diff --git a/src/assets/config/edition_config_DOTR.json b/src/assets/config/edition_config_DOTR.json index 34dfaeb07..36b50662c 100644 --- a/src/assets/config/edition_config_DOTR.json +++ b/src/assets/config/edition_config_DOTR.json @@ -143,8 +143,7 @@ "showVarSeqAttr": false, "showSeqAttr": false, "layerColors": [] - }, - "defaultImageZoomLevel": 0.8 + } }, "analogueMarkers": [ "ParallelPassage", @@ -172,5 +171,6 @@ } }, "defaultImageZoomLevel": 0.8, + "maxImageZoomLevel": 2, "multiPageEngineForCriticalEdition": false } \ No newline at end of file diff --git a/src/assets/config/edition_config_Pelavicino.json b/src/assets/config/edition_config_Pelavicino.json index 3694a14f8..c1e122f61 100644 --- a/src/assets/config/edition_config_Pelavicino.json +++ b/src/assets/config/edition_config_Pelavicino.json @@ -143,8 +143,7 @@ "showVarSeqAttr": false, "showSeqAttr": false, "layerColors": [] - }, - "defaultImageZoomLevel": 0.8 + } }, "analogueMarkers": [ "ParallelPassage", @@ -172,5 +171,6 @@ } }, "defaultImageZoomLevel": 0.8, + "maxImageZoomLevel": 2, "multiPageEngineForCriticalEdition": false } \ No newline at end of file diff --git a/src/assets/config/edition_config_Saba.json b/src/assets/config/edition_config_Saba.json index c9106a719..5b36745db 100644 --- a/src/assets/config/edition_config_Saba.json +++ b/src/assets/config/edition_config_Saba.json @@ -171,6 +171,7 @@ } }, "defaultImageZoomLevel": 0.8, + "maxImageZoomLevel": 2, "multiPageEngineForCriticalEdition": false, "syncZonesHighlightButton": false } \ No newline at end of file diff --git a/src/assets/data/saba.xml b/src/assets/data/saba.xml index 483ee2115..e0c265d91 100644 --- a/src/assets/data/saba.xml +++ b/src/assets/data/saba.xml @@ -45,6 +45,7 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> + @@ -68,6 +69,7 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> + @@ -155,8 +157,7 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> le anime migliori che io abbia conosciute, alle quali più di una volta ho avvicinata la - mia, come chi ha freddo + mia, come chi ha freddo avvicina al fuoco le dita intirizzite. Spesso - troppo spesso forse - ho sentit a @@ -167,25 +168,24 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> adorati caffeucci, o pensarvi, o mandarvi dei versi, è stata per me la salvezza.

- E vi devo anche qualche parola di chia- rimento. Non tutte le poesie di questa + E vi devo anche qualche parola di chia-rimento. Non tutte le poesie di questa raccolta vi riusciranno ugualmente nuove; alcune (la terza parte circa) sono già state stampate nei precedenti volumi "Poesie" e "Coi miei occhi". Ma, per quanto riguarda il primo (Poesie) esse vi apparvero non sol o a - - in una disposizione - cronologicamente falsa, così da togliere ogni linea al lavoro, ma - molte (tutte per esempio le quelle dell'adolescenza, e le giovanili e le fiorentine; così necessarie - + in una disposizione cronologicamente falsa, così da togliere ogni linea al lavoro, ma molte (tutte per esempio le quelle dell'adolescenza, e le giovanili e le fiorentine; così necessarie a comprendere ad far intendere la genesi e i graduali sviluppi, gli svincolamenti ed i ritorni alle origini della mia arte) vi furono ommesse; altre poi (che è peggio ancora) siffattamente - alterate

+ alterate +

@@ -198,7 +198,7 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> tutta un'altra cosa, e non una cosa migliore. Come abbia potuto commettere questo imperdonabile delitto contro - quella cosa delicata, delicata e vitale che è lo + quella cosadelicata, delicata e vitale che è lo stile me stesso, anzi contro la parte migliore di me stesso @@ -238,7 +238,7 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> illuso verseggiatore! Voglio insomma si sappia che, dove ci sono modificazioni profon- de, e tali che potrebbero, senza questa confessione, riuscire stupefacenti, non è ora che le ho aportate; ho dovuto anzi compiere un lavoro non breve e non facile per ritrovare - nella mia mente i versi originali. Due anni + nella mia mente i versi originali. Due anni @@ -276,8 +276,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> 7 Poesie dell'adolescenza - e giovanili @@ -315,17 +313,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> 9 - - - - - - Vedi fogli - - Vedi fogli @@ -399,7 +386,7 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> Da lei si va, per torta via sassosa, fin presso al chiostro che in vetta s'abbica; - hai, dalle sue finestre, hai, dalle sue finestre, hai la spaziosa vista del mar, della campagna aprica. @@ -426,12 +413,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> ← Vedi foglietto unito

- - - - @@ -441,8 +422,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> - -
@@ -490,8 +469,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> margine sx attraverso un pezzo di nastro adesivo. Nell'edizione del Canzoniere 1921, al contrario, la poesia apre la sezione con il titolo Canzonetta e precede La casa della mia nutrice. - - Ero solo in riva al mare, @@ -631,7 +608,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?>
- Ad un amico pianista, studente al Conservatorio di Liegi @@ -952,7 +928,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> - Per cui soletto io me ne vo, piangendo ciò che non torna, ov'è più solo il lito, senza un bacio d'amante e senz'alloro. @@ -1019,8 +994,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> Quando Or più - @@ -1129,7 +1102,7 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> provo, non cure tacite severe, ma dile lotte crudeli, + /> e l'onte e i danni. @@ -1216,7 +1189,6 @@ schematypens="http://purl.oclc.org/dsdl/schematron"?> altro nome, il mio nome al passeggero; - quando diff --git a/src/assets/images/double/VB_fol_104v-VB_fol_105r.jpg b/src/assets/images/double/VB_fol_104v-VB_fol_105r.jpg new file mode 100644 index 000000000..9091f4fdc Binary files /dev/null and b/src/assets/images/double/VB_fol_104v-VB_fol_105r.jpg differ diff --git a/src/assets/images/double/VB_fol_105v-VB_fol_106r.jpg 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