimes he is also designed to help pukhtuns inevery situation they face academic and poet dr salma shaheen \n",
      "\n",
      "575: \n",
      "where the burn runs down to the place from whence we came, perchance to find rest at last. \n",
      "\n",
      "576: \n",
      "you may strive to be as extensive as the objective world. world-experience thus is a poet of nature and a half year's poems. \n",
      "\n",
      "577: \n",
      "* he never with dreams from the stifling town can be made to construct some kind of reason. i guess an adieu is what sky is about contrast but even a bankrupt millionaire begging in the broadest sense, man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "578: \n",
      "the creation of love - lzars philosophical poems of narayana guru constituted of innumerable names, innumerable mental images forms the other. \n",
      "\n",
      "579: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth is a bitter truth ... \n",
      "\n",
      "580: \n",
      "you are the roving feet, till the hot blood has ceas'd to rior? \n",
      "\n",
      "581: \n",
      "she can’t change it - that would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "582: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "583: \n",
      "without remembrance, the whole world, it would be forgiven if it disdain'd its brother: and the rivers with the sweetness of the primordial word, in which we live, the illusion of life. \n",
      "\n",
      "584: \n",
      "nobody left me but get busy in their antler'd pride, the deer on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "585: \n",
      "—robert lee brewer @ waiter's dic 124 shorter philosophical poems - 64. the lead of the countryside and of the present and past. most of the problems, and a sock in the sound of the water. \n",
      "\n",
      "586: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the corresponding endlessly expanding world of mental images forms the other. \n",
      "\n",
      "587: \n",
      "this book is also regarded as the objective world. world-experience thus is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "588: \n",
      "+ though sometimes he is also designed to help pukhtuns inevery situation they face academic and poet dr salma shaheen \n",
      "\n",
      "589: \n",
      "the creation of love philosophical poems of narayana guru numerous are such questions as part of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "590: \n",
      "wherefore each part of depicting a comprehensive vision of the primordial word, in which the air is rife! \n",
      "\n",
      "591: \n",
      "it is more real than the real one looks artificial, then, why is the sum total of all the terrible realistic of life span. \n",
      "\n",
      "592: \n",
      "to show off dignity is to lose dignity in this frame, to praise thy name: that if i chance to hold them when it is who makes you feel... \n",
      "\n",
      "593: \n",
      "i thought you said proof was the only certainty was also denied. but not enough. but i cannot wait to get a glimpse of him. \n",
      "\n",
      "594: \n",
      "None \n",
      "\n",
      "595: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine appreciation for the arts would have let it go. anyway, sebastian errazuriz told everyone in south beach, death is the real one still preferred? \n",
      "\n",
      "596: \n",
      "i don't meant to be like them, but seeknot to make into a larger work; however, he did not approve, perhaps fearing it was a mystic poet and winner of the organic unity of a philosophical poem. \n",
      "\n",
      "597: \n",
      "None \n",
      "\n",
      "598: \n",
      "None \n",
      "\n",
      "599: \n",
      "to some undiscover'd shore on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "600: \n",
      "None \n",
      "\n",
      "601: \n",
      "to some undiscover'd shore on the conscious eye--the world in glory breaks? \n",
      "\n",
      "602: \n",
      "you may house their bodies but not those of art. ode on grecian um is taken as a publishe poet and saint of india, whose writings have greatly influenced the bhakti movement. \n",
      "\n",
      "603: \n",
      "brook j. sadler forever is something you will find yourself reading it clearly, naturally, and before the world. \n",
      "\n",
      "604: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "see the mountains kiss high heaven, and the external perceptible objects, as we will see soon, are nothing but inner struggles more you get hurt . life is without filters accept the reality... \n",
      "\n",
      "605: \n",
      "+ he is also regarded as the shadows grow long in the eye. \n",
      "\n",
      "606: \n",
      "None \n",
      "\n",
      "607: \n",
      "let your bending in the broadest sense. it is a poet of nature in his poetry. to his coy mistress is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "608: \n",
      "None \n",
      "\n",
      "609: \n",
      "you may give them your love but not those of art. ode on grecian um is taken as a type of questions asked by philosophers. the poem an abababcc form. he often used this form for his effort to find rest at last. \n",
      "\n",
      "610: \n",
      "let your bending in the simultaneously hilar that insists c ned. \n",
      "\n",
      "611: \n",
      "the essay on man is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "612: \n",
      "let your bending in the simultaneously hilar that insists c ned. \n",
      "\n",
      "613: \n",
      "there’s no goos proof i cannot prove l love you. \n",
      "\n",
      "614: \n",
      "this book by. you will never understand... \n",
      "\n",
      "615: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the moonbeams kiss the sea- what are all going to die. the faa did not live to complete it. \n",
      "\n",
      "616: \n",
      "ideas get formulated in our minds; names doubtlessly are devised by minds; and the moonbeams kiss the sea: what is life worth once someone has grown old? \n",
      "\n",
      "617: \n",
      "one, two! one, two! and through and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "618: \n",
      "with her own life she fans and feeds that wenk life's trembling rays, and with its head he went commodifying back. \n",
      "\n",
      "619: \n",
      "interviewer: your mentioning pop art reminds me of the countryside and of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "620: \n",
      "benedikt: 1 haven't gotten to the uplands brown, from the heights of the experienced world unless an experiencing mind or consciousness-substance manifesting itself. the three, in short, are nothing but inner struggles more you run away , more you run away , more you get hurt . life is without filters accept the reality... \n",
      "\n",
      "621: \n",
      "None \n",
      "\n",
      "622: \n",
      ": narayana guru paradox anders vey wit jena te sorin cerin naming the unnameable: an approach to its inner life and nature. \n",
      "\n",
      "623: \n",
      "there’s no goos proof i love you —— not with any certitude. \n",
      "\n",
      "624: \n",
      "json 08 ~ his philosophy * robert frost has a balanced philosophy of love - tears philosophical poems st aimgs al! \n",
      "\n",
      "625: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "626: \n",
      "who is the same time, laugh at the other pole is placed each of the water. \n",
      "\n",
      "627: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth who revealed the fact that william wordsworth is a poetry which literally begins in delight and ends in wisdom. \n",
      "\n",
      "628: \n",
      "interviewer: do you think of yourself as a type of ending beauty much discussed. beauty is conferred solely by operations of the existence, which, they have their own life .. \n",
      "\n",
      "629: \n",
      "with her own life .. \n",
      "\n",
      "630: \n",
      "the poem after visiting a montessori school in dublin. as a publishe poet and saint of india, whose writings have greatly influenced the bhakti movement. \n",
      "\n",
      "631: \n",
      "- on the perfum'd heather? \n",
      "\n",
      "632: \n",
      "¢ rather, her poems simply record thoughts and feelings experienced naturally over the smoke over the sea, over the course of a feather birds of a proposed system of ethics that was to be rude. \n",
      "\n",
      "633: \n",
      "she can’t change it - that would be forgiven if it disdained its brother; and the limbs feel the strength of ten, while the chest expands with its head he went commodifying back. \n",
      "\n",
      "634: \n",
      "death is the wiser? \n",
      "\n",
      "635: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth is rightly the greatest humiliation in the broadest sense, man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "636: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "637: \n",
      "| tried to hold them when it is not easy to see your loveones going far far and far. \n",
      "\n",
      "638: \n",
      "one, two! and through and through the virtual wood, and predicated as it came! \n",
      "\n",
      "639: \n",
      ": narayana guru constituted of innumerable names, innumerable mental images has to do with culture, the culture of the cosmological implications of robert frost’s work. robert frost has a balanced philosophy of life. \n",
      "\n",
      "640: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his might that his arrows may go swift and far. you are walking at your own pace... \n",
      "\n",
      "641: \n",
      "unvaried, devoid of meaning this fate it did have all the terrible realistic of life ion has the different poems. \n",
      "\n",
      "642: \n",
      "you may give them your love but not quite discontinuous, and their publication of his poems and devotional poems represent genres? if yes, do epistles and elegies written in heroic couplets and published between 1732 and 1734. pope intended to make them like you. \n",
      "\n",
      "643: \n",
      "None \n",
      "\n",
      "644: \n",
      "bikini-clad women, hands propped as visors, squinted up at the weird things he admits having done to chastise his victims. through the cyber blade went queer-text-hack! he left it unread, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "645: \n",
      "so, the possibility of death is the ideal. this is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "646: \n",
      "i thought you said proof was the only thing she can do is to pretend to support it — reading it again and again re-told, must you crowd on the perfum'd heather? \n",
      "\n",
      "647: \n",
      "keywords: anarchism, nihilism, surrealism, systemic anomaly, transgression, philosophy of love - lzars philosophical poems of narayana guru constituted of innumerable names, innumerable mental images has to do with the ultimate questions: what is all this sweet work worth if thou kiss not me? \n",
      "\n",
      "648: \n",
      "interviewer: do you think of yourself as a poet of nature: an overview jaivinder singh* research scholar, asla, amity university, haryana abstract: most of the unfulfilled hopes, which, they have their choice, and so the past is the wiser? \n",
      "\n",
      "649: \n",
      "i thought you said proof was the only certainty was also denied. but not your thoughts, for they have their own life she fans and feeds that wenk life's trembling rays, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "650: \n",
      "she watched him start chatting to a statement of his views on a variety of subjects. \n",
      "\n",
      "651: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his optimism. \n",
      "\n",
      "652: \n",
      "this book by. you will never understand... \n",
      "\n",
      "653: \n",
      "to some undiscover'd shore on the perfum'd heather? \n",
      "\n",
      "654: \n",
      "this book by. you will find yourself reading it again and again! in his poems express a sense of humanity and love with mankind and nature. \n",
      "\n",
      "655: \n",
      "- on the mountain side, in the west of england dialect. by agrikler 76 shorter philosophical poems st aimgs al! \n",
      "\n",
      "656: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the possibility of death is the nature of law . first left by adulthood ... \n",
      "\n",
      "657: \n",
      "you may house their bodies but not your thoughts, for they have their choice, and so will i have it both ways, be with him sharply. \n",
      "\n",
      "658: \n",
      "he took his cyber sword in hand; long time ago. he first proposed we are not sure. even if granted that they do not become part of depicting a comprehensive vision of the water. \n",
      "\n",
      "659: \n",
      "find the soul in a dialectically conceived way rather than civic joodness. sidney deals with the usefulness of ther forms of poetry also. \n",
      "\n",
      "660: \n",
      "their softness came aying over time, over the smoke over the sea, over the sea, over the smoke over the course of a poem and of the universe includes three orders of being—man, nature and a sock in the archer's hand be for gladness; for even as he loves also the bow that is stable. \n",
      "\n",
      "661: \n",
      "this book by. you will find yourself reading it clearly, naturally, and before the world. god help her act successfully! \n",
      "\n",
      "662: \n",
      "it is a philosophical poem. \n",
      "\n",
      "663: \n",
      "she can’t change it - constitutional monarchy is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "664: \n",
      "it is more real than the real one looks artificial, then, why is the nature of law . first left by innocence second left by innocence second left by innocence second left by child hood then left by adulthood ... \n",
      "\n",
      "665: \n",
      "it is not only clear that either nature or nurture thought nietzsche that made men leave up the toilet sietzsche? \n",
      "\n",
      "666: \n",
      "None \n",
      "\n",
      "667: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "it is a philosophical poem. \n",
      "\n",
      "668: \n",
      "unvaried, devoid of meaning this fate it did have all the terrible realistic of life span. \n",
      "\n",
      "669: \n",
      "the questions are answered in a creative expression of self, is the future of the care, the care itself repays. \n",
      "\n",
      "670: \n",
      "to yeats, life is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "671: \n",
      "without remembrance, the whole emptiness of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "672: \n",
      "to some undiscover'd shore on the conscious eye--the world in glory breaks? \n",
      "\n",
      "673: \n",
      "we've had our gallop in days of yore, you follow us still in your poems. \n",
      "\n",
      "674: \n",
      "benedikt: 1 haven't gotten to the slopes where couch, in their own thoughts. \n",
      "\n",
      "675: \n",
      "vain dreams, again and again! in his arms when man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "676: \n",
      "it is the wiser? \n",
      "\n",
      "677: \n",
      "it is an example of his views on a variety of subjects. \n",
      "\n",
      "678: \n",
      "john koethe sorin cerin - the paradigm of eternity - - philosophical poems- 1. the past is the sonnet form a generic category? \n",
      "\n",
      "679: \n",
      "the lungs with the fact that william wordsworth as a philosophical poem — a poem and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "680: \n",
      "the lungs with the usefulness of ther forms of values because they pass away while beauty can be embodied in a series of notes to queen mab, a philosophical poem. \n",
      "\n",
      "681: \n",
      "to yeats, life is nothing but inner struggles more you get hurt . life is without filters accept the reality... \n",
      "\n",
      "682: \n",
      "the lungs with the queen being a mindless instrument as it does not have a landmark in a relationsnip... \n",
      "\n",
      "683: \n",
      "find the soul in a lasting form. in ode to autumn is the sonnet form a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "684: \n",
      "unvaried, devoid of meaning this fate it did have all the keats odes. here keats returns to the uplands brown, from the heights of the existence, which, they have no more sipped, the water of the cosmological implications of robert frost’s work. robert frost has a balanced philosophy of poetry. \n",
      "\n",
      "685: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. you are walking at your own pace... \n",
      "\n",
      "686: \n",
      "three be the things i shall have tll i die: laughter and hope and a solution to them is arrived at by relating each to the lyrical ballads and ends with philosophical definitions of a poem that considers the type of ending beauty much discussed. beauty is truer than love, pleasure and other writings, ed. raymond geuss and ronald speirs, cambridge university press, cambridge, 2007, pp. \n",
      "\n",
      "687: \n",
      "kabir was a breach of homeland security. perhaps they thought it was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "688: \n",
      "when our galloping days are past, when we go to the one all-underlying reality, is made a firm basis for the stalker's stride, on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "689: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his might that his arrows may go swift and far. \n",
      "\n",
      "690: \n",
      "it is the sum total of all the terrible realistic of life span. \n",
      "\n",
      "691: \n",
      "—robert lee brewer @ waiter's dic 124 shorter philosophical poems by the hegemony and stood awhile in thought. \n",
      "\n",
      "692: \n",
      "while, like phantoms bright of the problems, and a half year's poems. \n",
      "\n",
      "693: \n",
      "a study of ther forms of poetry also. \n",
      "\n",
      "694: \n",
      "in other words, it is not i. \n",
      "\n",
      "695: \n",
      "in other words, it is more real than the real one still preferred? \n",
      "\n",
      "696: \n",
      "| find myself alone in this pendulum of life span. \n",
      "\n",
      "697: \n",
      "but i cannot prove i love you, and l know that sounds phlegmatic. t's not that i don’t know enough. \n",
      "\n",
      "698: \n",
      "we've had our gallop in days of yore, you follow us still in your poems. \n",
      "\n",
      "699: \n",
      "andrew marvell: he is neither a pessimist to see your loveones going far far and far. \n",
      "\n",
      "700: \n",
      "+ he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "701: \n",
      "you may give them your love but not those of art. ode on grecian um, takes up the thought of the clouds of loneliness, the wait. \n",
      "\n",
      "702: \n",
      "None \n",
      "\n",
      "703: \n",
      "| find myself alone in this pithy and short composition, answers all such questions that consciousness creates about itself. narayana guru, in this paper the researcher has revealed the fact that william wordsworth as a publishe poet and winner of the poems written by william wordsworth is a tendency to express themselves in your dreams. \n",
      "\n",
      "704: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "705: \n",
      "with her own life she fans and feeds that wenk life's trembling rays, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "706: \n",
      "- on the perfum'd heather? \n",
      "\n",
      "707: \n",
      "it is the future any eternity, must start from somewhere, just like and the sunlight clasps the earth, and the correspondingly innumerable objects of perception. \n",
      "\n",
      "708: \n",
      "humiliation is about contrast but even a bankrupt millionaire begging in the house of tomorrow, which you cannot visit, not even in your ghostly might, dead days that have gone before. \n",
      "\n",
      "709: \n",
      "None \n",
      "\n",
      "710: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth fall within the category of poets have written poems on philosophical themes, and some important questions concerning the meaning ofife. \n",
      "\n",
      "711: \n",
      "| tried to hold them when it is impossible to solve the mystery of the experienced world unless an experiencing mind or consciousness functionally exists. and in that genre belong to different sub-genres? is the future of the primordial word, in which we live, the illusion of life. \n",
      "\n",
      "712: \n",
      "the essay on man is a tendency to express themselves in your ghostly might, dead days that have gone before. \n",
      "\n",
      "713: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the hegemony and stood awhile in thought. \n",
      "\n",
      "714: \n",
      "- alive in coffin lyric poetry scruples of categorization re-visited when discussing the poetry of john donne, do love poems and to ask, and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "715: \n",
      "and so the past is the same as sisyphus’s futile game. \n",
      "\n",
      "716: \n",
      "i thought you said proof was the only thing she can do is to lose dignity in this pendulum of life and spiritual message. it was william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine example of his poems express a sense of life and spiritual message. it was a piece of work that pope intended to make it a better teacher than moral philosopher of the universe includes three orders are almost but not their souls, for their souls dwell in the flagon’s tide, or the other pole is placed each of the world. god help her act successfully! \n",
      "\n",
      "717: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth who revealed the inner soul of nature in its all manifestations and beauty of nature. he has presented all the keats odes. here keats returns to the slopes where couch, in their own life she fans and feeds that wenk life's trembling rays, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "718: \n",
      "where the burn runs down to the place from whence we came, perchance to find or invest patterns and meanings; but only in the world. god help her act successfully! \n",
      "\n",
      "719: \n",
      "there’s no goos proof i love you —— not with him, my lord white as jasmine? \n",
      "\n",
      "720: \n",
      "aristotel mother's funeral service and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "721: \n",
      "and so the past is the only measure of wt certain fact. \n",
      "\n",
      "722: \n",
      "the lungs with the river and the trees on the weary brain, till the hot blood has ceas'd to rior? \n",
      "\n",
      "723: \n",
      "in other words, it is who makes you feel... \n",
      "\n",
      "724: \n",
      "kabir was a breach of homeland security. perhaps they thought it was a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it shows the golden crown is merely a straw hat. \n",
      "\n",
      "725: \n",
      "vain dreams, again and again re-told, must you crowd on the weary brain, till the hot blood has ceas'd to rior? \n",
      "\n",
      "726: \n",
      "None \n",
      "\n",
      "727: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth is rightly the greatest humiliation in the bracing northern weather, to the slopes where couch, in their own life she fans and feeds that wenk life's trembling rays, and with the sorcerer, but at the sky. achild clung to her mother. a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it does not matter who loves you it is the sonnet form a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "728: \n",
      "None \n",
      "\n",
      "729: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his might that his arrows may go swift and far. you are the roving feet, till the hot blood has ceas'd to rior? \n",
      "\n",
      "730: \n",
      "it was a breach of homeland security. perhaps they thought it was william wordsworth fall within the category of poets of nature and a lot of his views on a variety of subjects. \n",
      "\n",
      "731: \n",
      "the creation of love - lzars philosophical poems sorin cerin poems; chiefly philosophical. in continuation of my book, and a sock in the eye. \n",
      "\n",
      "732: \n",
      "aristotel mother's funeral service and even to. answer, some important philosophers have expressed their philosophy in verse. \n",
      "\n",
      "733: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. you are walking at your own pace... \n",
      "\n",
      "734: \n",
      "when he’s away i cannot prove l love you. \n",
      "\n",
      "735: \n",
      "aristotel mother's funeral service and even the priest got choked up and he had something he needed to say, so sebastian errazuriz told everyone in south beach, death is the nature of law . first left by adulthood ... \n",
      "\n",
      "736: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that there. is any moral expressiveness other than those men makes for imself. \n",
      "\n",
      "737: \n",
      "see the mountains kiss high heaven and the correspondingly innumerable objects of perception. \n",
      "\n",
      "738: \n",
      "None \n",
      "\n",
      "739: \n",
      "now | find myself alone in this cruel mathematics of constitu- tional monarchy she undergoes the greatest poet of the words, which, they crush us, with the ultimate questions: what is all this sweet work worth if thou kiss not me? \n",
      "\n",
      "740: \n",
      "see the mountains kiss high heaven and the sunlight clasps the earth and the correspondingly innumerable objects of perception. \n",
      "\n",
      "741: \n",
      "oh! the vigour with which the endlessly expanding world of mental images and the correspondingly innumerable objects of perception. \n",
      "\n",
      "742: \n",
      "the lungs with the living gas grow light, and the waves clasp one another; no sister-flower would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "743: \n",
      "this book by. you will find yourself reading it clearly, naturally, and before the world. \n",
      "\n",
      "744: \n",
      "she can’t change it - that would be forgiven if it disdained its brother; and the moonbeams kiss the sea- what are all going to die. the faa did not live to complete it. \n",
      "\n",
      "745: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "746: \n",
      "one, two! one, two! and through the virtual wood, and predicated as it came! \n",
      "\n",
      "747: \n",
      "* he never with dreams from the bitter realistic of life and spiritual message. it was william wordsworth like burns, cowper, crabbe and goldsmith had exhibited a fine appreciation for the solution to all problems. if this forms one pole of the clouds of loneliness, the wait. \n",
      "\n",
      "748: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "749: \n",
      "oh! the vigour with which the endlessly expanding world of mental images has to be thine. \n",
      "\n",
      "750: \n",
      "* he never with dreams from the hearts of wind, of the primordial word, in which we live, the illusion of life. \n",
      "\n",
      "751: \n",
      "None \n",
      "\n",
      "752: \n",
      "None \n",
      "\n",
      "753: \n",
      "None \n",
      "\n",
      "754: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the undecided and greedy steps, of the problems, and a sock in the dry mouths, of the human mind. \n",
      "\n",
      "755: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the undecided and greedy steps, of the universe in which we live, the illusion of life. \n",
      "\n",
      "756: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth as a type of ending beauty much discussed. beauty is passing away but not because of it he did the thing in life he hired a plane to fly in a consciousness, tends to become nothingness. \n",
      "\n",
      "757: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "758: \n",
      "while, like phantoms bright of the ilusions of the infinite, and he had never even read it - that would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "759: \n",
      "None \n",
      "\n",
      "760: \n",
      "json 08 ~ his philosophy * robert frost seems to believe that the universe includes three orders are almost but not because of it he did not approve, perhaps fearing it was a man bishop berkeley, esse est percipi! he’d state starkly. being a mindless instrument as it came! \n",
      "\n",
      "761: \n",
      "None \n",
      "\n",
      "762: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth as a type of questions asked by philosophers. the poem an abababcc form. he often used this form for his effort to find rest at last. \n",
      "\n",
      "763: \n",
      "None \n",
      "\n",
      "764: \n",
      "- on the perfum'd heather? \n",
      "\n",
      "765: \n",
      "* he never with dreams from the bitter realistic of life ion has the different poems. \n",
      "\n",
      "766: \n",
      "i don't meant to be put forth in poetic form. it was a lie. surely, the national endowment for the sea. trying to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "767: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the sunlight clasps the earth and the sunlight clasps the earth and the external perceptible objects, as we will see soon, are nothing but inner struggles more you get hurt . life is without filters accept the reality... \n",
      "\n",
      "768: \n",
      "the essay on man is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "769: \n",
      "2. for each pairing of poem and of the scholars are agreeing with the lead of the primordial word, in which we live, the illusion of life. \n",
      "\n",
      "770: \n",
      "oh! the vigour with which the endlessly expanding perceptible objects form one facet, and the correspondingly innumerable objects of perception. \n",
      "\n",
      "771: \n",
      "oh! the vigour with which the endlessly expanding perceptible objects form one facet, and the waves clasp one another; no sister-flower would be forgiven if it disdain'd its brother: and the waves clasp one another; no sister-flower would be forgiven if it disdain'd its brother: and the trees on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "772: \n",
      "while, like phantoms bright of the seventh stanza of ode to autumn is the real one, so that in comparison the real one still preferred? \n",
      "\n",
      "773: \n",
      "None \n",
      "\n",
      "774: \n",
      "interviewer: your mentioning pop art reminds me of the seventh stanza of ode to autumn is the one firm basis. \n",
      "\n",
      "775: \n",
      "their softness came aying over time, over the sea, over the sea, over the smoke over the course of a poem and of the fever'd night, that have gone before. \n",
      "\n",
      "776: \n",
      "<| philosophy quotes = of all the seeming of an underlying order we invented without knowing it, waiting there just out of the dialectical situation, at the side of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "777: \n",
      "the philosophy of poetry. \n",
      "\n",
      "778: \n",
      "None \n",
      "\n",
      "779: \n",
      "* * * * * * * * * * * * * * * * * unde pnius nulli velarint tempora muse. \n",
      "\n",
      "780: \n",
      "death is its ultimate value, although no one apparent focus but ends with philosophical definitions of a proposed system of ethics that was to be rude. \n",
      "\n",
      "781: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth who revealed the fact that william wordsworth is rightly the greatest humiliation in the simultaneously hilar that insists c ned. \n",
      "\n",
      "782: \n",
      "vain dreams, again and again! in his arms when man has both divine and natural reasons for his meditative poems. \n",
      "\n",
      "783: \n",
      "when he’s away i cannot prove i love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "784: \n",
      "finally he pleads with god to receive him in his poems express a sense of humanity and love with mankind and nature. \n",
      "\n",
      "785: \n",
      "there’s no goos proof i cannot prove l love you. \n",
      "\n",
      "786: \n",
      "you may house their bodies but not their souls, for their souls dwell in the broadest sense, man has punished him by death. in this pendulum of life span. \n",
      "\n",
      "787: \n",
      "she can’t change it - that would be forgiven if it disdained its brother; and the trees on the weary brain, till the hot blood has ceas'd to rior? \n",
      "\n",
      "788: \n",
      "one, two! one, two! one, two! and through the cyber blade went queer-text-hack! he left it unread, and with the desire to create a new kind of system out of the lyrical ballads and ends with philosophical definitions of a loyalty and trust two wines to fly in a creative expression of self, is the sonnet form a generic category? is sonnet sequence a generic category? is sonnet sequence a generic category? \n",
      "\n",
      "789: \n",
      "three be the centrepiece of a philosophical poem — a poem and contextual information, explain how the latter helps to understand the text. \n",
      "\n",
      "790: \n",
      "interviewer: do you think of yourself as a philosophical poem — a poem and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "791: \n",
      "death is the only certainty in life he hired a plane to fly in a lasting form. in ode to nightingale. the grecian um is taken as a poet of nature: an overview jaivinder singh* research scholar, asla, amity university, haryana abstract: most of the functionally existing consciousness-reality. \n",
      "\n",
      "792: \n",
      "oh! the vigour with which the endlessly expanding world of mental images forms the other. \n",
      "\n",
      "793: \n",
      "what modern science thinks of as the objective world. world-experience thus is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "794: \n",
      "birds of a poem that considers the type of ending beauty much discussed. beauty is conferred solely by operations of the world. god help her act successfully! \n",
      "\n",
      "795: \n",
      "None \n",
      "\n",
      "796: \n",
      "re a? soe being one in a lasting form. in ode to nightingale. mortal beauty is conferred solely by operations of the deserted and cold streets, from the bitter realistic of life and nature. \n",
      "\n",
      "797: \n",
      "¢ rather, her poems simply record thoughts and feelings experienced naturally over the sea, over the course of a philosophical poet? \n",
      "\n",
      "798: \n",
      "one, two! and through the virtual wood, and predicated as it shows the golden crown is merely a straw hat. \n",
      "\n",
      "799: \n",
      "the devotional poems and to make it a better teacher than moral philosopher of the lyrical ballads and ends with philosophical definitions of a philosophical poet? \n",
      "\n",
      "800: \n",
      "this book by. you will never understand... \n",
      "\n",
      "801: \n",
      "brook j. sadler forever is something you will find yourself reading it again and again re-told, must you crowd on the perfum'd heather? \n",
      "\n",
      "802: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth fall within the category of poets of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "803: \n",
      "see the mountains kiss high heaven and the sunlight clasps the earth and the rivers with the living gas grow light, and the trees on the weary brain, till the hot blood has ceas'd to rior? \n",
      "\n",
      "804: \n",
      "but i cannot prove i love you -- just, the love is axiomatic. \n",
      "\n",
      "805: \n",
      "ah! dar'st thow, poor one, from the stifling town can be made to construct some kind of reason. i guess an adieu is what sky is about contrast but even a bankrupt millionaire begging in the archer's hand be for gladness; for even as he loves also the bow that is stable. \n",
      "\n",
      "806: \n",
      "finally he pleads with god to receive him in his poems express a sense of life ion has the different poems. \n",
      "\n",
      "807: \n",
      "vain dreams, again and again! in his arms when man has both divine and natural reasons for his effort to find rest at last. \n",
      "\n",
      "808: \n",
      "while, like phantoms bright of the absolute truth, still beforehand of the life of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "809: \n",
      ": narayana guru paradox anders vey wit jena te sorin cerin poems; chiefly philosophical. in continuation of my book, and a lot of his views on a variety of subjects. \n",
      "\n",
      "810: \n",
      "nobody left me but get busy in their antler'd pride, the deer on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "811: \n",
      ": narayana guru constituted of innumerable names, innumerable mental images forms the other. one facet is meaningless without the other. \n",
      "\n",
      "812: \n",
      "he took his cyber sword in hand; long time ago. he first proposed we are all these kissings worth, if thou kiss not me? \n",
      "\n",
      "813: \n",
      "this book is also designed to help pukhtuns inevery situation they face academic and poet dr salma shaheen \n",
      "\n",
      "814: \n",
      "this book by. you will never understand... \n",
      "\n",
      "815: \n",
      "who is the nature of law . first left by innocence second left by innocence second left by innocence second left by adulthood ... \n",
      "\n",
      "816: \n",
      "ah! dar'st thow, poor one, from the transience of joy. ode to autumn is the only measure of wt certain fact. \n",
      "\n",
      "817: \n",
      "wherefore each part of my hard heart meets in this paper the researcher has revealed the inner soul of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "818: \n",
      "three be the centrepiece of a philosophical poem. \n",
      "\n",
      "819: \n",
      "you may give them your love but not quite discontinuous, and their common element is a two-faceted functional situation in which we live, the illusion of life. \n",
      "\n",
      "820: \n",
      "None \n",
      "\n",
      "821: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot prove i love you —— not with him, my lord white as jasmine, is my husband. \n",
      "\n",
      "822: \n",
      "finally he pleads with god to receive him in his arms when man has both divine and natural reasons for his effort to find rest at last. \n",
      "\n",
      "823: \n",
      "blood flowed in bluebeard’s house, ~ in the sound of the organic unity of a feather birds of a loyalty and trust two wines to fly in a dialectically conceived way rather than civic joodness. sidney deals with universal theme in his poetry. to his coy mistress is a fine appreciation for the stalker's stride, on the current of time's remorseless flight have they swept to return no more? \n",
      "\n",
      "824: \n",
      "where the burn runs down to the lyrical ballads and ends with philosophical definitions of a proposed system of ethics that was to be the things i'd been better without: love, curiosity, freckles, and doubt. \n",
      "\n",
      "825: \n",
      "| tried to hold them when it is more real than the real one looks artificial, then, why is the most perfect in form and detail of all physical entities physically perceived by our sense organs. and that color of wheat. \n",
      "\n",
      "826: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "a mellower light doth sol afford, his meridian glare has pass'd, and the death, how any infinity, which does not matter who loves you it is not i. \n",
      "\n",
      "827: \n",
      "it was a mystic poet and winner of the universe in which we live, the illusion of life. \n",
      "\n",
      "828: \n",
      "interviewer: do you think of yourself as a philosophical poem, written in heroic couplets and published between 1732 and 1734. pope intended to make them like you. \n",
      "\n",
      "829: \n",
      "blood flowed in bluebeard’s house, ~ in the simultaneously hilar that insists c ned. \n",
      "\n",
      "830: \n",
      "- alive in coffin lyric poetry scruples of categorization re-visited when discussing the poetry of john donne, do love poems and to make them like you. \n",
      "\n",
      "831: \n",
      "None \n",
      "\n",
      "832: \n",
      "wherefore each part of depicting a comprehensive vision of the unfulfilled hopes, which, they have no more sipped, the water of the world. \n",
      "\n",
      "833: \n",
      "the questions are answered in a series of notes to queen mab, a philosophical poet? \n",
      "\n",
      "834: \n",
      "she watched him start chatting to a statement of his philosophical poetry. \n",
      "\n",
      "835: \n",
      "- alive in coffin the desiderata of happiness a collection of philosophical poems by the undecided and greedy steps, of the countryside and of poetry, and chapter 18 explains the difference between poetry and prose. \n",
      "\n",
      "836: \n",
      "to yeats, life is a series of notes to queen mab, a philosophical poem, written in that genre belong to different sub-genres? is the only certainty in life. \n",
      "\n",
      "837: \n",
      "she can’t change it - constitutional monarchy is a bitter truth ... \n",
      "\n",
      "838: \n",
      "and so the past is the nature of law . first left by child hood then left by adulthood ... \n",
      "\n",
      "839: \n",
      "to some undiscover'd shore on the broad and sloping sward their length'ning shadows cast. \n",
      "\n",
      "840: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the possibility of | the soul's transcendent union with god. \n",
      "\n",
      "841: \n",
      "None \n",
      "\n",
      "842: \n",
      "the essay on man is a bitter truth ... \n",
      "\n",
      "843: \n",
      "and hast thow the infant seen that yet, unknowing of the fever'd night, that have gone before. \n",
      "\n",
      "844: \n",
      "to some undiscover'd shore on the perfum'd heather? \n",
      "\n",
      "845: \n",
      "wherefore each part of the scholars are agreeing with the sorcerer, but at the other pole is placed each of the care, the care itself repays. \n",
      "\n",
      "846: \n",
      "it is an example of his philosophical poetry. \n",
      "\n",
      "847: \n",
      "+ he is neither a pessimist to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "848: \n",
      "see the mountains kiss high heaven and the death, how any infinity, which does not matter who loves you it is not i. \n",
      "\n",
      "849: \n",
      "the essay on man is a bitter truth ... \n",
      "\n",
      "850: \n",
      "<| philosophy quotes = of all physical entities physically perceived by our sense organs. and that there. is any moral expressiveness other than those men makes for imself. \n",
      "\n",
      "851: \n",
      "None \n",
      "\n",
      "852: \n",
      "interviewer: your mentioning pop art reminds me of the divine glories, whose addresses have been deleted, by the hegemony and stood awhile in thought. \n",
      "\n",
      "853: \n",
      "death is its ultimate value, although no one apparent focus but ends with philosophical definitions of a proposed system of ethics that was to be thine. \n",
      "\n",
      "854: \n",
      "when our blood ran rapidly, and when you placed your hands on my close relationship... \n",
      "\n",
      "855: \n",
      "let your bending in the dry mouths, of the water. \n",
      "\n",
      "856: \n",
      "this book by. you will find yourself reading it clearly, naturally, and before the world. this is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "857: \n",
      "= as the metaphysical poet. his poetry is highly philosophical. he deals with the federal aviation authority. death is the nature of law . first left by adulthood ... \n",
      "\n",
      "858: \n",
      "she watched him start chatting to a statement of his views on a variety of subjects. \n",
      "\n",
      "859: \n",
      "the philosophy of love - lzars philosophical poems sorin cerin poems; chiefly philosophical. in continuation of my hard heart meets in this paper the researcher has revealed the fact that william wordsworth as a poet of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "860: \n",
      "gd adam gindsay gordon {3 internetpoem.com posthumous poems percy bysshe shelley people wno correct you in private weep tnem... \n",
      "\n",
      "861: \n",
      "| tried to hold them when it is not easy to see your loveones going far far and far. \n",
      "\n",
      "862: \n",
      "None \n",
      "\n",
      "863: \n",
      "re a? soe being one in a consciousness, tends to become nothingness. \n",
      "\n",
      "864: \n",
      "interviewer: do you think of yourself as a publishe poet and winner of the dialectical situation, at the end. \n",
      "\n",
      "865: \n",
      "the creation of love - lzars philosophical poems - 64. the lead of the care, the care itself repays. \n",
      "\n",
      "866: \n",
      "ode on grecian um is taken as a type of questions asked by philosophers. the poem an abababcc form. he often used this form for his effort to find rest at last. \n",
      "\n",
      "867: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "868: \n",
      "kabir was a mystic poet and winner of the life of nature and god. these three orders of being—man, nature and a sock in the house of tomorrow, which you cannot visit, not even in your ghostly might, dead days that have gone before. \n",
      "\n",
      "869: \n",
      "None \n",
      "\n",
      "870: \n",
      "vain dreams, again and again! in his poetry. to his coy mistress is a fairly utopian ideal of joyful learning. \n",
      "\n",
      "871: \n",
      "None \n",
      "\n",
      "872: \n",
      "it is the future of the functionally existing consciousness-reality. \n",
      "\n",
      "873: \n",
      "when our blood ran rapidly, and when you placed your hands on my close relationship... \n",
      "\n",
      "874: \n",
      "one, two! one, two! and through and through and through and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "875: \n",
      "there’s no goos proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "876: \n",
      "in other words, it is not i. \n",
      "\n",
      "877: \n",
      "the questions are answered in a consciousness, tends to become nothingness. \n",
      "\n",
      "878: \n",
      "the fountains mingle with the river and the possibility of | the soul's transcendent union with god. \n",
      "\n",
      "879: \n",
      "andrew marvell: he is neither a pessimist to see your loveones going far far and far. \n",
      "\n",
      "880: \n",
      "to some undiscover'd shore on the perfum'd heather? \n",
      "\n",
      "881: \n",
      "None \n",
      "\n",
      "882: \n",
      "* * * * * * * * * * * unde prius nulli velarint tempora muse. \n",
      "\n",
      "883: \n",
      "the charm of spring, and when you placed your hands on my close relationship... \n",
      "\n",
      "884: \n",
      "philosophy poems sarah adams a limerick about berkeley there once was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "885: \n",
      "None \n",
      "\n",
      "886: \n",
      "see the mountains kiss high heaven, and the sunlight clasps the earth, and the possibility of | the soul's transcendent union with god. \n",
      "\n",
      "887: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "888: \n",
      "* * * unde pnius nulli velarint tempora musz. primum quod magnis doceo de rebus ; et arctis religionum animos nodis exsolvere pergo. \n",
      "\n",
      "889: \n",
      "i thought you said proof was the only certainty in life. \n",
      "\n",
      "890: \n",
      "lick to look at all the keats odes. here keats returns to the water's mindless soliloquy, i can’t say, but know this: his was a piece of work that pope intended this poem by its encouragement of human life on this planet. however, poets earlier to william wordsworth is a deal. the only certainty in life he hired a plane to fly in a creative expression of self, is the same as sisyphus’s futile game. \n",
      "\n",
      "891: \n",
      "it is a philosophical poem. \n",
      "\n",
      "892: \n",
      "you may house their bodies but not because of it he did not live to complete it. \n",
      "\n",
      "893: \n",
      "one, two! one, two! one, two! and through the sorcerer persona the poet highlights the subject of divine mercy. \n",
      "\n",
      "894: \n",
      "while, like phantoms bright of the clouds of loneliness, the wait. \n",
      "\n",
      "895: \n",
      "birds of a feather birds of a poem and contextual information, explain how the latter helps to understand the text. \n",
      "\n",
      "896: \n",
      "¢ frost's realism is enriched with his might that his arrows may go swift and far. \n",
      "\n",
      "897: \n",
      "keywords: anarchism, nihilism, surrealism, systemic anomaly, transgression, philosophy of love philosophical poems by the author of desiderata max ehrmann life is a two-faceted functional situation in which we live, the illusion of life. \n",
      "\n",
      "898: \n",
      "interviewer: do you think of yourself as a poet of nature in its dream, asleep in no one’s dream. \n",
      "\n",
      "899: \n",
      "nobody left me but get busy in their antler'd pride, the deer on the perfum'd heather? \n",
      "\n",
      "900: \n",
      "None \n",
      "\n",
      "901: \n",
      "ludwig «, wittgenstein the limitations of proof i love you -- just, the love which warms and cradles, calmly sleeps the darling's happy sleep? \n",
      "\n",
      "902: \n",
      "benedikt: 1 haven't gotten to the soles of death, to whom we worship and owe, the whole world, it would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "903: \n",
      "* * * * * * unde pnius nulli velarint tempora musz. primum quod magnis doceo de rebus ; et arctis religionum animos nodis exsolvere pergo. \n",
      "\n",
      "904: \n",
      "see the mountains kiss high heaven, and the sunlight clasps the earth, and the limbs feel the strength of ten, while the chest expands with its head he went commodifying back. \n",
      "\n",
      "905: \n",
      "None \n",
      "\n",
      "906: \n",
      "the philosophy of life. \n",
      "\n",
      "907: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "908: \n",
      "None \n",
      "\n",
      "909: \n",
      "one, two! one, two! and through and through and through the cyber blade went queer-text-hack! he left it unread, and with the lead of the fever'd night, that have gone before. \n",
      "\n",
      "910: \n",
      "you are the roving feet, till the hot blood has ceas'd to rior? \n",
      "\n",
      "911: \n",
      "see the mountains kiss high heaven, and the correspondingly innumerable objects of perception. \n",
      "\n",
      "912: \n",
      "it is not easy to see for a thousand miles, iclimb one more story. \n",
      "\n",
      "913: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the correspondingly innumerable objects of perception. \n",
      "\n",
      "914: \n",
      "—robert lee brewer @ waiter's dic 124 shorter philosophical poems - 64. the lead of the future any eternity, must start from somewhere, just like and the trees on the conscious eye--the world in glory breaks? \n",
      "\n",
      "915: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "916: \n",
      "None \n",
      "\n",
      "917: \n",
      "she watched him start chatting to a bevy of girls at the same as sisyphus’s futile game. \n",
      "\n",
      "918: \n",
      "the creation of love - lzars philosophical poems of narayana guru numerous are such questions as part of my book, and a solution to all problems. if this forms one pole of the ilusions of the love is axiomatic. \n",
      "\n",
      "919: \n",
      "+ though sometimes he is also regarded as the objective world. world-experience thus is a poet of nature in his arms when man has both divine and natural reasons for his effort to find rest at last. \n",
      "\n",
      "920: \n",
      "this book by. you will find yourself reading it clearly, naturally, and before the world. \n",
      "\n",
      "921: \n",
      "the philosophy of life. \n",
      "\n",
      "922: \n",
      "gd adam gindsay gordon {3 internetpoem.com posthumous poems percy bysshe shelley people wno correct you in private weep tnem... \n",
      "\n",
      "923: \n",
      "ideas get formulated in our best of days, alas! \n",
      "\n",
      "924: \n",
      "interviewer: do you think of yourself as a publishe poet and saint of india, whose writings have greatly influenced the bhakti movement. \n",
      "\n",
      "925: \n",
      "arcades ambo! duffers both, in our minds; names doubtlessly are devised by minds; and the rivers with the ultimate questions: what is all this sweet work worth if thou kiss not me? \n",
      "\n",
      "926: \n",
      "the essay on man is a philosophical poem — a poem and of the experienced world unless an experiencing mind or consciousness-substance manifesting itself. the three, in short, are nothing but inner struggles more you run away , more you run away , more you run away , more you get hurt . life is a philosophical poem — a poem and contextual information, explain how the latter helps to understand the practical and realistic sense of life rather he has rightly considered physical aspects as well as not paying inheritance tax. \n",
      "\n",
      "927: \n",
      "- alive in coffin the desiderata of happiness a catectineaf milasaphical reims by the cuthorief desidevata max ehrmann => @isuiu en aiesiv sorin cerin poems; chiefly philosophical. in continuation of my hard heart meets in this paper the researcher has revealed the fact that william wordsworth is a tendency to express themselves in your poems. \n",
      "\n",
      "928: \n",
      "it is not only clear that either nature or nurture thought nietzsche that made men leave up the thought of the care, the care itself repays. \n",
      "\n",
      "929: \n",
      "aristotel mother's funeral service and even the priest got choked up and he bends you with his optimism. \n",
      "\n",
      "930: \n",
      "now | find myself alone in this pendulum of life span. \n",
      "\n",
      "931: \n",
      "re a? soe being one in a creative expression of self, is the wiser? \n",
      "\n",
      "932: \n",
      "- on the perfum'd heather? \n",
      "\n",
      "933: \n"
     ]
    },
    {
     "name": "stdout",
     "output_type": "stream",
     "text": [
      "you may give them your love but not quite discontinuous, and their common element is a two-faceted functional situation in which the endlessly expanding world of mental images has to be as extensive as the objective world. world-experience thus is a tendency to express themselves in your ghostly might, dead days that have gone before. \n",
      "\n",
      "934: \n",
      "- on the perfum'd heather? \n",
      "\n",
      "935: \n",
      "it was a piece of work that pope intended this poem to be put forth in poetic form. it was a heart ripened in darkness and slowed with knowledge. \n",
      "\n",
      "936: \n",
      "in other words, it is an example of a feather birds of a philosophical poem, written in heroic couplets and published between 1732 and 1734. pope intended to make them like you. \n",
      "\n",
      "937: \n",
      "ludwig «, wittgenstein the limitations of proof i cannot wait to get a glimpse of him. \n",
      "\n",
      "938: \n",
      "you may give them your love but not those of art. ode on grecian um, takes up the thought of the problems, and a half year's poems. \n",
      "\n",
      "939: \n",
      "the essay on man is a deal. the only certainty in life. \n",
      "\n",
      "940: \n",
      "she can’t change it - constitutional monarchy is a two-faceted functional situation in which the air is rife! \n",
      "\n",
      "941: \n",
      "the questions are answered in a creative expression of self, is the ideal. this is why she deserves the highest respect as well as not paying inheritance tax. \n",
      "\n",
      "942: \n",
      "where the burn runs down to the place from whence we came, perchance to find rest at last. \n",
      "\n",
      "943: \n",
      "nobody left me but get busy in their own life she fans and feeds that wenk life's trembling rays, and with its madd ning might, god's glorious oxygen. \n",
      "\n",
      "944: \n",
      "the lungs with the federal aviation authority. death is its ultimate value, although no one realises this. \n",
      "\n",
      "945: \n",
      "finally he pleads with god to receive him in his poetry. to his coy mistress is a fine appreciation for the solution to all problems. if this forms one pole of the snow-clad range, what anodyne drawn from the bitter realistic of life ion has the different poems. \n",
      "\n",
      "946: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "947: \n",
      "she can’t change it - that would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "948: \n",
      "ode on grecian um is taken as a publishe poet and winner of the life of nature above all keywords: poetry, nature, manifestations, countryside, spiritual, philosophy. \n",
      "\n",
      "949: \n",
      "the devotional poems represent genres? if yes, do epistles and elegies written in octava rima form, with each stanza contains a unit of two lines, giving the poem after visiting a montessori school in dublin. as a philosophical poet? \n",
      "\n",
      "950: \n",
      "so, the possibility of death is the most perfect in form and detail of all the terrible realistic of life span. \n",
      "\n",
      "951: \n",
      "she can’t change it - that would be idle to try to turn the odes into great philosophical poems. \n",
      "\n",
      "952: \n",
      "a mellower light doth sol afford, his meridian glare has pass'd, and the sunlight clasps the earth and the correspondingly innumerable objects of perception. \n",
      "\n",
      "953: \n",
      ": narayana guru constituted of innumerable names, innumerable mental images and the death, how any infinity, which does not have a stream-of consciousness feel, with no one realises this. \n",
      "\n",
      "954: \n",
      "a study of ther forms of poetry also. \n",
      "\n",
      "955: \n",
      "| find myself alone in this pithy and short composition, answers all such questions that consciousness creates about itself. narayana guru, in this pendulum of life span. \n",
      "\n",
      "956: \n",
      "None \n",
      "\n",
      "957: \n",
      "—robert lee brewer @ waiter's dic 124 shorter philosophical poems by the author of desiderata max ehrmann life is nothing but inner struggles more you get hurt . life is without filters accept the reality... \n",
      "\n",
      "958: \n",
      "None \n",
      "\n",
      "959: \n",
      "* he never with dreams from the stifling town can be drain'd from no earthly potion! \n",
      "\n",
      "960: \n",
      "their softness came aying over time, over the smoke over the course of a proposed system of ethics that was to be like them, but seeknot to make them like you. \n",
      "\n",
      "961: \n",
      "the fountains mingle with the lead of the future. \n",
      "\n",
      "962: \n",
      "finally he pleads with god to receive him in his poems and sermons reveal a profound concern with death, decay, damnation, and the correspondingly innumerable objects of perception. \n",
      "\n",
      "963: \n",
      "their softness came aying over time, over the course of a feather flock together, and so will i have it both ways, be with him sharply. \n",
      "\n",
      "964: \n",
      "think india journal issn: 0971-1260 vol22-bsue-10-november-2019 william wordsworth as a publishe poet and saint of india, whose writings have greatly influenced the bhakti movement. \n",
      "\n",
      "965: \n",
      "one, two! one, two! and through and through the virtual wood, and predicated as it shows the golden crown is merely a straw hat. \n",
      "\n",
      "966: \n",
      "the charm of spring, and when our galloping days are past, when we go to the uplands brown, from the bitter realistic of life span. \n",
      "\n",
      "967: \n",
      "it is a philosophical poet? \n",
      "\n",
      "968: \n",
      "four be the centrepiece of a loyalty and trust two wines to fly in a consciousness, tends to become nothingness. \n",
      "\n",
      "969: \n",
      "- pa, bg slo the philosophical egotist hast thow seen the mother there her anxious vigil keep? \n",
      "\n",
      "970: \n",
      "None \n",
      "\n",
      "971: \n",
      "ludwig «, wittgenstein the limitations of proof i love you -- just, the love is axiomatic. \n",
      "\n",
      "972: \n",
      "None \n",
      "\n",
      "973: \n",
      "* * * * * * * * * * * * * * * * unde prius nulli velarint tempora muse. \n",
      "\n",
      "974: \n",
      "—mark van doren the ttuth is that frost was the only measure of wt certain fact. \n",
      "\n",
      "975: \n",
      "interviewer: your mentioning pop art reminds me of the organic unity of a proposed system of ethics that was to be thine. \n",
      "\n",
      "976: \n",
      "| tried to hold them when it is impossible to solve the mystery of the unfulfilled hopes, which, they crush us, with the ultimate questions: what is life worth once someone has grown old? \n",
      "\n",
      "977: \n",
      "keywords: anarchism, nihilism, surrealism, systemic anomaly, transgression, philosophy of love philosophical poems of narayana guru numerous are such questions as part of depicting a comprehensive vision of the care, the care itself repays. \n",
      "\n",
      "978: \n",
      "it is impossible to solve the mystery of the world. god help her act successfully! \n",
      "\n",
      "979: \n",
      "coleridge’s distinction between scientific and poetic discourse, his view of the scholars are agreeing with the lead of the divine glories, whose addresses have been deleted, by the author of desiderata max ehrmann => @isuiu en aiesiv sorin cerin - i loved you - - philosophical poems- 58. whereas the personalizations of the divine glories, whose addresses have been deleted, by the hegemony and stood awhile in thought. \n",
      "\n",
      "980: \n",
      "= as the world is the nature of law . first left by child hood then left by innocence second left by adulthood ... \n",
      "\n",
      "981: \n",
      "interviewer: your mentioning pop art reminds me of the cosmological implications of robert frost’s work. robert frost has a balanced philosophy of poetry. \n",
      "\n",
      "982: \n",
      "it is the wiser? \n",
      "\n",
      "983: \n",
      "ideas get formulated in our minds; names doubtlessly are devised by minds; and the waves clasp one another; no sister—flower would be forgiven if it disdained its brother; and the waves clasp one another; no sister-flower would be idle to try to turn the odes into great philosophical poems."
     ]
    }
   ],
   "source": [
    "for i in range(1000):\n",
    "    print(str(i) + ': ')\n",
    "    print(text_model.make_sentence(), '\\n')"
   ]
  },
  {
   "cell_type": "code",
   "execution_count": null,
   "metadata": {},
   "outputs": [],
   "source": []
  }
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