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The Precession of Simulacra

The Divine Irreference of Images

-

To dis­sim­u­late is to pre­tend not to have what one has. To sim­u­late is to feign to have what one doesn’t have. One implies a pres­ence, the other an absence. But it is more com­pli­cated than that because sim­u­lat­ing is not pre­tend­ing: “Who­ever fakes an ill­ness can simply stay in bed and make every­one believe he is ill. Who­ever sim­u­lates an ill­ness pro­duces in him­self some of the symp­toms” (Littré). There­fore, pre­tend­ing, or dis­sim­u­lat­ing, leaves the prin­ci­ple of real­ity intact: the dif­fer­ence is always clear, it is simply masked, whereas sim­u­la­tion threat­ens the dif­fer­ence between the “true” and the “false,” the “real” and the “imag­i­nary.” Is the sim­u­la­tor sick or not, given that he pro­duces “true” symp­toms? Objec­tively one cannot treat him as being either ill or not ill. Psy­chol­ogy and medicine stop at this point, fore­stalled by the ill­ness’s hence­forth undis­cov­er­able truth. For if any symp­tom can be “pro­duced,” and can no longer be taken as a fact of nature, then every ill­ness can be con­sid­ered as sim­u­lat­able and sim­u­lated, and medicine loses its mean­ing since it only knows how to treat “real” ill­nesses accord­ing to their objec­tive causes. Psy­cho­so­mat­ics evolves in a dubi­ous manner at the bor­ders of the prin­ci­ple of ill­ness. As to psy­cho­anal­y­sis, it trans­fers the symp­tom of the organic order to the uncon­scious order: the latter is new and taken for “real” more real than the other—but why would sim­u­la­tion be at the gates of the uncon­scious? Why couldn’t the “work” of the uncon­scious be “pro­duced” in the same way as any old symp­tom of clas­si­cal medicine? Dreams already are.

+

To dis­sim­u­late is to pre­tend not to have what one has. To sim­u­late is to feign to have what one doesn’t have. One implies a pres­ence, the other an absence. But it is more com­pli­cated than that because sim­u­lat­ing is not pre­tend­ing: “Who­ever fakes an ill­ness can simply stay in bed and make every­one believe he is ill. Who­ever sim­u­lates an ill­ness pro­duces in him­self some of the symp­toms” (Littré). There­fore, pre­tend­ing, or dis­sim­u­lat­ing, leaves the prin­ci­ple of real­ity intact: the dif­fer­ence is always clear, it is simply masked, whereas sim­u­la­tion threat­ens the dif­fer­ence between the “true” and the “false,” the “real” and the “imag­i­nary.” Is the sim­u­la­tor sick or not, given that he pro­duces “true” symp­toms? Objec­tively one cannot treat him as being either ill or not ill. Psy­chol­ogy and medicine stop at this point, fore­stalled by the ill­ness’s hence­forth undis­cov­er­able truth. For if any symp­tom can be “pro­duced,” and can no longer be taken as a fact of nature, then every ill­ness can be con­sid­ered as sim­u­lat­able and sim­u­lated, and medicine loses its mean­ing since it only knows how to treat “real” ill­nesses accord­ing to their objec­tive causes. Psy­cho­so­mat­ics evolves in a dubi­ous manner at the bor­ders of the prin­ci­ple of ill­ness. As to psy­cho­anal­y­sis, it trans­fers the symp­tom of the organic order to the uncon­scious order: the latter is new and taken for “real” more real than the other—but why would sim­u­la­tion be at the gates of the uncon­scious? Why couldn’t the “work” of the uncon­scious be “pro­duced” in the same way as any old symp­tom of clas­si­cal medicine? Dreams already are.

Cer­tainly, the psy­chi­a­trist pur­ports that “for every form of mental alien­ation there is a par­tic­u­lar order in the suc­ces­sion of symp­toms of which the sim­u­la­tor is igno­rant and in the absence of which the psy­chi­a­trist would not be deceived.” This (which dates from 1865) in order to safe­guard the prin­ci­ple of a truth at all costs and to escape the inter­ro­ga­tion posed by sim­u­la­tion—the knowl­edge that truth, ref­er­ence, objec­tive cause have ceased to exist. Now, what can medicine do with what floats on either side of ill­ness, on either side of health, with the dupli­ca­tion of ill­ness in a dis­course that is no longer either true or false? What can psy­cho­anal­y­sis do with the dupli­ca­tion of the dis­course of the uncon­scious in the dis­course of sim­u­la­tion that can never again be unmasked, since it is not false either?2

What can the army do about sim­u­la­tors? Tra­di­tion­ally it unmasks them and pun­ishes them, accord­ing to a clear prin­ci­ple of iden­ti­fi­ca­tion. Today it can dis­charge a very good sim­u­la­tor as exactly equiv­a­lent to a “real” homo­sex­ual, a heart patient, or a madman. Even mil­i­tary psy­chol­ogy draws back from Carte­sian cer­tain­ties and hes­i­tates to make the dis­tinc­tion between true and false, between the “pro­duced” and the authen­tic symp­tom. “If he is this good at acting crazy, it’s because he is.” Nor is mil­i­tary psy­chol­ogy mis­taken in this regard: in this sense, all crazy people sim­u­late, and this lack of dis­tinc­tion is the worst kind of sub­ver­sion.

@@ -709,37 +709,37 @@

On Nihilism


    -
  1. Cf. J. Bau­drillard, “L’ordre des sim­u­lacres” (The order of sim­u­lacra), in L’echange sym­bol­ique et la mort (Sym­bolic exchange and death) (Paris: Gal­li­mard, 1976).

  2. -
  3. A dis­course that is itself not sus­cep­ti­ble to being resolved in trans­fer­ence. It is the entan­gle­ment of these two dis­cour­ses that ren­ders psy­cho­anal­y­sis inter­minable.

  4. -
  5. Cf. M. Perniola, Icônes, visions, sim­u­lacres (Icons, visions, sim­u­lacra), 39.

  6. -
  7. This does not nec­es­sar­ily result in despair­ing of mean­ing, but just as much in the impro­vi­sa­tion of mean­ing, of non­mean­ing, of many simul­ta­ne­ous mean­ings that destroy each other.

  8. -
  9. Taken together, the energy crisis and the eco­log­i­cal mise-en-scène are them­selves a dis­as­ter movie, in the same style (and with the same value) as those that cur­rently com­prise the golden days of Hol­ly­wood. It is use­less to labo­ri­ously inter­pret these films in terms of their rela­tion to an “objec­tive” social crisis or even to an “objec­tive” phan­tasm of dis­as­ter. It is in another sense that it must be said that it is the social itself that, in con­tem­po­rary dis­course, is organ­ised along the lines of a dis­as­ter-movie script. (Cf. M. Makar­ius, La stratégie de la catas­tro­phe [The strat­egy of dis­as­ter], 115.)

  10. -
  11. To this flag­ging invest­ment in work cor­re­sponds a par­al­lel decline in the invest­ment in con­sump­tion. Good­bye to use value or to the pres­tige of the auto­mo­bile, good­bye amorous dis­cour­ses that neatly opposed the object of enjoy­ment to the object of work. Another dis­course takes hold that is a dis­course of work on the object of con­sump­tion aiming for an active, con­strain­ing, puri­tan rein­vest­ment (use less gas, watch out for your safety, you’ve gone over the speed limit, etc.) to which the char­ac­ter­is­tics of auto­mo­biles pre­tend to adapt. Redis­cov­er­ing a stake through the trans­po­si­tion of these two poles. Work becomes the object of a need, the car becomes the object of work. There is no better proof of the lack of dif­fer­en­ti­a­tion among all the stakes. It is through the same slip­page between the “right” to vote and elec­toral “duty” that the divest­ment of the polit­i­cal sphere is sig­naled.

  12. -
  13. The medium/mes­sage con­fu­sion is cer­tainly a corol­lary of that between the sender and the receiver, thus seal­ing the dis­ap­pear­ance of all dual, polar struc­tures that formed the dis­cur­sive orga­ni­za­tion of lan­guage, of all deter­mined artic­u­la­tion of mean­ing reflect­ing Jakob­son’s famous grid of func­tions. That dis­course “cir­cu­lates” is to be taken lit­er­ally: that is, it no longer goes from one point to another, but it tra­verses a cycle that with­out dis­tinc­tion includes the posi­tions of trans­mit­ter and receiver, now unlo­cat­able as such. Thus there is no instance of power, no instance of trans­mis­sion—power is some­thing that cir­cu­lates and whose source can no longer be located, a cycle in which the posi­tions of the dom­i­na­tor and the dom­i­nated are exchanged in an end­less rever­sion that is also the end of power in its clas­si­cal def­i­ni­tion. The cir­cu­lar­iza­tion of power, of knowl­edge, of dis­course puts an end to any local­iza­tion of instances and poles. In the psy­cho­an­a­lytic inter­pre­ta­tion itself, the “power” of the inter­preter does not come from any out­side instance but from the inter­preter him­self. This changes every­thing, because one can always ask of the tra­di­tional hold­ers of power where they get their power from. Who made you duke? The king. Who made you king? God. Only God no longer answers. But to the ques­tion: who made you a psy­cho­an­a­lyst? the ana­lyst can well reply: You. Thus is expressed, by an inverse sim­u­la­tion, the pas­sage from the “ana­lyzed” to the “analysand,” from pas­sive to active, which simply describes the spi­ral­ing effect of the shift­ing of poles, the effect of cir­cu­lar­ity in which power is lost, is dis­solved, is resolved in per­fect manip­u­la­tion (it is no longer of the order of direc­tive power and of the gaze, but of the order of tac­til­ity and com­mu­ta­tion). See also the state/family cir­cu­lar­ity assured by the fluc­tu­a­tion and metastatic reg­u­la­tion of the images of the social and the pri­vate (J. Donzelot, La police des familles [The polic­ing of fam­i­lies]).

    +
  14. 1. Cf. J. Bau­drillard, “L’ordre des sim­u­lacres” (The order of sim­u­lacra), in L’echange sym­bol­ique et la mort (Sym­bolic exchange and death) (Paris: Gal­li­mard, 1976).

  15. +
  16. 2. A dis­course that is itself not sus­cep­ti­ble to being resolved in trans­fer­ence. It is the entan­gle­ment of these two dis­cour­ses that ren­ders psy­cho­anal­y­sis inter­minable.

  17. +
  18. 3. Cf. M. Perniola, Icônes, visions, sim­u­lacres (Icons, visions, sim­u­lacra), 39.

  19. +
  20. 4. This does not nec­es­sar­ily result in despair­ing of mean­ing, but just as much in the impro­vi­sa­tion of mean­ing, of non­mean­ing, of many simul­ta­ne­ous mean­ings that destroy each other.

  21. +
  22. 5. Taken together, the energy crisis and the eco­log­i­cal mise-en-scène are them­selves a dis­as­ter movie, in the same style (and with the same value) as those that cur­rently com­prise the golden days of Hol­ly­wood. It is use­less to labo­ri­ously inter­pret these films in terms of their rela­tion to an “objec­tive” social crisis or even to an “objec­tive” phan­tasm of dis­as­ter. It is in another sense that it must be said that it is the social itself that, in con­tem­po­rary dis­course, is organ­ised along the lines of a dis­as­ter-movie script. (Cf. M. Makar­ius, La stratégie de la catas­tro­phe [The strat­egy of dis­as­ter], 115.)

  23. +
  24. 6. To this flag­ging invest­ment in work cor­re­sponds a par­al­lel decline in the invest­ment in con­sump­tion. Good­bye to use value or to the pres­tige of the auto­mo­bile, good­bye amorous dis­cour­ses that neatly opposed the object of enjoy­ment to the object of work. Another dis­course takes hold that is a dis­course of work on the object of con­sump­tion aiming for an active, con­strain­ing, puri­tan rein­vest­ment (use less gas, watch out for your safety, you’ve gone over the speed limit, etc.) to which the char­ac­ter­is­tics of auto­mo­biles pre­tend to adapt. Redis­cov­er­ing a stake through the trans­po­si­tion of these two poles. Work becomes the object of a need, the car becomes the object of work. There is no better proof of the lack of dif­fer­en­ti­a­tion among all the stakes. It is through the same slip­page between the “right” to vote and elec­toral “duty” that the divest­ment of the polit­i­cal sphere is sig­naled.

  25. +
  26. 7. The medium/mes­sage con­fu­sion is cer­tainly a corol­lary of that between the sender and the receiver, thus seal­ing the dis­ap­pear­ance of all dual, polar struc­tures that formed the dis­cur­sive orga­ni­za­tion of lan­guage, of all deter­mined artic­u­la­tion of mean­ing reflect­ing Jakob­son’s famous grid of func­tions. That dis­course “cir­cu­lates” is to be taken lit­er­ally: that is, it no longer goes from one point to another, but it tra­verses a cycle that with­out dis­tinc­tion includes the posi­tions of trans­mit­ter and receiver, now unlo­cat­able as such. Thus there is no instance of power, no instance of trans­mis­sion—power is some­thing that cir­cu­lates and whose source can no longer be located, a cycle in which the posi­tions of the dom­i­na­tor and the dom­i­nated are exchanged in an end­less rever­sion that is also the end of power in its clas­si­cal def­i­ni­tion. The cir­cu­lar­iza­tion of power, of knowl­edge, of dis­course puts an end to any local­iza­tion of instances and poles. In the psy­cho­an­a­lytic inter­pre­ta­tion itself, the “power” of the inter­preter does not come from any out­side instance but from the inter­preter him­self. This changes every­thing, because one can always ask of the tra­di­tional hold­ers of power where they get their power from. Who made you duke? The king. Who made you king? God. Only God no longer answers. But to the ques­tion: who made you a psy­cho­an­a­lyst? the ana­lyst can well reply: You. Thus is expressed, by an inverse sim­u­la­tion, the pas­sage from the “ana­lyzed” to the “analysand,” from pas­sive to active, which simply describes the spi­ral­ing effect of the shift­ing of poles, the effect of cir­cu­lar­ity in which power is lost, is dis­solved, is resolved in per­fect manip­u­la­tion (it is no longer of the order of direc­tive power and of the gaze, but of the order of tac­til­ity and com­mu­ta­tion). See also the state/family cir­cu­lar­ity assured by the fluc­tu­a­tion and metastatic reg­u­la­tion of the images of the social and the pri­vate (J. Donzelot, La police des familles [The polic­ing of fam­i­lies]).

    Impos­si­ble now to pose the famous ques­tion: “From what posi­tion do you speak?”—“How do you know?” “From where do you get your power?” with­out hear­ing the imme­di­ate response: “But it is of you (from you) that I speak”—mean­ing, it is you who are speak­ing, you who know, you who are the power. Gigan­tic cir­cum­vo­lu­tion, cir­cum­lo­cu­tion of the spoken word, which is equal to a black­mail with no end, to a deter­rence that cannot be appealed of the sub­ject pre­sumed to speak, leav­ing him with­out a reply, because to the ques­tion that he poses one ineluctably replies: but you are the answer, or: your ques­tion is already an answer, etc.—the whole stran­gu­la­tory sophis­ti­ca­tion of inter­cept­ing speech, of the forced con­fes­sion in the guise of free­dom of expres­sion, of trap­ping the sub­ject in his own inter­ro­ga­tion, of the pre­ces­sion of the reply to the ques­tion (all the vio­lence of inter­pre­ta­tion lies there, as well as that of the con­scious or uncon­scious man­age­ment of the “spoken word” [parole]).

    -

    This sim­u­lacrum of the inver­sion or the invo­lu­tion of poles, this clever sub­terfuge, which is the secret of the whole dis­course of manip­u­la­tion and thus, today, in every domain, the secret of any new power in the era­sure of the scene of power, in the assump­tion of all words from which has resulted this fan­tas­tic silent major­ity char­ac­ter­is­tic of our time—all of this started with­out a doubt in the polit­i­cal sphere with the democ­rac­tic sim­u­lacrum, which today is the sub­sti­tu­tion for the power of God with the power of the people as the source of power, and of power as ema­na­tion with power as rep­re­sen­ta­tion. Anti-Coper­ni­can rev­o­lu­tion: no tran­scen­den­tal instance either of the sun or of the lumi­nous sources of power and knowl­edge—every­thing comes from the people and every­thing returns to them. It is with this mag­nif­i­cent recy­cling that the uni­ver­sal sim­u­lacrum of manip­u­la­tion, from the sce­nario of mass suf­frage to the present-day phan­toms of opin­ion polls, begins to be put in place.

  27. -
  28. PPEP is an acro­nym for small­est pos­si­ble gap, or “plus petit écart pos­si­ble.”—Trans.

  29. -
  30. Para­dox: all bombs are clean: their only pol­lu­tion is the system of secu­rity and of con­trol they radi­ate as long as they don’t explode.

  31. -
  32. Fas­cism itself, the mys­tery of its appear­ance and of its col­lec­tive energy, with which no inter­pre­ta­tion has been able to come to grips (nei­ther the Marx­ist one of polit­i­cal manip­u­la­tion by dom­i­nant classes, nor the Reichian one of the sexual repres­sion of the masses, nor the Deleuzian one of despotic para­noia), can already be inter­preted as the “irra­tional” excess of mythic and polit­i­cal ref­er­en­tials, the mad inten­si­fi­ca­tion of col­lec­tive value (blood, race, people, etc.), the rein­jec­tion of death, of a “polit­i­cal aes­thetic of death” at a time when the process of the dis­en­chant­ment of value and of col­lec­tive values, of the ratio­nal sec­u­lar­iza­tion and uni­di­men­sion­al­iza­tion of all life, of the oper­a­tional­iza­tion of all social and indi­vid­ual life already makes itself strongly felt in the West. Yet again, every­thing seems to escape this catas­tro­phe of value, this neu­tral­iza­tion and paci­fi­ca­tion of life. Fas­cism is a resis­tance to this, even if it is a pro­found, irra­tional, demented resis­tance, it would not have tapped into this mas­sive energy if it hadn’t been a resis­tance to some­thing much worse. Fas­cism’s cru­elty, its terror is on the level of this other terror that is the con­fu­sion of the real and the ratio­nal, which deep­ened in the West, and it is a response to that.

  33. -
  34. The inci­dent at the nuclear reac­tor on Three Mile Island, which will shortly follow the release of the film.

  35. -
  36. Still some­thing else anni­hi­lates the cul­tural project of Beaubourg: the masses them­selves also flood in to take plea­sure in it (we will return to this later).

  37. -
  38. In rela­tion to this crit­i­cal mass, and to its rad­i­cal under­stand­ing of Beaubourg, how derisory seems the demon­stra­tion of the stu­dents from Vin­cennes the evening of its inau­gu­ra­tion!

  39. -
  40. Here we have not spoken of infor­ma­tion except in the social reg­is­ter of com­mu­ni­ca­tion. But it would be enthralling to con­sider this hypoth­e­sis even within the param­e­ters of cyber­netic infor­ma­tion theory. There also, the fun­da­men­tal thesis calls for this infor­ma­tion to be syn­ony­mous with negen­tropy with the resis­tance to entropy, with an excess of mean­ing and orga­ni­za­tion. But it would be useful to posit the oppo­site hypoth­e­sis: INFOR­MA­TION = ENTROPY. For exam­ple: the infor­ma­tion or knowl­edge that can be obtained about a system or an event is already a form of the neu­tral­iza­tion and entropy of this system (to be extended to sci­ence in gen­eral, and to the social sci­ences and human­i­ties in par­tic­u­lar). Infor­ma­tion in which an event is reflected or broad­cast is already a degrad­ed­form of this event. Do not hes­i­tate to ana­lyze the media’s inter­ven­tion in May 1968 in these terms. The exten­sion of the stu­dent action per­mit­ted the gen­eral strike, but the latter was pre­cisely a black box that neu­tral­ized the orig­i­nal vir­u­lence of the move­ment. Ampli­fi­ca­tion was itself a mortal trap and not a pos­i­tive exten­sion. One should be wary of the uni­ver­sal­iza­tion of strug­gles through infor­ma­tion. One should be wary of sol­i­dar­ity cam­paigns at every level, of this simul­ta­ne­ously elec­tronic and worldly sol­i­dar­ity. Every strat­egy of the uni­ver­sal­iza­tion of dif­fer­ences is an entropic strat­egy of the system.

  41. -
  42. Parly 2 is a mall that was built in the 1970s on the out­skirts of Paris.—Trans.

  43. -
  44. The RER is a high-speed, under­ground com­muter train.—Trans.

  45. -
  46. Cf. D. Rorvik, A son image: La copie d’un homme (In his image: The copy of a man) (Paris: Gras­set, 1978).

  47. -
  48. J. G. Bal­lard, Crash (New York: Farrar, Straus and Giroux, 1973).

  49. -
  50. This intro­duc­tion first appeared in the French edi­tion pub­lished in Paris by Cla­mann-Lévy in 1974.—Trans.

  51. -
  52. 1. Thus, in Texas, four hun­dred men and one hun­dred women exper­i­ment with the sweet­est pen­i­ten­tiary in the world. A child was born there last June and there were only three escapes in two years. The men and women take their meals together and get together out­side of group ther­apy ses­sions. Each pris­oner pos­sesses the only key to his indi­vid­ual room. Cou­ples are able to be alone in the empty rooms. To this day, thirty-five pris­on­ers have escaped, but for the most part they have returned of their own accord.

  53. -
  54. In French, bêtes de somme means beasts of burden. Bau­drillard plays with the word somme in the phrase that fol­lows: “Bêtes de som­ma­tion, elles sont som­mées de répon­dre a l’inter­roga­toire de la sci­ence,” and in the use of the word con­som­ma­tion in the fol­low­ing phrase.—Trans.

  55. -
  56. That ani­mals wander is a myth, and the cur­rent rep­re­sen­ta­tion of the uncon­scious and of desire as erratic and nomadic belongs to the same “order. Ani­mals have never wan­dered, were never deter­ri­to­ri­al­ized. A whole lib­er­a­tory phan­tas­mago­ria is drawn in oppo­si­tion to the con­straints of modern soci­ety, a rep­re­sen­ta­tion of nature and of beasts as sav­agery, as the free­dom to”ful­fill all needs," today “of real­iz­ing all his desires” because modern Rousseauism has taken the form of the inde­ter­mi­nacy of drive, of the wan­der­ing of desire and of the nomadism of infini­tude—but it is the same mys­tique of unleashed, non­coded forces with no final­ity other than their own erup­tion.

    +

    This sim­u­lacrum of the inver­sion or the invo­lu­tion of poles, this clever sub­terfuge, which is the secret of the whole dis­course of manip­u­la­tion and thus, today, in every domain, the secret of any new power in the era­sure of the scene of power, in the assump­tion of all words from which has resulted this fan­tas­tic silent major­ity char­ac­ter­is­tic of our time—all of this started with­out a doubt in the polit­i­cal sphere with the democ­rac­tic sim­u­lacrum, which today is the sub­sti­tu­tion for the power of God with the power of the people as the source of power, and of power as ema­na­tion with power as rep­re­sen­ta­tion. Anti-Coper­ni­can rev­o­lu­tion: no tran­scen­den­tal instance either of the sun or of the lumi­nous sources of power and knowl­edge—every­thing comes from the people and every­thing returns to them. It is with this mag­nif­i­cent recy­cling that the uni­ver­sal sim­u­lacrum of manip­u­la­tion, from the sce­nario of mass suf­frage to the present-day phan­toms of opin­ion polls, begins to be put in place.

  57. +
  58. 8. PPEP is an acro­nym for small­est pos­si­ble gap, or “plus petit écart pos­si­ble.”—Trans.

  59. +
  60. 9. Para­dox: all bombs are clean: their only pol­lu­tion is the system of secu­rity and of con­trol they radi­ate as long as they don’t explode.

  61. +
  62. 10. Fas­cism itself, the mys­tery of its appear­ance and of its col­lec­tive energy, with which no inter­pre­ta­tion has been able to come to grips (nei­ther the Marx­ist one of polit­i­cal manip­u­la­tion by dom­i­nant classes, nor the Reichian one of the sexual repres­sion of the masses, nor the Deleuzian one of despotic para­noia), can already be inter­preted as the “irra­tional” excess of mythic and polit­i­cal ref­er­en­tials, the mad inten­si­fi­ca­tion of col­lec­tive value (blood, race, people, etc.), the rein­jec­tion of death, of a “polit­i­cal aes­thetic of death” at a time when the process of the dis­en­chant­ment of value and of col­lec­tive values, of the ratio­nal sec­u­lar­iza­tion and uni­di­men­sion­al­iza­tion of all life, of the oper­a­tional­iza­tion of all social and indi­vid­ual life already makes itself strongly felt in the West. Yet again, every­thing seems to escape this catas­tro­phe of value, this neu­tral­iza­tion and paci­fi­ca­tion of life. Fas­cism is a resis­tance to this, even if it is a pro­found, irra­tional, demented resis­tance, it would not have tapped into this mas­sive energy if it hadn’t been a resis­tance to some­thing much worse. Fas­cism’s cru­elty, its terror is on the level of this other terror that is the con­fu­sion of the real and the ratio­nal, which deep­ened in the West, and it is a response to that.

  63. +
  64. 11. The inci­dent at the nuclear reac­tor on Three Mile Island, which will shortly follow the release of the film.

  65. +
  66. 12. Still some­thing else anni­hi­lates the cul­tural project of Beaubourg: the masses them­selves also flood in to take plea­sure in it (we will return to this later).

  67. +
  68. 13. In rela­tion to this crit­i­cal mass, and to its rad­i­cal under­stand­ing of Beaubourg, how derisory seems the demon­stra­tion of the stu­dents from Vin­cennes the evening of its inau­gu­ra­tion!

  69. +
  70. 14. Here we have not spoken of infor­ma­tion except in the social reg­is­ter of com­mu­ni­ca­tion. But it would be enthralling to con­sider this hypoth­e­sis even within the param­e­ters of cyber­netic infor­ma­tion theory. There also, the fun­da­men­tal thesis calls for this infor­ma­tion to be syn­ony­mous with negen­tropy with the resis­tance to entropy, with an excess of mean­ing and orga­ni­za­tion. But it would be useful to posit the oppo­site hypoth­e­sis: INFOR­MA­TION = ENTROPY. For exam­ple: the infor­ma­tion or knowl­edge that can be obtained about a system or an event is already a form of the neu­tral­iza­tion and entropy of this system (to be extended to sci­ence in gen­eral, and to the social sci­ences and human­i­ties in par­tic­u­lar). Infor­ma­tion in which an event is reflected or broad­cast is already a degrad­ed­form of this event. Do not hes­i­tate to ana­lyze the media’s inter­ven­tion in May 1968 in these terms. The exten­sion of the stu­dent action per­mit­ted the gen­eral strike, but the latter was pre­cisely a black box that neu­tral­ized the orig­i­nal vir­u­lence of the move­ment. Ampli­fi­ca­tion was itself a mortal trap and not a pos­i­tive exten­sion. One should be wary of the uni­ver­sal­iza­tion of strug­gles through infor­ma­tion. One should be wary of sol­i­dar­ity cam­paigns at every level, of this simul­ta­ne­ously elec­tronic and worldly sol­i­dar­ity. Every strat­egy of the uni­ver­sal­iza­tion of dif­fer­ences is an entropic strat­egy of the system.

  71. +
  72. 15. Parly 2 is a mall that was built in the 1970s on the out­skirts of Paris.—Trans.

  73. +
  74. 16. The RER is a high-speed, under­ground com­muter train.—Trans.

  75. +
  76. 17. Cf. D. Rorvik, A son image: La copie d’un homme (In his image: The copy of a man) (Paris: Gras­set, 1978).

  77. +
  78. 18. J. G. Bal­lard, Crash (New York: Farrar, Straus and Giroux, 1973).

  79. +
  80. 19. This intro­duc­tion first appeared in the French edi­tion pub­lished in Paris by Cla­mann-Lévy in 1974.—Trans.

  81. +
  82. 20. 1. Thus, in Texas, four hun­dred men and one hun­dred women exper­i­ment with the sweet­est pen­i­ten­tiary in the world. A child was born there last June and there were only three escapes in two years. The men and women take their meals together and get together out­side of group ther­apy ses­sions. Each pris­oner pos­sesses the only key to his indi­vid­ual room. Cou­ples are able to be alone in the empty rooms. To this day, thirty-five pris­on­ers have escaped, but for the most part they have returned of their own accord.

  83. +
  84. 21. In French, bêtes de somme means beasts of burden. Bau­drillard plays with the word somme in the phrase that fol­lows: “Bêtes de som­ma­tion, elles sont som­mées de répon­dre a l’inter­roga­toire de la sci­ence,” and in the use of the word con­som­ma­tion in the fol­low­ing phrase.—Trans.

  85. +
  86. 22. That ani­mals wander is a myth, and the cur­rent rep­re­sen­ta­tion of the uncon­scious and of desire as erratic and nomadic belongs to the same “order. Ani­mals have never wan­dered, were never deter­ri­to­ri­al­ized. A whole lib­er­a­tory phan­tas­mago­ria is drawn in oppo­si­tion to the con­straints of modern soci­ety, a rep­re­sen­ta­tion of nature and of beasts as sav­agery, as the free­dom to”ful­fill all needs," today “of real­iz­ing all his desires” because modern Rousseauism has taken the form of the inde­ter­mi­nacy of drive, of the wan­der­ing of desire and of the nomadism of infini­tude—but it is the same mys­tique of unleashed, non­coded forces with no final­ity other than their own erup­tion.

    Now, free, virgin nature, with­out limits or ter­ri­to­ries, where each wan­ders at will, never existed, except in the imag­i­nary of the dom­i­nant order, of which this nature is the equiv­a­lent mirror. We project (nature, desire, ani­mal­ity, rhi­zome … ) the very schema of deter­ri­to­ri­al­iza­tion that is that of the eco­nomic system and of cap­i­tal as ideal sav­agery. Lib­erty is nowhere but in cap­i­tal, it is what pro­duced it, it is what deep­ens it. There is thus an exact cor­re­la­tion between the social leg­is­la­tion of value (urban, indus­trial, repres­sive, etc.) and the imag­i­nary sav­agery one places in oppo­si­tion to it: they are both “deter­ri­to­ri­al­ized” and in each other’s image. More­over, the rad­i­cal­ity of “desire,” one sees this in cur­rent the­o­ries, increases at the same rate as civ­i­lized abstrac­tion, not at all antag­o­nis­ti­cally, but abso­lutely accord­ing to the same move­ment, that of the same form always more decoded, more decen­tered, “freer,” which simul­ta­ne­ously envelops our real and our imag­i­nary. Nature, lib­erty, desire, etc., do not even express a dream the oppo­site of cap­i­tal, they directly trans­late the progress or the rav­ages of this cul­ture, they even antic­i­pate it, because they dream of total deter­ri­to­ri­al­iza­tion where the system never imposes any­thing but what is rel­a­tive: the demand of “lib­erty” is never any­thing but going fur­ther than the system, but in the same direc­tion.

    -

    Nei­ther the beasts nor the sav­ages know “nature” in our way: they only know ter­ri­to­ries, lim­ited, marked, which are spaces of insur­mount­able rec­i­proc­ity.

  87. -
  88. Thus, Henri Laborit refuses the inter­pre­ta­tion of ter­ri­tory in terms of instinct or pri­vate prop­erty: “One has never brought forth as evi­dence, either in the hypo­thal­a­mus or else­where, either a cel­lu­lar group or neural path­ways that are dif­fer­en­ti­ated in rela­tion to the notion of ter­ri­tory… No ter­ri­to­rial center seems to exist… It is not useful to appeal to a par­tic­u­lar instinct”—but it is useful to do so in order to better return it to a func­tion­al­ity of needs extended to include cul­tural behav­iors, which today is the vul­gate common to eco­nom­ics, psy­chol­ogy, soci­ol­ogy, etc.: “The ter­ri­tory thus becomes the space nec­es­sary to the real­iza­tion of the act of bestow­ing, the vital space… The bubble, the ter­ri­tory thus rep­re­sent the morsel of space in imme­di­ate con­tact with the organ­ism, the one in which it ‘opens’ its ther­mo­dy­namic exchanges in order to main­tain its own struc­ture… With the grow­ing inter­de­pen­dence of human indi­vid­u­als, with the promis­cu­ity that char­ac­ter­izes the great modern cities, the indi­vid­ual bubble has shrunk con­sid­er­ably…” Spa­tial, func­tional, home­o­static con­cep­tion. As if the stake of a group or of a man, even of an animal, were the equi­lib­rium of his bubble and the home­osta­sis of his exchanges, inter­nal and exter­nal!

  89. -
  90. The allu­sion to Peter Schlemihl, the Man Who Lost His Shadow, is not acci­den­tal. Since the shadow, like the image in the mirror (in The Stu­dent from Prague), is a remain­der par excel­lence, some­thing that can “fall” from the body, just like hair, excre­ment, or nail clip­pings to which it “is” com­pared in all archaic magic. But they are also, one knows, “metaphors” of the soul, of breath, of Being, of essence, of what pro­foundly gives mean­ing to the sub­ject. With­out an image or with­out a shadow, the body becomes a trans­par­ent noth­ing, it is itself noth­ing but a remain­der. It is the diaphanous sub­stance that remains once the shadow is gone. There is no more real­ity: it is the shadow that has car­ried all real­ity away with it (thus in The Stu­dent from Prague, the image broken by the mirror brings with it the imme­di­ate death of the hero—clas­sic sequence of fan­tas­tic tales—see also The Shadow by Hans Chris­tian Ander­sen). Thus the body can be noth­ing but the waste prod­uct of its own residue, the fall­out of its own fall­out. Only the order said to be real per­mits priv­i­leg­ing the body as ref­er­ence. But noth­ing in the sym­bolic order per­mits bet­ting on the pri­macy of one or the other (of the body or the shadow). And it is this rever­sion of the shadow onto the body, this fall­out of the essen­tial, by the terms of the essen­tial, under the rubric of the insignif­i­cant, this inces­sant defeat of mean­ing before what remains of it, be they nail clip­pings or the “objet petit a,” that cre­ates the charm, the beauty, and the dis­qui­et­ing strange­ness of these sto­ries.

  91. -
  92. More­over, con­tem­po­rary strikes nat­u­rally take on the same qual­i­ties as work: the same sus­pen­sion, the same weight, the same absence of objec­tives, the same allergy to deci­sions, the same turn­ing round of power, the same mourn­ing of energy, the same unde­fined cir­cu­lar­ity in todays strike as in yes­ter­day’s work, the same sit­u­a­tion in the coun­terin­sti­tu­tion as in the insti­tu­tion: the con­ta­gion grows, the circle is closed—after that it will be nec­es­sary to emerge else­where. Or, rather, the oppo­site: take this impasse itself as the basic sit­u­a­tion, turn the inde­ci­sion and the absence of an objec­tive into an offen­sive sit­u­a­tion, a strat­egy. In search­ing at any price to wrench one­self from this mortal sit­u­a­tion, from this mental anorexia of the uni­ver­sity, the stu­dents do noth­ing but breathe energy again into an insti­tu­tion long since in a coma; it is forced sur­vival, it is the medicine of des­per­a­tion that is prac­ticed today on both insti­tu­tions and indi­vid­u­als, and that every­where is the sign of the same inca­pac­ity to con­front death. “One must push what is col­laps­ing,” said Niet­zsche.

  93. -
  94. There are cul­tures that have no imag­i­nary except of their origin and have no imag­i­nary of their end. There are those that are obsessed by both… Two other types of fig­ures are pos­si­ble… Having no imag­i­nary except of the end (our cul­ture, nihilis­tic). No longer having any imag­i­nary, nei­ther of the origin nor of the end (that which is coming, aleatory).

  95. -
  96. Cf. Niet­zsche’s use of the word “ressen­ti­ment” through­out Thus Spoke Zar­al­hus­tra.—Trans.

  97. +

    Nei­ther the beasts nor the sav­ages know “nature” in our way: they only know ter­ri­to­ries, lim­ited, marked, which are spaces of insur­mount­able rec­i­proc­ity.

    +
  98. 23. Thus, Henri Laborit refuses the inter­pre­ta­tion of ter­ri­tory in terms of instinct or pri­vate prop­erty: “One has never brought forth as evi­dence, either in the hypo­thal­a­mus or else­where, either a cel­lu­lar group or neural path­ways that are dif­fer­en­ti­ated in rela­tion to the notion of ter­ri­tory… No ter­ri­to­rial center seems to exist… It is not useful to appeal to a par­tic­u­lar instinct”—but it is useful to do so in order to better return it to a func­tion­al­ity of needs extended to include cul­tural behav­iors, which today is the vul­gate common to eco­nom­ics, psy­chol­ogy, soci­ol­ogy, etc.: “The ter­ri­tory thus becomes the space nec­es­sary to the real­iza­tion of the act of bestow­ing, the vital space… The bubble, the ter­ri­tory thus rep­re­sent the morsel of space in imme­di­ate con­tact with the organ­ism, the one in which it ‘opens’ its ther­mo­dy­namic exchanges in order to main­tain its own struc­ture… With the grow­ing inter­de­pen­dence of human indi­vid­u­als, with the promis­cu­ity that char­ac­ter­izes the great modern cities, the indi­vid­ual bubble has shrunk con­sid­er­ably…” Spa­tial, func­tional, home­o­static con­cep­tion. As if the stake of a group or of a man, even of an animal, were the equi­lib­rium of his bubble and the home­osta­sis of his exchanges, inter­nal and exter­nal!

  99. +
  100. 24. The allu­sion to Peter Schlemihl, the Man Who Lost His Shadow, is not acci­den­tal. Since the shadow, like the image in the mirror (in The Stu­dent from Prague), is a remain­der par excel­lence, some­thing that can “fall” from the body, just like hair, excre­ment, or nail clip­pings to which it “is” com­pared in all archaic magic. But they are also, one knows, “metaphors” of the soul, of breath, of Being, of essence, of what pro­foundly gives mean­ing to the sub­ject. With­out an image or with­out a shadow, the body becomes a trans­par­ent noth­ing, it is itself noth­ing but a remain­der. It is the diaphanous sub­stance that remains once the shadow is gone. There is no more real­ity: it is the shadow that has car­ried all real­ity away with it (thus in The Stu­dent from Prague, the image broken by the mirror brings with it the imme­di­ate death of the hero—clas­sic sequence of fan­tas­tic tales—see also The Shadow by Hans Chris­tian Ander­sen). Thus the body can be noth­ing but the waste prod­uct of its own residue, the fall­out of its own fall­out. Only the order said to be real per­mits priv­i­leg­ing the body as ref­er­ence. But noth­ing in the sym­bolic order per­mits bet­ting on the pri­macy of one or the other (of the body or the shadow). And it is this rever­sion of the shadow onto the body, this fall­out of the essen­tial, by the terms of the essen­tial, under the rubric of the insignif­i­cant, this inces­sant defeat of mean­ing before what remains of it, be they nail clip­pings or the “objet petit a,” that cre­ates the charm, the beauty, and the dis­qui­et­ing strange­ness of these sto­ries.

  101. +
  102. 25. More­over, con­tem­po­rary strikes nat­u­rally take on the same qual­i­ties as work: the same sus­pen­sion, the same weight, the same absence of objec­tives, the same allergy to deci­sions, the same turn­ing round of power, the same mourn­ing of energy, the same unde­fined cir­cu­lar­ity in todays strike as in yes­ter­day’s work, the same sit­u­a­tion in the coun­terin­sti­tu­tion as in the insti­tu­tion: the con­ta­gion grows, the circle is closed—after that it will be nec­es­sary to emerge else­where. Or, rather, the oppo­site: take this impasse itself as the basic sit­u­a­tion, turn the inde­ci­sion and the absence of an objec­tive into an offen­sive sit­u­a­tion, a strat­egy. In search­ing at any price to wrench one­self from this mortal sit­u­a­tion, from this mental anorexia of the uni­ver­sity, the stu­dents do noth­ing but breathe energy again into an insti­tu­tion long since in a coma; it is forced sur­vival, it is the medicine of des­per­a­tion that is prac­ticed today on both insti­tu­tions and indi­vid­u­als, and that every­where is the sign of the same inca­pac­ity to con­front death. “One must push what is col­laps­ing,” said Niet­zsche.

  103. +
  104. 26. There are cul­tures that have no imag­i­nary except of their origin and have no imag­i­nary of their end. There are those that are obsessed by both… Two other types of fig­ures are pos­si­ble… Having no imag­i­nary except of the end (our cul­ture, nihilis­tic). No longer having any imag­i­nary, nei­ther of the origin nor of the end (that which is coming, aleatory).

  105. +
  106. 27. Cf. Niet­zsche’s use of the word “ressen­ti­ment” through­out Thus Spoke Zar­al­hus­tra.—Trans.

diff --git a/nix-shell.sh b/nix-shell.sh index e621baa..d58af15 100755 --- a/nix-shell.sh +++ b/nix-shell.sh @@ -1,2 +1,2 @@ #!/bin/sh -nix-shell -p pkgs.{pandoc,gnumake,entr} 'pkgs.python3.withPackages (pkgs: with pkgs; [pandocfilters pyphen])' +nix-shell -p pkgs.{gnumake,entr} 'pkgs.python3.withPackages (pkgs: with pkgs; [pandocfilters pyphen])' diff --git a/styles/epub.css b/styles/epub.css index 952be5b..946eba3 100644 --- a/styles/epub.css +++ b/styles/epub.css @@ -4,7 +4,7 @@ .initial-up { margin: -1.4rem 0; } -.footnote-ref +sup { font-size: 0.7rem; - vertical-align: text-top; + vertical-align: top; line-height: 0.7rem; } diff --git a/styles/index.css b/styles/index.css index 2fcf2f9..0bc6bae 100644 --- a/styles/index.css +++ b/styles/index.css @@ -132,13 +132,14 @@ span.nothing { margin-right: 4rem; } .footnotes ol -{ padding-left: 3rem; } +{ padding-left: 3rem; + list-style: none; } .footnotes p { margin-left: -3rem; } .footnotes p:first-child -{ text-indent: 3rem; } +{ text-indent: 2rem; } blockquote { margin: 1rem; }