LIRC2006_ckj7r_ether.sgml

<meta author="rfisher" author_flair_css_class="None" author_flair_text="None" controversiality="0" corpus="LIRC" created_utc="1159798718" decade="2000" distinguished="None" edited="False" gilded="0" id="ckj7r" link_id="t3_khr1" month="10" parent_id="t3_khr1" retrieved_on="1473801075" score="3" short_name="compression" stickied="False" subreddit="reddit.com" subreddit_id="t5_6" ups="3" year="2006">
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While
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compression
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is
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certainly
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jargon
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that
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needs
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to
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be
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explained
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in
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an
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<pos pos="NN">
article
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for
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<pos pos="DT">
a
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<pos pos="JJ">
general
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<pos pos="NN">
audience
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<pos pos=",">
,
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<pos pos="VVG">
using
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<pos pos="NN">
<hi_rend hi_rend="italics">
loudness
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is
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<pos pos="RB">
just
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as
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bad
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.
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<pos pos="(">
(
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&
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this
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<pos pos="VBZ">
is
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<pos pos="RB">
n't
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the
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only
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article
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to
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<pos pos="VV">
make
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that
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mistake
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)
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<pos pos="RBR">
Worse
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,
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because
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at
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least
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the
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jargon
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word
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means
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what
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you
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want
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it
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to
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mean
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in
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<pos pos="DT">
a
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specific
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context
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.
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<pos pos="VVG">
Using
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loud
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is
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just
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misleading
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.
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<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="IN">
In
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<pos pos="DT">
this
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<pos pos="NN">
context
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,
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<hi_rend hi_rend="italics">
compression
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means
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making
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<pos pos="DT">
the
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entire
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song
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equally
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loud
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.
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<pos pos="DT">
This
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is
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done
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by
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<pos pos="VVG">
boosting
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<pos pos="DT">
the
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loudness
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of
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the
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<sic sic="sic">
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quite
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</sic>
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parts
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&
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<pos pos="VVG">
cutting
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the
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loudness
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of
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<pos pos="DT">
the
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loud
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parts
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.
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(
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Although
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,
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typically
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,
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you
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do
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more
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boosting
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than
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cutting
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.
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<pos pos="DT">
The
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difference
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is
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immaterial
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unless
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you
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want
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to
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discuss
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other
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technical
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issues
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like
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<pos pos="NN">
signal-to-noise
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ratios
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.
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)
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<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="PP">
It
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's
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<pos pos="VVN">
called
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<hi_rend hi_rend="italics">
compression
</hi_rend>
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<pos pos="IN">
because
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<pos pos="PP">
you
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are
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<pos pos="VVG">
compressing
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the
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changes
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in
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<pos pos="NN">
loudness
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.
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<pos pos="(">
(
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Or
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,
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<hi_rend hi_rend="italics">
<pos pos="JJ">
dynamic
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<pos pos="NN">
range
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</hi_rend>
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,
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<pos pos="IN">
if
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<pos pos="PP">
you
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<pos pos="VVP">
want
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<pos pos="RBR">
more
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technical
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<pos pos="NNS">
terms
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.
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)
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</p>
<p p="p">
<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="RB">
BTW
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,
</pos>
<pos pos="NN">
compression
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<pos pos="VBZ">
is
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<pos pos="VVN">
combined
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<pos pos="IN">
with
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<pos pos="DT">
a
</pos>
<pos pos="NN">
<hi_rend hi_rend="italics">
gate
</hi_rend>
</pos>
<pos pos="WDT">
that
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<pos pos="VVZ">
determines
</pos>
<pos pos="DT">
the
</pos>
<pos pos="NN">
threshold
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between
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<pos pos="NN">
background
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<pos pos="NN">
noise
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&
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<pos pos="NN">
music
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<pos pos="(">
(
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technically
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,
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<hi_rend hi_rend="italics">
signal
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)
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.
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<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="DT">
That
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's
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<pos pos="WRB">
why
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<pos pos="NN">
compression
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<pos pos="VVZ">
does
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<pos pos="RB">
n't
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end
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<pos pos="RP">
up
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boosting
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<pos pos="JJ">
static
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<pos pos="CC">
&
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<pos pos="JJ">
other
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<pos pos="NN">
noise
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whenever
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there
</pos>
<pos pos="VBZ">
is
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<pos pos="DT">
a
</pos>
<pos pos="NN">
moment
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<pos pos="IN">
of
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<pos pos="JJ">
complete
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<pos pos="NN">
silence
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in
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<pos pos="DT">
a
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<pos pos="NN">
song
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.
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</p>
<p p="p">
<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="NN">
Compression
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is
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<pos pos="RB">
n't
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always
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bad
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<pos pos="SENT">
.
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<s_type s_type="decl">
<pos pos="FW">
e.g.
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It
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<pos pos="VBZ">
's
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<pos pos="NN">
part
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of
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<pos pos="DT">
the
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secret
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to
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getting
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lots
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<pos pos="IN">
of
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<pos pos="NN">
sustain
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from
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<pos pos="JJ">
electric
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<pos pos="NNS">
guitars
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.
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<s_type s_type="sub">
<pos pos="NN">
Radio
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stations
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should
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<pos pos="VV">
use
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<pos pos="DT">
a
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<pos pos="JJ">
judicious
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<pos pos="NN">
amount
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<pos pos="IN">
of
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<pos pos="NN">
compression
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<pos pos="TO">
to
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<pos pos="VV">
ensure
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the
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<pos pos="NN">
signal
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<pos pos="VVZ">
fits
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within
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<pos pos="DT">
the
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<pos pos="JJ">
dynamic
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range
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<pos pos="IN">
of
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<pos pos="DT">
the
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<pos pos="NN">
medium
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.
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<p p="p">
<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="DT">
This
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<pos pos="VBZ">
is
</pos>
<pos pos="DT">
a
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<pos pos="JJ">
classic
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case
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<pos pos="IN">
of
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the
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<pos pos="NN">
demo
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<pos pos="NN">
mistake
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<pos pos=":">
:
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<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="JJ">
Heavy
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<pos pos="NN">
compression
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on
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<pos pos="DT">
a
</pos>
<pos pos="NN">
song
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<pos pos="MD">
may
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<pos pos="VV">
make
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<pos pos="PP">
it
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<pos pos="VV">
seem
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<pos pos="TO">
to
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<pos pos="VV">
sound
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<pos pos="RBR">
better
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<pos pos="IN">
for
</pos>
<pos pos="DT">
a
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<pos pos="JJ">
single
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<pos pos=",">
,
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<pos pos="JJ">
isolated
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<pos pos="NN">
listen
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<pos pos="SENT">
.
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<s_type_orig s_type_orig="decl">
<s_type s_type="decl">
<pos pos="WRB">
When
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<pos pos="NN">
everything
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<pos pos="VBZ">
is
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<pos pos="RB">
highly
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<pos pos="VVN">
compressed
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<pos pos="DT">
all
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<pos pos="DT">
the
</pos>
<pos pos="NN">
time
</pos>
<pos pos=",">
,
</pos>
<pos pos="RB">
though
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<pos pos=",">
,
</pos>
<pos pos="PP">
it
</pos>
<pos pos="MD">
can
</pos>
<pos pos="VV">
start
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<pos pos="TO">
to
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<pos pos="VV">
wear
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<pos pos="IN">
on
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<pos pos="PP">
you
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<pos pos="SENT">
.
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