From 71b89f6fb705a85e257463d2a084d5d58fa2c9c1 Mon Sep 17 00:00:00 2001 From: Daniel_Stoxreiter Date: Fri, 19 Jan 2024 09:24:16 +0100 Subject: [PATCH] adding custom lang option; creating handle exception; making file_format a binding option; some minor changed --- data/amp-transcript__0001.xml | 105 +- data/amp-transcript__0002.xml | 119 +- data/amp-transcript__0003.xml | 135 +- data/amp-transcript__0004.xml | 191 +- data/amp-transcript__0005.xml | 106 +- data/amp-transcript__0006.xml | 127 +- data/amp-transcript__0007.xml | 93 +- data/amp-transcript__0008.xml | 121 +- data/amp-transcript__0009.xml | 77 +- data/amp-transcript__0010.xml | 67 +- data/amp-transcript__0011.xml | 85 +- data/amp-transcript__0012.xml | 71 +- data/amp-transcript__0013.xml | 86 +- data/amp-transcript__0014.xml | 81 +- data/amp-transcript__0015.xml | 129 +- data/amp-transcript__0016.xml | 132 +- data/amp-transcript__0017.xml | 127 +- data/amp-transcript__0018.xml | 338 +- data/amp-transcript__0019.xml | 89 +- data/amp-transcript__0020.xml | 87 +- data/amp-transcript__0021.xml | 94 +- data/amp-transcript__0022.xml | 98 +- data/amp-transcript__0023.xml | 97 +- data/amp-transcript__0024.xml | 116 +- data/amp-transcript__0025.xml | 87 +- data/amp-transcript__0026.xml | 59 +- data/amp-transcript__0027.xml | 464 +- data/amp-transcript__0028.xml | 736 +- data/amp-transcript__0029.xml | 119 +- data/amp-transcript__0030.xml | 83 +- data/amp-transcript__0031.xml | 123 +- data/amp-transcript__0032.xml | 104 +- data/amp-transcript__0033.xml | 197 +- data/amp-transcript__0034.xml | 115 +- data/amp-transcript__0035.xml | 58 +- data/amp-transcript__0036.xml | 65 +- data/amp-transcript__0037.xml | 302 +- data/amp-transcript__0038.xml | 660 +- data/amp-transcript__0039.xml | 519 +- data/amp-transcript__0040.xml | 662 +- data/amp-transcript__0041.xml | 141 +- data/amp-transcript__0042.xml | 419 +- data/amp-transcript__0043.xml | 393 +- data/amp-transcript__0044.xml | 86 +- data/amp-transcript__0045.xml | 81 +- data/amp-transcript__0046.xml | 136 +- data/amp-transcript__0047.xml | 98 +- data/amp-transcript__0048.xml | 50 +- data/amp-transcript__0049.xml | 57 +- data/amp-transcript__0050.xml | 78 +- data/amp-transcript__0051.xml | 160 +- data/amp-transcript__0052.xml | 216 +- data/amp-transcript__0053.xml | 355 +- data/amp-transcript__0054.xml | 152 +- data/amp-transcript__0055.xml | 47 +- data/amp-transcript__0056.xml | 300 +- data/amp-transcript__0057.xml | 73 +- data/amp-transcript__0058.xml | 76 +- data/amp-transcript__0059.xml | 73 +- data/amp-transcript__0060.xml | 287 +- data/amp-transcript__0061.xml | 347 +- data/amp-transcript__0062.xml | 2056 +- data/amp-transcript__0063.xml | 353 +- data/amp-transcript__0064.xml | 220 +- data/amp-transcript__0065.xml | 232 +- data/amp-transcript__0066.xml | 239 +- data/amp-transcript__0067.xml | 235 +- data/amp-transcript__0068.xml | 219 +- data/amp-transcript__0069.xml | 228 +- data/amp-transcript__0070.xml | 81 +- data/amp-transcript__0071.xml | 60 +- data/amp-transcript__0072.xml | 236 +- data/amp-transcript__0073.xml | 279 +- data/amp-transcript__0074.xml | 295 +- data/amp-transcript__0075.xml | 228 +- json_dumps/Organizations.json | 18 +- json_dumps/Organizations_denormalized.json | 2 +- json_dumps/Persons.json | 60 + json_dumps/Persons_denormalized.json | 2 +- json_dumps/Places.json | 59 +- json_dumps/Places_denormalized.json | 2 +- json_dumps/Project.json | 393 +- json_dumps/Project_denormalized.json | 2 +- rdf/arche.ttl | 29123 ++++--------------- scripts/arche_constants.py | 158 +- scripts/baserow_dump.py | 2 +- scripts/config.py | 28 +- 87 files changed, 16593 insertions(+), 28966 deletions(-) diff --git a/data/amp-transcript__0001.xml b/data/amp-transcript__0001.xml index b5ca526..6abe719 100644 --- a/data/amp-transcript__0001.xml +++ b/data/amp-transcript__0001.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1963-05-12 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,15 +33,21 @@ According to the online archive of the Austrian Society for Literature (https://www.ogl.at/programm/aktuelles-programm/archiv/1963/5), Auden participated in the Internationales Kassner-Symposium (International Rudolf Kassner Symposium), which opened on Sunday, 12 May 1963. Auden gave a talk on "Begegnung mit dem Werk Rudolf Kassners" ("Encounter with the Work of Rudolf Kassner") on Friday, 17 May 1963. - - + + Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -54,7 +65,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C306-F + https://hdl.handle.net/21.11115/0000-000E-C306-F +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -71,7 +83,8 @@ for any purpose, even commercially.

- 1963-05-12 + 1963-05-12 Hinterholz 6 @@ -89,7 +102,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1963-05-13T11:00:01+01:00/1963-05-13T12:00:00+01:00 + 1963-05-13T11:00:01+01:00/1963-05-13T12:00:00+01:00 Neulinggasse 26 @@ -101,8 +115,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1962-10-17 - Autograph Letter Signed W. H. Auden to Stella Musulin 1964-12-23 + Autograph Letter Signed W. H. Auden to Stella Musulin 1962-10-17 + Autograph Letter Signed W. H. Auden to Stella Musulin 1964-12-23 @@ -136,14 +154,22 @@ for any purpose, even commercially.

- Chester in Florence. + + + Chester in Florence + . + Die Baronin - Stella Meussulin + Stella Meussulin +
- Wien III - Neulinggasse 26 -
+ + Wien III + + Neulinggasse 26 + +
@@ -154,16 +180,18 @@ for any purpose, even commercially.

 - - W.H.Auden, - -
- KIRCHSTETTEN (WESTBAHN) + + W.H.Auden + , + + +
+ KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 N.-Ö., AUSTRIA -
- - +
+ +
@@ -176,7 +204,7 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
@@ -184,11 +212,18 @@ for any purpose, even commercially.

Dear Stella:

- Delighted to hear you are zu Haus. + Delighted to hear you are + zu Haus + . No, I didnt get any letter from you. Perhaps - it is in the .U.S., I shall be in Vienna this - coming week on Monday, Thur Wednesday and Friday. - Will try to call you to-morrow to arrange + it is in the . + U.S. + , + I shall be in Vienna this + coming week on Monday, Thur + Wednesday and Friday. + Will try to call you to-morrow + to arrange a meeting.

@@ -197,7 +232,9 @@ for any purpose, even commercially.

love - Wystan + + Wystan +
@@ -205,4 +242,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0002.xml b/data/amp-transcript__0002.xml index 4d3a3c2..c71a6ee 100644 --- a/data/amp-transcript__0002.xml +++ b/data/amp-transcript__0002.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1964-12-23 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,15 +33,21 @@ In her memoirs ("Auden in Kirchstetten" 210, "The Years in Austria" 14), Stella Musulin refers to her own previous letter to Berlin, in which she had mentioned Brian Bunting's non-fiction book The Rise of the South African Reich in relation to the issue of torture. - - + + Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -54,7 +65,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C307-E + https://hdl.handle.net/21.11115/0000-000E-C307-E +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -71,7 +83,8 @@ for any purpose, even commercially.

- 1964-12-23 + 1964-12-23 Hubertusbader Straße 43 @@ -89,16 +102,19 @@ for any purpose, even commercially.

Postamt Berlin 33 (post office Berlin 33) Berlin - 1964-12-23T14:00:01+01:00/1964-12-23T15:00:00+01:00 + 1964-12-23T14:00:01+01:00/1964-12-23T15:00:00+01:00 - Postamt Ober-Grafendorf (post office Ober-Grafendorf) + Postamt Ober-Grafendorf (post office Ober-Grafendorf) + Ober-Grafendorf - 1964-12-28T17:00:01+01:00/1964-12-28T18:00:00+01:00 + 1964-12-28T17:00:01+01:00/1964-12-28T18:00:00+01:00 Musulin, Elsa von - Fridau + Fridau Musulin, Stella @@ -107,8 +123,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1963-05-12 - Typed Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-03-15 + Autograph Letter Signed W. H. Auden to Stella Musulin 1963-05-12 + Typed Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-03-15 @@ -141,7 +161,7 @@ for any purpose, even commercially.

- + mit Luft Post @@ -150,12 +170,19 @@ for any purpose, even commercially.

Die Baronin - Stella Musulin + Stella Musulin +
- Fridau - Obergrafendorf - bei. S. Pölten - NÖ + + Fridau + + Obergrafendorf + + bei. S. Pölten + + NÖ + + Osterreich
@@ -165,18 +192,20 @@ for any purpose, even commercially.

Neulinggasse 26/14 - + - W H Auden + W H Auden +
Berlin-Dahlem Hubertusbaderstrasse 43 - Deutschland· + Deutschland· +
- +
@@ -194,15 +223,27 @@ for any purpose, even commercially.

It was sweet of you to think of me at Christmas ,especially since it's a little einsam here. Am beginning to know some local inhabitants. Oddly enough, - the ones I can talk to most easily ar from Ost-Berlin, + the ones I can talk to most easily ar from + + Ost-Berlin + + , + The most awful thing about the Bifkes is that - they are so much nicer under a little Druck. + they are so much nicer under a little + Druck + . When they feel their oats they are so apt to become uppish.

- If I'd known,I'd have warned you about The - National Review. I once reviewed a Charles Williams + If I'd known,I'd have warned you about + + The + + National Review + . I once reviewed a Charles Williams + book for them - never again. Of course you're right about the lib-labs ostrich attitude to those who wish to destroy them, but one cannot let one's name @@ -211,19 +252,25 @@ for any purpose, even commercially.

Torture is the iniquity which utterly bewilders me. I know something about the evil in my own heart and - in the sort of people I knowmeet, but I cannot conceive of myself + + + + in the sort of people I knowmeet, but I cannot conceive of myself or them torturing anybody. Where do the torturers come from? What class? Whom do they marry? - Have you ever met one? To what pubs do they go? + Have you ever met one? + To what pubs do they go?

much love and best wishes for 1965 - Wystan + + Wystan +
- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0003.xml b/data/amp-transcript__0003.xml index 1cc1241..5e7440e 100644 --- a/data/amp-transcript__0003.xml +++ b/data/amp-transcript__0003.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1965-09-29 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -27,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -46,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C308-D + https://hdl.handle.net/21.11115/0000-000E-C308-D +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -63,7 +76,8 @@ for any purpose, even commercially.

- 1965-09-29 + 1965-09-29 Hinterholz 6 @@ -81,12 +95,14 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1965-09-29T17:00:01+01:00/1965-09-29T18:00:00+01:00 + 1965-09-29T17:00:01+01:00/1965-09-29T18:00:00+01:00 Hauptpostamt 1030 (main post office 1030) Vienna - 1965-09-30T05:00:01+01:00/1965-09-30T06:00:00+01:00 + 1965-09-30T05:00:01+01:00/1965-09-30T06:00:00+01:00 Musulin, Stella @@ -95,8 +111,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-04-28 and with Typescript W. H. Auden Translation "Joseph Weinheber" - Typed Letter Signed W. H. Auden to Stella Musulin 1966-02-03 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-04-28 and with Typescript W. H. Auden Translation "Joseph Weinheber" + Typed Letter Signed W. H. Auden to Stella Musulin 1966-02-03 @@ -129,38 +149,47 @@ for any purpose, even commercially.

- + Eil-Post - Die Baronin - Stella Musulin + + Die Baronin + Stella Musulin +
Wien III Neulinggasse 26 .
- + - W. H. AUDEN -
+ W. H. AUDEN + +
KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA -
+ + N.-Ö., AUSTRIA + +
1· Buch Neulinggasse - 26/14 + 26/14 + 27.9. beigefügter Brief - schlamperte Post + schlamperte Post + feste Adresse - aus München am - 4:5:6: nicht + aus München am + + 4:5:6: + nicht da @@ -168,10 +197,10 @@ for any purpose, even commercially.

 26/ - +
- +
@@ -181,51 +210,53 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
- - - - W. H. AUDEN - - - + + + + W. H. AUDEN + + + Dear Stella: - -

+ +

Many thanks for your letter. Shall be delighted to see you both anyday any time. I can't get to Vienna this week. Will you be there next Tuesday? I have to go to a reception at - Amerika Haus 6-8. If you were free,it + Amerika Haus 6-8. If you were free,it would be fun to have dinner to-gether. I certainly shan't stay at the do after 7·30.

-

+

I agree about the cutting. Will keep it till you come or bring it with me next week.

- - + + love - - Wystan - - - -

+ + Wystan + + + +

P.S. The N.D.R arrived. Translation quite good, - but why turn bars into Theke? + but why turn bars into + Theke + ?

- -
- -
+ +
+ + - \ No newline at end of file + diff --git a/data/amp-transcript__0004.xml b/data/amp-transcript__0004.xml index b173d39..c02c23b 100644 --- a/data/amp-transcript__0004.xml +++ b/data/amp-transcript__0004.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Letter Signed W. H. Auden to Stella Musulin 1966-02-03 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -29,22 +35,30 @@ In his W. H. Auden: A Biography, Humphrey Carpenter reports that "[i]n about 1968 Auden began to look round for another composer with whom to write an opera" (428). Peter Heyworth arranged a meeting with composer Harrison Birtwistle, but nothing came of the intended collaboration. In a 2014 interview, Birtwistle recalls that "[h]e was once approached by WH Auden, who wanted to write an operatic version of Love's Labour's Lost with him", but refused. Auden and Kallman eventually realized the project in collaboration with Nicolas Nabokov. - + + + - - + + Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -62,7 +76,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C309-C + https://hdl.handle.net/21.11115/0000-000E-C309-C +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -79,7 +94,8 @@ for any purpose, even commercially.

- 1966-02-03 + 1966-02-03 77 St. Mark's Place @@ -97,7 +113,8 @@ for any purpose, even commercially.

United States General Post Office New York City - 1966-02-03T12:00:00-05:00/1966-02-03T23:59:59-05:00 + 1966-02-03T12:00:00-05:00/1966-02-03T23:59:59-05:00 Musulin, Stella @@ -106,8 +123,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1965-09-29 - Autograph Letter Signed W. H. Auden to Stella Musulin 1967-11-08 + Autograph Letter Signed W. H. Auden to Stella Musulin 1965-09-29 + Autograph Letter Signed W. H. Auden to Stella Musulin 1967-11-08 @@ -140,9 +161,10 @@ for any purpose, even commercially.

- + - W.H.Auden + W.H.Auden +
77 St Mark's Place New York City 3 @@ -155,96 +177,107 @@ for any purpose, even commercially.

Die Baronin - Stella Musulin + Stella Musulin +
- Fridau - 32oOO Obergrafendorf - N.Ö. - Austria + + Fridau + 32oOO Obergrafendorf + N.Ö. + + Austria +
- +
- +
- - - -
- 77 St Mark's Place + + + +
+ 77 St Mark's Place New York City 3 New York IOOO3 -
- - +
+ + Feb 3rd,I9656 - - - Dear Stella: + + + Dear Stella: - -

- Many thanks for your nice long letter. Stephen has a genius for - subtle misrepresentation. "Serious insistence on unseriousness' - telescopes two cnvictuonsdistinct convictions of mine,falsifying both. + +

+ Many thanks for your nice long letter. Stephen has a genius for + subtle misrepresentation. "Serious insistence on unseriousness' + telescopes two cnvictuonsdistinct convictions of mine,falsifying both.

-

- - I) I believe it to be a serious moral error when an artist overestimates - the importance of art and,by implication,of himself. One must admit - that the plotical political history of Euriope,with all itsthe same horrors, - would be what it has been,if Dante,Shakespeare,Goethe,Titian, - Moxzart,et al,had never existed. +

+ + I) I believe it to be a serious moral error when an artist overestimates + the importance of art and,by implication,of himself. One must admit + that the plotical political history of Euriope,with all itsthe same horrors, + would be what it has been,if Dante,Shakespeare,Goethe,Titian, + + Moxzart,et al,had never existed. - - 2) I believe that the only way in which,to-day at any rate,one can - speak seroiu s eriously seriously about serious matters(the alternaticve - is silence) is comically. I am surprised to hear from you that - Jews find this hard to accept. I have enormously admired - and been - influenced by - the tradition of Jewish humor. More than any other - people,surely,they have seen in serious matters,that is to say,human - suffering,and the contradictions of human existence,and the relation - between man and God,occasions for humorous expression. + + 2) I believe that the only way in which,to-day at any rate,one can + speak seroiu + s eriously + seriously about serious matters(the alternaticve + is silence) is comically. I am surprised to hear from you that + Jews find this hard to accept. I have enormously admired - and been + influenced by - the tradition of Jewish humor. More than any other + people,surely,they have seen in serious matters,that is to say,human + suffering,and the contradictions of human existence,and the relation + between man and God,occasions for humorous expression. - - e.g,: "If the rich could hire other people to die for them,the poor - couold make a wonderful living", or "Truth rests with God alone,and - a little bit with me",or "God will provide - ah,if only He wouold till - He does so." + + e.g,: "If the rich could hire other people to die for them,the poor + couold make a wonderful living", or "Truth rests with God alone,and + a little bit with me",or "God will provide - ah,if only He wouold till + He does so." - -

-

- So! you encountered the one-whose-name-we-never-mention. Why Chestrer should - have been so foolish as to invite him to a pearty,I cannot imagine. If he + +

+

+ So! you encountered the one-whose-name-we-never-mention. Why Chestrer should + have been so foolish as to invite him to a pearty,I cannot imagine. If he is to be seen at all,he jymust be seen alone. Incidentally,next time you see - Chester,scold him a) for not writing to me b) for not answering Harrison's + Chester,scold him a) for not writing to me b) for not answering + Harrison's cable.

-

- All well here.except for a leaking kitvchen roof. No doubt you read about +

+ All well here.except for a leaking kitvchen roof. No doubt you read about our Black-Out and Transit Strike.(My typewriter is on the blink,hence the - hiatuses.) A firen friend of mine who teaches schyzophrenics,has a seventeen + hiatuses.) A firen + friend of mine who teaches schyzophrenics,has a seventeen year old girl who is interested in poetry. Asked what poets she liked,she mentioned me. "iI happen to know him quite well",said my friend. To which the girl in astonishment:"You mean to say,he's still alive!".

-

- Expect to get back to Kirchstetten about April 20th. +

+ Expect to get back to Kirchstetten about April 20th.

- - much love and greetings to son and mum-in-law - - Wystan. + + + much love and greetings to son and mum-in-law + + + Wystan. - -
- + +
+
- \ No newline at end of file + diff --git a/data/amp-transcript__0005.xml b/data/amp-transcript__0005.xml index 2a2fc11..dd0db90 100644 --- a/data/amp-transcript__0005.xml +++ b/data/amp-transcript__0005.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1967-11-08 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -27,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -46,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30A-B + https://hdl.handle.net/21.11115/0000-000E-C30A-B +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -63,7 +76,8 @@ for any purpose, even commercially.

- 1967-11-08 + 1967-11-08 77 St. Mark's Place @@ -81,7 +95,8 @@ for any purpose, even commercially.

United States General Post Office New York City - 1967-11-09T00:00:00-05:00/1967-11-09T11:59:59-05:00 + 1967-11-09T00:00:00-05:00/1967-11-09T11:59:59-05:00 Musulin, Stella @@ -90,8 +105,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Typed Letter Signed W. H. Auden to Stella Musulin 1966-02-03 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-02-06 + Typed Letter Signed W. H. Auden to Stella Musulin 1966-02-03 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-02-06 @@ -124,9 +143,10 @@ for any purpose, even commercially.

- + - W.H.Auden + W.H.Auden +
77 St Mark's Place New York City @@ -138,21 +158,26 @@ for any purpose, even commercially.

Air-Mail - Death ofEmma Eiermann . + Death ofEmma Eiermann + . Die Baronin - Stella Musulin + Stella Musulin +
Wien III - Neulingasse 26 - Austria + + + Neulingasse 26 + Austria +
- +
- +
@@ -169,40 +194,47 @@ for any purpose, even commercially.

Dear Stella. -

- A disaster has happened. Frau Eiermann +

+ A disaster has happened. + + Frau Eiermann + died of a heart-attack on Nov 4th. (Hav just heard this from my lawyer.). -

-

+

+

A minor worry connected with this is what is happening to her cats and ours. I suppose they will probably have to be destroyed.

-

- Next time you are travelling between Fridau - and Wien , could you be a dear and stop +

+ Next time you are travelling between Fridau + + and + Wien + , could you be a dear and stop in Kirchstetten to see what is happening. Incedentally, in case you should need it my lawyers - name and address is Dr Walter Redlich. Wien I. + name and address is Dr Walter Redlich. + Wien I. Wipplingerstrasse, 24-26.

-

- Canterbury was quite fun. The Archbishop came +

+ Canterbury was quite fun. The Archbishop came to my first lecture.

- - + + love - - Wystan - - + + Wystan + +
- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0006.xml b/data/amp-transcript__0006.xml index 8756c62..1817697 100644 --- a/data/amp-transcript__0006.xml +++ b/data/amp-transcript__0006.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-02-06 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -29,18 +35,26 @@ The Hotel Wandl is located in Vienna's first district, Petersplatz 9, and has been operating under this name since 1854. - + + + - - + + Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -58,7 +72,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30B-A + https://hdl.handle.net/21.11115/0000-000E-C30B-A +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -75,7 +90,8 @@ for any purpose, even commercially.

- 1968-02-06 + 1968-02-06 77 St. Mark's Place @@ -93,7 +109,8 @@ for any purpose, even commercially.

United States General Post Office New York City - 1968-02-06T12:00:00-05:00/1968-02-06T23:59:59-05:00 + 1968-02-06T12:00:00-05:00/1968-02-06T23:59:59-05:00 Musulin, Stella @@ -102,8 +119,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1967-11-08 - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescripts W. H. Auden "August 1968" and "Elegy" 1968-10-04 + Autograph Letter Signed W. H. Auden to Stella Musulin 1967-11-08 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescripts W. H. Auden "August 1968" and "Elegy" 1968-10-04 @@ -136,9 +157,10 @@ for any purpose, even commercially.

- + - W.H:Auden + W.H:Auden +
77 St Mark's Place New York City @@ -150,8 +172,13 @@ for any purpose, even commercially.

Air-Mail - Die Baronin - Stella Musulin + + Die Baronin + + Stella M + + usulin +
Vienna III 26 Neulingasse @@ -160,24 +187,32 @@ for any purpose, even commercially.

Re arrival interview - Strobl. + Strobl + . - + - 52 6320 + 52 6320 + - Wandl; - Elizabeth . - Austria . + Wandl + ; + + Elizabeth + . + + Austria + .
- +
- Feb 6th, + Feb 6th, +
77 St Mark's Place @@ -189,32 +224,38 @@ for any purpose, even commercially.

Dear Stella. -

+

I shall be arriving in Vienna next Monday morning (12th) and staying till the 16th in order to interview a - prospective couple to take the Eiermanns place. -

-

+ prospective couple + to take the Eiermanns place. +

+

Expect to be staying at the Hotel - Königin von Hungarn . -

-

+ Königin von Hungarn + + + . + +

+

Will phone you. Do hope you are - around· -

- - + around· + +

+ + love - - Wystan - - + + Wystan + +
- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0007.xml b/data/amp-transcript__0007.xml index 45912cd..fef5327 100644 --- a/data/amp-transcript__0007.xml +++ b/data/amp-transcript__0007.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-06 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30C-9 + https://hdl.handle.net/21.11115/0000-000E-C30C-9 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-10-06 + 1968-10-06 Hinterholz 6 @@ -79,13 +93,15 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1968-10-07T16:00:01+01:00/1968-10-07T17:00:00+01:00 + 1968-10-07T16:00:01+01:00/1968-10-07T17:00:00+01:00 Hauptpostamt 1040 (main post office 1040) Vienna - 1968-10-08T06:00:01+01:00/1968-10-08T07:00:00+01:00 - + 1968-10-08T06:00:01+01:00/1968-10-08T07:00:00+01:00 + Hauptpostamt 1040 (main post office 1040) Vienna @@ -93,8 +109,9 @@ for any purpose, even commercially.

Hauptpostamt 1030 (main post office 1030) Vienna - 1968-10-08T10:00:01+01:00/1968-10-08T11:00:00+01:00 - + 1968-10-08T10:00:01+01:00/1968-10-08T11:00:00+01:00 + Musulin, Stella Neulinggasse 26 @@ -102,8 +119,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescripts W. H. Auden "August 1968" and "Elegy" 1968-10-04 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-12 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescripts W. H. Auden "August 1968" and "Elegy" 1968-10-04 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-12 @@ -135,19 +156,22 @@ for any purpose, even commercially.

- + Eil·Brief Die Baronin - Stella Musulin + Stella Musulin +
- 1030 Wien IV + + 1030 Wien IV + Neulingasse 26
- +
KIRCHSTETTEN, BEZ. ST. PÖLTEN @@ -160,7 +184,7 @@ for any purpose, even commercially.

- +
@@ -171,40 +195,41 @@ for any purpose, even commercially.

HINTERHOLZ 6 N.-Ö., AUSTRIA - + Sunday. Dear Stella: -

+

I got your telegram yesterday just before lunch. Tried twice in the afternoon and once this morning to reach you , but umsonst.

-

+

Am off to England to-morrow, so don't see how anything can now be arranged. -

-

+

+

If you think these can, please write me - ℅ Faber and Faber, 24 Russell Square,W.C. I + ℅ Faber and Faber, 24 Russell Square,W.C + . I

-

+

So sorry

- - + + love - - Wystan. + + Wystan. - +
- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0008.xml b/data/amp-transcript__0008.xml index 63658cc..580e02a 100644 --- a/data/amp-transcript__0008.xml +++ b/data/amp-transcript__0008.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-12 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30D-8 + https://hdl.handle.net/21.11115/0000-000E-C30D-8 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-10-12 + 1968-10-12 Oxford @@ -79,12 +93,14 @@ for any purpose, even commercially.

Post office Oxford Oxford - 1968-10-12T13:00:01+00:00/1968-10-12T13:29:59+00:00 + 1968-10-12T13:00:01+00:00/1968-10-12T13:29:59+00:00 Hauptpostamt 1040 (main post office 1040) Vienna - 1968-10-16T11:00:01+01:00/1968-10-16T12:00:00+01:00 + 1968-10-16T11:00:01+01:00/1968-10-16T12:00:00+01:00 Hauptpostamt 1040 (main post office 1040) @@ -97,8 +113,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-06 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-15 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-06 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-15 @@ -130,36 +150,45 @@ for any purpose, even commercially.

- + Air-Mail - Left US driving - licence behind · + + Left US driving + licence behind + + · Die Baroninin - Stella Musulin + Stella Musulin +
- Vi Wien IVII + + Vi Wien IVII Neulinggasse 26 Austria
- + - WH_Auden - ℅ Heyworth + WH_Auden + + ℅ Heyworth +
32 Bryanston Square - London. N., W.I + London. + N., + W.I England
- +
@@ -171,38 +200,48 @@ for any purpose, even commercially.

Oct 12 th - Dear Stella. + Dear Stella + . + -

- Like an idiot, Ive gone and - left my American Driving Licence - behind. +

+ Like an idiot, Ive + + gone and + left my American Dr + + iving Licence + behind.

-

+

It should be in an envelope in the drawer of my bed-table upstairs.

-

+

Could you be an angel and look for - it next time you are going to Fridau + it next time you are going to Fridau + and air-mail to me

-

- ℅ Mr Peter Heyworth - 32 Bryanston Square +

+ ℅ Mr Peter Heyworth + + 32 Bryanston Square London . W .I . -

-

+

+

So sorry to be such a nuisance.

- - love - Wystan - + + love + + Wystan + +
- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0009.xml b/data/amp-transcript__0009.xml index cf81431..e5e3cfd 100644 --- a/data/amp-transcript__0009.xml +++ b/data/amp-transcript__0009.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-15 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30E-7 + https://hdl.handle.net/21.11115/0000-000E-C30E-7 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-10-15 + 1968-10-15 32 Bryanston Square @@ -79,7 +93,8 @@ for any purpose, even commercially.

London Western District Office London - 1968-10-15T13:15:01+01:00/1968-10-15T13:44:59+01:00 + 1968-10-15T13:15:01+01:00/1968-10-15T13:44:59+01:00 Vienna @@ -91,8 +106,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-12 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-24 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-12 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-24 @@ -124,10 +143,12 @@ for any purpose, even commercially.

- + - W.H.Auden - ℅ Heyworth + W.H.Auden + + ℅ Heyworth +
32 Bryanston Square London. W.I. @@ -135,11 +156,15 @@ for any purpose, even commercially.

 - Air-Mail + + + Air-Mail + Die Baronin - Stella Musulin + Stella Musulin +
Wien IVIII Neulinggasse 26 @@ -149,17 +174,18 @@ for any purpose, even commercially.

Re Czech refugees . - +
- +
- ℅ Heyworth + ℅ Heyworth + 32 BRYANSTON SQUARE LONDON W1 · AMBASSADOR 8906
@@ -180,7 +206,8 @@ for any purpose, even commercially.

1) I think I ought to take the couple in , but I must leave it to you to decide whether - they are O.K. If they are , all rooms, including + they are O.K. If they are , all rooms, including + my study ( which can't be heated are open to them. @@ -196,7 +223,8 @@ for any purpose, even commercially.

Wien VII Karl Schweighofgasse 4/21 - + + Tel. 93/88/155. @@ -208,7 +236,8 @@ for any purpose, even commercially.

4) I'm worried about how they will get gas-cylinders for cooking from Neulengbach ,since, presumably . they - have no car. I expect someone in the village + have no car. I expect someone in the village + will help. @@ -230,9 +259,9 @@ for any purpose, even commercially.

- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0010.xml b/data/amp-transcript__0010.xml index 98520b6..c849fce 100644 --- a/data/amp-transcript__0010.xml +++ b/data/amp-transcript__0010.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-11-06 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30F-6 + https://hdl.handle.net/21.11115/0000-000E-C30F-6 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-11-06 + 1968-11-06 77 St. Mark's Place @@ -79,7 +93,8 @@ for any purpose, even commercially.

United States General Post Office New York City - 1968-11-06T12:00:00-05:00/1968-11-06T23:59:59-05:00 + 1968-11-06T12:00:00-05:00/1968-11-06T23:59:59-05:00 Musulin, Stella @@ -88,8 +103,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-24 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-13 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-24 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-13 @@ -121,14 +140,16 @@ for any purpose, even commercially.

- + - WH Auden + WH Auden +
77 St Mark's Place New York City N.Y. 10003 - U.S.A. + U.S.A. +
@@ -136,17 +157,18 @@ for any purpose, even commercially.

 Die Baronin - Stella Musulin + Stella Musulin +
Wien A-1030 Neulinggasse 26/14 Austria
- +
- +
@@ -167,7 +189,9 @@ for any purpose, even commercially.

Many thanks for your letter. Of course, - selfishly, I'm rather reliveved. How horrid + selfishly, I'm rather reli + v + eved. How horrid one is !

@@ -178,13 +202,14 @@ for any purpose, even commercially.

love - Wystan. + Wystan + .
- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0011.xml b/data/amp-transcript__0011.xml index 57f0820..669ddd3 100644 --- a/data/amp-transcript__0011.xml +++ b/data/amp-transcript__0011.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-13 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C310-3 + https://hdl.handle.net/21.11115/0000-000E-C310-3 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-12-13 + 1968-12-13 77 St. Mark's Place @@ -79,12 +93,14 @@ for any purpose, even commercially.

United States General Post Office New York City - 1968-12-13T12:00:00-05:00/1968-12-13T23:59:59-05:00 + 1968-12-13T12:00:00-05:00/1968-12-13T23:59:59-05:00 Hauptpostamt 1040 (main post office 1040) Vienna - 1968-12-16T11:00:01+01:00/1968-12-16T12:00:00+01:00 + 1968-12-16T11:00:01+01:00/1968-12-16T12:00:00+01:00 Hauptpostamt 1040 (main post office 1040) @@ -97,8 +113,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-11-06 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-29 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-11-06 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-29 @@ -130,27 +150,32 @@ for any purpose, even commercially.

- + - WH.Auden + WH.Auden +
77 St Mark's Place New York City New York 10003 - U.S.A. + U.S.A. +
Air-Mail - Death Jean Boras + Death Jean Boras + Die Baronin - Stella Musulin + Stella Musulin +
- Wien IV . + Wien IV . + Neulinggasse 26/14 Austria
@@ -160,10 +185,10 @@ for any purpose, even commercially.

1030 - +
- +
@@ -175,7 +200,10 @@ for any purpose, even commercially.

7 St Mark's Place New York City N.Y. 10003 - + + + + @@ -187,12 +215,16 @@ for any purpose, even commercially.

Chester has just telephoned me from Athens to say that his Greek friend Jean Boras,whom I think you have met, while driving my car - between Vienna and Kirchstetten colleded with + between Vienna and Kirchstetten + colleded with a Lastwagen and was killed.

Chester is going to Vienna,but he was too - upset for me to find out where he would + upset for + + + me to find out where he would stay. I presume in Kirchstetten.

@@ -206,11 +238,12 @@ for any purpose, even commercially.

love - Wystan, + Wystan + ,
- +
7
@@ -218,4 +251,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0012.xml b/data/amp-transcript__0012.xml index 455512a..78f8b22 100644 --- a/data/amp-transcript__0012.xml +++ b/data/amp-transcript__0012.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-29 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C311-2 + https://hdl.handle.net/21.11115/0000-000E-C311-2 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-12-29 + 1968-12-29 77 St. Mark's Place @@ -79,7 +93,8 @@ for any purpose, even commercially.

United States General Post Office New York City - 1968-12-30T12:00:00-05:00/1968-12-30T23:59:59-05:00 + 1968-12-30T12:00:00-05:00/1968-12-30T23:59:59-05:00 Vienna @@ -91,8 +106,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-13 - Autograph Letter Signed W. H. Auden to Stella Musulin 1969-01-04 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-13 + Autograph Letter Signed W. H. Auden to Stella Musulin 1969-01-04 @@ -124,9 +143,10 @@ for any purpose, even commercially.

- + - W.H.Auden + W.H.Auden +
77 St Mark's Place New York City @@ -139,7 +159,8 @@ for any purpose, even commercially.

Die Baronin - Stella Musulin + Stella Musulin +
Wien IVIII Neulinggasse 26/I4 @@ -147,12 +168,14 @@ for any purpose, even commercially.

- -Boras + + - + Boras - +
- +
@@ -172,17 +195,21 @@ for any purpose, even commercially.

- I am in despair. I wrote to my lawyer + I am in despair. I wrote to my lawyer + and to our factotum , Otto Holfmann to find out details about the accident and the whereabouts and condition of the car, but have - not heard a word. Chester postpones h + not heard a word. Chester postpones h + visit to Vienna and I dont know his plans. Could you possibly ring Holfmann to see if he knows anything .

- Adress. Wien VII, Schweighofergasse 4/21 + Adress. + Wien VII, Schweighofergasse 4/21 + Tel : 93/88/155. .

@@ -197,9 +224,9 @@ for any purpose, even commercially.

- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0013.xml b/data/amp-transcript__0013.xml index 9b5e639..c077aa7 100644 --- a/data/amp-transcript__0013.xml +++ b/data/amp-transcript__0013.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1969-01-04 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C312-1 + https://hdl.handle.net/21.11115/0000-000E-C312-1 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1969-01-04 + 1969-01-04 77 St. Mark's Place @@ -79,12 +93,14 @@ for any purpose, even commercially.

United States General Post Office New York City - 1969-01-04T12:00:00-05:00/1969-01-04T23:59:59-05:00 + 1969-01-04T12:00:00-05:00/1969-01-04T23:59:59-05:00 Hauptpostamt 1040 (main post office 1040) Vienna - 1969-01-07T11:00:01+01:00/1969-01-07T12:00:00+01:00 + 1969-01-07T11:00:01+01:00/1969-01-07T12:00:00+01:00 Hauptpostamt 1040 (main post office 1040) @@ -97,8 +113,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-29 - Autograph Letter Signed W. H. Auden to Stella Musulin 1969-05-21 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-29 + Autograph Letter Signed W. H. Auden to Stella Musulin 1969-05-21 @@ -130,12 +150,13 @@ for any purpose, even commercially.

- + Air∼Mail - W.H.Auden + W.H.Auden +
77 St Mark's Place New York City @@ -148,11 +169,14 @@ for any purpose, even commercially.

Die Baronin - Stella Musulin + Stella Musulin +
- Wien IV + Wien IV + Neulinggasse 26/14 - Austria, + Austria, +
@@ -160,16 +184,17 @@ for any purpose, even commercially.

1030
- +
- +
- 77 St Mark's Place + + 77 St Mark's Place New York City New York 10003 U.S.A. @@ -185,13 +210,15 @@ for any purpose, even commercially.

Many thanks for your letter. I gather - that,in the end, Chester decided not to + that,in the end, Chester decided not to + go to Vienna.

Meanwhile, I am in despair about the practical matter of the whereabouts and - condition of the car. No answer from Holfman. + condition of the car. + No answer from Holfman. Can he be dead, too? I should be most grateful if you would call him or on him. to find out what is the matter. Among other @@ -200,12 +227,16 @@ for any purpose, even commercially.

4/21. Tel. 93/88/155.

- I hear that my old lawyer is supervising + I hear that my old lawyer + + + is supervising the case but have till now heard nothing from him. Again could you call him for me.

- Dr Walter Redlich. Wien XIX . Paradisgasse 55. + Dr Walter Redlich. Wien XIX . Paradisgasse 55. + Tel: 36/43/83.

@@ -218,13 +249,14 @@ for any purpose, even commercially.

love - Wystan-· + Wystan + -·
- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0014.xml b/data/amp-transcript__0014.xml index 034545a..7b89c91 100644 --- a/data/amp-transcript__0014.xml +++ b/data/amp-transcript__0014.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1969-05-21 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C313-0 + https://hdl.handle.net/21.11115/0000-000E-C313-0 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1969-05-21 + 1969-05-21 Hinterholz 6 @@ -79,12 +93,14 @@ for any purpose, even commercially.

Hauptpostamt 1150 (main post office 1150) Vienna - 1969-05-22T00:00:00+01:00/1969-05-22T15:00:00+01:00 + 1969-05-22T00:00:00+01:00/1969-05-22T15:00:00+01:00 Hauptpostamt 1030 (main post office 1030) Vienna - 1969-05-22T14:00:01+01:00/1969-05-22T15:00:00+01:00 + 1969-05-22T14:00:01+01:00/1969-05-22T15:00:00+01:00 Musulin, Stella @@ -93,8 +109,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1969-01-04 - Typed Letter Stella Musulin to [Edith Silbermann] 1969-05-29 + Autograph Letter Signed W. H. Auden to Stella Musulin 1969-01-04 + Typed Letter Stella Musulin to [Edith Silbermann] 1969-05-29 @@ -125,25 +145,29 @@ for any purpose, even commercially.

- + Express "Longing to hear about - royal visit ." + royal visit + ." Die Baronin - Stella Musulim -
+ Stella Musulim + + +
Wien III Neulinggasse 26/14
- + - WH. Auden + WH. Auden +
KIRCHSTETTEN, BEZ. ST. PÖLTEN @@ -154,13 +178,13 @@ for any purpose, even commercially.

- +
-
+
KIRCHSTETTEN, BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA @@ -172,8 +196,9 @@ for any purpose, even commercially.

- Dear Stella, - + Dear Stella + , +

Many thank fo your card, Had @@ -183,7 +208,8 @@ for any purpose, even commercially.

Wednesday lunch May 28th is fine for us,and we shall much look - forward to seeing you both- + forward to seeing you both + -

H Longing to hear about the @@ -194,13 +220,14 @@ for any purpose, even commercially.

love - Wystan' + Wystan + '
- + +
-
- \ No newline at end of file + diff --git a/data/amp-transcript__0015.xml b/data/amp-transcript__0015.xml index f327402..2ddd0d3 100644 --- a/data/amp-transcript__0015.xml +++ b/data/amp-transcript__0015.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1970-06-10 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C314-F + https://hdl.handle.net/21.11115/0000-000E-C314-F +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1970-06-10 + 1970-06-10 Hinterholz 6 @@ -79,7 +93,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1970-06-10T16:00:01+01:00/1970-06-10T17:00:00+01:00 + 1970-06-10T16:00:01+01:00/1970-06-10T17:00:00+01:00 Musulin, Stella @@ -88,8 +103,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Freedom and Necessity in the Arts" 1970-05-21 - Autograph Letter Signed W. H. Auden to Stella Musulin 1970-07-06 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Freedom and Necessity in the Arts" 1970-05-21 + Autograph Letter Signed W. H. Auden to Stella Musulin 1970-07-06 @@ -120,53 +139,60 @@ for any purpose, even commercially.

-
- +
+ - Translation recd. - Wedding nearKrems + Translation recd. + + Wedding nearKrems + + Die Baronin - Stella Musulin + Stella Musulin +
1030 Wien Neulinggasse 26/14 -
+ - + - WH Auden + WH Auden + -
+
3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA -
- +
+ -
-
- +
+
+
- July June 10th - - -
- 3062 KIRCHSTETTEN + + July June 10th + + + +
+ 3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA -
- - - - +
+ + + + Dear Stella - +

Translation just received. Thanks @@ -174,26 +200,35 @@ for any purpose, even commercially.

On Saturday Chester and I have - to attend a weddinginnear - Krems at 3·0.p.m,which means - we shall have to lunch at 12·0, - Could you possibly make that? + to attend a wedding + in + near + Krems + at 3·0.p.m,which means + we shall have to lunch at 12·0, + + Could you possibly make that? + If not,perhaps you could come on Monday,if ·retur: or whichever day - you will be returning to Vienna - from Fridau. + you will be returning to Vienna + + from Fridau + .

love and again thanks ever so much - Wystan + + Wystan + -
- +
+ +
- - \ No newline at end of file + diff --git a/data/amp-transcript__0016.xml b/data/amp-transcript__0016.xml index ad670b8..b6301e1 100644 --- a/data/amp-transcript__0016.xml +++ b/data/amp-transcript__0016.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1970-09-18 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C315-E + https://hdl.handle.net/21.11115/0000-000E-C315-E +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,8 +74,9 @@ for any purpose, even commercially.

- 1970-09-18 - Hinterholz 6> + 1970-09-18 + Hinterholz 6> @@ -79,7 +93,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1970-09-18T15:00:01+01:00/1970-09-18T16:00:00+01:00 + 1970-09-18T15:00:01+01:00/1970-09-18T16:00:00+01:00 Musulin, Stella @@ -88,8 +103,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1970-07-06 - Telegram W. H. Auden to Stella Musulin 1971-05-13 + Autograph Letter Signed W. H. Auden to Stella Musulin 1970-07-06 + Telegram W. H. Auden to Stella Musulin 1971-05-13 @@ -120,70 +139,79 @@ for any purpose, even commercially.

-
- +
+ - Express. + + Express. + Die Baronin - Stella Musulin -
+ Stella Musulin + +
Fridau 3200 Obergrafendorf N.Ö -
+
- + - W.H. Auden - -
+ W.H. Auden + + +
3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA -
- - +
+ +
-
- -
- - - Sept 18th. - - -
- 3062 KIRCHSTETTEN +
+ +
+ + + Sept 18th. + + +
+ 3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA -
- - - - +
+ + + + Dear Stella. - -

+ +

Delighted to hear you are back.

-

- Could you and your mother - come to lunch on next Tuesday ? +

+ Could you and your mother + + come to lunch + on + next Tuesday ?

- - love - Wystan - -
- + + love + + Wystan + + +
+
- \ No newline at end of file + diff --git a/data/amp-transcript__0017.xml b/data/amp-transcript__0017.xml index 49f440c..d04c3e9 100644 --- a/data/amp-transcript__0017.xml +++ b/data/amp-transcript__0017.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1971-06-04 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C316-D + https://hdl.handle.net/21.11115/0000-000E-C316-D +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,8 +74,9 @@ for any purpose, even commercially.

- 1971-06-04 - Hinterholz 6> + 1971-06-04 + Hinterholz 6> @@ -79,7 +93,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1971-06-04T16:00:01+01:00/1971-06-04T17:00:00+01:00 + 1971-06-04T16:00:01+01:00/1971-06-04T17:00:00+01:00 Musulin, Stella @@ -88,8 +103,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Telegram W. H. Auden to Stella Musulin 1971-05-13 - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Stark Bewölkt" 1971-10-19 + Telegram W. H. Auden to Stella Musulin 1971-05-13 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Stark Bewölkt" 1971-10-19 @@ -120,64 +139,72 @@ for any purpose, even commercially.

-
- +
+ - "A Certain World". + "A Certain World" + . Die Baronin - Stella Musulin -
+ Stella Musulin + +
1030 Wien III Neulinggasse 26/14 -
+
- + - WH Auden + WH Auden + -
+
3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA -
- - +
+ +
-
- -
- - - June 4th. - - -
- 3062 KIRCHSTETTEN +
+ +
+ + + June 4th. + + +
+ 3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA -
- - - - Dear Stella: - -

- I have a copy of A Certain World +

+ + + + Dear Stella: + +

+ I have a copy of + A Certain World + + for you ,to pick up any time at your convenience.

- - love - Wystan - -
- -
+ + love + + Wystan + + +
+ +
- \ No newline at end of file + diff --git a/data/amp-transcript__0018.xml b/data/amp-transcript__0018.xml index 5152a0e..7f9822f 100644 --- a/data/amp-transcript__0018.xml +++ b/data/amp-transcript__0018.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Stark Bewölkt" 1971-10-19 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C317-C + https://hdl.handle.net/21.11115/0000-000E-C317-C +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1971-10-19 + 1971-10-19 15 Loudoun Road @@ -79,7 +93,8 @@ for any purpose, even commercially.

St John's Wood district office London - 1971-10-19T14:00:01+00:00/1971-10-19T14:29:59+00:00 + 1971-10-19T14:00:01+00:00/1971-10-19T14:29:59+00:00 Vienna @@ -91,8 +106,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1971-06-04 - Autograph Letter Signed W. H. Auden to Stella Musulin 1972-02-22 + Autograph Letter Signed W. H. Auden to Stella Musulin 1971-06-04 + Autograph Letter Signed W. H. Auden to Stella Musulin 1972-02-22 @@ -124,40 +143,44 @@ for any purpose, even commercially.

- + Air_Mail - Poem dedicated to S_M_ + Poem dedicated to S_M_ + Die Baronin - Stella Musulin -
+ Stella Musulin + +
Wien IV 1030 Neulinggasse 26/14 Austria
- +
- +
Oct 19 th . - ℅ Spender + ℅ Spender + -
- 15 Loudoun Rd +
+ 15 Loudoun Rd London. N.W.8
- + - Dear Stella; + Dear Stella + ;

@@ -167,120 +190,219 @@ for any purpose, even commercially.

usual.

- This morning a copy of Austria arrived + This morning a copy of + Austria + + arrived from Faber's. : The illustrations, which I hadn't seen before seem excellent

Overleaf a poem I want to dedicate to you. Firstly , because of its subject and, - secondly, because it is written in an imitatin - of a medieval Welsh metre called a Cywydd, + secondly, because it is written in an imitatin + + of a medieval Welsh metre called a Cywydd, +

Return to New York on NOv 1st.

- love - Wystan + love + + + Wystan + -
- -
+
+ +
- STARK BEWÖLKT - (for Stella Musulin) + + + STARK BEWÖLKT + + + (for Stella Musulin + ) - + - I'm no photophil who burns - his body brown on beaches: - foolish I find this fashion - of modern surf-riding man. - Let plants by all means sun-bathe, - it helps them to make their meals, - exposure,though,to ultra- - -vietviolet vapids the brain, - bids us be stodge and stupied. - Still,safe in some sheltered shade, - or watching through a window, - an ageing male,I demand - to see a shining summer, - a sky bright and wholly blue, - save for a drifting cloudlet - like a dollop of whipped cream. - This year all is unthuswise: - O why so glum,weather-god? + + I'm no photophil who burns + + his body brown on beaches: + + foolish I find this fashion + + of modern surf-riding man. + + Let plants by all means sun-bathe, + + it helps them to make their meals, + + exposure,though,to ultra- + + -vietviolet vapids the brain, + + bids us be stodge and stupied. + + Still,safe in some sheltered shade, + + or watching through a window, + + an ageing male,I demand + + to see a shining summer, + + a sky bright and wholly blue, + + save for a drifting cloudlet + + like a dollop of whipped cream. + + This year all is unthuswise: + + O why so glum,weather-god? - Day after day we waken - to be scolded by a scowl, - venomous and vindictive, - a flat frowning Friday face, - horrid as a hang-over - and mean as well: if you must - so disarray the heavens, - at least you might let them rain. - (Water is always welcome - for trees to take neat and men - to make brandy or beer with.) - But,no,we don't get a drop: - dry you remain and doleful - in a perpetual pique. + + Day after day we waken + + to be scolded by a scowl, + + venomous and vindictive, + + a flat frowning Friday face, + + horrid as a hang-over + + and mean as well: if you must + + so disarray the heavens, + + at least you might let them rain. + + (Water is always welcome + + for trees to take neat and men + + to make brandy or beer with.) + + But,no,we don't get a drop: + + dry you remain and doleful + + in a perpetual pique. - Fowls mope,flowers are wretched, - the raspberry-canes are forced - into phyllomania: - to ignore you,not be cross, - one would have to be either - drunk,lit on amphetamines, - or a feverish lover. - Being dead sober all day, - I find your bearing boorish, - by four in the afternoon - frequently close the curtains - to shut your shabbiness out. + + Fowls mope,flowers are wretched, + + the raspberry-canes are forced + + into phyllomania: + + to ignore you,not be cross, + + one would have to be either + + drunk,lit on amphetamines, + + or a feverish lover. + + Being dead sober all day, + + I find your bearing boorish, + + by four in the afternoon + + frequently close the curtains + + to shut your shabbiness out. - Who or what are you mad at? - What has poor Austria done - to draw such disapproval? - The Beamterei,it's true, - is as awful as ever, - the drivers are dangerous, - standards at the Staatsoper - steadily decline each year, - and Wien's become provincial - compared to the pride she was. - Still,it's a cosy country, - unracked by riots or strikes - and backward at drug-taking: - I've heard of a dozen lands - where life sounds far more ugsome, - fitter goals for your disgust. - (I needn't name them,for you,whose - glance circumspects the whole globe, - ken at first hand what's cooking.) + + Who or what are you mad at? + + What has poor Austria done + + to draw such disapproval? + + The Beamterei,it's true, + + is as awful as ever, + + the drivers are dangerous, + + standards at the + Staatsoper + + + + steadily decline each year, + + and + Wien + 's become provincial + + compared to the pride she was. + + Still,it's a cosy country, + + unracked by riots or strikes + + and backward at drug-taking: + + I've heard of a dozen lands + + where life sounds far more ugsome, + + fitter goals for your disgust. + + (I needn't name them,for you,whose + + glance circumspects the whole globe, + + ken at first hand what's cooking.) - + - Have done! What good does it do, - dumb god,just to deject us? - Foul our function may be,but - foul weather won't reform it. - If you merely wish our world - to mend its ways,remember: - when happy,men on the whole - behave a wee bit better, - when unhappy,always worse. + + + Have done! What good does it do, + + + dumb god,just to deject us? + + + Foul our function may be,but + + + foul weather won't reform it. + + + If you merely wish our world + + + to mend its ways,remember: + + + when happy,men on the whole + + + behave a wee bit better, + + + when unhappy,always worse. ___
-
+
- \ No newline at end of file + diff --git a/data/amp-transcript__0019.xml b/data/amp-transcript__0019.xml index 1999009..0ba7e36 100644 --- a/data/amp-transcript__0019.xml +++ b/data/amp-transcript__0019.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1972-02-22 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C318-B + https://hdl.handle.net/21.11115/0000-000E-C318-B +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1972-02-22 + 1972-02-22 77 St. Mark's Place @@ -79,12 +93,14 @@ for any purpose, even commercially.

United States General Post Office New York City - 1972-02-23T12:00:00-05:00/1972-02-23T23:59:59-05:00 + 1972-02-23T12:00:00-05:00/1972-02-23T23:59:59-05:00 Postamt Oberndorf an der Melk (post office Oberndorf an der Melk) Oberndorf an der Melk - 1972-02-28T13:00:01+01:00/1972-02-28T14:00:00+01:00 + 1972-02-28T13:00:01+01:00/1972-02-28T14:00:00+01:00 Postamt Oberndorf an der Melk (post office Oberndorf an der Melk) @@ -97,8 +113,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Stark Bewölkt" 1971-10-19 - Autograph Letter Signed W. H. Auden to Stella Musulin 1973-09-24 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Stark Bewölkt" 1971-10-19 + Autograph Letter Signed W. H. Auden to Stella Musulin 1973-09-24 @@ -130,33 +150,36 @@ for any purpose, even commercially.

- + - W.H.Auden -
+ W.H.Auden + +
77 St Mark's Place New York City N.Y . 10003 U.S.A -
+
- Not quitting Kirchstetten · + Not quitting Kirchstetten + · Die Baronin - Stella Musulin -
+ Stella Musulin + +
Fridau 3200 Obergrabendorf N. Ö Austria
- - + +
- +
@@ -170,24 +193,30 @@ for any purpose, even commercially.

 - Dear Stella; + Dear Stella + ;

Many thanks for your letter, Whatever - made you imagine I was quitting Kirchstetten? + made you imagine I was quitting Kirchstetten + ? + Of course I'm not, The change is that I - shall be spending my winters in Oxford + shall be spending my winters in Oxford + not in New York.

love - Wystan + + Wystan + -
- +
+ +
- - \ No newline at end of file + diff --git a/data/amp-transcript__0020.xml b/data/amp-transcript__0020.xml index e2ce6e3..ba1efd4 100644 --- a/data/amp-transcript__0020.xml +++ b/data/amp-transcript__0020.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1973-09-24 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C319-A + https://hdl.handle.net/21.11115/0000-000E-C319-A +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1973-09-24 + 1973-09-24 Hinterholz 6 @@ -79,7 +93,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1973-09-24T16:00:01+01:00/1973-09-24T17:00:00+01:00 + 1973-09-24T16:00:01+01:00/1973-09-24T17:00:00+01:00 Musulin, Stella @@ -88,7 +103,9 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1972-02-22 + Autograph Letter Signed W. H. Auden to Stella Musulin 1972-02-22 @@ -120,33 +137,36 @@ for any purpose, even commercially.

- + Last letter . Die Baronin - Stella Musulin + Stella Musulin +
A-1030 Wien Neulingasse 26/14 -
+ - + - W.H.Auden + + W.H.Auden + -
+
3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 N.-Ö., AUSTRIA -
+
-
+
- +
@@ -160,7 +180,11 @@ for any purpose, even commercially.

- Dear OSept 24th + + Dear + + O + Sept 24th Dear Stella: @@ -173,18 +197,29 @@ for any purpose, even commercially.

Many thanks for the invitation to stay - the night with you, but I have already - booked a room at the Hotel Altburghof - Altburgenhof, + the night + with you + , but I have already + booked a room + at the + Hotel Altburg + + + hof + Altburgenhof + ,

love - Wystan, + + Wystan + , +
- + - \ No newline at end of file + diff --git a/data/amp-transcript__0021.xml b/data/amp-transcript__0021.xml index 48bae51..e6804ff 100644 --- a/data/amp-transcript__0021.xml +++ b/data/amp-transcript__0021.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Letter Signed W. H. Auden to Stella Musulin 1961-10-13 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -47,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C31A-9 + https://hdl.handle.net/21.11115/0000-000E-C31A-9 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -64,7 +76,8 @@ for any purpose, even commercially.

- 1961-10-13 + 1961-10-13 Hinterholz 6 @@ -82,7 +95,8 @@ for any purpose, even commercially.

Postamt 101 (post office 101) Vienna - 1961-10-15T23:00:01+01:00/1961-10-15T23:59:59+01:00 + 1961-10-15T23:00:01+01:00/1961-10-15T23:59:59+01:00 Musulin, Stella @@ -91,8 +105,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1961-08-16 - Typed Letter Signed Stella Musulin to W. H. Auden 1962-04-16--1973-04-16 + Autograph Letter Signed W. H. Auden to Stella Musulin 1961-08-16 + Typed Letter Signed Stella Musulin to W. H. Auden 1962-04-16--1973-04-16 @@ -125,31 +143,37 @@ for any purpose, even commercially.

- + - Die Baronin - Stella von Mussolin + Die Baronin + + Stella von Mussolin +
- Wien III - Neulingasse 26 , + + Wien III + + Neulingasse 26 , +
- + - W.H.Auden + W.H.Auden +
KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
- +
- +
@@ -158,31 +182,37 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
Friday - Dear Stella: + + Dear Stella:

- Many thanks for your letter. Acrtually,we + Many thanks for your letter. Acrtually,we + shall be here till the end of October.

-

+

So far as I know,any week-day which suits you - and Herr Fritsch would be O.K.for us,so just + and + Herr Fritsch would be O.K.for us,so just drop us a p.c.when you fix the day.

- longing to see you - Wystan + + longing to see you + + Wystan +
- + +
- - \ No newline at end of file + diff --git a/data/amp-transcript__0022.xml b/data/amp-transcript__0022.xml index 1d4e246..893f065 100644 --- a/data/amp-transcript__0022.xml +++ b/data/amp-transcript__0022.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1961-08-16 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -47,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C31B-8 + https://hdl.handle.net/21.11115/0000-000E-C31B-8 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -64,7 +76,8 @@ for any purpose, even commercially.

- 1961-08-16 + 1961-08-16 Hinterholz 6 @@ -82,7 +95,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1961-08-16T11:00:01+01:00/1961-08-16T12:00:00+01:00" + 1961-08-16T11:00:01+01:00/1961-08-16T12:00:00+01:00" Musulin, Stella @@ -91,8 +105,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Envelope W. H. Auden to Stella Musulin 1961-04-25--1961-10-25 - Typed Letter Signed W. H. Auden to Stella Musulin 1961-10-13 + Envelope W. H. Auden to Stella Musulin 1961-04-25--1961-10-25 + Typed Letter Signed W. H. Auden to Stella Musulin 1961-10-13 @@ -125,29 +143,35 @@ for any purpose, even commercially.

- + Die Baronin - Stella Mussilin + Stella Mu + s + silin +
- Wien III + + Wien III + Neulingasse 26. -
+ - + - W.H.Auden + W.H.Auden +
KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
- +
@@ -157,31 +181,43 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
- DeDear Stella: + + DeDear Stella:

- Delighted to hear you are + Delighted to hear yo + + + u are back and would love to see you - anytime: Are you living in Wien or + anytime: Are you living in + Wien + or in Obergrabendorf.?

- I read your piece in Die Presse + I read your piece in + Die Presse + + + last Sunday with great interest, -

+

yours ever - Wystan + + Wystan + -
- +
+ +
- - \ No newline at end of file + diff --git a/data/amp-transcript__0023.xml b/data/amp-transcript__0023.xml index d2f1906..e0eb4b9 100644 --- a/data/amp-transcript__0023.xml +++ b/data/amp-transcript__0023.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1962-07-23 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -47,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C31C-7 + https://hdl.handle.net/21.11115/0000-000E-C31C-7 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -64,7 +76,8 @@ for any purpose, even commercially.

- 1962-07-23 + 1962-07-23 Hinterholz 6 @@ -82,7 +95,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1962-07-23T12:00:01+01:00/1962-07-23T13:00:00+01:00 + 1962-07-23T12:00:01+01:00/1962-07-23T13:00:00+01:00 Musulin, Stella @@ -91,8 +105,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 - Autograph Letter Signed W. H. Auden to Stella Musulin 1962-09-11 + Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 + Autograph Letter Signed W. H. Auden to Stella Musulin 1962-09-11 @@ -125,30 +143,35 @@ for any purpose, even commercially.

- + Die Baronin - Stella Mussulin -
+ Stella Mus + + + sulin + +
Fridau - Obergrabendorf, + Obergrabendorf, N. O , bei S. Pölten
- + - W.H.Auden - -
- KIRCHSTETTEN (WESTBAHN) + W.H.Auden + + +
+ KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA -
- - + N.-Ö., AUSTRIA +
+ +
- +
@@ -158,7 +181,7 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
@@ -172,15 +195,21 @@ for any purpose, even commercially.

If in Fridau,we would love to see you. Am expecting Christiane - Zimmer here about August 5th. + Zimmer + + here about + + August 5th.

- - Wystan + + + Wystan + -
- +
+ +
- - \ No newline at end of file + diff --git a/data/amp-transcript__0024.xml b/data/amp-transcript__0024.xml index d39aa98..0529535 100644 --- a/data/amp-transcript__0024.xml +++ b/data/amp-transcript__0024.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1962-09-11 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -47,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C31D-6 + https://hdl.handle.net/21.11115/0000-000E-C31D-6 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -64,7 +76,8 @@ for any purpose, even commercially.

- 1962-09-11 + 1962-09-11 Hinterholz 6 @@ -82,7 +95,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1962-09-12T12:00:01+01:00/1962-09-12T13:00:00+01:00 + 1962-09-12T12:00:01+01:00/1962-09-12T13:00:00+01:00 Musulin, Stella @@ -91,8 +105,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1962-07-23 - Autograph Letter Signed W. H. Auden to Stella Musulin 1962-10-17 + Autograph Letter Signed W. H. Auden to Stella Musulin 1962-07-23 + Autograph Letter Signed W. H. Auden to Stella Musulin 1962-10-17 @@ -125,60 +143,68 @@ for any purpose, even commercially.

- + Die Baronin - Stella Musulim + Stella Musulim + +
Wien III Neulinggasse 26. 14
- + - W.H Auden + W.H Auden +
KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
- +
- +
- - - Dienstag. - - -
- KIRCHSTETTEN (WESTBAHN) + + + Dienstag. + + +
+ KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA -
- - - - Dear Sell Stella: - -

+ N.-Ö., AUSTRIA +

+ + + + Dear + Sell Stella: + +

Many thanks for your card. - Cant get im to Vienna before - Friday, but do come and see us + Cant get im to + Vienna before + Friday, but do come and see us + either on your way to or from - Fridau,or let us know when we + Fridau,or let us know when we could call ,_ -

- - Wystan - -
- +

+ + + Wystan + + +
+ +
- - \ No newline at end of file + diff --git a/data/amp-transcript__0025.xml b/data/amp-transcript__0025.xml index eab0bce..0fbbbf4 100644 --- a/data/amp-transcript__0025.xml +++ b/data/amp-transcript__0025.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1962-10-17 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -47,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C31E-5 + https://hdl.handle.net/21.11115/0000-000E-C31E-5 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -64,7 +76,8 @@ for any purpose, even commercially.

- 1962-10-17 + 1962-10-17 Hinterholz 6 @@ -82,7 +95,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1962-10-17T17:00:01+01:00/1962-10-17T18:00:00+01:00 + 1962-10-17T17:00:01+01:00/1962-10-17T18:00:00+01:00 Musulin, Stella @@ -91,8 +105,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1962-09-11 - Autograph Letter Signed W. H. Auden to Stella Musulin 1963-05-12 + Autograph Letter Signed W. H. Auden to Stella Musulin 1962-09-11 + Autograph Letter Signed W. H. Auden to Stella Musulin 1963-05-12 @@ -125,32 +143,39 @@ for any purpose, even commercially.

- + - Dines with Pfarrer. + Dines with + + Pfarrer + + . Die Baronin - Stella Musulin -
+ Stella Musulin + +
Wien III Neulinggasse 26. -
+
- + - WH.Auden. + WH.Auden. + +
KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
- +
- +
@@ -159,7 +184,7 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
@@ -168,16 +193,20 @@ for any purpose, even commercially.

Friday or Saturday fine,except - we dine with the Pfarrer Saturday evening. + + we dine with the + Pfarrer + Saturday evening. Do come to lunch.

- Wystan. + + Wystan. -
- +
+ +
- - \ No newline at end of file + diff --git a/data/amp-transcript__0026.xml b/data/amp-transcript__0026.xml index 1148a2d..d0a69dc 100644 --- a/data/amp-transcript__0026.xml +++ b/data/amp-transcript__0026.xml @@ -1,14 +1,20 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Notes W. H. Auden Stella Musulin 1959-06-01--1973-09-28 - Auden, W. H. - Musulin, Stella + Auden, W. H. + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -26,8 +32,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -45,7 +57,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C31F-4 + https://hdl.handle.net/21.11115/0000-000E-C31F-4 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,10 @@ for any purpose, even commercially.

2, 21 - 1959-06-01--1973-09-28 + + 1959-06-01--1973-09-28 + @@ -73,7 +89,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -96,19 +111,23 @@ for any purpose, even commercially.

-

- W,H.Auden - ℅ Spender - 15 Loudoun Rd +

+ W,H.Auden + + ℅ Spender + + 15 Loudoun Rd St John's Wood - London. N.W. 8 -

-

- Johann-Strauß-Gasse 28 . + London. N.W. 8 + +

+

+ Johann-Strauß-Gasse 28 . + 1040 Wien . -

+

- \ No newline at end of file + diff --git a/data/amp-transcript__0027.xml b/data/amp-transcript__0027.xml index 4c7594b..d757e32 100644 --- a/data/amp-transcript__0027.xml +++ b/data/amp-transcript__0027.xml @@ -1,14 +1,20 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Notes Stella Musulin in Copy Typescript W. H. Auden "Freedom and Necessity in the Arts" 1970-05-21--1995-12-31 - Auden, W. H. - Musulin, Stella + Auden, W. H. + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -26,8 +32,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -45,7 +57,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C320-1 + https://hdl.handle.net/21.11115/0000-000E-C320-1 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,10 @@ for any purpose, even commercially.

2, 4 - 1970-05-21--1995-12-31 + + 1970-05-21--1995-12-31 + @@ -73,7 +89,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -120,60 +135,75 @@ for any purpose, even commercially.

-

+

Sunday June 14t. -

-

+

+

Appendix or Endnote

-

+

RETYPE DOUBLE SPACE

-

+

(1 -

-

- English original of Auden's - Speech delivered in German at Neulengbach , 2? of May 1970 -

-

+

+

+ English original of Auden + 's + Speech delivered in German at + Neulengbach , 2? of May 1970 +

+

Need exact date of Speech -

-

+

+

Who typed - this´ - eg: + this´ + + eg: whose - punctu - is + punctu + + is it

-

- Sehr veerhhrter Herr Landeshauptmann,meine Damen und Herren: - I hope you will pardon me if I speak somewhat personally. I do so, +

+ Sehr veerhhrter Herr Landeshauptmann + + ,meine Damen und Herren: + I hope you will pardon me if I speak somewhat personally. I do so, not out of vanity,but becuaause I do jnot wish to give the impression that I am attempting to lay down absolute laws which are valid for all. I give you my experiences as a poet,in the hope that you will be able to compare the,m with - yoursown,and form your own judgment about them. - Most of what I oknow about the writing of poetry,or at least about the kind I + yours + own + ,and form your own judgment about them. + Most of what I + o + know about the writing of poetry,or at least about the kind I am interested in writing,I discovered long before I took any interest in poetry itself. - Between the ages of six and twelve,I spent a great many of my waking hours in + Between the ages of six and twelve,I spent a great many of my waking hours in the faborication of a private secondary sacred world,the basic elements of which - were atO a) a limestone landscape mainly derived from the Pennine Moors in the + were + + at + + O + a) a limestone landscape mainly derived from the Pennine Moors in the North of England and b) an industry - lead-mining. - It is no doubt psychologically significant that my sacred world was autistic - + It is no doubt psychologically significant that my sacred world was autistic - that is to say,I had no wish to share it with others notr could I have done so. However,though constructed for and inhabited by myself alone,I needed the help of others,my parents in particular,in collecting its basic materials; others had to procure for me the necessary text-books on geology and machinery,maps,catalogiues, guide-books and photographs,and,when occasion offered,to talke me down real mines, tasks which they performed with unfailing patience and generosity. - From this activity,I learned certain principles which I was later to find applied + From this activity,I learned certain principles which I was later to find applied to all artistic fabrication. First,whatever other elements it may include,the initial impulse to create a secondary world is a feeling of awe aroused by encounters,in the Primary World,with sacred beings or events. This feeling of awe @@ -184,7 +214,7 @@ for any purpose, even commercially.

made of words which are not the poet's private property,but the communal creation of the linguistic group to whom he belongs,so that their meaning can be looked up in a dictionary. - Secondly,in constructing my private world,I discoveresd that,though this was + Secondly,in constructing my private world,I discoveresd that,though this was a game,or rather precisely because it was a game - that is to say,not a necessity like eating or sleeping,but something I was free to do or not as I chose - it could not be played without rules. Absolute freedom is meaningless: freedom can @@ -193,114 +223,149 @@ for any purpose, even commercially.

only difference being that in the world of games one is free to decide what its laws shall be. But to all games as to real life,Goethe's lines apply.

- - In der Beschränkung zeigt sich erst der Meister, - Und dsas Gesetz nur kann uns Freiheit geben. - -

+ + + + In der Beschränkung zeigt sich erst der Meister, + + + Und dsas Gesetz nur kann uns Freiheit geben. + + +

Check Quote - and give exact + and give exact + source if possible

-

- As regards my particuallar lead-mining world,I decided,or rather,without conscious +

+ As regards my particuallar lead-mining world,I decided,or rather,without conscious decision I instinctively felt,that I must impose two restrictions upon my freedom of fantasy. In choosing what objects were to be included,I was free to select this and reject that,on condition that both were real objects in the Primary World,to choose,for example,between two kinds of water-turbine,which could be found in a text-book on mining machinery or a manufacturer's catalogue: but I was not free to invent one. In deciding how my world was to function,I was could choose between - tewo practical possibilitesies - a mine can be drained either by an adit or a pump - - but physical impossibiliesties and magic means were forbidden. TWhen I say forbidden, - I mean that I felt,in some obscure way,that they were morally forbidden. Then there - came a day when the moral issue became quite conscious. As I was planning my - Platonic Idea of a concentrating-mill,I ran into difficulties. I had to choose - between two types of a cerattain machine for separating the slimes,called a buddle. - One type I found more sacred or 'beatiuful beautiful',but the other type was,I - knew from my reading,the more efficient. At this point I realised that it was my - moral duty to sacrifice my aethetic aesthetic preference to reality or truth. + t + e + wo practical possibilitesies - a mine can be drained either by an adit or a pump - + but physic + + al impossibiliesties and magic means were forbidden. + T + When I say forbidden, + I mean that I felt,in some obscure way,that they were morally forbidden. Then there + came a day when the moral issue became quite conscious. As I was planning my + Platonic Idea of a concentrating-mill,I ran into difficulties. I had to choose + between two types of a cerattain machine for separating the slimes,called a buddle. + One type I found more sacred or 'beatiuful beautiful',but the other type was,I + knew from my reading,the more efficient. At this point I realised that it was my + moral duty to sacrifice my aethetic aesthetic preference to reality or truth.

-

+

(2

-

- When,later,I began to write poetry’I found that,for me,at least,the same - obligation was binding. That is to say,I cannot accept the dosctrine that,in - poetry,there is a 'suspension of beliefe'. A poet must never make a statement +

+ + When,later,I began to write poetry’I found that,for me,at least,the same + obligation was binding. That is to say,I cannot accept the do + s + ctrine that,in + poetry,there is a 'suspension of belief + e + '. A poet must never make a statement simply because it sounds poetically exciting: he must also beleiieve it to be true. This does not mean,of course,that one can only appreciate a poet whose beliefs happen to co-incide with one's own. It does mean,however,that one must - nbe convinced that the poet really believes what he says,however odd that the + nbe convinced that the poet really believ + + es what he says,however odd that the belief may seem to oneself.

-

+

Change colon to semi-colon ?

-

- Between constructing a private fantsayfantasy world for oneself alone - and writing poetry,there is,of course,a profound difference. A fanatsy +

+ Between constructing a private fantsayfantasy world for oneself alone + and writing poetry,there is,of course,a profound difference. A fanatsy + fantasy world exists only in the head of its creator: a poem is a public verbal object intended to be read and enjoyed by others. To become conscious - of others is to become conscious of historical time. in various ways. The + of others is to become conscious of historical time + . + in various ways. The contents of a poem are necessarily past expereinces experiences,and the goal of a poem is necessaily necessarily in the future,since it cannot be read until it has been written. Again,to write a poem is to engage in an activity which human beings have practised for centuries. If one asks why human beings make poems or paint pictures or compose music,I can see two possible answers. - Firstly all the artistic media are forms of an activity peculiar to human + Firstly all the artistic media are forms of an activity pecul + + iar to human beings,namely,Personal Speech. Many animals have impersonal codes of - communications,visual,olfactory,auditory signals,by which they convey to + communications,visual,olfactory,auditory signals,b + + y which they convey to other members of their species vital information about food,territory,sex, the presence of enmies enemies,etc,and in social animals like the bee,such a code may be exceedingly complesx. We,too,of course,often use words in the same way,as when I ask a stranger the way to the railroad station. But when we truly speak,we do something quite different. We spak speak as person to person - in order to disclose ourselves to others and share our expereiiences with + in order to disclose ourselves to others and share our experei + iences with them,not because we must,but becuase we enjoy doing so. This activity is sometimes quite erroneously called 'self-expression'. If I write a poem - about ceratin experiences I have had,I do so,not bec becuaause I think it - mayshould be of interest and value to others,not: the fact that it has till now + about ceratin experiences I have had,I do so,not bec becua + ause I think it + mayshould be of interest and value to others,not: the fact that it has till now only been my expereiience is accidental. What the poet or any artist has to convey is a perception of a reality common to all,but seen from a unique perpsective, which it is his duty as well as his pleasure to share with others. To small truths as well as great,St Augustine's words apply.

-

+

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- The truth is neither mine nor his nor another's;but belongs - to us all whom Thou callest to partake of it: warning us - terribly,not to account it private to ourselves,lest we be - deprived of it. -

-

+

+ + The truth is neither mine nor his nor another's;but belongs + + + to us all whom Thou callest to partake of it: warning us + + + terribly,not to account it private to ourselves,lest we be + + + deprived of it. +

+

Check quote and give source if possible

-

+

Why is this passage underlined ?

-

- Then the second impulse to artistic fabrication is the desire to transcend +

+ Then the second impulse to artistic fabrication is the desire to transcend our mortality,by making objects which,unlike ourselves,are not subject to natural death,but can remain permantly permanently 'on hand' in the world, long after we and our society have perished. - Every genuine work of art,I believe,exhibits two qualities,Nowness and + Every genuine work of art,I believe,exhibits two qualities,Nowness and Permanence. By Nowness I mean the quality which enables an art-historian to date a work,at least,approximately. If,for example,one listens to a composition by Palestrina and one by Mozart,one knows immediately that, @@ -311,102 +376,143 @@ for any purpose, even commercially.

the history of Science,no genuine work of art is made obsolete by a later work. Past science is of interest only to the historian of science,not to what scientists are doing at this moment. Past works of art,on the - other hand,are of the utmost importance to the contemporary praticioner. + other hand,are of the utmost importance to the contemporary praticioner. + + practicotoneroner. Every artist tries to produce something new,but in the hope - that,in time,it will take its proper place in the tradition of his art. - And he cannot produce anything significantly original unless he knows + that,in time,it will take its + + proper place in the tradition of his art. + And he cannot produce anything significantly original unless he knows well what has been already been done;without,that is to say ,even in he cannot 'rebel' against the past without having a profound reverence for it.

-

+

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+

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+

(3

-

- There are periods in history when art the arts develop uninterruptedly, - each generation building on the achievements of the previous generation. +

+ There are periods in history when art the arts develop uninterruptedly, + each generation building on the achievements of the previous generation. There are other periods when radical breaks seem to be necessary. However, - twhen they are,one will generally find that the 'radical' artist does not - diswon disown the past,but finds in works of a much earlier period or in + twhen they are,one will generally find that the 'radical' artist does not + diswon disown the past,but finds in works of a much earlier period or in those of anotehr culture than his own,the clue as to what he should do now. In my own case,for example,I know how much I owe to Anglo-Saxon and Medieavval Poetry.

-

+

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-

- When I reveiw review the contemporary artistic scene,Iit strikes me how - extraorinary extraordinarily fortunate men like Stravinsky,Picasso,Eliot, +

+ When I reveiw + review the contemporary artistic scene,I + it strikes me how + extraorinary extraordinarily fortunate men like Stravinsky,Picasso,Eliot, etc,that is,those persons we think of as the founders of 'modern' art, were in being born when they were,so that they came to manhood before - I9I4. Until the Fis First World War,western society was still pretty much + I9I4. Until the + Fis First World War,western society was still pretty much what it had been in the nineteenth century. This meant that for these artists, the felt need to create something new arose from an artistic imperative, not a histroi historic imperative. No one asked himself:"'What is the proper kind of music to compose or picture to paint or poem to write in the year I9I2.?"' Secondly,their audiences contemporary audiences were mostly consrervative,but honestly so. Those,for instance,who were scandalised by - Le Sacre du Printemps,may seem to us now to have been old fgi fogies,but + + Le Sacre du Printemps + ,may seem to us now to have been old fgi fogies,but their reaction was genuine. They did not say to themselves:"'Times have changed and we must change with them in order to be up to date." not to be left behind."' - Here are a few statements by Stravinsky to whcih which the young,wherewherewhether + Here are a few statements by Stravinsky to whcih which the young,where + wherewhether artists or critics,would do well to listen and pknde ponder over.

-

- In my youth the new music grew out of,and in reaction to,traditions, - whereas it appears to be evolving to-day as much from social needs - as interior artistic ones...The status of the new music as a - category is another incomparable. It had none at all in my early - years,being in fact categorically opposed,and often with real - hostility. But the unsuccess of composers onf my generation at - least kept them from trading on success,and our unsuccess may have - been less insidious than the automatic superlatives which nowadays - kill the new by absorbing it tio death. - *** -

-

- Again : Why are +

+ + In my youth the new music grew out of,and in reaction to,traditions, + + whereas it appears to be evolving to-day as much from social needs + + + as interior artistic ones...The status of the new music as a + + + category is another incomparable. It had none at all in my early + + + years,being in fact categorically opposed,and often with real + + + hostility. But the unsuccess of composers onf my generation at + + + least kept them from trading on success,and our unsuccess may have + + + been less insidious than the automatic superlatives which nowadays + + + kill the new by absorbing it tio death. + + *** +

+

+ Again : Why are all these passages underlined ? -

-

+

+

Check and give source if possible

-

- The use of the new hardware naturally appears to the new musician - as "'historically imperative"'; but music is made out of musical - imperatives,and the awareness of historical processes is probably - best left to future and different kinds of wage-earners. - *** -

-

+

+ + The use of the new hardware naturally appears to the new musician + + as "'historically imperative"'; but music is made out of musical + + + imperatives,and the awareness of historical processes is probably + + + best left to future and different kinds of wage-earners. + *** +

+

Check and - give + give source . -

-

- In times,like our own,of rapid social change and political crisis,there is +

+

+ In times,like our own,of rapid social change and political crisis,there is + always a danger of confusing the principles governing political action and those governing artistic fabrication. The most important of such confusuions are thrree. - Firstly,one may come to think of artistic fabrication as sa fromorm of political + Firstly,one may come to think of artistic fabrication as s + a fromorm of political action. Every citizen,artistspoets includied,has a duty to be politically 'engagé', that is,to feel play a responsible part in seeing that the society of which he is a member shall function properly and improve. But the poet,qua poet, has only one political function. Since langiuage is his medium,it is his duty, by his own example,to defend his motehhermothermother-tongue against corruption by demagogues, - journalists,the mass-media,etc. As Karl Krauss said:"'Die Sprache ist die Muuet - Mutter,nicht das Magd,des d gGedankens"',and when language loses its meaning, + journalists,the mass-media,etc. As Karl Krauss + said:"'Die Sprache ist die + Muuet + + + Mutter,nicht das Magd,des d + gGedankens" + ',and when language loses its meaning, its palce place is taken by violence. Of course,the poet may use political and social events as subject-matter for poems - they are as much a part of human experience as love or nature - but he must never imagine that his poems have @@ -414,22 +520,25 @@ for any purpose, even commercially.

of Europe would be what it ahs has been if Dante,Shakepeare,Goethe,Michaleel Angelo,Titaiian,Mozart,Beethoven,eytc,ahd had never existed.

-

- Check and +

+ Check and give source

-

+

4

-

- Where politicla political and social eveils evils are concerned,only - tkwo things are effective*: political action and straightforward,truthful, +

+ Where politicla political and social eveils evils are concerned,only + tkwo things are effective* + : political action and straightforward,truthful, detailed journalistic rapportage of the facts. The Arts are powerless. - The second confusion,of which Plato is the most famous example,is to take - artitstic fabrication as the model for a good society. The aim of any artist + The second confusion,of which Plato is the most famous example,is to take + artitstic fabrication as the model for a good society. The aim of any artist + + Such a model,if put into practice,is bound to produce a tyrrany.tyranny The aim of the artists is to produce an object which is complete and will endure without change. A In the 'city' of a poem,there are always the same inhabitants doing @@ -440,8 +549,9 @@ for any purpose, even commercially.

exytermination of the physically and mentally unfit,absolute obedience to its Ddirector,a allarge slave claass kept out of sight in fcellars,and the strictest censureeship of the Arts,forbidding anything to be said which was is - not out of keeping with the official 'line.''. - The third confusion,typical of our western civilisat 'free' soncietis + not out of keeping with the official 'line.''. + The third confusion,typical of our western civilisat 'free' soncietis + societies at this time,is the opposite of Plato's,namely to take political actuion as the model for artitstic fabrication. Political action is a necessity, that is to say,ayt veryevery moment something has to be done,and politicla it @@ -450,54 +560,68 @@ for any purpose, even commercially.

the alternative to one work of art can be no work of art - and the artistic object is permanent,that is to say,immune to historical change. The attempt to model artitstic fabrication osn political action can therefore,only - reduce it to momentary (h adnd arbitrary 'happenings',a conformism with + reduce it to momentary (h + adnd arbitrary 'happenings',a conformism with the tyrrany of the immediate moment which is far more enslaving and destructive of integrity than any conformism with past tradition.

-

+

insert 4`a

-

- What then,can the Arts do for us? In my opionion,they can do two things. +

+ What then,can the Arts do for us? In my opionion,they can do two things. They can,as Dr Johnston said,'enable us a little better to enjoy life or a - little better to enjoyendure it"'. And,becaase because they are objects permant - permanently on hand in the world,they are the chief means by which the lvi + little better to enjoyendure it"'. And,becaase because they are objects permant + + permanently on hand in the world,they are the chief means by which the lvi + living are able to break bread with the dead,and,without a communication with the dead,I do not believe that a fully human civilised life is possible. - Perhaps,too,in our age,the mere making of a work of art is itself a + Perhaps,too,in our age,the mere making of a work of art is itself a political act. So long as artists exist,making what they please or think they ought to make,even if the worlks their worlks are not terribly good,they remind the Management of something managers need to be reminded of,namely, - that the managed are people with faces,not anonymous numbers,that Homo - Laborans is also Homo Ludens. -

-

+ that the managed are people with faces,not anonymous numbers,that Homo + + Laborans is also Homo Ludens. +

+

Source ?

-

- And now,I hope those of you who know no English will forgive me isf +

+ And now,I hope those of you who know no English will forgive me isf I concluded these remarks with a light poem of my own,entitled - Doggerel of by a Senior Citizen. (see CP 638-9). -

-

+ + Doggerel of by a Senior Citizen + + . + (see + CP + 638-9). +

+

I have added commas in lists after final item and before etc since they are already there in most of the lists - - I have also added a few other comma (usually to complete a set of parenthetical commas) - I have no changed colons though I would like to : Are these A's ? + I have also added a few other comma (usually to complete a set of parenthetical commas) + + I have no + changed colons though I would like to : Are these A's ?

-

+

(4a

-

+

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-

- At this pinoint,a little digression on the subject of 'free' verse,which - seems now to be almost universal among young poets. Though excellent - examples,the poems of D.H.Lawrence,for example,exist,in my opinion they are,in my opinion +

+ At this pinoint,a little digression on the subject of 'free' verse,which + seems now to be almost universal among young poets. Though excellent + examples,the poems of D.H.Lawrence,for example,exist,in my opinion they are,in my opinion + + the exception,not the rule. The great virtue of formal metrical rules is that they forbid automatic reposnse respionses and,by forcing the piet poet to have second thoughts,free fhim forrom the fetters of self. All too often,the @@ -507,8 +631,8 @@ for any purpose, even commercially.

like each other than those who write in fixed forms. Whatever freedom may do, it does not,it would seem,make for originality.

-

- ? delete +

+ ? delete this comma ?

@@ -516,4 +640,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0028.xml b/data/amp-transcript__0028.xml index 49eb8a0..b6b17a1 100644 --- a/data/amp-transcript__0028.xml +++ b/data/amp-transcript__0028.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Memoir Stella Musulin "In Retrospect" 1985-11-29--1990-03-28 - Musulin, Stella + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C321-0 + https://hdl.handle.net/21.11115/0000-000E-C321-0 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1985-11-29--1990-03-28 + 1985-11-29--1990-03-28 @@ -74,7 +88,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -193,18 +206,22 @@ for any purpose, even commercially.

-

- In Retrospect. - Since then the Auden industry has not been idle. An +

+ + In Retrospect. + + Since then the Auden industry has not been idle. An excellent biography was published1 and kin this the Austrian - period was dealt with but not locally researched. Edward + period was dealt with but not locally researched. + Edward Mendelson edited Auden´s early works and wrote superb commentaries. There has been a biography of Chester Kallman. Writers of PhD theses have been out here and have shaken us up, particularly - Michael O´Sullivan of Trinity College, Dublin who - not speaking + Michael O´Sullivan of Trinity College, Dublin who - not speaking a word of German - organised a full-scale exhibition and an - international symposium in Vienna. The editor of this volume - Peter Müller had brought Michael out to see me at Friedau in the + international symposium in Vienna + . The editor of this volume + Peter Müller had brought Michael out to see me at Friedau in the preceding year; now he came again, and after the closure, exhausted, he spent a long weekend in the country to recover. We dug out ancient files containing original Auden manuscripts, @@ -213,39 +230,48 @@ for any purpose, even commercially.

it seemed to us all that there remain certain aspects of Auden´s life in Lower Austria which are not on record, or where they are, not from the worm´s eye view. As an older man he was happier - here than anywhere else: he felt at home. He was at Kirchstetten + here than anywhere else: he felt at home. He was at Kirchstetten + + not only during the summer, ias is often said, but with interruptions for five months, depending on his engagements. - In the course of these years he was still highly productive + In the course of these years he was still highly productive + creative. So that it might, we thought, be of value to put some of those things on record which would otherwise be lost. Not for the first time self.-criticism was expressed, but while doubts - concerning self-importancesand sell-out of firiendship were not + concerning self-importance + s + and sell-out of firiendship were not entirely banished, the view prevailed that the local witness needs to be put on paper. Scholarship is at work elsewhere; here a few appendices and footnotes are on offer. - Auden´s opinions on biographies of creative artists in general + + Auden´s opinions on biographies of creative artists in general were, as Humphrey Carpenter pointed out, highly contradictory. Again and again he said that the private life of poets and other people engaged in creative work is none of the public´s business - but he also said:´`The biography of an artist, if his life as a whole + but he also said:´`The biography of an artist, if his life as a whole + was sufficiently interesting, is permissible, provided that the biographer and his readers realise that such an account throws no light whatsoever upon the artist´s work." And "I do believe, however, that, more often than most people realise, khis works may throw light upon his life."

-

- 1 Humöphrey Carpenter: W.H. Auden, a Biography (Houghton Mifflin +

+ 1 Humöphrey Carpenter: W.H. Auden, a Biography (Houghton Mifflin + Company, Boston 1981.)

-

- - 2 - +

+ - 2 -

-

- Carpenter´s book calls itself "a first biography", and the +

+ + Carpenter´s book calls itself "a first biography", and the author expressly restricts his aims: "It is not a work of literary criticism". It may also be felt to lack an analysis of some fundamental questions: about the depths of the poet´s personality, @@ -255,7 +281,8 @@ for any purpose, even commercially.

presents ansd comments on the poetry, drama and prose up to 1939 is most valuable, and Edward Mendelson will produce further works of scholarship. - What would Wystan Auden say if he could read "Auden in Love" + What would Wystan Auden say if he could read "Auden in Love" + by Chester´s old collaege friend and last-minute stepmother Dorothy J. Farnon?2 In July 1985 the Sunday Times published a list of recommended holiday books reading. The assessment of "Auden in @@ -264,50 +291,57 @@ for any purpose, even commercially.

irrelevance of the poet´s private self, and asked him one day: "So no rotting apples in the desk drawer?" "No, no rotting apples "And if you have an attack of the trots and interrupt your work?" - "That would make no difference at all." Chester´s sole explanatio + "That would make no difference at all." + Chester´s sole explanatio + was that it was "a tick like any other", and that in any case he was totally inconsistent. Be that as it may, if the effect on the general public was judged as emetic, Auden´s nausea can be imagined. All the same, it is a fascinating book, and for people - who knew the two men only in rthe later years of their lives, does thro + who knew the two men only in rthe later years of their lives, does thro + light on apparently conflicting phenomena and makes their actions, and Chester´s character in particular, more comprehensible. - When Auden first met Kallman he was just 32 and already a poet + When Auden first met Kallman he was just 32 and already a poet with an established reputation, respected and even revered on - many a campus. Kallman was an 18 year old undergraduate, + many a campus. + Kallman was an 18 year old undergraduate, brilliant, beautiful, focasllpoint and leader of a crowd of young intellectuals of both sexes. He was a Dorian Grey figure, sparklingaand damned, hero and victim, immature and over-ripe, sensitive and heartless, a man capable of loving and of being

-

+

1Edward Mendelson: Early Auden, Faber and Faber 1981. Also: - W.H. Auden: Collected Poems, ed.by E.Mendelson, Faber 1976, and - The English Auden, same Editor, Faber 1977. + W.H. Auden: Collected Poems, ed.by E.Mendelson, Faber 1976, and + The English Auden, same Editor, Faber 1977. 2Dorothy J Farnon: Auden in Love. Simon & Schuster, NY, Faber London 1 -

+

-

- - 3 - +

+ - 3 -

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+

loved but who was already - though Auden did not know it - - adddiicted to promiscuity. In literature and music his knowledge + adddi + icted to promiscuity. In literature and music his knowledge was, for his age, above average, but when important examinations loomed a kind of petulant mood would come over him and he would fail to appear. - Chester never wanted to earn his living, and all his life he was + + Chester never wanted to earn his living, and all his life he was + supported financially by other people, particularly by Auden. He usually promptly lost what he was given because he was perpetually being robbed by seöamen picked up on the wharfs of - New York. By one of them he was robbed of three months´ income + New York. By one of them he was robbed of three months´ income in succession. Or else he gave it away: no matter what actually happened, the money left his pocket. - The scene shifts to a flat in the Esslingasse in Vienna´s + The scene shifts to a flat in the Esslingasse in Vienna´s 3rd District, where Kallman once spent the winter. He gave a - party one evening, and afterwards I took two or three of the men + party one evening, and afterwards I took two or three of the men part of tiheir way home in my car. When Chester told me later on that the msan who, as it chanced, had been sitting beside me, had gone off with 2,000 schillings taken out of the pocket of a @@ -316,31 +350,40 @@ for any purpose, even commercially.

ultimately, he took with him to Athens 80,000 sch. in cash (proceeds of the sale of a building plot) and lost it all on the way, this mishap was almost a foregone conclusion. - That the sexual relationship between Auden and Kallman + That the sexual relationship between Auden and Kallman + ceased as far back as 19541 is well known: from that time on - there is evidence in the poetry - sex and love became, for Auden, towo separate matters. He felt married to Chester (when he was - not Mother) for the rest of his life, and he wrote that Chester + not Mother) for the rest of his life, and he wrote that Chester + was the only person who, emotionally and intellectually, was wholly indispensable to him. - Like it or not, this statement has to be accepted with all + Like it or not, this statement has to be accepted with all the weight it carries. It was never possible, even in the - Austrian era, to keep Chester in purdah for long, and when there - was a visitor from Athens at Hinterholz 6 there could be tension. - Auden gave orders to Yannis Boras in the abrupt tones of a + Austrian era, to keep Chester in purdah for long, and when there + + was a visitor from Athens at Hinterholz 6 there could be tensio + + n. + Auden gave orders to Yannis Boras in the abrupt tones of a colonial Englishman of yore speaking to the "boy", and when I - asked one day at lucnch: "Where is, er....?" he said with a + asked one day at lu + c + nch: "Where is, er....?" he said with a

-

- - 4 - +

+ - 4 -

-

+

smirk of satisfaction: "I sent him up on to the roof to mend tiles." But fundamentally nothing had changed between them: this explains - hisAuden´s intense anxiety over the death of Boras in a car accident in - Lower Austria, and his fear communicated itself to me as I searched + his + Auden´s intense anxiety over the death of Boras + in a car accident in + Lower Austria, and his fear communicated itself to me as I searched for Chester in Vienna. It was nearly Christmas, what on earth would become of him, distraught and alone? (He had in fact not goenne to Austria after all, but had not let Auden know.) There @@ -348,110 +391,127 @@ for any purpose, even commercially.

depression while Wyśtan had a full work programme, and when he told me he could hardly think how Chester would get through the summer1 this was indeed Mother speaking. - What was it in Chester Kallman that made him so entirely + What was it in Chester Kallman that made him so entirely indispensable to Auden? Perhaps the question is impossible to answer; some may hold it to be inadmissible, or attempts to find points of reference impertinent. Others again may find the whole - subject unappetising. But to anyone with an interest in psychology - in the processes of crewativity in general and in those of Auden + subject unappetising. But to anyone with an interest in psychology + + in the processes of crew + ativity in general and in those of Auden + in particular, there is no way of getting round this essential relationship. It may, after all, come to be seen as one of the most curious in the history of English literature. - In their love of music, of opera above all, Kallmannwas in - the lead. He was a minor poet who wrote because he needed to do so + In their love of music, of opera above all, Kallmannwas in + the lead. He was a minor poet who wrote because he needed to do so + but his output was slight. Yet in many spheres which were of - intense interest to Auden he had little, sometimes nothing to offer: + intense interest to Auden he had little, sometimes nothing to offer: + German literature (though Chester picked iup languages with uncommon facility; Wystan´s G spoken German was execrable but his compre- hension unerring), the history of cultures, religion and liturgy, - translation. When I was with them Wystan did not only most of the + translation. When I was with them + Wystan did not only most of the talking, but of the asking as well; his great charm lay in his alert interest in other people´s work, and he would draw one out on the odder backwaters of Austrian history. This side of him comes out in a letter dated 6 July 1970. When the historian Friedrich - Heer and YAuden, both entranced, struck sparks off one another all - afternoon, Kallman was silent. Kallman lacked Auden´s sensitivity + Heer and Y + Auden, both entranced, struck sparks off one another all + afternoon, Kallman was silent. + Kallman lacked Auden´s sensitivity to places and people, ot to the genius loci; perhaps it was just that he was an American, and a New Yorker, while Auden never

-

+

1 refers to 1976 text.

-

- - 5 - +

+ - 5 -

-

+

lost his roots in Europe. - On his own ground, operatic libretti, Chester Kallman was + On his own ground, operatic libretti, Chester Kallman was still in good running order, and when the Rake´s Progress was put on in Vienna he wrote a letter to Die Presse protesting sharply - overagainst the cuts which had been made by the producer. But of that + overagainst the cuts which had been made by the producer. But of that conversational brilliance which old friends have described there - was little sign. A scene comes to mind: Auden was away, and Chester + was little sign. A scene comes to mind: Auden was away, and Chester + asked me to meet him for lunch at a restaurant off the Kärntner- strasse. A young man whose background clearly lay somewhere within the crime belt near the Prater was with him, and soon the youth sand I were engrossed in conversation, while Chester feeling out of it, sulked. Immediately after coffee it seemed best to - leave them. Chester´s intelligence and wit had not deserted him + leave them. + Chester´s intelligence and wit had not deserted him but they had too little scope, and, perhaps owing to his carp-like appearance, he was liable to be underestimated. He was good-natured, in course of time even affectionate, hospitable and amusing. He looked after Auden devotedly and we know that he was able to banish - Auden´s loneliness as no one else could. His misfortune was that + Auden´s loneliness as no one else could. His misfortune was that he lacked those qualities which Auden possessed and which decide between success and failure. - It cannot, all the same, have been easy living on a long-term + It cannot, all the same, have been easy living on a long-term basis with Auden in New Yowrk while attempting, even though fitfully, to develop his own personality and talents. Putting up with Auden´s fads, his insistence on punctuality and the rigid routine was one thing; to grow up, to mature in the shadow of this oversized tree was another. There was not enough light. So he fled, but without Mother there was no way he could live at all. - It is essentiasll, in the light of what happened later on, to + It is essentiasll, in the light of what happened later on, to remember Auden´s generosity. His biographer mentioned the two boys whose further education was financed by Auden: I can confirm this as we lived next door to them for a few years. They were the sons of an artist; both made rapid careers in industrial management. But - there were other examples. Wystsan had telephoned and asked me to + there were other examples. + Wysts + an had telephoned and asked me to meet him and Chester at the Operncafé - the much-missed café- restaurant next to the Opera, now a car salesroom. They were waiting for Balanchine to join them after the performance, but we waited in - vain and fiknnally gave up and went home. There was a fourth at our + vain and fikn + nally gave up and went home. There was a fourth at our table, a silent young man who, Chester said in an undertone, was - a student of technology and Wystsaan was helping with his studies. + a student of technology and Wystsa + an + was helping with his studies.

-

- - 5a - +

+ - 5a -

-

+

It turned out that he lived not far from my flat so we drove off together, and he suddenly broke his silence to ask: "Who is this Professor Auden - is he well known?" - There was a brief flurry after the 1968 uprising in - Czechoslovakia. Towards the end of Auden´s summer residence at + There was a brief flurry after the 1968 uprising in + Czechoslovakia + . Towards the end of Auden´s summer residence at

-

- - 6 - +

+ - 6 -

-

- Kirchstetten the question cropped iup whether he would be willing +

+ Kirchstetten the question cropped iup whether he would be willing to lend the house to a Czech refugee and his wife. By mid- October Auden was in England, and he wrote from London, c/o - Heyworth, 32 Bryanston Square: + Heyworth, 32 Bryanston Square:

-

+

Dear Stella, Got back from Oxford yesterday and found your letter waiting. 1) I think I ought to take the couple in, but I mkust leave it to you to decide whether they are O.K. If they are, all rooms, including my study (which can´t be - heated) are open to them. 2) How mkuuch money will they need + heated) are open to them. 2) How mku + uch money will they need to keep going? And how shall I make the arrangements for payment. 3) Will they be able to find work or emigrate before I return in April, when I´m afraid there will not @@ -459,38 +519,47 @@ for any purpose, even commercially.

gas cylinders for cooking from Neulengbach, since, presumably, they have no car. I expect someone in the village will help. 5) If and when they come, I must know in advance so that I - can write a note to the Burgomaeister..." (sic). + can write a note to the Burgom + a + eister..." (sic).

-

- In the end nothing came of öit, but the letter is quoted +

+ In the end nothing came of ö + it, but the letter is quoted here because it is so characteristic; the follow-up is even more so.

-

- 77 St. Mark´s Place Nov 6th - NYC +

+ + 77 St. Mark´s Place + Nov 6th + + NYC NY.1003 +

+

+ Dear Stella, + Many thanks for your letter. Of course, + selfishly, I´m rather relieved. How horrid + one is! + The U.S. is grim. + Love, + + Wystan.

-

- Dear Stella, - Many thanks for your letter. Of course, - selfishly, I´m rather relieved. How horrid - one is! - The U.S. is grim. - Love, - Wystan. -

-

- Great generosity (these facts, even separately, are known +

+ Great generosity (these facts, even separately, are known to no more than two or three people) ed existedcombined in Auden´s character quite readily with his legendary stinginess in the small things of everyday life such as stamps or cigarettes. - "Life" magazine, he told me one day with a beaming smile, had - just paid him 5,000 dollasrrs for an article. "I´m thinking + "Life" magazine, he told me one day with a beaming smile, had + just paid him 5,000 dollasr + rs for an article. "I´m thinking of building on a diningroom." "Very good idea" I said, "but for a start I shall smoke your cigarettes for the rest of the afternoon." I very much doubt whether I did. On the other - hand he would order things to be sent out from Vienna awithout + hand he would order things to be sent out from Vienna + awithout a second thought. After his car accident he sent me a message and I drove out to Kirchstetten. He was dishevelled and cross. It´s a curious thing, he said, but the first chap you see who @@ -498,17 +567,17 @@ for any purpose, even commercially.

-

- - 7 - +

+ - 7 -

-

+

the doctor but the man from the accounts officde who wants to know how you propose to pay for your treatment. No, he said, he didn´t really need anything and Chester would arrive shortly, but he was running out of gin. If I´d be an angel and ring up Wild on the Neuer Markt and ask them to send a few bottles out - he told me the brand name - that would be splendid. - When the friendly voice on the end of the line had repeated + When the friendly voice on the end of the line had repeated the order Iöasked when they would be making their next delivery in the area around Kirchstetten. "Oh but we never deliver out there" said the voice, "We make a special trip for the Herr @@ -516,14 +585,17 @@ for any purpose, even commercially.

cost him a packet - you can buy that brand of gin in Böheimkirchen!" "Certainly you can" said the voice which now sounded amused, "but why do we have to worry our heads over the way a Herr - Professsor flings his money around?" I liked the "we". - What was so American about the kitchen? - When fitted kitchens first came in the Austrians callesdd + Professs + or flings his money around?" I liked the "we". + What was so American about the kitchen? + When fitted kitchens first came in the Austrians callesdd + them "American" - the term is now as exdtinct as "Russian" tea but mkust still have been common parlance in Kirchstetten. - There was a tidy line-up consisting of fridge, sink, low + There was a tidy line-up consisting of fridge, sink, low cupboards providing a good working surface,,a corner fcupboard - the interior of which sxwung out, and a gas stove. Both men were + the interior of which sxwung out, and a gas stove. + Both men were very proud of the kitchen and it became Chester´s habitat. But the whole point of a modern kitchen: the labour-saving working area, ample storage space, accessibility, was totally @@ -532,43 +604,49 @@ for any purpose, even commercially.

to hand, which meant that nothing was ever put away, and where his loving eye saw method, even the least fussy visitor could only see a shambles. But an interesting shambles owing to the - exotic nature of the preserved foods and spices which Chester + exotic nature of the preserved foods and spices which Chester + brought with him. There was a for example a dried leaf which, detected by me in a casserole, was said to have no flavour but to serve as a stimulus or bridge to other flavours. - It was clear from the beginning that the two of them were + It was clear from the beginning that the two of them were not so much drinking as eating their way into their graves iowing

-

- 1 Wystan Auden, AOn Installing an American Kitchen in Lower +

+ 1 + Wystan Auden, A + On Installing an American Kitchen in Lower Austria, in Homage to Clio, (Faber and Faber 1960).

-

- - 8 - +

+ - 8 -

-

+

to the enormous fat content of some of the dishes. I remember - my horror as I watched a sauce being prepared in the mixer before + my horror as I watched a sauce being prepared in the mixer before + it was re-heated to accompany the roast duck. It consisted of equal parts of rendered down duck vfat and cream, and would have sustained a miner at the cola coal face for an indefinite period of time. If they could possibly helpiit, of course, neither - Wystan nor Chester ever walked a yard. + Wystan nor Chester ever walked a yard.

-

- Whether or not - and Chester was convinced that this was so - +

+ Whether or not - and Chester was convinced that this was so - the business about alleged arrears of income tax shortened Auden´s life must be left open. The "Declaration" to the tax authorities in which a great poet patiently explains how poetry comes to be written must be unique and deserves a place in the history of literature.

-

- Declaration.1 +

+ + + Declaration.1 Gentlemen, - My position is very simple: one pays income tax where one + My position is very simple: one pays income tax where one earns money, that is to say in my case, as a writer writing in English, in the United States and in England. In Austria I earn not one groschen, I merely spend schuillings. @@ -578,123 +656,155 @@ for any purpose, even commercially.

to Austria because I can only work in Austria!" But that is not the case. I have lived in many places in many different countries and was always able eto work wherever I might be. - I naturally have a "pöeersonal" interest in Austria, otherwise + I naturally have a "pöe + + ersonal" interest in Austria, otherwise I should not come here. The landscape is pleasing, and I find the Austrians whose acquaintance I have made, friendly ansd charming. - You say correctly that I once received nan Austrian prize - for lieterature. This was a great honour of which I am very + You say correctly that I once received + n + an Austrian prize + for lieterature. + This was a great honour of which I am very proud. You cannot however serioiusly believe, Gentlemen, that I calculated: "If I continue to go to Austria maybe I shall be given a prize"? Until it was awarded to me I had never heard of thethis prize. It is equally clear that I cannot receive it a

-

+

1Translation from the German text which is a manuscript, not a letter. An English original is not known to exist and it is assumed that Auden destroyed his draft.

-

- - 9 - +

+ - 9 -

-

- second time. You also go on to say that a road in Kirchstetten +

+ second time. You also go on to say that a road in Kirchstetten + has been named Audenstraße after me. That was a very kind gesture on the part of the local council, but it cannot be maintainesdd that I profit from it ifinancially. - Further, you say with truth that I have written several poems - in A withojn Austrian themes. To this I would like to make three + Further, you say with truth that I have written several poems + in A + witho + j + n Austrian themes. To this I would like to make three statements.

-

- 1. I have never, in Austria, received so much as one - penny for my poems. One or two of them have been trans- - lated into German, but in these cases the translators have - received the money, not I. - 2. I believe you are not clearly aware how poetry comes - to be written. What is generally taken to be the subject - matter is only a viewpoint, an occasion whereby certain - thoughts about nature, God, history, mankind etc. may be - expressed which the poet may have had in mind for a very - long time. I wrote, for example, a poem to commemorate the - 20th anniversary of the death of Josef Weinheber. - Fundamentally however the poem is concerned with quite - different things. First of all it is about the love - which every poet, whatever his nationality, has for his - mother tongue, and secondly about what happened after the - war in the countries which were defeated, i.e. not only - in Austria but in Germany and Italy. Again: in 1964 - I wrote a poem with the title "Whitsunday in Kirchstetten" - because it was where I happpened to be. But the place is - unimportant. In realtity the question in this poem is - what, for a Christian, is the meaning of the Feast of - Pentecost. And this is valid for all countries in the - same way. - 3. I believe you do not clearly recognize a poet´s (Dichter) - financial skituation. If he is sucecessful, a novelist - can ma,ke a good deal of money. A poet (Lyriker) cannot, - even if he is very well known, because he is only read - by a minority. By far the greater part of my income - comes not from the sale of my volumes of poetry but from - book reviews, translations, lectures etc., activities - which have nothing to do with Austria. Amnd while we are +

+ 1. I have never, in Austria, received so much as one + penny for my poems. One or two of them have been trans- + lated into German, but in these cases the translators have + received the money, not I. + 2. I believe you are not clearly aware how poetry comes + to be written. What is generally taken to be the subject + matter is only a viewpoint, an occasion whereby certain + thoughts about nature, God, history, mankind etc. may be + expressed which the poet may have had in mind for a very + long time. I wrote, for example, a poem to commemorate the + 20th anniversary of the death of Josef Weinheber + . + Fundamentally however the poem is concerned with quite + different things. First of all it is about the love + which every poet, whatever his nationality, has for his + mother tongue, and secondly about what happened after the + + war in the countries which were defeated, i.e. not only + in Austria but in Germany and Italy. Again: in 1964 + I wrote a poem with the title "Whitsunday in Kirchstetten" + + because it was where I happpened to be. But the place is + unimportant. In realtity the question in this poem is + what, for a Christian, is the meaning of the Feast of + Pentecost. And this is valid for all countries in the + same way. + 3. I believe you do not clearly recognize a poet´s (Dichter) + financial skituation. If he is suce + cessful, a novelist + can ma,ke a good deal of money. A poet (Lyriker) cannot, + even if he is very well known, because he is only read + by a minority. By far the greater part of my income + comes not from the sale of my volumes of poetry but from + book reviews, translations, lectures etc., activities + which have nothing to do with Austria. Am + nd while we are

-

- - 10 - -

-

- on the subject of translation:s you rightly say that - I have a great intrerest in German and Austrian literatur - I may add in music as well - but I do not have to come - to Austria in order to read or to hear them. - You see ferorom all the above this that the arguments brought +

+ - 10 - +

+

+ on the subject of translation + : + s you rightly say that + I have a great intrerest in German and Austrian literatur + + I may add in music as well - but I do not have to come + to Austria in order to read or to hear them. + You see fero + rom all the above this that the arguments brought forward by you for subjecting me to payment of income tax are not valid. The most pertinent argument against it is that in the - course of one year I always stay under six months in Austrisaaa + course of one year I always stay under six months in Austrisa + aa + + and never spend more than three months here consecutively. - A word in conclusion: if this in my view entirely unjustifiable + A word in conclusion: if this in my view entirely unjustifiable nonsense does not cease, I shall leave Austria never to return, which would be very sad for me and perhaps too for the shopkeepers - iof Kirchstetten. One thing, Gentlemen, I cannot conceal from you: + iof Kirchstetten. One thing, Gentlemen, I cannot conceal from you: if this should happen it mkight give rise to a scandal of worldwide dimensions. - W.H. Auden. + + W.H. Auden.

-

+

1 You ask why I have made over my half of our property in - Kirchstetten to Mr Chester Kallman who is not related to me. - Mr Kallman is my heir. I have no children and for years past - he has been my literary collaborator. sJointly, we have written + Kirchstetten to Mr Chester Kallman who is not related to me. + Mr Kallman is my heir. I have no children and for years past + he has been my literary collaborator. + sJointly, we have written five new opera libretti, "The Rake´s Progress, "Elegy for Young Lovers", "The Bassarids_" and "Love´s Labours Lost". And together we have made new translations of "The MagiccFlute", - "Don Giovanni", "Die Sieben Todsünden", "Mahagonny" and - "Archifanfaro". I am now 65 years old and must reckon with all + "Don Giovanni", "Die Sieben Todsünden", "Mahagonny" and + "Archifanfaro". I am now 65 years old and must reckon with all eventualities such as a heart attack. As you know better than I, in the event of sudden death great difficulties arise for the heirs to landed property, particularly in a foreign country.

-

+

1 The German text was typed on a different machine, and the - separate page joined to the DdDeclaration. + separate page joined to the + + D + + + + dD + + eclaration.

-

- - 11 - +

+ - 11 -

-

- "Every day fpor the past year" said Chester "I have stood +

+ "Every day fpor the past year" said Chester "I have stood outside his door in the early morning, afraid to go in." - This was later. Now, Auden was dead, the voice issuing + This was later. Now, + Auden was dead, the voice issuing from the car radio had just said so. A few days ago we had - talked about his reading in the Society for Literature on 28 + talked about his reading in the Society for Literature on 28 September. Unfortunately, I said, I was obliged to drive to - Linz and to spend the nkight there, but they were welcome to use + Linz and to spend the nkight there, but they were welcome to use my Vienna flat. It was maddening and I would just as soon put it off. No, said Auden, mustn´t do that, one should stick to one´s commitments. "And you won´t be missing much" he @@ -704,8 +814,15 @@ for any purpose, even commercially.

On 24 September he wrote a note to say that he did not need the flat, he would go to the Hotel Altenburgerhof. The handwriting is ragged. - Linz already lay far behind, the car radio went on mkuttering - to itself unheeded until the familiar voice of Friedrich Heeerrre + + Linz already lay far behind, the car radio went on mkuttering + to itself unheeded until the familiar voice of Friedrich Heee + r + r + + re + + came through, reading one of his book reviews. It was consoling in a world where, suddenly, a signpost was missing. Wjhat are you howling about, I asked myself, what gives you the right to @@ -713,7 +830,7 @@ for any purpose, even commercially.

think of Chester: it was not so much a question how much he would grieve over the death of Wystan, as how he would survive at all. Leaving the autobahn at St.Pölten I drove straight to - Kirchstetten; it seemed to be just possible that he might have + Kirchstetten; it seemed to be just possible that he might have arrived in the meantime. But the green shutters were closed and there was no one about apart from the wall-eyed dog, an exceptionally hideous mongrel belonging to Frau Strobl, which @@ -721,70 +838,90 @@ for any purpose, even commercially.

beside me while I wrote a note and stuck it in the chink between the door´s shutters, and he was still barking as I shut the garden gate behind me. - The answer to my note was a telephone call from Frau Strobl: - Herr Kallman said, would I come over to tea the next day? - That was the Sunday. + The answer to my note was a telephone call from Frau Strobl: + Herr Kallman said, would I come over to tea the next day? + That was the Sunday.

-

- -12- +

+ -12-

-

- The sittingroom seemed to be full of people. -Chester was +

+ The + sittingroom seemed to be full of people. + - + Chester was sitting on the corner-seat facing the door, where Auden always used to sit, every seatchair appeared to be occupied and two young - men were sitting in the back on the floor. Chester hurried + men were sitting in the back on the floor. + Chester hurried across the room, hugged me and said "The whole thing´s terrible, you have to help me." - I was introduced to the others. Mrs. Thekla Clark and her + I was introduced to the others. + Mrs. Thekla Clark and her daughter had come up from Florence as soonaas tehey heard the news; there was Frau Maria Seitz, headmistress of the high school; - in Kirchstetten, the mayor Herr Enzinger Herr Enzinger the mayor + in Kirchstetten, the mayor Herr Enzinge + r Herr Enzinger the mayor of Kirchstetten, athe film scriptwriter Adolf Opel, and the young men. Clearly, the meeting to discuss the funeral arragngements was - not proceeding smoothly. The mayor looked annoyed, Frau Seitz + not proceeding smoothly. The mayor looked annoyed, Frau Seitz + looked worried and Mrs Clark bewildered. There were, of course, - language difficulties. Mayor Enzinger spoke not a word of - GEnglish and the Clarks no German, while the headmistress had a + language difficulties. + Mayor Enzinger spoke not a word of + + G + English and the Clarks no German, while the headmistress had a certain command of English but did not feel up to acting as - interpreter and adviser in one; Chester´a German was perfectkly + interpreter and adviser in one; + Chester´a German was perfectk + ly adequate. - The root of the problem lay on a deeper level, where two - separate cultures collided head on. Chester was barely coherent, + The root of the problem lay on a deeper level, where two + separate cultures collided head on. + Chester was barely coherent, but he managed to explain his point of view. He loathed, from the bottom of his hearteverything in the way of pompes funèbres. - He wanted to bury Audsen, he said, quietly and privately and, if + He wanted to bury Auds + en, he said, quietly and privately and, if it could possibly be managed, on Tuesday. He had already informed - Wystsan´s brother Dr. John Auden, Stephen Spender and oosthers + Wystsan´s brother Dr. John Auden, Stephen Spender and oosthers of the arrantgements and asked them to arrive, if not tomorrow, then on Tuesday morning at the latest. On the other hand the mayor of Kirchstetten, he went on, wanted to lay on a really big show with brass bands and all the rest of it, and what was more on the Saturday to give as many people as possible the chance to - come. The Ministry of Education and the provincial council of - Lower Austria were to be represented, and as the last straw the + come. + The Ministry of Education and the provincial council of + Lower Austria + were to be represented, and as the last straw the hearse was to drive iup to the house. He would not allow any of this, he said: "I can´t bear it and I won´t have it." - Mayor Enzinger drew a deep breath. The first thing we haed + + Mayor Enzinger drew a deep breath. The first thing we haed to realise, he pointed out, was that the body had not yet been

-

+

-13-

-

+

released by the authorities. In all cases where the cause of death is not wholly clear certainkformalities are obligatory, and even intervention at a high level would not work miracles. Everything - takes time. And how could anyone expect it of him, the Bürgermeister, + takes time. And how could anyone expect it of him, the Bürgermeister + , + that he should refrain from notifying the Ministry and the Cultural department of the Council of the edeath of Professor _Auden ?It was as much as his job was worth. Now Frau Seitz spoke. The inhabitants of Kirchstetten, she believed, would hardly bury a dog in the manner proposed by Herr Kallman, let alone a great poet. - Chester Kallman´s position was entirely comprehensible - to + + Chester Kallman´s position was entirely comprehensible - to some of us. To him, an EAmerican of Jewish origin and a non-believer, the whole pomp and circumstance of a traditional Austrian funeral was abhorrent. Where prominent personages are concerned, there @@ -794,7 +931,7 @@ for any purpose, even commercially.

their horns and wish him good hunting in the Elysian fields. To Chester´s mind such folksy rituals were as foreign as the burial rites of the Incas. He did not know that not very long ago in - Lower Austria, Auden as a bachelor would have been accompanied in + Lower Austria, Auden as a bachelor would have been accompanied in the funeral procession by a "bride" dressed in white. He was unable to understand that his intentions were an intolerable affront to the population of Kirchstetten. In his despair, it certainly @@ -804,53 +941,67 @@ for any purpose, even commercially.

by a hearty meal at the inn where he had so often atehad his liunch. As it turned out, Chester got no marks in local opinion for this finale either, as the meal consisted of Leberkäs with vegetables: - This consisted of fried slices off a loaf of a flabby substance which is neither liver nor cheese related to the + This consisted of fried slices off a loaf of a flabby substance which is neither liver nor cheese related to the Frankfurter sausage. It is a homely, juicy meal all too familiar to every Austrian; abnd it is - cheap.n There would be mkuc much talk of this also after all was over + cheap.n There would be mkuc much talk of this also after all was over + For their part, the local people were forgetting that Chester was probably in financial straits - not that this would have been taken as an excuse. - For a moment the discussion had come to a standstill. - XTThe young men who took no part in it and conversed in whispers, + For a moment the discussion had come to a standstill. + XTThe young men who took no part in it and conversed in whispers,

-

- - 14 - +

+ - 14 -

-

+

fetched more beer, Frau Strobl walked in and out and rolled a baleful eye on us as she spoke into Chester´s ear. - The points at issue were not only When and How Much; there + The points at issue were not only When and How Much; there was also the matter of the church service and the prayers at the graveside. Many people in Akustria had assumed Auden to be of the - Roman Catholic faith; he had of course remained a:smember of the - Anglican and Episcopalian churchees. The misunderstanding arose + Roman Catholic faith; he had of course remained + a + :smember of the + Anglican and Episcopalian churche + e + s. The misunderstanding arose from his regular attendance at mass in the parish church and his friendly relationship with Father Lustkandl, the parish priest - referred to in "Whitsunday in Kirchstetten". Auden asked - Lustkandl´s sucessor for permission to be buried in the churchyard, - and his wish was accedeod to. Evidnently, Tthe next logical thing to do, then, + referred to in "Whitsunday in Kirchstetten". + Auden asked + Lustkandl´s sucessor for permission to be buried in the churchyard, + and his wish was accedeo + d to. Evidnently, + Tthe next logical thing to do, then, was to approach the chaplain to the British Embassy in Vienna,´ the Revd. Bruce Duncan, and ask him to officiate. What form of service this should be - there could be no question of a funeral mass - left everyone present at a loss. We agreed at last that it ought to be some kind of ecumenical ceremony held jointly by the two clergymen, but that first of all, the plan must be put - before DDr John Auden. - At this juncture Chester Kallman withdrew his insistence on - an all too early funeral. the impossibly early date for the + before + D + Dr John Auden. + At this juncture Chester Kallman withdrew his insistence on + an all too early funeral. + the impossibly early date for the funeral. The room had become much too warm, the oxygen was running out and Chester would not be able to stand much more pressure. The most urgent step objective waslquite simply to free him from our burdensome presence. Once everyone had agreed - that Auden´s relations must be told immediately that the funeral - ahhad been postponed, the moment had come to dissolve the meeting. - Mrs Clark undertook to telephone to London and Frau Strobl would - drive her to the Post Office. Chester asked me to talk everything + that Auden´s relations must be told immediately that the funeral + + ahhad been postponed, the moment had come to dissolve the meeting. + Mrs Clark undertook to telephone to London and Frau Strobl would + drive her to the Post Office. + Chester asked me to talk everything over with Frau Seitz and Herr Enzinger and reach definite concliu- - sions. We all stood up, Chester came across the room to me and + sions. We all stood up, + Chester came across the room to me and spoke in an undertone. He was completely exhausted, he said, he couldn´t stand much more. "I´ll do anything you want, you must just try to hold the others in check." Finally he said @@ -859,87 +1010,96 @@ for any purpose, even commercially.

-

- - 17 - +

+ - 17 -

-

+

the chief mourners. It was "he-whose-name-we-never-mention"; or if it was, Chester had said, Auden crossed himself. - At the lowest point in Kirchstetten where the roads divide + At the lowest point in Kirchstetten where the roads divide thr procession halted while the coffin was transferred from the hearse to a hand-drawn bier. At this point the Church took charge and the procession resumed its steady pace; photographs exist which were taken during the brief interval. - To British ears quite unremarkable, the ecumeniclaal service + To British ears quite unremarkable, the ecumeniclaal service + was much taoIked about in Akuustrian circles because nothing of the - kind had been known nbefore. The Revd. Bruce Ducncan, today Rector + kind had been known nbefore. The Revd. Bruce Du + c + ncan, today Rector of Crediton in Devon, can remember little more about the general - circumstances but confirms that he used the Book of Common Prayer - and the long reading from the first bookLetter of St.Paul to the + circumstances but confirms that he used the Book of Common Prayer + + and the long reading from the first book + Letter of St.Paul to the Coringthians, chapter 15, verses 20-58. Beyond that, all he recalls - is the hysterical behaviour is his difficulties with Chester. -

-

- Reaching for my Authorised Version, for surely no one would + is the hysterical behaviour is his difficulties with Chester. +

+

+ Reaching for my Authorised Version, for surely no one would have dared to use any other, on second thoughts I also took out the - New Testament as translated into German by Martin Luther. After + New Testament as translated into German by Martin Luther. After reading the English text through vedry slowly, and then a second time, I did the same with the Luthernan Bible and lost in thought compared the two, verse by verse. - "How nice to see you" said Auden who was sitting on one of the + "How nice to see you" said Auden who was sitting on one of the white garden chairs with the red covers, "it´s a bit einsam here. And I wanted to write and tell you that the technical word for - buddle is Erzwaschtrog. I hope there is an equivalent German + buddle is Erzwaschtrog. I hope there is an equivalent German euphemism for `senior citizen´. Oh and adit is stollen, and although I may be wrong, I guess concentrating mill is Vereinigungsmühle." - "What a mercy you´ve told me" I said, relieved. "I should have + "What a mercy you´ve told me" I said, relieved. "I should have to have dug up such frightful words in the British Council library. But do you think people will understand all that about the primary and secondary worlds, or will they get muddled?" - "It´s perfectly simple" said Auden. "The initial impulse to + "It´s perfectly simple" said Auden. "The initial impulse to create a secondary world is a feeling of awe aroused by encounters, in the primary world, with sacred beings or events." - "There is one glory of the sun" I heard myself say, "and + "There is one glory of the sun" I heard myself say, "and another glory of the moon, and another glory of the stars: for on

-

- - 18 - +

+ - 18 -

-

+

star differeth from another in glory." - "Ah" he said, "you´ve been reading Corinthians One, chapter 15. + "Ah" he said, "you´ve been reading Corinthians One, chapter 15. `Let us eat and drink; for tomorrow we die.´ Chester and I took that bidding rather too literally." - "Who would know where that familiar quotation comes from?" + "Who would know where that familiar quotation comes from?" I wondered. - "I would" said Auden. "I´ve been looking up the German text. + "I would" said Auden. "I´ve been looking up the German text. Have you ever compared the Authosrized Version with Martin Luther?" - "Funny you should ask that" I said. "It´s one of the things + "Funny you should ask that" I said. "It´s one of the things I forgot to talk to you about. `Be not deceived: evil,commkuunica- tions corrupt good manners.´ He renders that as `Lasset euch nicht verführen! Böse Geschwätze verderben gute Sitten.´" - "Very neat" said Auden happily. I like `evil chatter´ + "Very neat" said Auden happily. I like `evil chatter´ better than `commkunications´." - "The publishers" Isaid "have a rather heavy-handed way of + "The publishers" Isaid "have a rather heavy-handed way of printing the more quotable bits in bold-face. But in the next verse Luther seems to flounder. `Werdet doch einmal recht nüchtern und sündiget nicht!´" Do be a bit sober for once, he pleads. And - sin not. King James´s translators fancied that St Paul cried out - sS`Awake to righteousness!" - "Who knows what he really said." - "Luther´s language is very fine as he reaches the climxax: + sin not. + King James´s translators fancied that St Paul cried out + + + sS + `Awake to righteousness!" + "Who knows what he really said." + "Luther´s language is very fine as he reaches the climxax: `Siehe, ich sage euch ein Geheimnis... ´" - But Auden was speaking. "Behold, I shew you a mystery: + But Auden was speaking. "Behold, I shew you a mystery: we shall not all sleep, but we shall all be changed, In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.´" And with that he vanished. Now wide awake, I put the two books back on their shelf and settled down to re-type - Auden´s speech at Neulengbach. + Auden´s speech at Neulengbach.

-

+

Sehr verehrter Herr Landeshauptmann, Ladies and gentlemen: I hope you will pardon me if I speak somewhat personally. I do so, not out of vanity... diff --git a/data/amp-transcript__0029.xml b/data/amp-transcript__0029.xml index e9d3bd5..84f705f 100644 --- a/data/amp-transcript__0029.xml +++ b/data/amp-transcript__0029.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Notes Stella Musulin 1968-02-13--1968-02-14 - Musulin, Stella + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C322-F + https://hdl.handle.net/21.11115/0000-000E-C322-F +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 8 - 1968-02-13--1968-02-14 + + 1968-02-13--1968-02-14 + @@ -71,7 +87,6 @@ for any purpose, even commercially.

English - template populated with script "create_templates.py" @@ -99,40 +114,56 @@ for any purpose, even commercially.

-

- Lunch with W.H.A. at the Opern-Café on +

+ Lunch with W.H.A. at the + Opern-Café on 13th' Feb.1968 .

-

- Talk of awful impasse in Vietnam - War; W. so afraid of use of nuclear +

+ Talk of awful impasse in Vietnam + War; W. + so afraid of use of nuclear weapons that he can hardly bear to read or listen to the news , Feels US will have to get out;perhaps to - blame for the "Pueblo" affair & wars + blame for the + "Pueblo" affair & + wars in territorial waters. - may have to vote Republican, though - he's never done so before,because the + may have to vote Republican, + though + he's never done so + before,because the Democrats really have no one for - President. + President. + Says the Hippies are moving in on - his district. I asked what a hippy - does when he gets old; W, said thats' + his district. I asked what a hippy + does when he gets old; W + , said thats' What he asks them; too soon to tell . - Told him about Hundertwasser & + Told him about Hundertwasser + & + his naked protests. - I sSaid I was glad he had told + + I sSaid I was glad he had told British young people that L.S.D is a dead duck for creative workers . - W, told me at some length about - his trials of LSD &mescalin, + W + , told me at some length about + his + + trials of LSD &mescalin, + Point is that young people need to discover who & what they are .-

-

+

&L.S.D. doesn't tell them, its' a - passive effect in which there is some + passive effect in which there is some + alienation from self . You concentrate on things (chair, ceiling ),people become unimportant. s @@ -140,46 +171,52 @@ for any purpose, even commercially.

intolerable as the sounds lose their interrelation & form. Basically, you achieve a mild - degree of schizophrenia. Huxley + degree of schizophrenia. Huxley + did a lot of harm by publishing his experiences with mescalin, making people think it is - an artistic experience. W. + an artistic experience. W. + had to add colour effects . Awful story about young people having gone blind was invented - - quite untrue. He did it in + quite untrue. He did it in company with his doctor and they went round to local pub. Suddenly saw a postman waving - at him & thought "this is it.- + at him & thought "this is it.- + Later postman said " I waved at you , why didn't you answer?" -

+

-

- 2 -

-

+

+ 2 +

+

Talked with great enthusiasm about "Mayhew". Said this is the greatest work of the 19th' century . Has just reviewed new issue - in 4 Volumes in the New Yorker. + in 4 Volumes in the New Yorker + . Said how well it pays to do a lecture / reading tour. In 6 weeks he can clear 15,000 $. But it's "killing" - the social - lifeside which you can't skip. And + life + side which you can't skip. And if you do meet someone interesting your'e torn apart - after 2 or 3 minutes, - W. had flown over for 4 days + after 2 or 3 minutes, + + W. had flown over for 4 days to interview couple for Kirchstetten , - & had to return to N_Y. + & had to return to N_Y.

- \ No newline at end of file + diff --git a/data/amp-transcript__0030.xml b/data/amp-transcript__0030.xml index d7575ca..30285e9 100644 --- a/data/amp-transcript__0030.xml +++ b/data/amp-transcript__0030.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Copy Typed Letter Stella Musulin to Bruce Duncan 1985-11-29 - Musulin, Stella + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -43,7 +55,8 @@

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C323-E + https://hdl.handle.net/21.11115/0000-000E-C323-E +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,8 @@ - 1985-11-29 + 1985-11-29 Austria @@ -95,13 +109,19 @@
-
- +
+
- 29th November 1985. - The Revd. Briuce Duncan, + + 29th November 1985. + + The Revd. Br + i + uce Duncan, + +
The Vicarage, @@ -114,10 +134,15 @@

I am a more or less retired journalist and author, - and am working on a memoir of W.H. Auden´s years in Austria - when I got to know him very well. As he and Chester Kallman + and am working on a memoir of W.H. Auden´s years in Austria + + when I got to know him very well. As he and Chester Kallman + were used to involving me in domestic catastrophes of various - kinds, CtThester asked me to bring order into the chaos which so + kinds, + C + t + Thester asked me to bring order into the chaos which so often follows upon a deathöand in this case was acute because of the total lack of comprehension between the anglo-american side and the local Austrian authorities. Hence my approach @@ -130,11 +155,15 @@ ecumenical service - shall ISscall it that? in the church at Kirchstetten in October 1973, jointly with the parish priest?

-

- Do you recall the form of service used, and did John Auden - consult you about it? I simply cannot remember, and alshthough +

+ Do you recall the form of service used, and did John Auden + + consult you about it? I simply cannot remember, and al + + shthough there was a long and magnificent passage from the NT which I - could have sworn was from Corinthians, reading throutgh Cor.I & II + could have sworn was from Corinthians, reading throutgh Cor.I & II + nothing seems to ring the right bell. Then there was the burial service. I am told that the whole occasion aroused a great deal of interest here and was mukuch discussed: so normal to the @@ -145,19 +174,23 @@ life was a mess. But he was kind, generous and totally unpretenstious, and personally I was devoted to him. It is

- +

- my dim recollection that some verse or other in the Bible + my dim recollection that some verse or other in the Bible + reading might help me to describe that amazing mixture of awe-inspiring talent and high scholarship, wretchedness and squalor.

- Yours sincerely, - Stella Musulin. + + Yours sincerely, + + + Stella Musulin.
-
+
- \ No newline at end of file + diff --git a/data/amp-transcript__0031.xml b/data/amp-transcript__0031.xml index ffa20a0..f8d69ba 100644 --- a/data/amp-transcript__0031.xml +++ b/data/amp-transcript__0031.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Copy Typed Letter Stella Musulin to Edward Mendelson 1985-12-15 - Musulin, Stella + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C324-D + https://hdl.handle.net/21.11115/0000-000E-C324-D +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1985-12-15 + 1985-12-15 Fridau @@ -102,74 +116,87 @@ for any purpose, even commercially.

-
- +
+
- Fridau - A-3200 Obergrafendorf - bei St.Pölten, Austria. + + Fridau + A-3200 Obergrafendorf + bei St.Pölten, Austria. +
- 15 Dedcember 1985. + + 15 Dedcember 1985. Dear Ed,

The time has come to send out a signal to you from this - ancient, scandal-ridden, provincial dump. Peter Müller has + ancient, scandal-ridden, provincial dump. + Peter Müller has not been sleeping over his plan to edit a book on Auden´s time here, he has been writing books himself in addition to his full time profession. Now - you may know this - it is definite and the book is to come out in February 1987 in time for A´s 80th.

-

+

So he got me back to my desk, to, in his words, combine my English and German texts, and bring the whole thing up to date. "Write as fully as you can, double the length." I protested that a) I don´t wish to chatter more feebly than I have already, b) I am ancient and frail, also lazy, c) the - first MSS only approximate to each other while containing mkuch + first MSS only approximate to each other while containing m + + kuch the same material; their tone differs. But above all they have, whether bad or indifferent, a certain shape or form and you cannot just stuff more material into it which refers to things which hapepened subsequently. So we agreed that we would leave the texts to stand and that I would say, roughly, okay, that was how it looked then; what has happened since, what - is there still be said by us, who knew Auden in Kirchstetten + is there still be said by us, who knew Auden in Kirchstetten + in view of the fact that Carpenter did no research on this locations? For a long time the idea was only to write a German text, I mean that the book would be solt´ely German lnanguage production, and this I thought until quite recently. Suddenly, Peter bounced me with the comment that he would - "like an English version as well." I had thought my two texts + "like an English version as well." I had thought my two texts + were only to be combined and the sequel written in German. This presents technical problems. For example, and now my questions to you begin:

-

- We ihave here a copy of Auden´s declaration to the tax +

+ We ihave here a copy of + Auden´s declaration to the tax authorities. (I have been determined all along that this document should be published AND RIGHT HERE. Apart from making Them look stupid, it must be unique in literary history that a great poet should explain to the tax authorities how poetry comes to be written.) Do you have the English original, or where - is it; did it ever exist or was the German drafted by Auden + is it; did it ever exist or was the German drafted by Auden + and put together by, syay, his lawyer? Or could this have been done by whoever it was who wrote the prose version of the - Weinheber poem? I have that text which A. gave me, but there + Weinheber poem + ? I have that text which A. gave me, but there is no record of who wrote it. In my first drsaft of the talk - given at the PEN Club in London in 1976 I wrote: "I have the + given at the PEN Club + in London in 1976 I wrote: "I have the statement in German translation, so that what I am reading is my own re-translation back into English and not the original.

-

+

I should be very grateful if you could help me over the - address which Auden held at Neulengbach. I have the original + address which Auden held at Neulengbach + . I have the original English text which to my horror Auden asked me to translate: although capable of creative writing in German, to deal with this tough text was too mkuch and it was corrected by my husband. @@ -177,11 +204,12 @@ for any purpose, even commercially.

English text is so familiasrrto me that it deafens me to all or any sources. A digest of it is in the PEN text but I wonder

- - + + - 2 -

- to what extent Auden´s speech contains hitherto unknown material, + to what extent + Auden´s speech contains hitherto unknown material, if any. I said airlily that he had probably said iat asll before, in Secondary Worlds and so on, but this is not true. After a preamble the speech begins: @@ -190,7 +218,8 @@ for any purpose, even commercially.

my waking hours in the fabrication of a private secondary s sacred world, the basic elements of which were a) a limestone landscape mainly derived from the Pennine Moors in the North of - England and b) an industry - lead-mining. + + England and b) an industry - lead-mining. Irt is no doubt psychologically significant that my sacred world was autistic - that is to say I had no wish to share it with others ... and so on. @@ -201,28 +230,32 @@ for any purpose, even commercially.

of his moral duty to sacrifice his aesthetic princip preference to reality or truth.

-

+

If you like I can have the whole thing photo-copied and send it along, but you see what it´s about. I cannot believe - that Wystan chose Neulengbach to make a one-time-only + that Wystan + chose Neulengbach + to make a one-time-only statement of this length and weight, the idea is absurd and - the point of my quotation in my talk in 1976 was to show Auden + the point of my quotation in my talk in 1976 was to show Auden + in one aspect of his contact with the Austrians, not without a touch of hilarity. But this is not in Secondary Worlds, I have leafed through your Early Auden page by page and finkd no reference, nor can I find it anywhere else. Can you eliucidate?

-

- MYy worm´s eye view of the arrangements for the funeral +

+ MYy worm´s eye view of the arrangements for the funeral + goes iknto my new piece, and incidentally the contributions will be looked over by a lawyer.

-

+

Are you about to come out with a Middle Auden or whatever? If so it would be nice to know about it so I can refer to it.

-

+

The chaplain sto the British Embassy in Vienna gave me the name and addreess of the clergyman who took the service with the RC pasrish priest and I wrote to him to find oiuut´whether he @@ -231,7 +264,7 @@ for any purpose, even commercially.

in England such an ecumenical service was a novelty here and caused much comment.

-

+

How are you and what are you doing apasrt from teaching? I had a lot of illness, hospitals etc. but am now stablilised and am living now wholly in the country but am well looked @@ -239,19 +272,21 @@ for any purpose, even commercially.

which can be kept pretty well under control these days. My relations organised a splendid surprise party for my 70th birthday which went on all day, at breakfast I didn´t yet - know twhat lay ahead. My son plotted this and steered it from + know twhat lay ahead. + My son plotted this and steered it from New York but was there on the day. He built up the Austrian bank Creditanstalt-Bankverein in NY, and if ever you need to send me bulky papers or whatever - not that you will - contact him at 212-702-9101. His mname is Marko.

- Good health and success ijn 1986, + + Good health and success ijn 1986, -
- +
+ +
-
- \ No newline at end of file + diff --git a/data/amp-transcript__0032.xml b/data/amp-transcript__0032.xml index b3cd34d..de8c19d 100644 --- a/data/amp-transcript__0032.xml +++ b/data/amp-transcript__0032.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Aerogram Signed Edward Mendelson to Stella Musulin 1980-12-01 - Mendelson, Edward + Mendelson, Edward - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C325-C + https://hdl.handle.net/21.11115/0000-000E-C325-C +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 12 - 1980-12-01 + + 1980-12-01 + @@ -72,7 +88,6 @@ for any purpose, even commercially.

English German - Mendelson, Edward @@ -92,11 +107,14 @@ for any purpose, even commercially.

Musulin, Stella Mendelson, Edward - Typed Letter Signed Stella Musulin to Wolfgang Kraus 1977-04-05 - Aerogram Signed Edward Mendelson to Stella Musulin 1981-11-21 + Typed Letter Signed Stella Musulin to Wolfgang Kraus 1977-04-05 + Aerogram Signed Edward Mendelson to Stella Musulin 1981-11-21 - template populated with script "create_templates.py" @@ -119,18 +137,19 @@ for any purpose, even commercially.

-

- 39 Claremont Ave, apt 32 +

+ + 39 Claremont Ave, apt 32 New York NY 10027 USA +

+

+ 1 December 1980

-

- 1 December 1980 -

-

+

Dear Stella,

-

+

I just got back from a month in England to find your letter. I was rather worried as to how you were, and am delighted to hear that you're on the ascent after a "decline." I'm also abashed not to have @@ -139,7 +158,8 @@ for any purpose, even commercially.

the basics. First, there should be no need to repay any of the advance (I haven't spoken with Random House about this, except with an ill-informed assitant, but there shouldn't be any problem), and - second, I hope you haven't gone out of your way to work on the thing + second, I hope you haven't gone out of your way to work on the thing + again. The structure collapsed in two or three stages. First Lincoln Kirstein read the forthcoming biography by Humphrey Carpenter (not bad, not spectacularly good), and decided he didn't know enough Auden to @@ -148,11 +168,12 @@ for any purpose, even commercially.

He managed to persuade me, in September, that the book should at least be left to stew for a while. Then Spender finally sent in a first draft of his piece, which, between us, was a disaster. At this time - Charles Monteith had a look at it, and agreed. When I saw Charles + Charles Monteith had a look at it, and agreed. When I saw Charles + in London a couple of weeks ago, we formally let the thing drop, and I think he already wrote you about it.

-

+

I still think your piece is first-rate (the copyright is yours, by the way), and I hope you'll publish it, perhaps with a word or two of information from Christa Esders if that's possible. (Did you learn @@ -161,39 +182,42 @@ for any purpose, even commercially.

went to all this trouble for--up to now--nothing, and for many reasons I should like to see the piece in print.

-

+

No, I haven't got to Vienna for five years now, and couldn't afford a visit this year. Next summer, if my job is sorted out, I would very much like to come over again. This past summer I tried ringing you a few times at 4217175, but got no reply. Is that your number? Mine here is 212 222-0679 if there's ever a reason to need it.

-

+

Please do forgive me for the muddle over the book. And please do keep in touch. Incidentally I finished that critical book--to be published in the spring--after doing nothing but work on it for a year. My "summer" trip to England got postponed to November while I revised.

-

- Yours ever, +

+ Yours ever,

-

- Ed -

+

+ Ed +

-

- Edward Mendelson - 39 Claremont Ave apt 32 +

+ Edward Mendelson + + 39 Claremont Ave apt 32 New York NY 10027 -

-

- Frl Baronin - Stella Musulin - Schlösselgasse 8/17 +

+

+ Frl Baronin + Stella Musulin + + + Schlösselgasse 8/17 A-1080 Wien - Austria -

+ Austria +

- \ No newline at end of file + diff --git a/data/amp-transcript__0033.xml b/data/amp-transcript__0033.xml index ddd9225..00097d1 100644 --- a/data/amp-transcript__0033.xml +++ b/data/amp-transcript__0033.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Aerogram Signed Edward Mendelson to Stella Musulin 1981-11-21 - Mendelson, Edward + Mendelson, Edward - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C326-B + https://hdl.handle.net/21.11115/0000-000E-C326-B +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 13 - 1981-11-21 + + 1981-11-21 + @@ -72,7 +88,6 @@ for any purpose, even commercially.

English German - Mendelson, Edward @@ -92,11 +107,14 @@ for any purpose, even commercially.

Musulin, Stella Mendelson, Edward - Aerogram Signed Edward Mendelson to Stella Musulin 1980-12-01 - Typed Letter Signed Michael O'Sullivan to Stella Musulin 1984-05-31 + Aerogram Signed Edward Mendelson to Stella Musulin 1980-12-01 + Typed Letter Signed Michael O'Sullivan to Stella Musulin 1984-05-31 - template populated with script "create_templates.py" @@ -119,56 +137,76 @@ for any purpose, even commercially.

-

- 39 Claremont Ave, apt 31 - New York NY 10027 -

-

- 21 Novembeerr 1981 +

+ + 39 Claremont Ave, apt 31 + New York NY 10027 + +

+

+ 21 Novembeerr 1981

-

+

Dear Stella,

-

+

Delighted you got that EARLY AUDEN, and even more delighted you find - it worth looking into. As I suppose you've experienced yourself,Is it a universal experience among authors to + it worth looking into. + As I suppose you've experienced yourself,Is it a universal experience among authors to be surprised that someone actually reads one's book? I'm so familiar with the thing by now, and so aware of its deficiencies, that I wish I could recall the edition and rewrite the whole thing frombook from the start. Luckily, theaching, reviewing and miscellaneous annoyances keep the - mind elsewhere. One of those miscellaneous annoyances was a move + mind elsewhere. One of those miscellaneous annoy + + ances was a move from my odld flat to antother one on the same floor in the same building. The new address is up above, and the only change is in the apartment number. Phone number still 212 222-0679.

-

+

Yes, I saw the yougng man who was doing advance work froor Robert Robinson, - but haven't heard from him since July. I gather worthat work progresses, - though. There was an hour on Wystan on BBC Radio the other week--a + but haven't heard from him since July. I gather + worthat work progresses, + though. There was an hour on Wystan on BBC + Radio the other week--a "dramatization" with an actor reading the poems and lots of ominous - noises off. I'm told it was fairly dreadful, but perhaps the TV film + noises off. I'm told it was fairly dreadful, but perh + + aps the TV film + will be better. I saw quite a good one from the BBC on Benjamin Britten. - Its only fault--and I'm not sure this was a fault, given the usual tone + Its only fault--and I'm not sure + + this was a fault, given the usual tone of TV journalism--was an awed tone of worship.

-

- AEasy answers to important questions. Those two volumes fby and about - Auden sound very attractive. (Which publisher is interested?) The +

+ AEasy answers to important questions. Those two volumes + fby and about + Auden + sound very attractive. (Which publisher is interested?) The place to write for permissions is to the agents, specifically, to

-

- Maureen Walters - Curtis Brown Ltd - 575 Madison Avenue +

+ + Maureen Walters + + + Curtis Brown Ltd + + + 575 Madison Avenue New York NY 10022 USA -

-

+

+

Mention my name, and things will be easier. But they should be easy anyway.

-

- Now let me beg you for an easy answer. I've heard from att least two +

+ Now let me beg you for an easy answer. I've heard from att + least two different people that they had seen (or knew someone else who had seen) a German text of your Wystan memoir in print. Are they right, or are they confusing this with an occasion when you read it aloud (and it was @@ -177,57 +215,80 @@ for any purpose, even commercially.

it. Please, please tell me if you printed it, and if so, where. No need for a long letter: just a "No, calm down, I never printed it" or a "Yes, it appeared in such-in-such a journal" would be more than enough. This is - the one minor mystery of writings-about-Wystan I haven't been able to solve, + the one min + + or mystery of writings-about-Wystan I haven't been able to solve, so please do help.

-

- Have I told you nyany of my news? I'm now at Columbia University permanently, +

+ Have I told you + nyany of my news? I'm now at Columbia University permanently, if I want to be. I have a flat with a small guest room and bath--so please take note if you're in theis country for any reason. I have a lady friend, the first whom I expect to be with for a very long time, and we are quite happy about things in general. Next June we'll be in Europe, certainly in - Paris, possibly father south, talthough we may put off the southern trip + Paris, possibly father + + south, talthough we may put off the southern trip for another year or so. I haven't been across the Atlantic this year; too -

+

-

- Mendelson - 39 Claremont Ave, apt 31 +

+ Mendelson + + 39 Claremont Ave, apt 31 New York NY 10027 -

+

Redaktion 11-12. - Kronenzeitung.½ 2-5 - Morgen 1977. · - 1.Numer. Heft. -

-

- Frau Baronin - Stella Musulin - Schltösselgasse 8/17 + Kronenzeitung + + .½ 2-5 + + Morgen 1977. + · + 1.Numer. + Heft + . +

+

+ + Frau Baronin + Stella Musulin + + + Sch + + ltösselgasse 8/17 A-1080 Vienna Austria -

-

+

+

preoccupied, too broke, too much to do in New York to feel much of an - ipmpulse to get away. My years in New Haven always left me panting to + i + p + mpulse to get away. My years in New Haven always left me panting to get overseas, but now I feel at home again.

-

- Did you see Humphrey Carpenter's book on Wystan? Not bad, as biographies - go, but not very deep either. It seems to have most of the facts right, - which is something. Now a life of Chester is being written, by the woman - who recently married Chester's father, and who knew Chester since 1942. +

+ Did you see Humphrey Carpenter's book on Wystan + ? Not bad, as biographies + go, but not very deep either. It seems to have most of the facts right, + which is something. Now a life of Chester + is being written, by the woman + + who recently married + Chester's father, and who knew Chester since 1942. Full of surprises and purple passages; Chester would be pleased, I think, although I don't like to imagine how Wystan would have taken it.

-

+

Affectionately,

-

- Ed -

+

+ Ed +

- \ No newline at end of file + diff --git a/data/amp-transcript__0034.xml b/data/amp-transcript__0034.xml index a5d75b3..191d5ed 100644 --- a/data/amp-transcript__0034.xml +++ b/data/amp-transcript__0034.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Letter Signed Michael O'Sullivan to Stella Musulin 1984-05-31 - O'Sullivan, Michael + O'Sullivan, Michael - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C327-A + https://hdl.handle.net/21.11115/0000-000E-C327-A +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,8 +74,10 @@ for any purpose, even commercially.

- 1984-05-31 - Dublin + 1984-05-31 + Dublin + @@ -81,8 +96,12 @@ for any purpose, even commercially.

Musulin, Stella O'Sullivan, Michael - Aerogram Signed Edward Mendelson to Stella Musulin 1981-11-21 - Autograph Note Michael O'Sullivan to Stella Musulin 1984-08-15 + Aerogram Signed Edward Mendelson to Stella Musulin 1981-11-21 + Autograph Note Michael O'Sullivan to Stella Musulin 1984-08-15 @@ -107,9 +126,9 @@ for any purpose, even commercially.

-
- -
+
+ +
@@ -117,16 +136,20 @@ for any purpose, even commercially.

UNIVERSITY OF DUBLIN - TRINITY COLLEGE + TRINITY COLLEGE + DUBLIN 2 Home address :
- 22, Kildare Street, - DUBLIN, 2. - Tel : 762662. + + 22, Kildare Street, + DUBLIN, 2. + + + Tel : 762662.
@@ -145,27 +168,39 @@ for any purpose, even commercially.

I remember you telling me that you liked the novels of Molly Keane when I visited you with Peter Muller in October of last year. I was delighted to see that Virago Press have decided to reprint her early - novels and I thought of you when I saw them oin the bookshops. I am sending - you herewith The Rising Tide - the first in the series of reprints and I very + novels and I thought of you when I saw them + o + in the bookshops. I am sending + you herewith + The Rising Tide + - the first in the series of reprints and I very much hope you enjoy reading it.

- I remember with great affection our chat about W.H. Auden + I remember with great affection our chat about W.H. Auden + and I am very grateful to you for sharing those memories with me. Plans for - the Auden Exhibition in the Kunstlerhaus are now very far advanced. I have + the Auden Exhibition in the Kunstlerhaus + are now very far advanced. I have put togther a complete collection of Auden's first editions, selections from - his contributions to periodicals, representative anthologies, his films for - the G.P.O Film Unit, many items connected with his work for the Group Theatre, - all the opera libretti, hisBritten's arrangements of his poems and many other items. + his contributions to periodicals, representative anthologies, his films for + the G.P.O Film Unit + , many items connected with his work for the Group Theatre, + all the opera libretti, his + Britten's arrangements of his poems and many other items. I have also arranged for various portraits of Auden to be sent to Vienna ; they - include Sir William Coldstream's 1937 portrait, a portrait by Mervyn Peake painted + include Sir William Coldstream + 's 1937 portrait, a portrait by Mervyn Peake painted in the same year, two drawings by Maurice Field and a portrait by Don Bachardy. I have also managed to get 26 lithographs by Henry Moore which he did in 1973 to illustrate a selection of Auden's poems.

- Stephen Spender has agreed to come to Vienna during the - period of the Exhibition - that is 11th October to 3rd November. Humphrey + + Stephen Spender has agreed to come to Vienna during the + period of the Exhibition - that is 11th October to 3rd November. + Humphrey Carpenter will lecture on Auden at the invitation of the British Council, so it all promises to be a splendid celebration of Auden's life and work.

@@ -179,23 +214,31 @@ for any purpose, even commercially.

I had a letter from Edward Mendelson yesterday and he asked me to send you his very best wishes which I do along with my own. I hope this - finds you in good spirits and that Summer is being better behaved in Austria than + finds you in good spirits and that Summer is being better behaved in Austria + + + than it is here in Ireland.

- With all good wishes, - Yours very sincerely, + + With all good wishes, + + Yours very sincerely, - Michael O'Sullivan + Michael O'Sullivan + - MICHAEL O'SULLIVAN. + + + MICHAEL O'SULLIVAN.
- + +
-
- \ No newline at end of file + diff --git a/data/amp-transcript__0035.xml b/data/amp-transcript__0035.xml index ff2c7f6..454ddb2 100644 --- a/data/amp-transcript__0035.xml +++ b/data/amp-transcript__0035.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Telegram W. H. Auden to Stella Musulin 1971-05-13 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C328-9 + https://hdl.handle.net/21.11115/0000-000E-C328-9 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 15 - 1971-05-13 + + 1971-05-13 + @@ -72,7 +88,6 @@ for any purpose, even commercially.

English German - Auden, W. H. @@ -92,11 +107,14 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1970-09-18 - Autograph Letter Signed W. H. Auden to Stella Musulin 1971-06-04 + Autograph Letter Signed W. H. Auden to Stella Musulin 1970-09-18 + Autograph Letter Signed W. H. Auden to Stella Musulin 1971-06-04 - template populated with script "create_templates.py" @@ -119,14 +137,16 @@ for any purpose, even commercially.

-

- MUSULIN NEULINGGASSE 26/14 1030/WIEN -

-

- = KOMMEN SAMSTAG = LOVE WYSTAN -

+

+ MUSULIN + NEULINGGASSE 26/14 1030/WIEN +

+

+ = KOMMEN SAMSTAG = LOVE + WYSTAN +

- \ No newline at end of file + diff --git a/data/amp-transcript__0036.xml b/data/amp-transcript__0036.xml index 0631af0..fb081c1 100644 --- a/data/amp-transcript__0036.xml +++ b/data/amp-transcript__0036.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Card Michael O'Sullivan to Stella Musulin 1984-08-15 - O'Sullivan, Michael + O'Sullivan, Michael - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -45,11 +57,13 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- +

Image publication permission by the board of Trinity College, the University of Dublin.

 - https://hdl.handle.net/21.11115/0000-000E-C329-8 + https://hdl.handle.net/21.11115/0000-000E-C329-8 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -65,7 +79,10 @@ for any purpose, even commercially.

2, 20 - 1984-08-15 + + 1984-08-15 + @@ -76,7 +93,6 @@ for any purpose, even commercially.

English - O'Sullivan, Michael @@ -96,11 +112,14 @@ for any purpose, even commercially.

Musulin, Stella O'Sullivan, Michael - Typed Letter Signed Michael O'Sullivan to Stella Musulin 1984-05-31 - Autograph Note Signed Michael O'Sullivan to Stella Musulin [?] + Typed Letter Signed Michael O'Sullivan to Stella Musulin 1984-05-31 + Autograph Note Signed Michael O'Sullivan to Stella Musulin [?] - template populated with script "create_templates.py" @@ -123,25 +142,27 @@ for any purpose, even commercially.

-

- 22 Kildare Street, +

+ 22 Kildare Street, Dublin, 2 -

-

+

+

15th August 1984

-

+

Dear Baroness Musulin,

-

+

I shall be arriving in Vienna on 1st Sept. I have taken Prof. Hans Raimund's - Flat at : ZLACKIERERGASSE 5 + Flat at : + ZLACKIERERGASSE 5 + (Peter Müller has the telephone number). 4279 394

-

+

I have your telephone number and I shall call you within a few days of my arrival. @@ -150,4 +171,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0037.xml b/data/amp-transcript__0037.xml index aaef788..651a428 100644 --- a/data/amp-transcript__0037.xml +++ b/data/amp-transcript__0037.xml @@ -1,149 +1,169 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Autograph Card Signed Michael O'Sullivan to Stella Musulin 1984-08-15--1996-01-21 - O'Sullivan, Michael - - Mayer, Sandra - Frühwirth, Timo - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Autograph Card Signed Michael O'Sullivan to Stella Musulin 1984-08-15--1996-01-21 + O'Sullivan, Michael + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - - -

Image publication permission by The Carl Van Vechten Trust.

- - - https://hdl.handle.net/21.11115/0000-000E-C32A-7 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - St. Pölten - State Collections of Lower Austria - Stella Musulin (Depot) - 2, 19 - - - 1984-08-15--1996-01-21 - - - - - - - - - English - - - - - O'Sullivan, Michael - 22, Kildare Street - unknown - - - O'Sullivan, Michael - unknown - unknown - - - Musulin, Stella - unknown - unknown - - - Musulin, Stella - O'Sullivan, Michael - Autograph Note Michael O'Sullivan to Stella Musulin 1984-08-15 - - - - - - template populated with script "create_templates.py" - text transcribed - text transcribed - transcriptions collated - transcriptions updated v0.1 - entities and correspDesc collated - - - - - - - - - - - - -
- -

- W.H. AUDEN (1907-1973) +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + + +

Image publication permission by The Carl Van Vechten Trust.

+ + + https://hdl.handle.net/21.11115/0000-000E-C32A-7 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + St. Pölten + State Collections of Lower Austria + Stella Musulin (Depot) + 2, 19 + + + + 1984-08-15--1996-01-21 + + + + + + + + + + English + + + + O'Sullivan, Michael + 22, Kildare Street + unknown + + + O'Sullivan, Michael + unknown + unknown + + + Musulin, Stella + unknown + unknown + + + Musulin, Stella + O'Sullivan, Michael + Autograph Note Michael O'Sullivan to Stella Musulin 1984-08-15 + + + + + template populated with script "create_templates.py" + text transcribed + text transcribed + transcriptions collated + transcriptions updated v0.1 + entities and correspDesc collated + + + + + + + + + + + + +
+ +

+ W.H. AUDEN (1907-1973) English poet, as a young man

-

- 22 Kildare St. +

+ 22 Kildare St. Dublin 2 .

-

- For Stella - With every good - wish - — Michael. +

+ For Stella + + With every good + wish + — + Michael.

-

+

Photograph by Carl Van Vechten/Beinecke Library, Yale U. - © Crossing Cards - Trumansburg, N.Y. 14886 + © Crossing Cards + + Trumansburg, N.Y. 14886 No. 19 -

- -
- - - \ No newline at end of file +

+ +
+ + + diff --git a/data/amp-transcript__0038.xml b/data/amp-transcript__0038.xml index 809b3a9..583aa8d 100644 --- a/data/amp-transcript__0038.xml +++ b/data/amp-transcript__0038.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-03-15 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,15 +33,21 @@ In the legal terminology of Early Modern High German, "Gemein(de)pflicht" ("communal duty") designates the "pledge to be made by the new citizen of a community" ("Gemeindepflicht", Deutsches Rechtswörterbuch). - - + + Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -54,7 +65,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C32B-6 + https://hdl.handle.net/21.11115/0000-000E-C32B-6 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -71,7 +83,8 @@ for any purpose, even commercially.

- 1965-03-15 + 1965-03-15 Hubertusbader Straße 43 @@ -89,15 +102,18 @@ for any purpose, even commercially.

Postamt Berlin 11 (post office Berlin 11) Berlin - 1965-03-15T13:00:01+01:00/1965-03-15T14:00:00+01:00 + 1965-03-15T13:00:01+01:00/1965-03-15T14:00:00+01:00 Postamt Ober-Grafendorf (post office Ober-Grafendorf)) Ober-Grafendorf - 1965-03-20T09:00:01+01:00/1965-03-20T19:00:00+01:00 + 1965-03-20T09:00:01+01:00/1965-03-20T19:00:00+01:00 + - Musulin, Elsa von + Musulin, Elsa von Fridau @@ -107,8 +123,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1964-12-23 - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-04-28 and with Typescript W. H. Auden Translation "Joseph Weinheber" + Autograph Letter Signed W. H. Auden to Stella Musulin 1964-12-23 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-04-28 and with Typescript W. H. Auden Translation "Joseph Weinheber" @@ -153,27 +173,37 @@ for any purpose, even commercially.

- + Die Baronin - Stella Musulin + Stella Musulin +
- Fridau - Obergrabemdorf - bei S. Pölten - N.Ö + + Fridau + + Obergrabemdorf + + + bei S. Pölten + + N.Ö + + Osterreich
Wien III - Neulingg. 26/14 + Neulingg. 26/14 +
- + - W.H. Auden + W.H. Auden +
Berlin-Dahlem Hubertusbaderstrasse 43 @@ -182,184 +212,470 @@ for any purpose, even commercially.

- +
- JOSEPH WEINHEBER - (I892-I945) + + + + JOSEPH WEINHEBER + + + (I892-I945) + - Reachijng my gate a narrow - Lane from the village - Passes on into a wood: - When I walk that way - It seems becoming to stop - And look through the fence - Of your garden where(under - The circs they had to) - They buried you like a loved - Old family dog. - - - Categorised enemies - Twenty years ago, - Now next-door neighbors,we might - Have become good friends, - Sharing a common ambit - And love of the word, - Over a golden Kremser - Had many a long - Language on syntax,commas, - Versification. - - - Yes,yes,it has to be said: - Men of great damage - And malengine took you up. - Did they,though,ever - Take you in,who to Goebbels' - Offer of culture - Countered In Ruah lassen!? - But the crowd prefers - A nasty stink and the young - Condemn you unread. - - - What,had you ever heard of - Franz Jägerstätter, - The St.Radegund peasant - Who said his lonely - Nein to the Aryan State - And was beheaded, - Would your heart,as Austrian, - As poet,have told you? - Good care,of course,was taken - You should hear nothing, - - - Be unprepared for a day - That was bound to come, - A season of dread and tears - And dishevelment - When,transfixed by a nightmare, - You destroyed yourself. - Retribution was ever - A bungler at it: - Dies alles ist furchtbar,hier - Nur Schweigen gemäss.(I) - - - + + + Reachijng my gate a narrow + + + Lane from the village + + + Passes on into a wood: + + + When I walk that way + + + It seems becoming to stop + + + And look through the fence + + + Of your garden where(under + + + The circs they had to) + + + They buried you like a loved + + + Old family dog. + + + + + Categorised enemies + + + Twenty years ago, + + + Now next-door neighbors,we might + + + Have become good friends, + + + Sharing a common ambit + + + And love of the word, + + + Over a golden Kremser + + + Had many a long + + + Language on syntax,commas, + + + Versification. + + + + + Yes,yes,it has to be said: + + + Men of great damage + + + And malengine took you up. + + + Did they,though,ever + + + Take you in,who to Goebbels' + + + Offer of culture + + + Countered + In Ruah lassen! + ? + + + But the crowd prefers + + + A nasty stink and the young + + + Condemn you unread. + + + + + What,had you ever heard of + + + + Franz Jägerstätter, + + + The St.Radegund peasant + + + Who said his lonely + + + + + Nein + to the Aryan State + + + And was beheaded, + + + Would your heart,as Austrian, + + + As poet,have told you? + + + Good care,of course,was taken + + + You should hear nothing, + + + + + Be unprepared for a day + + + That was bound to come, + + + A season of dread and tears + + + And dishevelment + + + When,transfixed by a nightmare, + + + You destroyed yourself. + + + Retribution was ever + + + A bungler at it: + + + + + Dies alles ist furchtbar,hier + + + + + + + Nur Schweigen gemäss + .(I) + + + - (2 + (2 - Unmarked by me,unmourned for, - The hour of your death, - Unhailed by you the moment - When,providence-led, - I first beheld Kirchstetten - On a pouring wet - October day in a year - That changed our Cosmos, - The annus mirabilis - When Parity fell. + + + Unmarked by me,unmourned for, + + + The hour of your death, + + + Unhailed by you the moment + + + When,providence-led, + + + I first beheld Kirchstetten + + + + On a pouring wet + + + October day in a year + + + That changed our Cosmos, + + + The annus mirabilis + + + + When Parity fell. - Already the realms that lost - Were properly warm - And over-eating,their crimes - The pedestrian - Private sort,those nuisances, - Corpses and rubble, - Lonfg carted away: for their raped - The shock was fading, - Their kidnapped physicists felt - No longer homesick. + + + Already the realms that lost + + + Were properly warm + + + And over-eating,their crimes + + + The pedestrian + + + Private sort,those nuisances, + + + Corpses and rubble, + + + Lonfg carted away: for their raped + + + The shock was fading, + + + Their kidnapped physicists felt + + + No longer homesick. - To-day we smile at weddings - Where bride and bridegroom - Were both born since the Shadow - Lifted,or rather - Moved elsewhere. Never as yet - Has Earth been without - Her bad patch,some unplace with - Jobs for torturers - (In what bars are they welcome? - What girls marry them?), + + + To-day we smile at weddings + + + Where bride and bridegroom + + + Were both born since the Shadow + + + Lifted,or rather + + + Moved elsewhere. Never as yet + + + Has Earth been without + + + Her bad patch,some unplace with + + + Jobs for torturers + + + (In what bars are they welcome? + + + What girls marry them?), - - Or her nutritive surface - At peace all over. - No one,so far as we know, - Has ever been safe, - And so in secret regions - Good family men - Keep eye,devoted as monks, - On apparatus - Inside which harmless matter - Turns homicidal. + + + + Or her nutritive surface + + + At peace all over. + + + No one,so far as we know, + + + Has ever been safe, + + + And so in secret regions + + + Good family men + + + Keep eye,devoted as monks, + + + On apparatus + + + Inside which harmless matter + + + Turns homicidal. - Here,though,I feel as at home - As you did: the same - Short-lived creatures re-utter - The same care-free songs, - Orchards cling to the regime - They know,from April's - Rapid augment of color - Till boisterous Fall - When at each stammering gust - Apples thump the ground. + + + Here,though,I feel as at home + + + As you did: the same + + + Short-lived creatures re-utter + + + The same care-free songs, + + + Orchards cling to the regime + + + They know,from April's + + + Rapid augment of color + + + Till boisterous Fall + + + When at each stammering gust + + + Apples thump the ground. - - + + (3 - Looking across uour valley - Where,hidden from view, - Sichelbach tottles westward - To join the Perschling, - Humanely modest in scale - And mild in contour, - Conscious of grander neighbors - To bow to,mountains - Soaring behind me,ahead - A noble river, + + + Looking across uour valley + + + Where,hidden from view, + + + + Sichelbach tottles westward + + + To join the Perschling, + + + Humanely modest in scale + + + And mild in contour, + + + Conscious of grander neighbors + + + To bow to,mountains + + + Soaring behind me,ahead + + + A noble river, - I would respect you also, - Neighbor and colleague, - For even my English ear - Gets in your German - The workmanship and the note - Of one who was graced - To hear the viols playing - On the impaled green, - Committed thereafter den - Abgrund zu nennen.(2) + + + I would respect you also, + + + Neighbor and colleague, + + + For even my English ear + + + Gets in your German + + + The workmanship and the note + + + Of one who was graced + + + To hear the viols playing + + + On the impaled green, + + + Committed thereafter + den + + + + + + + Abgrund zu nennen + .(2) ___ - N I) Quotation from W8's poem Auf das Unabwendbare. - 2) Quotation from W's poem Kammermusik. + N + I) Quotation from W8 + + 's poem + Auf das Unabwendbare + . + 2) Quotation from W's poem + Kammermusik + . __
- Dear Stella: + + Dear Stella:

- Kirchstetten is intending to have a ceroemony in memory of the twentieth - anniversary of Weinheber'ws death. Herewith my effort to do my - Gemeindepflicht. + + Kirchstetten is intending to have a ceroemony in memory of the twentieth + anniversary of Weinheber'ws death. Herewith my effort to do my + + + Gemeindepflicht.

- love + + love Wystan. @@ -371,9 +687,9 @@ for any purpose, even commercially.

- +
- \ No newline at end of file + diff --git a/data/amp-transcript__0039.xml b/data/amp-transcript__0039.xml index 9e42bbf..d8381d6 100644 --- a/data/amp-transcript__0039.xml +++ b/data/amp-transcript__0039.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-04-28 and with Typescript W. H. Auden Translation "Joseph Weinheber" - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -29,10 +35,17 @@ The Berg Collection of the New York Public Library (W. H. Auden Collection of Papers 1809-1979, Folder 18, 69 ALS, etc. to Elizabeth Mayer) includes a letter sent to Mayer by Auden from Berlin on 1 March 1965, which contains an early typescript, with manuscript revisions and notes, of his poem "Joseph Weinheber". In the letter, he asks Mayer for a "literal prose translation into German, stanza by stanza, which I can have mimeographed ..." He intended the copies of this translation to be handed out to the audience of the Kirchstetten commemorative event on the occasion of the twentieth anniversary of Josef Weinheber's death. - + - - + + + + + + @@ -46,19 +59,25 @@ - - + + Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra Generation of computer-vision visualizations - Brenner, Simon + Brenner, Simon + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -76,7 +95,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C32C-5 + https://hdl.handle.net/21.11115/0000-000E-C32C-5 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -93,7 +113,8 @@ for any purpose, even commercially.

- 1965-04-28 + 1965-04-28 Hinterholz 6 @@ -111,7 +132,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1965-04-28T17:00:01+01:00/1965-04-28T18:00:00+01:00 + 1965-04-28T17:00:01+01:00/1965-04-28T18:00:00+01:00 Musulin, Stella @@ -120,8 +142,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Typed Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-03-15 - Autograph Letter Signed W. H. Auden to Stella Musulin 1965-09-29 + Typed Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Joseph Weinheber" 1965-03-15 + Autograph Letter Signed W. H. Auden to Stella Musulin 1965-09-29 @@ -167,73 +193,153 @@ for any purpose, even commercially.

- + Die Baronin - Stella Musulin + Stella Musulin +
Fridau - Obergraendorf + Obergra + + + endorf bei S. Pölten N.Ö.
- + - W.H. Auden + W.H. Auden +
Kirchstetten (Westbahn) Hinterholz# 6 - N.Ö · -
+ N.Ö · + +
- JOSEPH WEINHEBER - (I892-I945) + + + + JOSEPH WEINHEBER + + (I892-I945) + + - Reaching my gate a narrow - Lane from the village - Passes on into a wood: - When I walk that way, - It seems befitting to stop - And look through the fence - Of your garden where(under - The circs they had to) - They buried you like a loved - Old family dog. + + + Reaching my gate a narrow + + + Lane from the village + + + Passes on into a wood: + + + When I walk that way, + + + It seems befitting to stop + + + And look through the fence + + + Of your garden where(under + + + The circs they had to) + + + They buried you like a loved + + + Old family dog. - - Categorised enemies - Twenty years ago, - Now next-door neighbors,we might - Have become good friends, - Sharing a common ambit - And love of the word, - Over a golden Kremser - Had many a long - Language on syntax,commas, - Versification. + + + + Categorised enemies + + + Twenty years ago, + + + Now next-door neighbors,we might + + + Have become good friends, + + + Sharing a common ambit + + + And love of the word, + + + Over a golden Kremser + + + Had many a long + + + Language on syntax,commas, + + + Versification. - Yes,yes,it has to be said: - Men of great damage - And malengine took you up. - Did they for long,though, - Take you in,who to Goebbells' - Offer of culture - Countered In Ruah lassen!? - But Rag,Tag,Bobtail - Prefer a stink,and the young - Condemn you unread. + + + Yes,yes,it has to be said: + + + Men of great damage + + + And malengine took you up. + + + Did they for long,though, + + + Take you in,who to Goebbells' + + + Offer of culture + + + Countered + In Ruah lassen + !? + + + But Rag,Tag,Bobtail + + + Prefer a stink,and the young + + + Condemn you unread. - What,had you ever heard of etc - + + + What,had you ever heard of etc + Rev . @@ -244,7 +350,10 @@ for any purpose, even commercially.

- Wednesday . Kirchstetten + Wednesday . + + Kirchstetten + Dear Stella: @@ -253,8 +362,16 @@ for any purpose, even commercially.

to-day by phone.

- I enclose a prose translation made by me and a German friend; - Since the copy I sent you , I have made a few slight + I enclose a prose translation made by me and a German friend + ; + + + + + Since + the copy I sent you , + + I have made a few slight changes in stanza 3. (see above)

@@ -262,7 +379,8 @@ for any purpose, even commercially.

love - Wystan. + + Wystan.
@@ -271,24 +389,33 @@ for any purpose, even commercially.

- JOSEPH WEINHEBER - (I892-I945) + + + + JOSEPH WEINHEBER + + + (I892-I945) +

1 - Von meiner Gartentur - Von meiner Gartentür fürhhrt ein schmaler Pfad vom Dorf weiter in einen Wald. Auf + + Von meiner Gartentur + + Von meiner Gartentür fü + rhhrt ein schmaler Pfad vom Dorf weiter in einen Wald. Auf meinen Gängen dorthin scheint es gehörig,stehen zu bleiben und durch den Zaun deines - Gartens zu schauen,in dem🗴 dich(die Umstände verlangten es) wie einen alten geliebten + Gartens zu schauen,in dem🗴 dich(die Umstände verlangten es) wie einen alten geliebten Familienhund begrub.

2 - Vor zwanzig Jahren katergorisierte🗴 Feinde,jezt nah benachbart,wären wir + Vor zwanzig Jahren katergorisierte🗴 Feinde,jezt nah benachbart,wären wir vielleicht gute Freunde geworden,die eine gemeinsame Umwelt und Liebe für das Wort teilten,und hätten bei einem goldhellen Kremser länge Gespräche uber Syntax,Kommas und Verskunst geführt. @@ -297,9 +424,15 @@ for any purpose, even commercially.

3 - Ja,ja,es muss gesagt werden,Machthaber,die grosses Unheil stifteten und Böses - plnaanten,nahmen dich auf;für wie lang,doch,wickelten sie dich ein,dich,der auf Goebbels - Angebot von Kultur "In Ruah lassen!" entgegnetest? aAber /? Rag,Tag, Bobtail ? xziehen einen Stunk + Ja,ja,es muss gesagt werden,Machthaber,die grosses Unheil stifteten und Böses + + plnaanten,nahmen dich auf;für wie lang,doch,wickelten sie dich ein,dich,der auf Goebbels + + Angebot von Kultur "In Ruah lassen!" entgegnetest? aAber /? + Rag,Tag, Bobtail ? + + + xziehen einen Stunk vor,und die Jungen verdammen dich ungelesen.

@@ -327,7 +460,9 @@ for any purpose, even commercially.

Unbemerkt und unbetrauert von mir die Stunde deines Todes,unbegrüsst von dir war der Augenblick,als ich,von der Vorsehung geleitet,Kirchstetten zuerst erblickte, an einem Oktobertag in strömenden Regen,in einem Jahr,sdas unsern Kosmos verändertet , - dem annus mirabilis als die Parität gestürzt wurde. + dem + annus mirabilis + als die Parität gestürzt wurde.

@@ -393,80 +528,214 @@ for any purpose, even commercially.

______ - My dictionary gives Krethi und Plethi . + My dictionary gives + Krethi und Plethi + . Is that right?
- All folk-tales mean that end with - A palace wedding, - easrts and fireworks,we wish you, - eter and Rita, - Two idiosyncrcies - o opt in this hawthorn month - o common your lives, + + + + All folk-tales mean that end with + + + A palace wedding, + + + + easrts and fireworks,we wish you, + + + + eter and Rita, + + Two idiosyncr + cies + + + + o opt in this hawthorn month + + + + o common your lives, + - diffy undertaking, - or,to those whose drs - e odorls,wht i real - eems rthr elly: - trng nrvs are n avntge; - An accurate wrist-watch,too, - Cn be a great help. + + + + diffy undertaking, + + + + or,to those whose drs + + + + e odorls,wht i + real + + + + eems rthr elly: + + + + + trng n + rv + s are + n avntge; + + + + An accurate + wrist-watch,too, + + + + C + n be a great help. - ay Venus,to whose arice - ll blood must uom, - toakte such a shine to you both - Tht by her favor - Your palpable subtances - ay reify those delights - They are purveyed for. + + + + ay Venus,to whose a + rice + + + + ll blood must uom, + + t + oakt + e such a shine to you both + + + Tht by her favor + + Your palpable subtances + + + ay reify those delights + + + They are purveyed for. - May Hymen from jealousy's - Teratoid phnrtasms, - opetitveive scenes and sus, - And pride's monologue - That won't listen but demands - Tautological echoes, - ver dee you. + + + May Hymen from jealousy's + + + Teratoid phn + r + tasms, + + + opetitve + ive scenes and su + s, + + + + + And pride's monologue + + + That won't listen but demands + + Tautological echoes, + + + + ver de + + e + you. - As genders,married or not, - ho share with all flesh - A left-haned twist,to-day - e thank rs.ind, - or,all in all,she hads done - (ur ugly looks are our deed) - The handsome by us. + + As genders,married or not, + + + + ho share with all flesh + + + A left-haned twist,to-day + + + + e thank rs.ind, + + + or,all in all,she ha + ds done + + (ur ugly looks are our deed) + + + The handsome by us. - We are better built to lst - Thn tigers,our skins - on't leak like the ciliates, - ur ears can detect - urter-tones,even our most - yopic have good enough - Vision for courtship. + + + We are better built to lst + + + Thn tigers,our skins + + + on't leak like the ciliates, + + + + ur ears can detect + + + urter-tones,even our most + + + yopic have good enough + + + Vision for courtship. - Besides,it's a miracle - e're here to say so, - Tht lie should have got to us - Up through the city's - Destruction layers after - Surviving the inhuman - ermin urges. + + Besides,it's a miracle + + + + e're here to say so, + + Tht lie should have got to us + + + + Up through the city's + + + Destruction layers after + + Surviving the inhuman + + + + ermin urges.
-
+
- \ No newline at end of file + diff --git a/data/amp-transcript__0040.xml b/data/amp-transcript__0040.xml index 0523fb0..c2c51f0 100644 --- a/data/amp-transcript__0040.xml +++ b/data/amp-transcript__0040.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1969-06-10 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,12 +31,18 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra Generation of computer-vision visualizations - Brenner, Simon + Brenner, Simon + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -48,7 +60,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C32D-4 + https://hdl.handle.net/21.11115/0000-000E-C32D-4 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -65,7 +78,8 @@ for any purpose, even commercially.

- 1969-06-10 + 1969-06-10 Hinterholz 6 @@ -83,12 +97,14 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1969-06-10T16:00:01+01:00/1969-06-10T17:00:00+01:00 + 1969-06-10T16:00:01+01:00/1969-06-10T17:00:00+01:00 Hauptpostamt 1030 (main post office 1030) Vienna - 1969-06-11T05:00:01+01:00/1969-06-11T06:00:00+01:00 + 1969-06-11T05:00:01+01:00/1969-06-11T06:00:00+01:00 Musulin, Stella @@ -97,8 +113,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Typed Letter Stella Musulin to [Edith Silbermann] 1969-05-29 - Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Freedom and Necessity in the Arts" 1970-05-21 + Typed Letter Stella Musulin to [Edith Silbermann] 1969-05-29 + Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Freedom and Necessity in the Arts" 1970-05-21 @@ -137,21 +157,23 @@ for any purpose, even commercially.

- + Express, Die Baronin - Stella Musulin + Stella Musulin +
Wien III Neulinggasse 26/14
- + - WH. Auden + WH. Auden +
@@ -165,7 +187,7 @@ for any purpose, even commercially.

- +
@@ -185,166 +207,572 @@ for any purpose, even commercially.

- +
- (2 + (2
- issue proper instructions?Not,certainly, - our global archons hose toploftyslogans - are as off the mrk as their syntax - is vague.(They wuld be figures of fun,if + + + issue proper instructions? + Not,certainly, + + + our global archons + hose toploftyslogans + + + are as off the mrk as their syntax + + + + is vague.(They wuld be figures of fun,if - very clever little boys had not foun it - amusing to build devices for them,more - ptat disassebly thn any - old fire-seewing theogonimonster.) + + + very clever little boys had not foun it + + + + amusing to build devices for them,more + + + + ptat disassebly th + n any + + + old fire-seewing theogonimonster.) - To be responsible fo the hainess - of theUniverse is not sincure: - inelite lnds r genertion - mye clledto tfor aiscipline + + + To be responsible fo the hainess + + + of theUniverse is not sincure: + + + inelite lnds r genertion + + + + m + + y + e clledto tfor aiscipline - that outpeers the mons, ay of obeience, - overty nd - goodief - perhs chtity, - yet in this World's ill-weathered open, - a fresh vnture pefigurd in folk-tales + + + that outpeers the mon + s, + ay of obeience, + + + + overty nd - goodief - perhs chtity, + + + yet in this World's ill-weathered open, + + + a fresh vnture pefigurd in folk-tales - s the uest Perilous. or such wayfarers, - wat should we write o give them the nourishment, - warmth andshelter they'll be in need of? - othing oscene ounpleasant: only + + + + s the uest Perilous. + or such wayfarers, + + + w + at should we write o give them the nourishment, + + + warmth andshelter they'll be in need of? + + + + othing oscene ounpleasant: only - the unscarred overfedenjoy Calvary - as a verbal event. r satiric: no - scorn will ashamehersary. - Nor shodily mde:to give a stunning + + + the unscarred overfedenjoy Calvary + + + as a verbal event. r satiric: no + + + scorn will ashamehe + rsary. + + + + Nor shodily mde:to give a stunning - display of concinnityand elegance - isthe let wecand,and its dominnt - oemood shoul be thatarivl. - Letus hymn thesll ut journalwonders + + + display of concinnity + and elegance + + + isthe let wecand + ,and its dominnt + + + + + oemood shoul be thatarivl. + + + + Letus hymn thes + ll ut journalwonders - of Nature and familieand then finish - on serio-comic note ith legends - of ultimate enttphe eucatastrophe, - regeneration beyn the wters. + + + of Nature and familieand then finish + + + on serio-comic note ith legends + + + + of ultimate e + nttphe eucatastrophe, + + + regeneration beyn the wters. - ut perhaps you thinkpoems are as foolish - as most poets,and woul ratherspend your sre - moments romfping around in Cantor's - logical paradise o beseeching + + + + ut perhaps you think + poems are as foolish + + + as most poets,and woul + ratherspend your sre + + + moments rom + f + ping around in Cantor's + + + logical paradise o beseeching - such knotty points san we hang a robber - wo is not there? or ht is the color of - the ber Three. hy not? ll lesures - come from od. ine I am your godfather, + + + such knotty points s + + + an we hang a robber + + + + + wo is not there? or + ht is the color of + + + + + the ber Three. + hy not? ll lesures + + + come from od. ine I am your godfather, - let me close this letter with some worlly axis: - e ladyourbeing isunnecessary, - then,turn your toes out asyou wlk,der, - and remember who yu are,apender. + + + let me close this letter with some worlly axis: + + + + + e ladyourbeing isunnecessary, + + + + then,turn your toes out asyou wlk,der, + + + + and remember who yu are,a + pender.
- - + +
- ETOGODS + + + E + TOGODS + + - hnkorbozy godfthers" - yuwrote iurguet-book,wich was flattering: - trough 've reachethe years when discretion - calls for ayearlmeical check-up, + + + + + + + hnk + orbozy godfthers" + + + yuwrote iurgue + t-book,wich was flattering: + + + + t + r + ough 've reache + the years when discretion + + + calls for ayearlmeical check-up, - whoItoavoch fra Christian - baby,far les offer otly pltitudes - to a young manI yteties it - was diffrent: th old could be helpful + + + + whoItoavoch fra Christian + + + + baby,far les offer otly pltitudes + + + to a young manI yteties it + + + was diffrent: th old could be helpful - whenthey couldnievisgethuture - as a mele settlelancptir children - would mke thesesense of they did, - lughing and wing at the same stories. + + + whenthey couldnievis + ge + thuture + + + as a mele settle + lancptir children + + + would + m + ke thesesense of they did, + + + lughing and wing at the same stories. - henhen shep and gotsesyto recognize, - local funa:good mt ile the shoemaker - taingeare oft villge niny, - vil Count ffoules whoinhi tall dnn + + + + + hen + + hen she + p and go + tsesyto recognize, + + + local funa:good mt ile the shoemaker + + + ta + ing + eare oft villge nin + y, + + + + vil Count ffoules whoinhi tall d + + n + n + - indulged in siist ericiti cxentricities. - t I speak from exince,ow could I - say tht to you,to an't remeber - when everyone trvelled by rilway + + + indulged in siist + ericiti + cxentricities. + + + + t I speak from ex + ince,ow could I + + + say tht to you, + to + an't remeber + + + when everyone trvelled by rilway - and theporrwere t they were used to being, - the cretosofwot,as w they are, - aexpensive ni.(ody - has dared suggestgssing them,but someone + + + and theporrwere t they were used to being, + + + the creto + + s + + of + wot,as w they are, + + + aexpensive ni.(ody + + + + has dared suggestgssing them,but someone - surely will,) on't need e to tell you what's - in o:the ckrtic media, - joint with nde-ryer gossip, - process and venwithout intermission + + + surely will,) on't need e to tell you what's + + + + in + + o + + : + the + ck + rtic media, + + + + joint with nde- + ryer gossip, + + + process and venwithout intermission - all To-y's ugly rets Ige Imageable - no longer,a fetuless anonymous - thretfromehid,-orrow has us - gallowed shitless: if what is to hppen + + + all To-y's ugly + rets + + I + + + g + + e Imageable + + + + no longer,a fetuless anonymous + + + thretfromehid,-orrow has us + + + gallowed shitless: if what is to hppen - occurs aring to what huydidesdes - definedas 'hun','ve hadit,are in for - a disaster that o our-letter - words will tardy. I've beheld in nightmares + + + occurs aring to what huydidesdes + + + definedas 'hun','ve hadit,are in for + + + a disaster that o our-letter + + + words will tardy. I've beheld in nightmares - (whsn't?) likly aominations: seething - havior sinks,the :uses suttering, - selly,from eutrhiod elicon, - the itches Sabth on Garbage ountin, + + + (whsn't?) likly aominations: seething + + + + havior sinks,the :uses suttering, + + + s + elly,from + eutrhiod elicon, + + + + the itches Sabth on Garbage ountin, - Herod'stigeetic enginers commanded - toifyth ots.ythen,ith - y luck,the tagible Me shoul - be mineral,too st in my habits + + + Herod'stigeetic enginers commanded + + + toifyth + ots.ythen,ith + + + + + y luck,the ta + gible Me shoul + + + + be mineral,too s + t in my habits - to distinguish light from drkness and valued, - in current prices,at three-dollars-fifty: - ut you could well be there if what is - riely is not prmptly done. Yet who can + + + to distinguish light from drkness and valued, + + + in current prices,at three-dollars-fifty: + + + + ut you could well be there if what is + + + riely is not prmptly done. Yet who can
- P.T.O. + P.T.O.
- \ No newline at end of file + diff --git a/data/amp-transcript__0041.xml b/data/amp-transcript__0041.xml index 259e7cf..912b51f 100644 --- a/data/amp-transcript__0041.xml +++ b/data/amp-transcript__0041.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1970-07-06 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C32E-3 + https://hdl.handle.net/21.11115/0000-000E-C32E-3 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1970-07-06 + 1970-07-06 Hinterholz 6 @@ -79,16 +93,18 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1970-07-06T16:00:01+01:00/1970-07-06T17:00:00+01:00 + 1970-07-06T16:00:01+01:00/1970-07-06T17:00:00+01:00 Neulinggasse 26 - + Hauptpostamt 1030 (main post office 1030) Vienna - 1970-07-11T08:00:01+01:00/1970-07-11T09:00:00+01:00 - + 1970-07-11T08:00:01+01:00/1970-07-11T09:00:00+01:00 + Musulin, Stella St Julian's Street @@ -96,8 +112,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1970-06-10 - Autograph Letter Signed W. H. Auden to Stella Musulin 1970-09-18 + Autograph Letter Signed W. H. Auden to Stella Musulin 1970-06-10 + Autograph Letter Signed W. H. Auden to Stella Musulin 1970-09-18 @@ -128,8 +148,8 @@ for any purpose, even commercially.

-
- +
+ Mit Flug-Post @@ -141,25 +161,31 @@ for any purpose, even commercially.

Die Baronin - Stella Musulin + Stella Musulin + +
- Wen IV Wien III - Neuling gasse 26/14. + + Wen IV + Wien III + + Neuling gasse 26/14.
2 Seagarth St. Julian's Street - TENBY + TENBY + Pembrokeshire
- + W.H.Auden -
+
3062 KIRCHSTETTEN BEZ. ST. PÖLTEN HINTERHOLZ 6 @@ -169,11 +195,12 @@ for any purpose, even commercially.

- +
- July 6th. + July 6th. +
@@ -183,49 +210,65 @@ for any purpose, even commercially.

N.-Ö., AUSTRIA
- + Dear Stella: -

- Have just finished reading Austria" +

+ Have just finished reading + Austria" + + + by which I was enchanted as well as - instructed. My! how erudite you are, Where did + instructed. My! how erudite you are, Where did + you dig up all those stories ?

-

+

A trifle alarmed that it may attract more tourists,which I'm sure you don't welcome any more than I do. (Thanks , by the way, for the reference to my garage.). -

-

- Am very curious to learn more about "The Life - and Adventure s of Peter Prosch." Is it in print? +

+

+ Am very curious to learn more about "The Life + + and Adventure s of Peter Prosch + ." + Is it in print? Shouldn't it be translated?

-

- As you say, the relation betwen art and society - is very odd. Why should the Vienna of 1890-1918 +

+ As you say, the relation + betwen art and society + is very odd. Why should the Vienna of 1890-1918 have produced such a florescence,? (Chester can appreciate Bruckner better than I).. Even odder to - me is the Biedermayer period, No one can + me is the Biedermayer period, + No one can possibly approve of Metternich's police state,yet, in a more liberal mileieu, could Stifter, - Raimund, Nestroy, have written what they did? + Raimund, Nestroy, have written what they did?

-

- Hope this reaches you. Looking forward to seeing you - in Sept -

- - love and admiration - Wystan - +

+ Hope this reaches you. Looking forward to seeing you + + in Sept + + +

+ + love and admiration + + + Wystan + + +
+
-
-
- \ No newline at end of file + diff --git a/data/amp-transcript__0042.xml b/data/amp-transcript__0042.xml index 087cbd6..56b8647 100644 --- a/data/amp-transcript__0042.xml +++ b/data/amp-transcript__0042.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin with Typescripts W. H. Auden "August 1968" and "Elegy" 1968-10-04 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C32F-2 + https://hdl.handle.net/21.11115/0000-000E-C32F-2 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-10-04 + 1968-10-04 Hinterholz 6 @@ -79,12 +93,14 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1968-10-04T17:00:01+01:00/1968-10-04T18:00:00+01:00 + 1968-10-04T17:00:01+01:00/1968-10-04T18:00:00+01:00 Hauptpostamt 1040 (main post office 1040) Vienna - 1968-10-05T11:00:01+01:00/1968-10-05T12:00:00+01:00 + 1968-10-05T11:00:01+01:00/1968-10-05T12:00:00+01:00 Hauptpostamt 1040 (main post office 1040) @@ -97,8 +113,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-02-06 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-06 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-02-06 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-06 @@ -130,16 +150,21 @@ for any purpose, even commercially.

- + Die Baronin - Setella Musulin + S + e + tella Musulin +
- 1040 Wien IV + + 1040 Wien IV + Neulingasse 26
- +
KIRCHSTETTEN, BEZ. ST. PÖLTEN @@ -149,29 +174,53 @@ for any purpose, even commercially.

- +
- AUGUST I(968 + + + AUGUST I(968 + - The ogre does what ogres can, - Deeds quite impossible for man, - but one prize is beyond his reach: - The ogre cannot master Speech. - About a subjugated plain, - Among its desperate and slain, - The ogre stalks with hands on hips, - While drivel gushes from his lips. + + + The ogre does what ogres can, + + + Deeds quite impossible for man, + + + but one prize is beyond his reach: + + + The ogre cannot master Speech. + + + About a subjugated plain, + + + Among its desperate and slain, + + + The ogre stalks with hands on hips, + + + While drivel gushes from his lips. - ___ + ___
- Dear Stella, + Dear Stella + ,

@@ -193,112 +242,272 @@ for any purpose, even commercially.

- +
- ELEGY - (In Memoriam Emma Eiermann. ob - ob.Nov 4th,I967) + + + ELEGY + + (In Memoriam Emma Eiermann + . ob + + + ob.Nov 4th,I967) + - Liebe Frau Emma, - na,was hast Du denn gemacht? - You who always made - such conscience of our comfort, - Oh,how could you go and die, + + + + Liebe Frau Emma + , + + + + na,was hast Du denn gemacht? + + + + You who always made + + + such conscience of our comfort, + + + Oh,how could you go and die, - as if you didn't know - that in a permissive age, - so rife with envy, - a housekeeper is harder - to replace than a lover, + + + as if you didn't know + + + that in a permissive age, + + + so rife with envy, + + + a housekeeper is harder + + + to replace than a lover, - - and die,too,when we - were thousands of miles away, - leaving no one there - to prune and transplant before - the winter cold should set in. + + + + and die,too,when we + + + were thousands of miles away, + + + leaving no one there + + + to prune and transplant before + + + the winter cold should set in. - - Good witch that you were, - Ssurely you should have foreseen - the doom that your death - would spell for your cats and ours: - all had to be put away. + + + + Good witch that you were, + + + + Ssurely you should have foreseen + + + the doom that your death + + + + would spell for your cats and ours: + + + all had to be put away. - You came with the house, - you and your brother Josef, - Sudeten deutsche, Sudetendeutsche, - made homeless paupers when Czechs - got their turn to be brutal: + + + You came with the house, + + + you and your brother Josef, + + + + Sudeten deutsche, + Sudetendeutsche, + + + made homeless paupers when Czechs + + + + + got their turn to be brutal: - but catastrophe - had failed to modernise you, - Child of the Old World, - in which to serve a master - was never thought ignoble. + + + but catastrophe + + + had failed to modernise you, + + + Child of the Old World, + + + in which to serve a master + + + was never thought ignoble. - Children of the New, - we had to learn how to live - in the older way, - well tendered and observed by - loyal but critical eyes. + + + Children of the New, + + + we had to learn how to live + + + in the older way, + + + well tendered and observed by + + + loyal but critical eyes. - From the first,I think, - you liked us but to the last - assumed most callers - knocked with some evil intent - (now and again you were right). + + + From the first,I think, + + + you liked us but to the last + + + assumed most callers + + + knocked with some evil intent + + + (now and again you were right). - When guests were coming, - there was always the worry:- - would you disallow? - Greeks,in your censure,were rogues, - all teen-agers delinquent. + + + When guests were coming, + + + there was always the worry:- + + + would you disallow? + + + Greeks,in your censure,were rogues, + + + all teen-agers delinquent. - Nor were you ever - one yto behave your temper: - let Youth pick a fruit - or flower,out you would storm, - arms whirling,screaming abuse + + + Nor were you ever + + + one yto behave your temper: + + + let Youth pick a fruit + + + or flower,out you would storm, + + + arms whirling,screaming abuse - in peasant German - at startled Americans - who had meant no harm, - and,after they'd gone,for days - you would treat us to the sulks. + + + in peasant German + + + at startled Americans + + + who had meant no harm, + + + and,after they'd gone,for days + + + you would treat us to the sulks. - But when in good form, - how enchanting your shy grin, - your soft cat-language: - no,no,Frau E,dear oddling, - we shall always be grateful. + + + But when in good form, + + + how enchanting your shy grin, + + + your soft cat-language: + + + no,no,Frau E,dear oddling, + + + we shall always be grateful. - After Josef died - (siblings can live in a bond - as close as wedlock), - you were all amort,your one - wish to rejoin him quickly. + + + + After Josef died + + + + (siblings can live in a bond + + + as close as wedlock), + + + you were all amort,your one + + + wish to rejoin him quickly. - You have,and we're left - with ten years to consider, - astonished at how - vivid they are to recall: - Du Gute,schlaf in Ruhe. + + + You have,and we're left + + + with ten years to consider, + + + astonished at how + + + vivid they are to recall: + + + + Du Gute,schlaf in Ruhe. ___ @@ -308,4 +517,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0043.xml b/data/amp-transcript__0043.xml index 55040fb..f125704 100644 --- a/data/amp-transcript__0043.xml +++ b/data/amp-transcript__0043.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden "Freedom and Necessity in the Arts" 1970-05-21 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C330-F + https://hdl.handle.net/21.11115/0000-000E-C330-F +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

1, 34 - 1970-05-21 + + 1970-05-21 + @@ -72,7 +88,6 @@ for any purpose, even commercially.

English German - Auden, W. H. @@ -92,11 +107,14 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1969-06-10 - Autograph Letter Signed W. H. Auden to Stella Musulin 1970-06-10 + Autograph Letter Signed W. H. Auden to Stella Musulin 1969-06-10 + Autograph Letter Signed W. H. Auden to Stella Musulin 1970-06-10 - template populated with script "create_templates.py" @@ -149,56 +167,78 @@ for any purpose, even commercially.

-

- FREEDOM AND NECESSITY IN THE ARTS -

-

+

+ + FREEDOM AND NECESSITY IN THE ARTS + +

+

May 21st.

-

- Dear Setella· - You're an angel. I have to deliver this - in Neulengbach on Sunday, June 14th. +

+ Dear S + e + tella + · + + You're an angel. I have to deliver this + + in + Neulengbach on Sunday, June 14th. In case your dictionary doesn't give it, the German for the technical word buddle (page I, near bottom) is Erzwaschtrog . I hope there is an equivalent German euphemism - for "te Senior Citizen.", + for "te Senior Citizen.", + If there is a special honary title of adress for a Landeshauptman,please supply. love - Wystan + Wystan + P_S. Adit= Stollen. - Concentrating Mill is,I suspectGuess, though I may - be wrong , Vereinigungmühle . -

+ Concentrating Mill is,I suspectGuess, though I may + be wrong , Vereinigungmühle + . +

-

+

(1 -

-

- Sehr veerhhrter Herr Landeshauptmann, meine Damen und Herren: - I hope you will pardon me if I speak somewhat personally. I do so, +

+

+ Sehr veerhhrter Herr Landeshauptmann + + , meine Damen und Herren: + I hope you will pardon me if I speak somewhat personally. I do so, not out of vanity,but becuaause I do jnot wish to give the impression that I am attempting to lay down absolute laws which are valid for all. I give you my experiences as a poet,in the hope that you will be able to compare the,m with - yoursown,and form your own judgment about them. - Most of what I oknow about the writing of poetry,or at least about the kind I + yours + own + ,and form your own judgment about them. + Most of what I + o + know about the writing of poetry,or at least about the kind I am interested in writing,I discovered long before I took any interest in poetry itself. - Between the ages of six and twelve,I spent a great many of my waking hours in + Between the ages of six and twelve,I spent a great many of my waking hours in the faborication of a private secondary sacred world,the basic elements of which - were atO a) a limestone landscape mainly derived from the Pennine Moors in the + were + + at + + O + a) a limestone landscape mainly derived from the Pennine Moors in the North of England and b) an industry - lead-mining. - It is no doubt psychologically significant that my sacred world was autistic - + It is no doubt psychologically significant that my sacred world was autistic - that is to say,I had no wish to share it with others notr could I have done so. However,though constructed for and inhabited by myself alone,I needed the help of others,my parents in particular,in collecting its basic materials; others had to procure for me the necessary text-books on geology and machinery,maps,catalogiues, guide-books and photographs,and,when occasion offered,to talke me down real mines, tasks which they performed with unfailing patience and generosity. - From this activity,I learned certain principles which I was later to find applied + From this activity,I learned certain principles which I was later to find applied to all artistic fabrication. First,whatever other elements it may include,the initial impulse to create a secondary world is a feeling of awe aroused by encounters,in the Primary World,with sacred beings or events. This feeling of awe @@ -209,7 +249,7 @@ for any purpose, even commercially.

made of words which are not the poet's private property,but the communal creation of the linguistic group to whom he belongs,so that their meaning can be looked up in a dictionary. - Secondly,in constructing my private world,I discoveresd that,though this was + Secondly,in constructing my private world,I discoveresd that,though this was a game,or rather precisely because it was a game - that is to say,not a necessity like eating or sleeping,but something I was free to do or not as I chose - it could not be played without rules. Absolute freedom is meaningless: freedom can @@ -218,44 +258,62 @@ for any purpose, even commercially.

only difference being that in the world of games one is free to decide what its laws shall be. But to all games as to real life,Goethe's lines apply.

- - In der Beschränkung zeigt sich erst der Meister, - Und dsas Gesetz nur kann uns Freiheit geben. - -

- As regards my particuallar lead-mining world,I decided,or rather,without conscious + + + + In der Beschränkung zeigt sich erst der Meister, + + + Und dsas Gesetz nur kann uns Freiheit geben. + + +

+ As regards my particuallar lead-mining world,I decided,or rather,without conscious decision I instinctively felt,that I must impose two restrictions upon my freedom of fantasy. In choosing what objects were to be included,I was free to select this and reject that,on condition that both were real objects in the Primary World,to choose,for example,between two kinds of water-turbine,which could be found in a text-book on mining machinery or a manufacturer's catalogue: but I was not free to invent one. In deciding how my world was to function,I was could choose between - tewo practical possibilitesies - a mine can be drained either by an adit or a pump - - but physical impossibiliesties and magic means were forbidden. TWhen I say forbidden, - I mean that I felt,in some obscure way,that they were morally forbidden. Then there - came a day when the moral issue became quite conscious. As I was planning my - Platonic Idea of a concentrating-mill,I ran into difficulties. I had to choose - between two types of a cerattain machine for separating the slimes,called a buddle. - One type I found more sacred or 'beatiuful beautiful',but the other type was,I - knew from my reading,the more efficient. At this point I realised that it was my - moral duty to sacrifice my aethetic aesthetic preference to reality or truth. + t + e + wo practical possibilitesies - a mine can be drained either by an adit or a pump - + but physic + + al impossibiliesties and magic means were forbidden. + T + When I say forbidden, + I mean that I felt,in some obscure way,that they were morally forbidden. Then there + came a day when the moral issue became quite conscious. As I was planning my + Platonic Idea of a concentrating-mill,I ran into difficulties. I had to choose + between two types of a cerattain machine for separating the slimes,called a buddle. + One type I found more sacred or 'beatiuful beautiful',but the other type was,I + knew from my reading,the more efficient. At this point I realised that it was my + moral duty to sacrifice my aethetic aesthetic preference to reality or truth.

-

+

(2

-

- When,later,I began to write poetry’I found that,for me,at least,the same - obligation was binding. That is to say,I cannot accept the dosctrine that,in - poetry,there is a 'suspension of beliefe'. A poet must never make a statement +

+ When,later,I began to write poetry’I found that,for me,at least,the same + obligation was binding. That is to say,I cannot accept the do + s + ctrine that,in + poetry,there is a 'suspension of belief + e + '. A poet must never make a statement simply because it sounds poetically exciting: he must also beleiieve it to be true. This does not mean,of course,that one can only appreciate a poet whose beliefs happen to co-incide with one's own. It does mean,however,that one must - nbe convinced that the poet really believes what he says,however odd that the + nbe convinced that the poet really believ + + es what he says,however odd that the belief may seem to oneself. - Between constructing a private fantsayfantasy world for oneself alone - and writing poetry,there is,of course,a profound difference. A fanatsy + Between constructing a private fantsayfantasy world for oneself alone + and writing poetry,there is,of course,a profound difference. A fanatsy + fantasy world exists only in the head of its creator: a poem is a public verbal object intended to be read and enjoyed by others. To become conscious of others is to become conscious of historical time. in various ways. The @@ -264,36 +322,49 @@ for any purpose, even commercially.

it has been written. Again,to write a poem is to engage in an activity which human beings have practised for centuries. If one asks why human beings make poems or paint pictures or compose music,I can see two possible answers. - Firstly all the artistic media are forms of an activity peculiar to human + Firstly all the artistic media are forms of an activity pecul + + iar to human beings,namely,Personal Speech. Many animals have impersonal codes of - communications,visual,olfactory,auditory signals,by which they convey to + communications,visual,olfactory,auditory signals,b + + y which they convey to other members of their species vital information about food,territory,sex, the presence of enmies enemies etc,and in social animals like the bee,such a code may be exceedingly complesx. We,too,of course,often use words in the same way,as when I ask a stranger the way to the railroad station. But when we truly speak,we do something quite different. We spak speak as person to person - in order to disclose ourselves to others and share our expereiiences with + in order to disclose ourselves to others and share our experei + iences with them,not because we must,but becuase we enjoy doing so. This activity is sometimes quite erroneously called 'self-expression'. If I write a poem - about ceratin experiences I have had,I do so,not bec becuaause I think it - mayshould be of interest and value to others,not: the fact that it has till now + about ceratin experiences I have had,I do so,not bec becua + ause I think it + mayshould be of interest and value to others,not: the fact that it has till now only been my expereiience is accidental. What the poet or any artist has to convey is a perception of a reality common to all,but seen from a unique perpsective, which it is his duty as well as his pleasure to share with others. To small truths as well as great,St Augustine's words apply.

-

- The truth is neither mine nor his nor another's;but belongs - to us all whom Thou callest to partake of it: warning us - terribly,not to account it private to ourselves,lest we be - deprived of it. -

-

- Then the second impulse to artistic fabrication is the desire to transcend +

+ + The truth is neither mine nor his nor another's;but belongs + + + to us all whom Thou callest to partake of it: warning us + + + terribly,not to account it private to ourselves,lest we be + + + deprived of it. +

+

+ Then the second impulse to artistic fabrication is the desire to transcend our mortality,by making objects which,unlike ourselves,are not subject to natural death,but can remain permantly permanently 'on hand' in the world, long after we and our society have perished. - Every genuine work of art,I believe,exhibits two qualities,Nowness and + Every genuine work of art,I believe,exhibits two qualities,Nowness and Permanence. By Nowness I mean the quality which enables an art-historian to date a work,at least,approximately. If,for example,one listens to a composition by Palestrina and one by Mozart,one knows immediately that, @@ -304,77 +375,117 @@ for any purpose, even commercially.

the history of Science,no genuine work of art is made obsolete by a later work. Past science is of interest only to the historian of science,not to what scientists are doing at this moment. Past works of art,on the - other hand,are of the utmost importance to the contemporary praticioner. + other hand,are of the utmost importance to the contemporary praticioner. + + practicotoneroner. Every artist tries to produce something new,but in the hope - that,in time,it will take its proper place in the tradition of his art. + that,in time,it will take its + + proper place in the tradition of his art. And he cannot produce anything significantly original unless he knows well what has been already been done;without,that is to say ,even in he cannot 'rebel' against the past without having a profound reverence for it.

-

+

(3

-

- There are periods in history when art the arts develop uninterruptedly, - each generation building on the achievements of the previous generation. +

+ There are periods in history when art the arts develop uninterruptedly, + each generation building on the achievements of the previous generation. There are other periods when radical breaks seem to be necessary. However, - twhen they are,one will generally find that the 'radical' artist does not - diswon disown the past,but finds in works of a much earlier period or in + twhen they are,one will generally find that the 'radical' artist does not + diswon disown the past,but finds in works of a much earlier period or in those of anotehr culture than his own,the clue as to what he should do now. In my own case,for example,I know how much I owe to Anglo-Saxon and Medieavval Poetry. - When I reveiw review the contemporary artistic scene,Iit strikes me how - extraorinary extraordinarily fortunate men like Stravinsky,Picasso,Eliot, + When I reveiw + review the contemporary artistic scene,I + it strikes me how + extraorinary extraordinarily fortunate men like Stravinsky,Picasso,Eliot, etc,that is,those persons we think of as the founders of 'modern' art, were in being born when they were,so that they came to manhood before - I9I4. Until the Fis First World War,western society was still pretty much + I9I4. Until the Fis + First World War,western society was still pretty much what it had been in the nineteenth century. This meant that for these artists, the felt need to create something new arose from an artistic imperative, not a histroi historic imperative. No one asked himself:"What is the proper kind of music to compose or picture to paint or poem to write in the year I9I2.?" Secondly,their audiences contemporary audiences were mostly consrervative,but honestly so. Those,for instance,who were scandalised by - Le Sacre du Printemps,may seem to us now to have been old fgi fogies,but + + Le Sacre du Printemps + ,may seem to us now to have been old fgi fogies,but their reaction was genuine. They did not say to themselves:"Times have changed and we must change with them in order to be up to date." not to be left behind." - Here are a few statements by Stravinsky to whcih which the young,wherewherewhether + Here are a few statements by Stravinsky to whcih which the young,where + wherewhether artists or critics would do well to listen and pknde ponder over.

-

- In my youth the new music grew out of,and in reaction to,traditions, - whereas it appears to be evolving to-day as much from social needs - as interior artistic ones...The status of the new music as a - category is another incomparable. It had none at all in my early - years,being in fact categorically opposed,and often with real - hostility. But the unsuccess of composers onf my generation at - least kept them from trading on success,and our unsuccess may have - been less insidious than the automatic superlatives which nowadays - kill the new by absorbing it tio death. - *** +

+ + In my youth the new music grew out of,and in reaction to,traditions, + + whereas it appears to be evolving to-day as much from social needs + + + as interior artistic ones...The status of the new music as a + + + category is another incomparable. It had none at all in my early + + + years,being in fact categorically opposed,and often with real + + + hostility. But the unsuccess of composers onf my generation at + + + least kept them from trading on success,and our unsuccess may have + + + been less insidious than the automatic superlatives which nowadays + + + kill the new by absorbing it tio death. + + ***

-

- The use of the new hardware naturally appears to the new musician - as "historically imperative"; but music is made out of musical - imperatives,and the awareness of historical processes is probably - best left to future and different kinds of wage-earners. - *** +

+ + The use of the new hardware naturally appears to the new musician + + as "historically imperative"; but music is made out of musical + + + imperatives,and the awareness of historical processes is probably + + + best left to future and different kinds of wage-earners. + ***

-

- In times,like our own,of rapid social change and political crisis,there is +

+ In times,like our own,of rapid social change and political crisis,there is + always a danger of confusing the principles governing political action and those governing artistic fabrication. The most important of such confusuions are thrree. - Firstly,one may come to think of artistic fabrication as sa fromorm of political + Firstly,one may come to think of artistic fabrication as s + a fromorm of political action. Every citizen,artistspoets includied,has a duty to be politically 'engagé', that is,to feel play a responsible part in seeing that the society of which he is a member shall function properly and improve. But the poet,qua poet, has only one political function. Since langiuage is his medium,it is his duty, by his own example,to defend his motehhermothermother-tongue against corruption by demagogues, - journalists,the mass-media etc. As Karl Krauss said:"Die Sprache ist die Muuet - Mutter,nicht das Magd,des d gGedankens",and when language loses its meaning, + journalists,the mass-media etc. As Karl Kraus + s said:"Die Sprache ist die + Muuet + + + Mutter,nicht das Magd,des d + gGedankens",and when language loses its meaning, its palce place is taken by violence. Of course,the poet may use political and social events as subject-matter for poems - they are as much a part of human experience as love or nature - but he must never imagine that his poems have @@ -384,15 +495,18 @@ for any purpose, even commercially.

-

+

4

-

- Where politicla political and social eveils evils are concerned,only - tkwo things are effective*: political action and straightforward,truthful, +

+ Where politicla political and social eveils evils are concerned,only + tkwo things are effective* + : political action and straightforward,truthful, detailed journalistic rapportage of the facts. The Arts are powerless. - The second confusion,of which Plato is the most famous example,is to take - artitstic fabrication as the model for a good society. The aim of any artist + The second confusion,of which Plato is the most famous example,is to take + artitstic fabrication as the model for a good society. The aim of any artist + + Such a model,if put into practice,is bound to produce a tyrrany. The aim of the artists is to produce an object which is complete and will endure without change. A In the 'city' of a poem,there are always the same inhabitants doing @@ -403,8 +517,9 @@ for any purpose, even commercially.

exytermination of the physically and mentally unfit,absolute obedience to its Ddirector,a alrge slave claass kept out of sight in fcellars and the strictest censureeship of the Arts,forbidding anything to be said which was is - not out of keeping with the official 'line.' - The third confusion,typical of our western civilisat 'free' soncietis + not out of keeping with the official 'line.' + The third confusion,typical of our western civilisat 'free' soncietis + societies at this time,is the opposite of Plato's,namely to take political actuion as the model for artitstic fabrication. Political action is a necessity, that is to say,ayt very moment something has to be done,and politicla it @@ -413,43 +528,51 @@ for any purpose, even commercially.

the alternative to one work of art can be no work of art - and the artistic object is permanent,that is to say,immune to historical change. The attempt to model artitstic fabrication osn political action can therefore,only - reduce it to momentary (h adnd arbitrary 'happenings',a conformism with + reduce it to momentary (h + adnd arbitrary 'happenings',a conformism with the tyrrany of the immediate moment which is far more enslaving and destructive of integrity than any conformism with past tradition.

-

+

insert 4`a

-

- What then,can the Arts do for us? In my opionion,they can do two things. +

+ What then,can the Arts do for us? In my opionion,they can do two things. They can,as Dr Johnston said,'enable us a little better to enjoy life or a - little better to enjoyendure it". And,becaase because they are objects permant - permanently on hand in the world,they are the chief means by which the lvi + little better to enjoyendure it". And,becaase because they are objects permant + + permanently on hand in the world,they are the chief means by which the lvi + living are able to break bread with the dead,and,without a communication with the dead,I do not believe that a fully human civilised life is possible. - Perhaps,too,in our age,the mere making of a work of art is itself a + Perhaps,too,in our age,the mere making of a work of art is itself a political act. So long as artists exist,making what they please or think they ought to make,even if the worlks their worlks are not terribly good,they remind the Management of something managers need to be reminded of,namely, - that the managed are people with faces,not anonymous numbers,that Homo - Laborans is also Homo Ludens. - And now,I hope those of you who know no English will forgive me isf + that the managed are people with faces,not anonymous numbers,that Homo + + Laborans is also Homo Ludens. + + And now,I hope those of you who know no English will forgive me isf I concluded these remarks with a light poem of my own,entitled - Doggerel of by a Senior Citizen. + + Doggerel of by a Senior Citizen + .

-

+

(4a

-

+

insert into next page

-

- At this pinoint,a little digression on the subject of 'free' verse,which - seems now to be almost universal among young poets. Though excellent - examples,the poems of D.H.Lawrence,for example,exist,in my opinion they are,in my opinion +

+ At this pinoint,a little digression on the subject of 'free' verse,which + seems now to be almost universal among young poets. Though excellent + examples,the poems of D.H.Lawrence,for example,exist,in my opinion they are,in my opinion + the exception,not the rule. The great virtue of formal metrical rules is that they forbid automatic reposnse respionses and,by forcing the piet poet to have second thoughts,free fhim forrom the fetters of self. All too often,the @@ -463,4 +586,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0044.xml b/data/amp-transcript__0044.xml index 797a145..4c73c89 100644 --- a/data/amp-transcript__0044.xml +++ b/data/amp-transcript__0044.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-24 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C331-E + https://hdl.handle.net/21.11115/0000-000E-C331-E +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1968-10-24 + 1968-10-24 32 Bryanston Square @@ -81,8 +95,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-15 - Autograph Letter Signed W. H. Auden to Stella Musulin 1968-11-06 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-15 + Autograph Letter Signed W. H. Auden to Stella Musulin 1968-11-06 @@ -108,51 +126,59 @@ for any purpose, even commercially.

- +
- from Peter Heyworth + from Peter Heyworth + + 32 BRYANSTON SQUARE LONDON W1 · AMBASSADOR 8906
- Oct 24th + Oct 24th - Dear Stella: - -

+ Dear Stella: + +

Many thanks for your letter and the Drviving licence which I am much relieved to get.

-

- I can't possibly have the Langers +

+ I can't possibly have the Langers + shivering,so I enclose a cheque for S.2000 for extra fuel,and will send more if and when needed.

-

+

What is Mr Langers first name.? Does he understand English? I must write him a note of welcome.

-

- I leave to-day week for New York. - Address. 77 St Mark's Place. New +

+ I leave + + + to-day week for New York. + Address. 77 St Mark's Place. New York City. New York 10003. -

- - much love and thanks - Wystan - +

+ + much love and thanks + + Wystan + + +
+
-
-
- \ No newline at end of file + diff --git a/data/amp-transcript__0045.xml b/data/amp-transcript__0045.xml index 6f8c840..10b7a2c 100644 --- a/data/amp-transcript__0045.xml +++ b/data/amp-transcript__0045.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1960-07-21 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -47,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C332-D + https://hdl.handle.net/21.11115/0000-000E-C332-D +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -64,7 +76,8 @@ for any purpose, even commercially.

- 1960-07-21 + 1960-07-21 Hinterholz 6 @@ -82,7 +95,9 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1960-07-21T06:00:01+01:00/1960-07-21T07:00:00+01:00 + 1960-07-21T06:00:01+01:00/1960-07-21T07:00:00+01:00 + Musulin, Stella @@ -91,8 +106,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1959-10-10 - Autograph Letter Signed W. H. Auden to Stella Musulin 1960-07-22--1965-09-28 + Autograph Letter Signed W. H. Auden to Stella Musulin 1959-10-10 + Autograph Letter Signed W. H. Auden to Stella Musulin 1960-07-22--1965-09-28 @@ -125,10 +144,11 @@ for any purpose, even commercially.

- + - W. H. Auden -
+ W. H. Auden + +
Kirchstetten (West Bahn) Hinterholz # 6. N.O. @@ -136,18 +156,20 @@ for any purpose, even commercially.

Die Baronin - Stella Musulin + Stella Musulin +
Fridau Obergrafendorf bei St. Pölten - N.O + N.O +
- +
- +
@@ -157,15 +179,20 @@ for any purpose, even commercially.

Kirstetten. - CHRIST CHURCH, - OXFORD. + + CHRIST CHURCH, + + OXFORD. + Dear Baroness Musulin:

- Delighted to get your card. We + Delighted to get your card + . We + shall look forward to seeing you on Saturday afternoon.

@@ -175,12 +202,14 @@ for any purpose, even commercially.

yours sincerely - Wystan Auden + + Wystan Auden + +
+
-
-
- \ No newline at end of file + diff --git a/data/amp-transcript__0046.xml b/data/amp-transcript__0046.xml index 792227f..d856343 100644 --- a/data/amp-transcript__0046.xml +++ b/data/amp-transcript__0046.xml @@ -1,14 +1,20 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Notes Stella Musulin on Translation W. H. Auden "Joseph Weinheber" 1965-04-28--1965-12-31 - Musulin, Stella - Musulin, Elsa + Musulin, Stella + Musulin, Elsa - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -26,8 +32,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -45,7 +57,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C333-C + https://hdl.handle.net/21.11115/0000-000E-C333-C +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,10 @@ for any purpose, even commercially.

2, 2 - 1965-04-28--1965-12-31 + + 1965-04-28--1965-12-31 + @@ -74,7 +90,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -97,78 +112,97 @@ for any purpose, even commercially.

-

- 1. In dem man✓ dich — begrub · +

+ 1. In dem man + ✓ dich — begrub ·

-

- 2. Kategorisiert. +

+ 2. Kategorisiert. + Ambit_Umwelt is a bit weak but probably can't be helped·

-

- 3. Grosses Unheil stifteten und Böses planten . - Mem men of great damage and malengine . - 1 the action - 2 the intent. +

+ 3. Grosses Unheil stifteten und Böses planten . + Mem men of great damage and malengine . + + 1 + the action + 2 the intent. Übelwollens? Männer✓ grossen Unheils und Übelwollens. ?

-

- 5. Alpdruck.(vom nicht vor) +

+ 5. Alpdruck.(vom nicht vor) Stümper .

-

- 6. In str Bei✓ strömendem Regen -

-

- 7. Hope everyone won't think "die Reiche" - is a missprint for "die Reichen".prosaische - & private Art +

+ 6. + + In str Bei✓ strömendem Regen +

+

+ 7. Hope everyone won't think "die Reiche" + + is a missprint for "die Reichen".prosaische + + & private Art

-

+

8. Lächeln wir bei Hochzeiten , auf denen ? Next sentence ungrammatical . Verb lackingmissing.. - And perhaps: "Noch nie war die Erde ohne + And perhaps: + "Noch nie war die Erde ohne ihre faulen Stellen (singular as in original), ein Unort mit Posten für Folterer

-

- 9. Frieden oder Friede✓ ? +

+ 9. Frieden oder Friede✓ ?

-

- 10. An das Regime? Wie wu einst✓ · Wann bei jedem - Wenn . +

+ 10. An das Regime? Wie wu einst✓ + · Wann bei jedem + Wenn .

-

- 11. Bedeutenderern Nachbarn - Warum des noblen Flusses ? die Perschling -

-

+

+ 11. Bedeutendere + + + r + n Nachbarn + Warum des noblen + Flusses ? + die Perschling +

+

12. Was ist der Abgrund? statt Bratschen Violas oder Geigen

-

- ⁒ +

+ ⁒

-

+

Heute lächeln wir bei Hochzeiten , bei denen Braut u. Bräutigam schon auf der Welt waren als sich der Schatten gehoben oder (vielmehr)✓ weiter✓gerückt war. -

-

- 12· - Anger wäre ev. besser als Rasen . +

+

+ 12· + + Anger wäre ev. besser als Rasen . + Try gepfählt

-

+

die ihn nachher dazu verpflichteten, sie - den Abgrund zu nennen · + den Abgrund zu nennen · + Look for old-fashioned word for Streicher . - (Stringend instruments generally.) + (Stringend instruments generally.)

- \ No newline at end of file + diff --git a/data/amp-transcript__0047.xml b/data/amp-transcript__0047.xml index 07b94b0..ed09850 100644 --- a/data/amp-transcript__0047.xml +++ b/data/amp-transcript__0047.xml @@ -1,14 +1,20 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typescript Stella Musulin Translation W. H. Auden "Joseph Weinheber" 1965-04-28--1965-12-31 - Musulin, Stella - Musulin, Elsa + Musulin, Stella + Musulin, Elsa - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -26,8 +32,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -45,7 +57,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C334-B + https://hdl.handle.net/21.11115/0000-000E-C334-B +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,10 @@ for any purpose, even commercially.

2, 2 - 1965-04-28--1965-12-31 + + 1965-04-28--1965-12-31 + @@ -73,7 +89,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -96,72 +111,85 @@ for any purpose, even commercially.

-

- JOSEPH WEINHEBER - (1892-1945) - Von meiner Gartenntür führt ein schmaler Pfad vom Dorf weiter +

+ + + + JOSEPH WEINHEBER + (1892-1945) + + + + Von meiner Gartenntür führt ein schmaler Pfad vom Dorf weiter einen Wald. Auf meinen Gängen dorthin scheint es gehörig, stehen z bleiben und durch den Zaun deines Gartens zu schauen, in dem man - dich (die Umstände verlangten es) wie einen alten geliebten HFamilien + dich (die Umstände verlangten es) wie einen alten geliebten + HFamilien hund begrub. - Vor zwanzig Jahren kategorisierte Feinde, jetzt nah benachbart, + Vor zwanzig Jahren kategorisierte Feinde, jetzt nah benachbart, wären wir vielleicht gute Freunde geworden, die eine gemeinsame Umwelt und Liebe für das Wort teilten, und hätten bei einem gold- hellen Kremser lange Gespräche über Syntax, Kommas und Verskunst geführt. - Ja, ja, es muss gesagt werden, Machthaber, Männer grossen + Ja, ja, es muss gesagt werden, Machthaber, Männer grossen Unheils und Übelwollens, nahmen dich auf; für wie lang, doch, wickelten sie dich ein, dich, der auf Goebbels Angebot von Kultur "In Ruah lassen!" entgegnetest? Aber Krethi und Plethi ziehen einen Stunk vor, und die Jungen verdammen dich ungelesen. - Was wohl würde dir, dem Österreicher, dem Dichter, dein Herz + Was wohl würde dir, dem Österreicher, dem Dichter, dein Herz gesagt haben, hättest du je von Franz Jägerstätter, dem Sankt Radegunder Bauern, gehört, der sein einsames Nein zu dem Arierstatat sagte und geköpft wurde? Natürlich sorgte man dafür, daß nichts davon zu Ohren kam, - dass du unvorbereitet auf einen Tag sein solltest, der kommen + dass du unvorbereitet auf einen Tag sein solltest, der kommen musste, eine Zeit, voller Schrecken, Tränen und Auflösung, in dem du, der vom Albdruck erstarrt, dich selbst vernichtetest? Vergeltung ging immer wie ein Stümper vor. "Dies alles ist furchtbar, hier nur Schweigen gemäss." - Unbemerkt und bunbetrauert von mir die Stunde deines Todes, + Unbemerkt und bunbetrauert von mir die Stunde deines Todes, unbegrüsst von dir war der Augenblick, als ich, von der Vorsehung - geleitet, RKirchstetten zuerst erblickte, an einem Oktobertag in bei + geleitet, R + Kirchstetten zuerst erblickte, an einem Oktobertag in bei strömendem Regen, in einem Jahr, das unsern Kosmos veränderte, dem annus mirabilis als die Parität gestürzt wurde. - SchonSchon waren die Reiche, die verloren habtten, genügend warm und + Schon + Schon waren die Reiche, die verloren habtten, genügend warm und sattgegessen, ihre Verbrechen waren auf prosaische und private Art, jene Ärgernisse, Tote und Schutt, längst weggeschafft: für ihre Geschändeten verblasste der Schock, ihre gewaltsam entführten Physiker hatten kein Heimweh mehr. - Heute lächeln wir bei Hochzeiten, bei denen Braut und Bräutigam + Heute lächeln wir bei Hochzeiten, bei denen Braut und Bräutigam schon auf der Welt waren als sich der Schatten gehoben hatte oder - vielmehr weitergerückt war. BNoch nie war die Erde ohne ihre faule + vielmehr weitergerückt war. + + B + Noch nie war die Erde ohne ihre faule Stelle, einen Unort mit Posten für Folterer, (In welchen Bars sind sie willkommen? WelcheMädchen heiraten sie?) - noch nie war überall Friede auf ihrer nährenden Oberfläche: + noch nie war überall Friede auf ihrer nährenden Oberfläche: so viel wir wissen, ist niemand je sicher gewesen, und deshalb überwachen brave Familienväter, mit der Hingebung von Mönchen, in geheimen Zonen, Geräte, in denen harmlose Substanz menschenmörderisc wird. - Doch hier fühl ich mich tzuhause, wie du einst: dieselben kurz- + Doch hier fühl ich mich tzuhause, wie du einst: dieselben kurz- lebigen Geschöpfe stimmen wieder dieselben sorglosen Lieder an; Pbstgärten halten fest an dem Regime, das sie kennen, von des April rasch zunehmenden Farbtönen bis zum ungestümen Herbst, wenn bei jedem stotternden Windstoss Äpfel auf den Boden plumpsen. - Wenn ich über unser Tal - human bescheiden und sanft im Umris + + Wenn ich über unser Tal - human bescheiden und sanft im Umris schaue, in dem der Sichelbach westwärts gurgelt, um sich mit der - Perschling zu vereinigen, bin ich mir bedeutenderen Nachbarn + Perschling zu vereinigen, bin ich mir bedeutenderen Nachbarn ehrfürchtig bewusst, der Berge, die hinter mir aufragen, vor mi des noblen Flusses, - doch möcht ich auch dir Achtung erweisen, Nachbar und Kolle - de -

-

- ⁒ + doch möcht ich auch dir Achtung erweisen, Nachbar und Kolle + de +

+

+ ⁒

-

+

denn selbst mein englisches Ohr erfasst in deinem Deutsch die Meisterschaft und den Tonfall einen dem es vergönnt war, auf dem gepfählten Anger die Violas zu hören, die ihn nachher dazu @@ -170,4 +198,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0048.xml b/data/amp-transcript__0048.xml index 787e48e..b811dab 100644 --- a/data/amp-transcript__0048.xml +++ b/data/amp-transcript__0048.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Portrait Photograph Rudolf Blaha of Stella Musulin 1968-01-01--1996-01-21 - Blaha, Rudolf + Blaha, Rudolf - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C335-A + https://hdl.handle.net/21.11115/0000-000E-C335-A +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 18 - 1968-01-01--1996-01-21 + + 1968-01-01--1996-01-21 + @@ -76,9 +92,9 @@ for any purpose, even commercially.

- - photographer - + + photographer + @@ -101,15 +117,17 @@ for any purpose, even commercially.

-

+

Copyright by - RUDOLF BLAHA + RUDOLF BLAHA + BILDREPORTER - Leystraße 23/13/16 - 1200 WIEN + Leystraße 23/13/16 + 1200 WIEN + Tel.:

- \ No newline at end of file + diff --git a/data/amp-transcript__0049.xml b/data/amp-transcript__0049.xml index 9b9d2e4..f6838ce 100644 --- a/data/amp-transcript__0049.xml +++ b/data/amp-transcript__0049.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Invitation Card Österreichische Gesellschaft für Literatur Poetry Reading W. H. Auden 1973-01-01--1973-09-28 - Österreichische Gesellschaft für Literatur + Österreichische Gesellschaft für Literatur - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C336-9 + https://hdl.handle.net/21.11115/0000-000E-C336-9 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 25 - 1973-01-01--1973-09-28 + + 1973-01-01--1973-09-28 + @@ -94,21 +110,24 @@ for any purpose, even commercially.

-

- ÖSTERREICHISCHE GESELLSCHAFT FÜR LITERATUR -

-

+

+ ÖSTERREICHISCHE GESELLSCHAFT FÜR LITERATUR +

+

Einladung

-

- W. H. AUDEN +

+ + W. H. AUDEN + GEDICHTE/POEMS -

-

- Zum Erscheinen der neuen, zweisprachigen Ausgabe im Europa Verlag, Wien +

+

+ Zum Erscheinen der neuen, zweisprachigen Ausgabe im Europa Verlag, Wien + Es lesen der Autor und Achim Benning -

-

+

+

Freitag, 28. September, 20 Uhr, Palais Palffy, Großer Saal, Wien I., Josefsplatz 6

diff --git a/data/amp-transcript__0050.xml b/data/amp-transcript__0050.xml index 78b69d1..f4bfe34 100644 --- a/data/amp-transcript__0050.xml +++ b/data/amp-transcript__0050.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Photograph Otto Breicha of W. H. Auden and Mary McCarthy 1967-04-24--1967-04-26 - Breicha, Otto + Breicha, Otto - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -45,9 +57,11 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- Otto Breicha / brandstaetter images / picturedesk.com + Otto Breicha / brandstaetter images / picturedesk.com - https://hdl.handle.net/21.11115/0000-000E-C337-8 + https://hdl.handle.net/21.11115/0000-000E-C337-8 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -63,7 +77,10 @@ for any purpose, even commercially.

2, 26 - 1967-04-24--1967-04-26 + + 1967-04-24--1967-04-26 + @@ -75,20 +92,20 @@ for any purpose, even commercially.

German - - - left side - - - middle - - - right side - - - photographer - - + + + left side + + + middle + + + right side + + + photographer + + @@ -116,16 +133,17 @@ for any purpose, even commercially.

-

- Wien, IV.67 +

+ Wien, IV.67

-

+

AUFNAHME: - OTTO BREICHA - ALSERSTRASSE 48/31 + OTTO BREICHA + + ALSERSTRASSE 48/31 WIEN 9 -

+

- \ No newline at end of file + diff --git a/data/amp-transcript__0051.xml b/data/amp-transcript__0051.xml index efa9f23..da23daf 100644 --- a/data/amp-transcript__0051.xml +++ b/data/amp-transcript__0051.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Notes [Janko Musulin] Translation W. H. Auden "Freedom and Necessity in the Arts" 1970-05-19--1970-06-10 - [Janko Musulin] + [Janko Musulin] - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C338-7 + https://hdl.handle.net/21.11115/0000-000E-C338-7 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 5 - 1970-05-19--1970-06-10 + + 1970-05-19--1970-06-10 + @@ -73,7 +89,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -108,102 +123,113 @@ for any purpose, even commercially.

-

+

Einschub 1 , - Als ich zwischen sechs und zwölf Jahre alt war verbrachte ich + + + + Als ich zwischen sechs und zwölf Jahre alt war verbrachte ich viele meiner wachen Stunden damit mir eine heilsame zweite Welt zu schaffen . Ihre Grundelemente Bausteine waren erstens eine - Karlksteinlandschaft , die hauptsächlich ......von der Pennine Heide + Karlksteinlandschaft , die hauptsächlich ......von der Pennine Heide + herrührte und zweitens ein Werk - die Bleigruben .

-

- Einschub 2 - Zweitens , während ich meine höchst-eigene Welt aufbaute , +

+ Einschub 2 + Zweitens , während ich meine höchst-eigene Welt aufbaute , musste ich feststellen , dass hier nicht ohne Regeln gespieltvorgegangen werden konnte - werden konnte - obwohl, oder gerade weil es hier um ein Spiel + werden konnte - obwohl, oder gerade weil es hier um ein Spiel ging , nicht eine Notwendigkeit wie essen oder schlafen , um etwas, das mir frei stand , das ich tun oder lassen konnte, wie es mir passte

-

- Eimschub 3 - Während ich meine PläneVorstellungen für einen zentral-MeilerAnreicherungs-Meiler entwarf, stiess +

+ Eimschub 3 + Während ich meine PläneVorstellungen für einen zentral-MeilerAnreicherungs-Meiler entwarf, stiess ich auf Schwierigkeiten: Ich musste zwischen zwei Arten von - Maschienen wählen , die dieer Absonderung des Schlamms durchführen + Maschienen wählen , die dieer Absonderung des Schlamms durchführen + dienen , sie werden ' buddle ' genannt , Der eine Typ kam mir ' heilsamer ' , schöner vor aber der andere, das wusste ich bereits aus meiner Lekture funktionierte besser .................... - Als ich später Gedichte zu schreiben begann stellte ich fest , + Als ich später Gedichte zu schreiben begann stellte ich fest , dass für mich genau die gleiche Verpflichtung gültig war . Das - heisst, ich ich kann die Dojktrin nicht akzeptieren derzufolge man + heisst, ich ich kann die Do + j + ktrin nicht akzeptieren derzufolge man in der Poesie vom Zwang der Glaubwürdigkeit vorübergehend vom Zwang zur Glaubwürdigkeit entbunden werden kann .

-

+

Einschub 4 - Eine eigene Phantasiewelt für sich selbst aufbauen allein + Eine eigene Phantasiewelt für sich selbst aufbauen allein

-

- - 2 - +

+ - 2 -

-

+

aufbauen und Gedichte schreiben , das ist gewiss auf profunde Weise etwas anderes. "

-

- Einschub 5 - " Die Wissenschaften früherer Tage sind nur für die Studenten der - Wissenschaftsgeschichte von Interesse , sie haben keinen Bezug auf das , - was Wissenschaftler in diesem Augenblick tun " +

+ Einschub 5 + " Die Wissenschaften früherer Tage sind nur für die Studenten der + Wissenschaftsgeschichte von Interesse , sie haben keinen Bezug auf das , + was Wissenschaftler in diesem Augenblick tun "

-

- Einschub 6 - Gründer der " modernen Kunst " ansehen , Glück, weil sie just in - diesem Augenblick auf die Welt kamen , mithin vor 1914 erwachsene - Männer waren . +

+ Einschub 6 + Gründer der " modernen Kunst " ansehen , Glück, weil sie just in + diesem Augenblick auf die Welt kamen , mithin vor 1914 erwachsene + Männer waren .

-

- Einschub 7 - In meinen jungen Jahren hatte sie gar keinen , sie befand sich im - Zustand kategorischen Gegensatzes , häufig in wirkolicher - Feindschaft +

+ Einschub 7 + In meinen jungen Jahren hatte sie gar keinen , sie befand sich im + Zustand kategorischen Gegensatzes , häufig in wirk + o + licher + Feindschaft

-

- Einschub 8 - In Zeiten wie der unseren , in Zeiten rascher sozialer Veränderungen - und politischer Krise , besteht immer die Gefahr die auf - politische Aktion anwendbaren Prinzipien mit jenen zu verwechseln , - die das künstlerische Schaffen bestimmen. +

+ Einschub 8 + In Zeiten wie der unseren , in Zeiten rascher sozialer Veränderungen + und politischer Krise , besteht immer die Gefahr die auf + politische Aktion anwendbaren Prinzipien mit jenen zu verwechseln , + die das künstlerische Schaffen bestimmen.

-

- Einschub 9 - heisst auf verantwortliche Weise am richtigen Funktionieren - der Gesellschaft, der er angehört, wie an ihrer Verbesserung , - mitzuwirken . " +

+ Einschub 9 + heisst auf verantwortliche Weise am richtigen Funktionieren + der Gesellschaft, der er angehört, wie an ihrer Verbesserung , + mitzuwirken . "

-

- - 3 - +

+ - 3 -

-

- Einschub 1o - Politisches hHandeltn kommt aus Notwendigkeit , das - heisst : In jedem Augenblick muss etwas getan werden , für den - Augenblick - der Aktion des Augenblickes folgt die des nächsten - Augenblicks . +

+ Einschub 1o + Politisches + h + Handeltn kommt aus Notwendigkeit , das + heisst : In jedem Augenblick muss etwas getan werden , für den + Augenblick - der Aktion des Augenblickes folgt die des nächsten + Augenblicks .

-

+

Euinschub 11 - Noch eine weitere Erfahrung, dieich gemacht habe : Im Gegensatz - zu dem, was man erwarten würde,klingen die freien Verse viel - ähnlicher als jene die Verse von Dichtern , die in vorgegebenen - Formen schreiben " + Noch eine weitere Erfahrung, dieich gemacht habe : Im Gegensatz + zu dem, was man erwarten würde,klingen die freien Verse viel + ähnlicher als jene die Verse von Dichtern , die in vorgegebenen + Formen schreiben "

- \ No newline at end of file + diff --git a/data/amp-transcript__0052.xml b/data/amp-transcript__0052.xml index fb40f90..3d7bbe5 100644 --- a/data/amp-transcript__0052.xml +++ b/data/amp-transcript__0052.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Copy Typescript Hilde Spiel Translation W. H. Auden Statement to Austrian Tax Authorities 1972-07-26--1972-08-25 - Spiel, Hilde + Spiel, Hilde - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C339-6 + https://hdl.handle.net/21.11115/0000-000E-C339-6 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +73,10 @@ for any purpose, even commercially.

2, 6 - 1972-07-26--1972-08-25 + + 1972-07-26--1972-08-25 + @@ -72,7 +88,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -113,133 +128,180 @@ for any purpose, even commercially.

-

- Erklärung -

-

+

+ + + Erklärung + +

+

Meine Herren ! - Mein Standpunkt ist sehr einfach : Man bezahlt dort + Mein Standpunkt ist sehr einfach : Man bezahlt dort Einkommensteuer, wo man Geld verdient, das heisst in meinem Fall, als Schriftsteller, der englisch schreibt, in den Ver- einigten Staaten und in England. In Österreich verdiene ich keinen Groschen, ich gebe lediglich Schillinge aus. - Sie behaupten, dass ich ein 'materielles Interesse' an - Österreich habe, womit Sie vermutlich ein 'finanzielles' In- + Sie behaupten, dass ich ein 'materielles Interesse' an + Österreich habe, womit Sie vermutlich ein 'finanzielles' In- teresse meinen. Das könnte nur dann möglicherweise richtig sein, wenn ich mir sagen müsste :'Ich muss nach Österreich gehen, weil ich nur in Österreich arbeiten kann!. Das ist aber nicht der Fall. Ich habe an vielen Orten und in den verschiedensten Ländern gelebt, und war imstande, zu arbeiten, wo immer ich auch war. - Ich habe natürlichein 'persönliches' Interesse an Öster- + Ich habe natürlich + + + + ein 'persönliches' Interesse an Öster- reich, sonst käme ich nicht hierher. Mir gefällt die Landschaft und ich finde die Österreicher, die ich kennen lerne, freundlich und charmant. - Sie sagen wahrheitsgemäss, dass ich einmal einen öster- - reichischen Literaturpreis erhalten habe. Das war eine grosse + Sie sagen wahrheitsgemäss, dass ich einmal einen öster- + reichischen Literaturpreis erhalten habe. Das war e + + ine grosse Ehre, azuf die ich sehr stolz bin. Aber Sie können doch nicht ernstlich glauben, meine Herren, dass ich mir ausgerechnet habe: 'QWenn ich weiter nach Österreich gehe, wird mir vielleicht ein Preis verliehen werden'? Bevor er mir zuerkannt wurde, hatte ich noch nie von diesem Preis gehört. Es ist auch klar, dass ich ihn kein zweites Mal erhalten kann. Dann sagen Sie auch, dass - man in Kirchstetten eine Strasse nach mnir Audenstrasse genannt + man in Kirchstetten eine Strasse nach m + n + ir Audenstrasse genannt hat. Das war eine sehr liebenswürdige Geste von Seiten der

-

- 2 +

+ 2

-

+

Gemeinde, aber man kann nicht behaupten, dass ich finanziellen Nutzen daraus ziehe. - Sie sagen ferner wahrheitsgemäss, dass ich einige Gedichte + Sie sagen ferner wahrheitsgemäss, dass ich einige Gedichte mit österreichischer Thematik geschrieben habe. Dazu möchte ich drei Feststellungen machen : - 1. Ich habe in Österreich niemals auch nur einen Penny - für meine Gedichte erhalten. Ein paar vion ihnen wurden - ins Deutsche übersetzt, aber in diesem Fall bekamen die - Überstetzer das Geld, nicht ich. - 2. Ich glaube, Sie sind sich nicht im Kklaren darüber, wie - Gedichte entstehen. Was gewöhnlich für das Thema gehalten - wird, ist nur ein Blickwinkel, ein Anlass, um gewissen - Gedanken über die Natur, über Gott, die Geschichte, die - Menschheit usw. Ausdruck zu verleihen, die der Dichter - schon sehr lange im Kopf gehabt haben mag. Ich habe - zum Beispiel ein Gedicht zum 20. Todestag von Josef - Weinheber geschrieben. Aber das Gedicht handelt im - Grunde von anderen Dingen : erstens von der Liebe, die - jeder gute Dichter, von welcher Nationalität er auch sei, - zu seiner Muttersprache hegt , und zweitens davon, was - nach dem Krieg in den Ländern geschehen ist, die ihn - verloren hatten, das heisst, nicht nur Österreich, sondern - auch Deutschland und Italien. - 1964 wiederum habe ich ein Gedicht mit dem Titel - 'Pfingstsonntag in Kirchstetten' geschrieben, weil ich - mich zufüällig dort aufhielt. Aber der Ort ist unwichtig. - In Wahrheit geht es in diesem Gedicht um die Frage : - Worin besteht für einen Christen die Bedeutung des Pente- - cost-Festes'. Und dies gilt für alle Länder auf gleuiche Art. + 1. Ich habe in Österreich niemals auch nur einen Penny + für meine Gedichte erhalten. Ein paar v + i + on ihnen wurden + ins Deutsche übersetzt, aber in diesem Fall bekamen die + Überstetzer das Geld, nicht ich. + 2. + + Ich glaube, Sie sind sich nicht im Kklaren darüber, wie + Gedichte entstehen. Was gewöhnlich für das Thema gehalten + wird, ist nur ein Blickwinkel, ein Anlass, um gewissen + Gedanken über die Natur, über Gott, die Geschichte, die + Menschheit usw. Ausdruck zu verleihen, die der Dichter + schon sehr lange im Kopf gehabt haben mag. Ich habe + zum Beispiel ein Gedicht zum 20. Todestag von Josef + Weinheber + geschrieben. Aber das Gedicht handelt im + Grunde von anderen Dingen : erstens von der Liebe, die + jeder gute Dichter, von welcher Nationalität er auch sei, + zu seiner Muttersprache hegt , und zweitens davon, was + nach dem Krieg in den Ländern geschehen ist, die ihn + verloren hatten, das heisst, nicht nur Österreich, sondern + auch Deutschland und Italien. + 1964 wiederum habe ich ein Gedicht mit dem Titel + + 'Pfingstsonntag in Kirchstetten' geschrieben, weil ich + mich zufüällig dort aufhielt. Aber der Ort ist unwichtig. + In Wahrheit geht es in diesem Gedicht um die Frage : + Worin besteht für einen Christen die Bedeutung des Pente- + + + + cost-Festes'. Und dies gilt für alle Länder auf gle + u + iche Art.

-

- 3 +

+ 3

-

- 3. Ich glaube, Sie sind sich nicht im Klaren über die - finanzielle Situation eines Dichters. Ein Romanschrift- - steller kann, wenn er erfolgreich ist, mit seinen Büchern - eine Menge Geld verdienen. Ein Lyriker kann das nicht, - selbst wenn er sehr bekannt ist, denn Gedichte werden - nur von einer Minderzahl gelesen. So stammt der weitaus - grösste Teil meines Einkommens nicht aus dem Verkauf - meiner Gedichtbände, sondern aus Buchrezensionen, - Übersetzungen, Vorträgen, usw., Tätigkweiten, die mit - Österreich nichts zu tun haben. Und wenn schon vom - Übersetzen die Rede ist : Sie sagen wahrheitsgemäss, - dass ich ein grosses Interesse an deutscher und öster- - reichischer Literatur habe - ich darf hinzufüfgen, auch - an der Musik - , aber ich muss nicht nach Österreich - kommen, um sie zu lesen oder zu höron. - Sie sehen aus all dem, dass die von Ihnen angeführten Gründe, +

+ 3. + + Ich glaube, Sie sind sich nicht i + + m Klaren über die + finanzielle Situation eines Dichters. Ein Romanschrift- + steller kann, wenn er erfolgreich ist, mit seinen Büchern + eine Menge Geld verdienen. Ein Lyriker kann das nicht, + selbst wenn er sehr bekannt ist, denn Gedichte werden + nur von einer Minderzahl gelesen. So stammt der weitaus + grösste Tei + + l meines Einkommens nicht aus dem Verkauf + meiner Gedichtbände, sondern aus Buchrezensionen, + Übersetzungen, Vorträgen, usw., Tätigkweiten, die mit + + Österreich nichts zu + + + + tun haben. Und wenn schon vom + Übersetzen die Rede ist : Sie sagen wahrheitsgemäss, + dass ich ein grosses Interesse an deutscher und öster- + reichischer Literatur habe - ich darf hinzufü + f + gen, auch + an der Musik - , aber ich muss nicht nach Österreich + + kommen, um sie zu lesen oder zu höron. + Sie sehen aus all dem, dass die von Ihnen angeführten Gründe, aus denen Sie mich besteuern wollen, nicht stichhaltig sind. Am meisten aber spricht dagegen, dass ich im Laufe eines Jahres immer weniger als sechs Monate in Österreich verbringe und mich niemals auch nur drei Monate lang laufend hier aufhalte. - Ein Wort zum Schluss. Wenn dieser für mein Gefühl völlig un- + Ein Wort zum Schluss. Wenn dieser für mein Gefühl völlig un- gerechtfertigte Unsinn nicht aufhört, werde ich Österreich verlas- sen, um nie wiederzukehren, was für mich und vielleicht auch für die Ladenbesitzer von Kirchstetten sehr traurig wäre. Eines aber kann ich Ihnen nicht verhehlen, meine Herren : sollte dies ein- treten, dann könnte es einen weltweiten Skandal nach sich ziehen.

-

- W.H.Auden -

+

+ + W.H.Auden +

-

- Sie fragen, weshalb ich diemeine Hälfte meinesunseres Besitzes +

+ Sie fragen, weshalb ich diemeine Hälfte meines + + unseres Besitzes + in Kirchstetten an Mr Chester Kallmann überschrieben habe, der ja nicht mit mir verwandt ist. Mr Kallmann ist mein Erbe. Ich habe keine Kinder und er ist seit Jahren mein literarischer Mitarbeiter. Wir haben gemeinsam fünf neue Opernlibretti verfasst, 'The Rake's Progress', 'Elegy - for Young Lovers', 'The Bassarids' und 'Love's Labours Liost'. + for Young Lovers', 'The Bassarids' und 'Love's Labours L + iost'. ('Weg eines Wüstlings', 'Elegie für junge Liebende', 'Die Bassariden' und 'Verlorene Liebesmaüh') . Und wir haben ge- meinsam 'Die Zauberflöte', 'Don Giovanni', 'Die sieben Tod- sünden','Mahagonny' und 'Archifanfaro' neu ins Englische - übersetzt. Ich bin jetzt fünfundsechzig Jahre alt und muss + übersetzt. Ich bin + + jetzt fünfundsechzig Jahre alt und muss mit jeder Möglichkeit rechnen, etwa mit einem Herzanfall. Wie Sie selbst besser wissen als ich, eergeben sich im Falle eines plötzlichen Ablebens grosse Schwierigkeiten für den - Erben von Grundbesitz, besonders in einem fremden Lande. + Erben von Grundbesitz, besonders in ei + + + + nem fremden Lande.

- \ No newline at end of file + diff --git a/data/amp-transcript__0053.xml b/data/amp-transcript__0053.xml index 595b9b8..de13b1e 100644 --- a/data/amp-transcript__0053.xml +++ b/data/amp-transcript__0053.xml @@ -1,144 +1,173 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Typed Letter Stella Musulin to [Edith Silbermann] 1969-05-29 - Musulin, Stella - - Mayer, Sandra - Frühwirth, Timo - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Typed Letter Stella Musulin to [Edith Silbermann] 1969-05-29 + Musulin, Stella + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000E-C33A-5 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - St. Pölten - State Collections of Lower Austria - Stella Musulin (Depot) - 2, 9 - - - - 1969-05-29 - Austria - - - - - - - - - - German - - - - Silbermann, Edith - - - Silbermann, Edith - Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1969-05-21 - Autograph Letter Signed W. H. Auden to Stella Musulin 1969-06-10 - - - - - template populated with script "create_templates.py" - text transcribed - text transcribed using Transkribus - transcriptions collated - transcriptions updated v0.1 - and correspDesc collated - container structure updated - - - - - - - - - - - - -
-
- -
- - - 29.Mai. - - Liebling, - -

- Ich habe schon sehr lange nicht geschrieben, Du wirst +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000E-C33A-5 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + St. Pölten + State Collections of Lower Austria + Stella Musulin (Depot) + 2, 9 + + + + 1969-05-29 + Austria + + + + + + + + + + German + + + + Silbermann, Edith + + + + Silbermann, Edith + + Musulin, Stella + Autograph Letter Signed W. H. Auden to Stella Musulin 1969-05-21 + Autograph Letter Signed W. H. Auden to Stella Musulin 1969-06-10 + + + + + template populated with script "create_templates.py" + text transcribed + text transcribed using Transkribus + transcriptions collated + transcriptions updated v0.1 + and correspDesc collated + container structure updated + + + + + + + + + + + + +
+
+ +
+ + + + + 29.Mai. + + + + Liebling, + + +

+ + Ich habe schon sehr lange nicht geschrieben, Du wirst Dich, fürchte ich, schon kränken. Sehr schön war es, Deine Stimme zu hören, leider hattest Du nicht viel davon.

-

- Heute stehe ich immer noch unter dem Eindruck des gestirrigen +

+ Heute stehe ich immer noch unter dem Eindruck des gestirrigen Ausflugs nach Kirchstetten wohin ich Fritz Heer verabredeter- - maßen zum Essen mitnahm. Diese manisch-depressive Genie,und + maßen zum Essen mitnahm. Diese manisch-depressive Genie,und + dieser innerlich verschreckte Lausbub Friedrich Heer, und der grosse englische Dichter Auden, von Kallman ganz zu schweigen - - wie würde das gehen? Es ging großartig. Fritz war wie ein aus + wie würde das gehen? Es ging großartig. + Fritz war wie ein aus dem Gefängnis entlassener Mensch. Monatelang kommt er nicht aus der Arbeitsroutine heraus, er freute sich so über das satte Grün des Wienerwalds, über die Akazienbäume die immer wieder silbern schimmernd aus dem dühnkleren Hintergrund herausleuchteten, üvber die gute Luft, die klare Sicht nach dem Sturm vor zwei Tagen. - Ich habe ein wenig Angst gehabt, die beiden Großredner würden + Ich habe ein wenig Angst gehabt, die beiden Großredner würden gleichzeitig oder aneinander vorbeireden, aber das taten sie nur manchmal: sie wollten von einander etwas erfahren, konnten aber natürlich nur immer wieder große Themen streifen, Anekdoten erzählen und so. Jedenfalls war die Stimmung herrlich, - Fritz entpuppte sich als begabter "mimic", der nicht nur Hitler + Fritz entpuppte sich als begabter "mimic", der nicht nur Hitler + zum besten nachmachen konnte, das können viele, sondern auf ganz unheimliche Weise Mussolini dem er plötzlich unglaublich ähnlich sah. Hatte er also die verdorbenen deutschen und @@ -146,7 +175,8 @@ französischen Intellektuellen los: ein zimperlich-geschwollenens Gespräch zwischen Gide und Claudel. Es wurde über Wagners Texte gesprochen, über Liturgie-Reform, über Weinheber, Rudolf - Kassner und Freud - überdidiese drei hatte Fritz persönliche + Kassner und Freud - überd + idiese drei hatte Fritz persönliche Erlebnisse zu berichten gehabt. Wenn ich Fritz beobachte, kann es sehr oft vorkommen, daß ich sein Gehaben mit den Augen der Konvention sehe, ohne diese Voreinurteile zu empfinden - wenn @@ -161,8 +191,9 @@ huldigen. Interessant, daß Heer mit der Droste-Hülshoff und auch mit Bertha Suttner verwandt ist.

-

- Ohne Zweifel liegt in und um das Wesen Heers etwas Tragisches. +

+ Ohne Zweifel liegt in und um das Wesen Heers etwas Tragisches. + Er ist ebenso unentbehrlich wie unbrauchbar. Seine große Linie stimmt, die Details nicht, das geht für seine geistige Arbeit wie für seine Persönlichkeit. Die akademische Welt, wo immer @@ -170,41 +201,46 @@ beherrscht wird, empört sich und schiebt ihn von sich: er ist frivol, frevelhaft, frech, unorthodox, unberechenbar und - fast übertreibe ich da ein bißl - im soziologisch-biologischen Sinne - artfremd. Aber nicht nur in Österreich: er sagte mir, vor + artfremd. Aber nicht nur in Österreich: + er sagte mir, vor kurzem sagte ihm ein deutscher Universitätsprofessor ("er konnte es sagen, weiler Naturwissenschaftler ist"): "Sie müssen es mir glauben, daß es sich kein deutsches Professorenkollegium leisten kann, Sie zu sich zu nehmen." Ist er einfach zu unbequem? Was aber seine Person enbelangt, so empfindet er es

- -

+ +

als weitaus schwieriger, mit sich selbst auszukommen, als dies für denie Mitmenschen der Fall ist. "Ich bin noch immer das verschreckte, verheulte Kind, das sich irgendwie durchschlagen mußte. Ich bin nie reif geworden. Ich heiratete zu früh, für - die Ehe völlig unreif, mußte kämpfen, um meine Fqamilie zu + die Ehe völlig unreif, mußte kämpfen, um meine Fq + amilie zu ernähren und hatte nie Zeit und Ruhe, um nachzudenken... ein völliges Versagen... Mein Leben lang ringe ich mit dem Tod, kämpfe ich gegen Selbstmordgedanken... Ich bin passé: man schreibt aus meinen alten Arbeiten kommentarlos ab"usw. usf. - Diese und üähnliche Dinge erzählte er mir auf der Rückfahrt, + Diese und + ü + ähnliche Dinge erzählte er mir auf der Rückfahrt, wo ich einen ruhigen Nebenstrasse nach Wien wählte und langsam gefahren bin, aber inmitten dieser Depression war er immer wieder über die schöne Natur glücklich, über ruhige Dörfer und hübsche Häuser. sprach über diesen uralten Kulturboden, "wo die Leute - noch heute Sachen tun, die vier, fünf Jahrtausende zurückliegen + noch heute Sachen tun, die vier, fünf Jahrtausende zurückliegen + reichen, und sie wissen es nicht."

-

- Des Rätsels Lösung, des fast überentwickelten Geistes neben +

+ Des Rätsels Lösung, des fast überentwickelten Geistes neben der zerrissenen, ungleichmäßig ausgereiften Persönlichkeit, kennt er selbst, oder wenigstens zum Teil. Es liegt inm Entsetzen des 4-jährigen Kindes und in den seelischen Entbehrungen, die die Scheidung seiner Eltern verursachte.

-

- Ärgerst Du Dich schon darüber, daß ich so viel über Fritz +

+ Ärgerst Du Dich schon darüber, daß ich so viel über Fritz Heer schreibe und wahrscheinlich deshalb weniger über andere Dinge weil die Zeit fehlen wird? Ich tue es teils weil e ich Dir darüber erzählen möchte, teils als eine Art von self- @@ -216,27 +252,33 @@ Dir gern Zeugnisse, daß es Menschen gibt - Österreicher! - dem die nötigen Eigenschaften, die Zutaten aus dem ein Faschist geformt werden kann, gänzlich fehlen. Plötzlich sagte er mir - stah strahlend: "Kallman hat mir eräzzählt, seine Vorfahren - waren Juden aus Riga... Juden aus Riga." Aus irgend einen Grund - freute ihn das enorm, und gleich krie kreisten seine Gedanken - uin weiß Gott was für Konvolutionen. Ach ja, jetzt weiß ich + stah strahlend: "Kallman hat mir eräzzählt, seine Vorfahren + waren Juden aus Riga... Juden aus + Riga + ." Aus irgend einen Grund + freute ihn das enorm, und gleich + krie kreisten seine Gedanken + uin weiß Gott was für Konvolutionen. Ach ja, jetzt weiß ich warum, er hat in Riga studiert und kannte wahrscheinlich jüdische Menschen dort.

-

- Also Schluß. Pfingsten: fast durchwegs herrliches Wetter, +

+ Also Schluß. Pfingsten: fast durchwegs herrliches Wetter, es war zum T. Besuch draussen, u.a. Sony, ihre Mutter und die - Amélie. Marko und ich sind Samstag vormittag hinaus- und + Amélie. + Marko und ich sind Samstag vormittag hinaus- und erst Dienstag am späten Nachmittag hereingefahren. Ich habe - einen sehr netten Brief vom foreign editor der Financial Times + einen sehr netten Brief vom foreign editor der Financial Times + bekommen, um in dem er sagt, er ist mit meiner Arbeit sehr zufrieden und war auch darüber freudig überrascht, daß ich imstande bin, in iherem Stil zu schreiben - "wenigen gelingt es". Jetzt will ich Deine Fragen beantworten und sonst noch schauen - was in Deinem letzten Brief steht. Die grande toilette der Eva + was in Deinem letzten Brief steht. Die grande toilette der Eva + für Schönbrunn war - ich kann Kleider so schlecht schildern - ein bis zum Boden reichendes Kleid in sanft grüner Farbe, aus - einer mit winzigen Perlen besticker, schwerer Seide. Der Mantel + einer mit winzigen Perlen besticker, schwerer Seide. Der Mantel mit ein wenig hochstehendem Kragen war aus dem gleichen aber unbesticktem Stoff. Mein eigenes Kleid für die Oper war leider auch grün, ganz schlicht, gold-lurex Art, mit Seitenschlitz @@ -245,18 +287,19 @@ so herrlichen Teint gesehen wie seinerzeit die ihre Mutter, und diesen hat auch die Prinzessin Anne geehrbt.

-

- Daß Deine Haut im Augenblick kin keinem guten Zustand ist, +

+ Daß Deine Haut im Augenblick kin keinem guten Zustand ist, ist sehr ärgerlich und ich frage mich, was die Ursache sein könnte. Daß Du Schuppen hast, habe ich nie gemerkt, aber nimm doch einen guten Schuppen-Schaumpon. Freilich kann das alles - mit dem Alter zu tun zhaben. Freuen wir uns auf den Teint, den + mit dem Alter zu tun + z + haben. Freuen wir uns auf den Teint, den Du nachher haben wirst... Ich will mir Livias Stimme, wie sie

-
-
+
- - +
+ + - diff --git a/data/amp-transcript__0054.xml b/data/amp-transcript__0054.xml index 2329c3e..fb5748a 100644 --- a/data/amp-transcript__0054.xml +++ b/data/amp-transcript__0054.xml @@ -1,14 +1,18 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Photographs [Stella Musulin] of W. H. Auden, Chester Kallman, and Elsa Musulin 1960-07-21--1960-11-02 - [?] - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -26,9 +30,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -46,7 +55,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C33B-4 + https://hdl.handle.net/21.11115/0000-000E-C33B-4 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -62,7 +72,10 @@ for any purpose, even commercially.

2, 17 - 1960-07-21--1960-11-02 + + 1960-07-21--1960-11-02 + @@ -75,56 +88,56 @@ for any purpose, even commercially.

German - - - front page: top right - - - front page: bottom left, left side - - - front page: bottom left, middle - - - front page: bottom left, right side - - - front page: bottom right, left side - - - front page: bottom right, right side - - - photographer - - - back page: top left, left side - - - back page: top left, middle - - - back page: top left, right side - - - back page: top right, left side - - - back page: top right, middle - - - back page: top right, right side back - - - back page: top right, right side front - - - back page: bottom left, back - - - back page: bottom left, front - - + + + front page: top right + + + front page: bottom left, left side + + + front page: bottom left, middle + + + front page: bottom left, right side + + + front page: bottom right, left side + + + front page: bottom right, right side + + + photographer + + + back page: top left, left side + + + back page: top left, middle + + + back page: top left, right side + + + back page: top right, left side + + + back page: top right, middle + + + back page: top right, right side back + + + back page: top right, right side front + + + back page: bottom left, back + + + back page: bottom left, front + + @@ -153,20 +166,21 @@ for any purpose, even commercially.

-

+

Baroque Pietà ,Loreto. -

-

- Wystan Auden -

-

- W.H.A. Mama, Chester Kalmann. +

+

+ Wystan Auden +

+

+ W.H.A. + Mama, Chester Kalmann.

-

+

Allerheiligen 1960 .

- \ No newline at end of file + diff --git a/data/amp-transcript__0055.xml b/data/amp-transcript__0055.xml index 2bc2448..da550b3 100644 --- a/data/amp-transcript__0055.xml +++ b/data/amp-transcript__0055.xml @@ -1,13 +1,18 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Photograph [Stella Musulin] of W. H. Auden, Chester Kallman, and Elsa Musulin 1960-07-21--1960-11-02 - [?] - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +30,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +55,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C33C-3 + https://hdl.handle.net/21.11115/0000-000E-C33C-3 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -60,7 +72,10 @@ for any purpose, even commercially.

2, 16 - 1960-07-21--1960-11-02 + + 1960-07-21--1960-11-02 + @@ -73,15 +88,15 @@ for any purpose, even commercially.

left side - + middle - - right side - - - photographer - + + right side + + + photographer + @@ -113,4 +128,4 @@ for any purpose, even commercially.

 - \ No newline at end of file + diff --git a/data/amp-transcript__0056.xml b/data/amp-transcript__0056.xml index be362da..1e00f4a 100644 --- a/data/amp-transcript__0056.xml +++ b/data/amp-transcript__0056.xml @@ -1,145 +1,187 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Autograph Notes [?] on Stella Musulin "Auden in Kirchstetten" and "In Retrospect" 1985-11-29--1990-03-28 - [?] - - Mayer, Sandra - Frühwirth, Timo - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Autograph Notes [?] on Stella Musulin "Auden in Kirchstetten" and "In Retrospect" 1985-11-29--1990-03-28 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000E-C33D-2 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - St. Pölten - State Collections of Lower Austria - Stella Musulin (Depot) - 2, 7 - - - 1985-11-29--1990-03-28 - - - - - - - - - English - - - - template populated with script "create_templates.py" - text transcribed - text transcribed - transcriptions collated - transcriptions updated v0.1 - - - - - - - - - - - - -
- -

- AUDEN IN KIRCHSTETTEN -

-

- P. 7 Line 8 "Eliot hardly deserved it`:" Does this mean that you dont +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000E-C33D-2 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + St. Pölten + State Collections of Lower Austria + Stella Musulin (Depot) + 2, 7 + + + + 1985-11-29--1990-03-28 + + + + + + + + + + English + + + + template populated with script "create_templates.py" + text transcribed + text transcribed + transcriptions collated + transcriptions updated v0.1 + + + + + + + + + + + + +
+ +

+ + AUDEN IN KIRCHSTETTEN + +

+

+ P. 7 Line 8 "Eliot hardly deserved it`:" Does this mean that you dont think Eliot was worth translating? Or that Auden didnt? Or what? (see p. 16-17)

-

- R. 2 Line 7 Would 'Chester'. Would it be helpful at this +

+ + R. 2 Line + + 7 + Would 'Chester'. Would it be helpful at this ✓first mention of him to add the surname , i.e. 'Chester Kallman'. ?

-

- IN RETROSPECT. -

-

- P1. Line 6 from bottom: +

+ + IN RETROSPECT. +

+

+ P1. + Line 6 + from bottom: + "if his life as a". Should this be "if his life as one" or "if his life as a whole" ?

-

- p·3 Para 2 Money pinched from Chesters jacket at party. - Incident already referred to in bottom para P·13 +

+ p·3 + Para 2 Money pinched from Chesters jacket at party. + Incident already referred to in bottom para P·13 of " Auden in Kirchstetten ". Since this para is - in brackets perhaps this is an indication that - you intended to omit it? -

-

- Check with Müller + in brackets perhaps this is an indication + that + you intended to omit it? +

+

+ Check with + + Müller + + what is in his mṣ .

-

- p3 Line 4 from bottom +

+ p3 + Line 4 from bottom + " at Hinterholz 6" ?? Desirable to add - `Kirchstetten' for sake of clarity ? -

-

- P· 16. Bottom - Last sentence - over to top P.17✓ - Incident of "he whose name we never mention' at - funeral. ? Repetition of mention of this on - P·14 , top para, of "Auden in Kirchstetten". + + `Kirchstetten' + for sake of clarity ?

- -
- - +

+ P· 16. + + Bottom + + + + Last sentence + + + over to top P.17✓ + Incident of "he whose name we never mention' + at + funeral. ? Repetition of mention of this on + P·14 , top para, of "Auden in Kirchstetten". +

+ +
+ + - diff --git a/data/amp-transcript__0057.xml b/data/amp-transcript__0057.xml index f731c75..c42e0a9 100644 --- a/data/amp-transcript__0057.xml +++ b/data/amp-transcript__0057.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Envelope W. H. Auden to Stella Musulin 1961-04-25--1961-10-25 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -30,15 +35,21 @@ The postmark is illegible in the place where the month of dispatch is indicated; the day and the year can be deciphered as "25" and "61", respectively. The letter must have been sent between the months of April and October, when Auden was present in Kirchstetten, where the letter was posted. - - + + Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -56,7 +67,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C33E-1 + https://hdl.handle.net/21.11115/0000-000E-C33E-1 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -73,7 +85,9 @@ for any purpose, even commercially.

- 1961-04-25--1961-10-25 + 1961-04-25--1961-10-25 Hinterholz 6 @@ -91,7 +105,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1961-04-25T12:00:01+01:00/1961-10-25T18:00:00+01:00 + 1961-04-25T12:00:01+01:00/1961-10-25T18:00:00+01:00 Neulinggasse 26 @@ -100,12 +115,16 @@ for any purpose, even commercially.

Musulin, Stella Fridau - - Musulin, Stella - Auden, W. H. - Autograph Letter Signed W. H. Auden to Stella Musulin 1961-10-01--1965-08-15 - Autograph Letter Signed W. H. Auden to Stella Musulin 1961-08-16 - + + Musulin, Stella + Auden, W. H. + Autograph Letter Signed W. H. Auden to Stella Musulin 1961-10-01--1965-08-15 + Autograph Letter Signed W. H. Auden to Stella Musulin 1961-08-16 + @@ -131,13 +150,17 @@ for any purpose, even commercially.

- + Die Baronin - Stella Mussolin + Stella Mussolin +
- WIEN III - Neulinggasse 26 + + WIEN III + + Neulinggasse 26 +
@@ -148,14 +171,14 @@ for any purpose, even commercially.

N.Ö. - + W.H.Auden
KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
@@ -163,4 +186,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0058.xml b/data/amp-transcript__0058.xml index b46a0f1..1446e08 100644 --- a/data/amp-transcript__0058.xml +++ b/data/amp-transcript__0058.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1961-10-01--1965-08-15 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -26,7 +31,7 @@ Autograph Letter Signed W. H. Auden to Stella Musulin 1961-10-01--1965-08-15 - + The date of creation has been delimited based on considerations related to material aspects, Auden's salutatory practice, and letter contents. As suggested by the documents in our collection, Auden would use his off-white Kirchstetten stationery from at least September 1965 onward; the last extant message in the AMP collection that is written on the bluish grey letter paper, used in this document, dates from 12 May 1963. Furthermore, whereas, in his letter from 21 July 1960, Auden addresses Stella Musulin as "Dear Baroness Musulin", he would call her by her first name from at least August 1961 onward. The specific range provided for the date of creation results from investigation into the date of writing as indicated in Auden's message ("Sonntag") in relation to the date of a proposed meeting mentioned in Auden's message: 1 October 1961 is the date of the Sunday that precedes the first "Thursday (19th)" during Auden's residence at Kirchstetten after July 1960; 15 August 1965 is the date of the Sunday that precedes the last "Thursday (19th)" during Auden's stay in his Austrian home before September 1965. @@ -37,8 +42,12 @@ In this period of time, Stella Musulin lived either at Schloss Fridau in Ober-Grafendorf or in Neulinggasse 26 in Vienna. - - + + + + + + @@ -48,8 +57,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -67,7 +82,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C33F-0 + https://hdl.handle.net/21.11115/0000-000E-C33F-0 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -84,7 +100,9 @@ for any purpose, even commercially.

- + 1961-10-01--1965-08-15 Hinterholz 6 @@ -107,8 +125,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1960-07-21 - Envelope W. H. Auden to Stella Musulin 1961-04-25--1961-10-25 + Autograph Letter Signed W. H. Auden to Stella Musulin 1960-07-21 + Envelope W. H. Auden to Stella Musulin 1961-04-25--1961-10-25 @@ -134,9 +156,9 @@ for any purpose, even commercially.

-
- -
+
+ +
Können Sie Mittwoch anstatt Donnerstag zum Abendessen kommen @@ -153,7 +175,7 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
@@ -164,16 +186,20 @@ for any purpose, even commercially.

Dear Stella:

- Good. Will be at your place - on Thursday (19th) at 6.p.m. + Good. Will be at your place + + on Thursday (19th) at 6.p.m. +

- Wystan + + Wystan + -
- +
+ +
-
- \ No newline at end of file + diff --git a/data/amp-transcript__0059.xml b/data/amp-transcript__0059.xml index ea4ecd9..6d6428a 100644 --- a/data/amp-transcript__0059.xml +++ b/data/amp-transcript__0059.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Autograph Letter Signed W. H. Auden to Stella Musulin 1962-04-30 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -28,8 +33,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -47,7 +58,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C340-D + https://hdl.handle.net/21.11115/0000-000E-C340-D +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -64,7 +76,8 @@ for any purpose, even commercially.

- 1962-04-30 + 1962-04-30 Hinterholz 6 @@ -82,7 +95,8 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1962-04-30T17:00:01+01:00/1962-04-30T18:00:00+01:00 + 1962-04-30T17:00:01+01:00/1962-04-30T18:00:00+01:00 Musulin, Stella @@ -91,8 +105,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Typed Letter Signed Stella Musulin to W. H. Auden 1962-04-16--1973-04-16 - Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 + Typed Letter Signed Stella Musulin to W. H. Auden 1962-04-16--1973-04-16 + Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 @@ -118,32 +136,34 @@ for any purpose, even commercially.

-
- +
+ - Die Baronin Stella Mussolin -
+ Die Baronin Stella Mussolin + +
Wien III Neulingasse 26. -
+
- + W.H. Auden
KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
- +
- + +
@@ -153,7 +173,7 @@ for any purpose, even commercially.

KIRCHSTETTEN (WESTBAHN) HINTERHOLZ 6 - N.-Ö., AUSTRIA + N.-Ö., AUSTRIA
@@ -164,12 +184,15 @@ for any purpose, even commercially.

Are you here ? We are.

- Wystan + + Wystan +
- + +
- \ No newline at end of file + diff --git a/data/amp-transcript__0060.xml b/data/amp-transcript__0060.xml index 531526f..7304170 100644 --- a/data/amp-transcript__0060.xml +++ b/data/amp-transcript__0060.xml @@ -1,149 +1,172 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Typed Letter Wolfgang Kraus to Stella Musulin 1977-03-22 - Kraus, Wolfgang - - Mayer, Sandra - Frühwirth, Timo - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Typed Letter Wolfgang Kraus to Stella Musulin 1977-03-22 + Kraus, Wolfgang + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000E-C341-C - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Österreichische Gesellschaft für Literatur, Austrian Society for Literature - Correspondence Wolfgang Kraus - A2 - - - - 1977-03-22 - Herrengasse 5 - - - - - - - - - - German - - - - template populated with script "create_templates.py" - text transcribed - text transcribed - transcriptions collated - transcriptions updated v0.1 - entities and correspDesc collated - container structure updated - - - - - - - - - - - - -
-
+

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000E-C341-C + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + Österreichische Gesellschaft für Literatur, Austrian Society for Literature + Correspondence Wolfgang Kraus + A2 + + + + 1977-03-22 + Herrengasse 5 + + + + + + + + + + + German + + + + template populated with script "create_templates.py" + text transcribed + text transcribed + transcriptions collated + transcriptions updated v0.1 + entities and correspDesc collated + container structure updated + + + + + + + + + + + + +
+
-
- - A2 - -
-
- - Frau - Stella von Musulin -
- Friedau +
+ + A2 + +
+
+ + Frau + Stella von Musulin + +
+ Friedau 3200 Obergrafendorf -
- -
-
- - - Wien, 22.März 1977 - - +
+ +
+
+ + + + + Wien, + 22.März 1977 + + Sehr verehrte, liebe gnädige Frau, - -

+ +

wie mit Frau Bronold mündlich vereinbart, möchte ich nun auch schriftlich festhalten, daß wir Sie sehr herzlich - einladen, Ihren Vortrag über W.H.Auden am Donnerstag, den + einladen, Ihren + Vortrag über W.H.Auden + + am Donnerstag, den 5.Mai, bei uns zu halten. Wir haben dafür den Figaro-Saal im Palais Palffy reserviert, Zeit 20 Uhr. Als Honorar können wir 1.500 Schilling anbieten.

-

+

Ich wäre Ihnen nur sehr dankbar, wenn Sie uns umgehend den genauen Titel bekanntgeben könnten.

- - Mit herzlichen Empfehlungen und Wünschen - Ihr - (Dr.Wolfgang Kraus) - -
+ + Mit herzlichen Empfehlungen und Wünschen + + Ihr + + (Dr.Wolfgang Kraus) + +
-
- - +
+ + - diff --git a/data/amp-transcript__0061.xml b/data/amp-transcript__0061.xml index 6f2941e..3ac4d23 100644 --- a/data/amp-transcript__0061.xml +++ b/data/amp-transcript__0061.xml @@ -1,167 +1,194 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Typed Letter Signed Stella Musulin to Wolfgang Kraus 1977-04-05 - Musulin, Stella - - Mayer, Sandra - Frühwirth, Timo - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Typed Letter Signed Stella Musulin to Wolfgang Kraus 1977-04-05 + Musulin, Stella + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +
+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + for any purpose, even commercially.

+

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000E-C342-B + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + Österreichische Gesellschaft für Literatur, Austrian Society for Literature + Correspondence Wolfgang Kraus + A2 + + + + 1977-04-05 + Neulinggasse 26 + + + + + + + + + + German + + + + Kraus, Wolfgang + Herrengasse 5 + + + Musulin, Stella + Kraus, Wolfgang + Aerogram Signed Edward Mendelson to Stella Musulin 1980-12-01 + + + + + template populated with script "create_templates.py" + text transcribed + text transcribed + transcriptions collated + transcriptions updated v0.1 + entities and correspDesc collated + container structure updated + + + + + + + + + + + + +
+
+ +
+ + - A - Vienna + +
+ NEULINGGASSE 26/14 + 1030 WIEN + + TEL. 73 94 015 +
+ -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material - for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000E-C342-B - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Österreichische Gesellschaft für Literatur, Austrian Society for Literature - Correspondence Wolfgang Kraus - A2 - - - - 1977-04-05 - Neulinggasse 26 - - - - - - - - - - German - - - - Kraus, Wolfgang - Herrengasse 5 - - - Musulin, Stella - Kraus, Wolfgang - Aerogram Signed Edward Mendelson to Stella Musulin 1980-12-01 - - - - - template populated with script "create_templates.py" - text transcribed - text transcribed - transcriptions collated - transcriptions updated v0.1 - entities and correspDesc collated - container structure updated - - - - - - - - - - - - -
-
- -
- - - - -
- NEULINGGASSE 26/14 - 1030 WIEN - TEL. 73 94 015 -
- - - 5. April 1977 - - -
-
- - A2 - -
-
- - Herrn Dr. Wolfgang Kraus, -
- Österreichische Gesellschaft - für Literatur - 1010 Wien, + + 5. April 1977 + + +
+
+ + A2 + +
+
+ + Herrn Dr. Wolfgang Kraus, +
+ Österreichische Gesellschaft + für Literatur + + 1010 Wien, Palais Wilczek, Heerrengasse 5. -
- -
-
- - Sehr geehrter, lieber Herr Doktor ! - -

- Es wird für mich eine Ehre sein, am 5. Mai - über Auden sprechen zu dürfen. + + +

+
+ + Sehr geehrter, lieber Herr Doktor ! + +

+ Es wird für mich eine Ehre sein, am 5. Mai + über Auden sprechen zu dürfen.

-

- Wie wäre es mit "Auden und die Österreicher"? +

+ Wie wäre es mit + "Auden und die Österreicher" + ? Aber wenn nicht, ist mir Alles recht!

- - Mit herzlichen Grüßen, - Stella Musulin ´ - Stella Musulin. - -
- + + + Mit herzlichen Grüßen, + + Stella Musulin + ´ + + + + Stella Musulin. + +
+
-
- - - \ No newline at end of file +
+ + + diff --git a/data/amp-transcript__0062.xml b/data/amp-transcript__0062.xml index c49da24..9e5ea1d 100644 --- a/data/amp-transcript__0062.xml +++ b/data/amp-transcript__0062.xml @@ -1,13 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typescript Memoir Stella Musulin "The Years in Austria" 1976-09-04--1980-12-01 - Musulin, Stella + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -25,8 +31,14 @@ AMP Transcription and commentary - Mayer, Sandra - Frühwirth, Timo + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -44,7 +56,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000F-7452-2 + https://hdl.handle.net/21.11115/0000-000F-7452-2 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -61,7 +74,8 @@ for any purpose, even commercially.

- 1976-09-04--1980-12-01 + 1976-09-04--1980-12-01 @@ -74,7 +88,6 @@ for any purpose, even commercially.

English German - template populated with script "create_templates.py" @@ -378,9 +391,12 @@ for any purpose, even commercially.

-

- The Years in Austria. - Half an hour from the outskirts of Vienna an invisible +

+ + + The Years in Austria. + + Half an hour from the outskirts of Vienna an invisible thread bisectxs the motorway. It leads from the church which lies to the north, more accurately speaking from the churchyard, disregards entirely the traffic as it thunders to and from the @@ -390,7 +406,9 @@ for any purpose, even commercially.

gate, and now the thread, which has turned neither to right nor left, has reached its objective: a long, low house, more an extended workman's cottage. Originally, the address was - Hinterhol6z 6; later, the lane up from the village on the other + Hinterhol6z 6; + + later, the lane up from the village on the other side was renamed Auden-AStrasse. This thread or unseen line joins the places where Auden prayed, sang (flat) and was buried, and the place where he lived, and to me it is tangible reality, @@ -398,13 +416,14 @@ for any purpose, even commercially.

because it was alwasys from that direction that I arrived, being mistrustful of the narrow lane which lies along the top of the garden and leads into a wood where in a small clearing floored - at times by sticky mud, the car can be turned. It seemed + at times by sticky mud, the car can be turned. + It seemed preferable, and anyway became a habit, to take the cart track - through the field with its ruts, the depth of which left the + through the field with its ruts, the depth of which left the undercarriage to slide along the plateau of coarse grass. And to leave the car by the garage and plod up through the orchard, accepting the risk of slithering off the path to the right. - On walking through the wicket-gate next to the woodshed, + On walking through the wicket-gate next to the woodshed, there has been from time to time, and is today, the risk of being savaged by a wall-eyed dog; in earlier days, of having to account for ones presence to Frau Emma. Past the vegetable @@ -419,10 +438,10 @@ for any purpose, even commercially.

-

- 2. +

+ 2.

-

+

on the wall ahead, kitchen through the right-hand door, a clutter of books and papers on a nearby ledge - and to shout. That heartwarming bellow from Wystan: "Ah!" and here is the familiar @@ -431,100 +450,115 @@ for any purpose, even commercially.

big, square dining table with its food-stained cloth. Centre back, the Austrian peasant cupboard containing drinks, sugar, salt, then the corner seat, the table with its cigarette burns - and glass rings, and two arm-chairs - a Sitzecke. To our right + and glass rings, and two arm-chairs - a Sitzecke. + To our right a tumble of assorted titles on an invisible surface; within a matter of days, Auden could make a new book look like a lending library reject: the content was all, the package irrelevant. Here lie, precariously balanced, collapsing, upended, volumes of - poetry, cookery books, Benson's Lucia novels, Akenfield, whodunnits + poetry, cookery books, + Benson's Lucia novels, Akenfield, whodunnits a new translation of the Bible. Over the years, the content of the heap varied but the overall appearance scarcely at all. And now the stove, country style, a white dome with round green tiles set in it, one of the glories of Austrian Wohnkultur. How fortunate that the stove is irremovable, or it would be in - Athens now, along with the cupboard and the original drawings of - Stravinsky and Richard Strauss. Books also lie along the top + Athens now, along with the cupboard and the original drawings of + Stravinsky and Richard Strauss. Books also lie along the top ledge of the corner seat, and a volume or two of the OED on the - upright chairs by the dinner table, adjuncts to the Times + upright chairs by the dinner table, adjuncts to the Times + crossword. Was it, I asked, essential to have the complete - Oxford English Dictionary, all thirteen volumes of it, at each + Oxford English Dictionary, all thirteen volumes of it, at each of ones residences? "Of courxse" said Auden, surprised at such a question. - So much was written during his lifetime about Auden's + So much was written during his lifetime about Auden's way of life in Kirchstetten: articles by capable journalists in the Sunday papers and in their weekly magazines, that any attempt at a personal memoir gives the writer the feeling that he is working all too well-trodden ground. - It is not only that the scene is familiar. What can a friend + It is not only that the scene is familiar. What can a friend write withougt lapsing into triviality and gossip, without calling down on his head the wrath of Wystan Auden himself, about whom,

-

- 3. +

+ 3.

-

+

if we know nothing else, we realise the obsession that he had on zthe subject of personal privacy. Think offor a moment of - "Forewords and Afterwords": again and again he writes on + "Forewords and Afterwords": again and again he writes on these lines: Of Wagner: "On principle, I object to biographies of artists, since I do not believe that knowledge of their private lives tsheds any significant light upon their works." And on Oscar Wilde: "Since knowoledge of an artist's private lirfe never throws any significant light upon his work, there is no justification for intruding upon his privacy." Listening to - Kurt Weill records one winter's evening in Chester's flat in the - Esslarngasse, I asked him whether he could account for it. + Kurt Weill records one winter's evening in Chester's flat in the + Esslarngasse, I asked him whether he could account for it. Disappointingly, Chester only said that it was an obsession with - Wystan, ajn individual phobia like any other. The only time that - Auden ever came near to snapping at me was when he spoke once, + Wystan, ajn individual phobia like any other. The only time that + Auden ever came near to snapping at me was when he spoke once, affectionately, of Tolkien, saying that he was to speak or write about him. Was he, I asked, going to say anything at all about the man as the creator of the world of Tolkien, of the Lord of the - Rings,? and hHe said "Certainly not! I shouldn't dream of saying + Rings + ,? and + hHe said "Certainly not! I shouldn't dream of saying anything about Tolkien himself." So that the predicament is understood : either we keep silent when asked to speak oand write about Auden, which might seem a trifle portentous, not to say - uncivil. Or welse we run the dual risk of triviliality or indiscretion. + uncivil. Or welse we run the dual risk of trivili + ality or indiscretion. + In the eyes of thoseothers who knew him bestbetter, there is probably a further risk, that of being coupled with the German mythical figure, the horeseman who rode, as he supposed, over the frozen - Lake of Constance, unaware that this was not the case at all, but + Lake of Constance, unaware that this was not the case at all, but he was being carried along above dark waters, knowing nothing of the treacherous depths beneath him. So that my contribution - can be mno more than an attempt to show how Auden lived among the + can be + m + no more than an attempt to show how Auden lived among the Austrians, on what sort of terms he was with them, and perhaps to fill in one or two gaps in what is generally known. - I got to know Wystan and Chester through Chris the daughter + I got to know Wystan and Chester through Chris the daughter of Hugo von Hofmannsthal, Christiane Zimmer, who was a friend of - Auden's in New York. Gerty von Hofmannsthal, widow of the poet, who died in 1929, + Auden's in New York. + Gerty von Hofmannsthal, widow of the poet, who died in 1929, owned Sch,loss Prielau at the northern tip of the lake of Zell- - am-See in Salzburg province. She had been forced to sell when the - Nazis overran Austria but had regained possession at about the + am-See + in Salzburg province. She had been forced to sell when the + Nazis overran Austria + but had regained possession at about the

-

- 4. +

+ 4.

-

+

turn of the fifties, and tehere she spent her summers until she died, filling the house with her friends, often like herself Anglo-Austrian émigrés - the writers, artists and scholars who had lived and worked in Vienna during the twilight of that great explosion of talent which coincided with the decline and end of the Austro- - Hungarian Empire. Raimund and Liz von Hofmannsthal were often + Hungarian Empire. + Raimund and Liz von Hofmannsthal were often there, with their children Arabella and Octavian. There was a constant coming and going between Prilelau and the rehearsals and then the performances of the Salzburg Festival; it was a great meeting place for retired birds of paradise such as Lady - Diana Cooper, X Ledebur and the dancer and choreographer Grete Wiesenthal. Gradually, a well- + Diana Cooper, X + Ledebur and the dancer and choreographer Grete Wiesenthal. Gradually, a well- worn track developed between Prielau and our house at the upper end of the Schmittenhöhe valley, and friendships developedgrew between - my family and the Hofmannsthals and several of their friends + my family and the Hofmannsthals and several of their friends which have survived and have been continued by our children. - My marriage broke up during 1957-58 and my son Marko and I went + My marriage broke up during 1957-58 and my son Marko and I went to live with my mother-in-law Elsea Musulin at her home Schloss Fridau, in Lower Austria, about half an hour's drive from Kirchstetten. She will rates a mention here because of the entertainment value @@ -534,31 +568,38 @@ for any purpose, even commercially.

some energy, having a great dilslike of pursuing the famous except inthe way of business where an interview ifs called for. The next time I saw her - in 1959 - she asked whether I had seen - Auden, I again scoffed at the very idea that he might "love to + Auden, I again scoffed at the very idea that he might "love to meet me", and she said "All right. I'm just off to spend a week there now and I shall fix it up ." - So in due course I du came to be standing at the green door, - and yet not athe memory of itthat remains excepis the shock of Chester's + So in due course I du came to be standing at the green door, + and yet not athe memory of it + that remains excepis the shock of Chester's appearance as he stood in the doorway in the strong sunlight: - pale, misshapen, fish-esyed, loose-,omouthed; it was the + pale, misshapen, fish-esyed, loose-, + o + mouthed; it was the unpromising kind of exterior which makes one impatient to discover what lies behind it, the general impression however was one of anxious benevolence, and this proved roughly correct. - I think it was only tThe seconed time I was askedinvited over to - Kirchstetten was a more convivial occasion: Wystan had asked + + I think it was only + tThe seconed time I was asked + invited over to + Kirchstetten was a more convivial occasion: + Wystan had asked me to come over and stand by him because he was giving a little tea-party. He had invited the parish priest, Father Lustkandl -

+

-

- 5. +

+ 5.

-

+

- crystallized in "Whitsunday in Kirchstetten" - the local school mistress Frau Seitz and her silent husband, and as I came in I ran into - Auden who was shuffling out to the kitchen. - "Thank goodness you've come" he hissed, "go and look after + Auden who was shuffling out to the kitchen. + "Thank goodness you've come" he hissed, "go and look after them, will you, keep the conversation going and hand round the cakes." Whereupon he shot into the kitchen for more hot water. It was some time before he could abandon the role of the flustered @@ -569,48 +610,57 @@ for any purpose, even commercially.

their local poet laureate before, and now they had one again. This was a cause for great satisfaction, but not for any transports of ecstasy over the celebrity in their midst. - What was so "American" about the "kitchen in Lower Austria?" + What was so "American" about the "kitchen in Lower Austria?" + Nothing much, so far as I could see. When fitted kitchens first - came in, Austrians calleddubbed them "American", kitchen.s. The term is + came in, Austrians calleddubbed them "American", + kitchen.s. + The term is now as extinct as "Russian" tea, but must still have been common parlance in Kirchstetten when Wystan wrote the poem. There was a tidy row oconsisting of a fridge, sink, low cupboards with a good working surface, a corner cupboard the interior of - which swung out, and a gas stove. Both men were very proud of - the kitchen and it became Chester's habitat. GBut the whole + which swung out, and a gas stove. + Both men were very proud of + the kitchen and it became Chester's habitat. + GBut the whole point of a modern kitchen: the clear surfaces, ample storage space, accessibility, the careful rationalisation, wqas totally cancelled out by the permanent clutter which invaded the kitchenroom at once and never left it. It was a matter of principle with - Chester to have all cooking ingredients conveniently to hand, + Chester to have all cooking ingredients conveniently to hand, but this meant that nothing was ever put away, and where his loving eye saw method, even the least fussy visitor could only - observe a shambles. ABut an interesting shambles, however, because + observe a shambles. + ABut an interesting shambles, however, because of the exotic nature of the preserved foods and spices that - Chester brought with him. From an early date I was convinced + Chester brought with him. From an early date I was convinced that thesy were both eating their way into their graves owing to the enormous fat content of some of the dishes. I remember the horror with which I watched a sauce being prepared in the mixer - before being re-heateed to accompany the roast duck. First Chester + before being re-heateed to accompany the roast duck. First Chester + poured in all the rendered down fat from the baking tin, about half a pint of it, then he added an equal quantity of cream, a little seasoning, and switched on the mixer. The result would have

-

- 6. +

+ 6.

-

+

sustained a miner at the coal face for a full working day, but neither Wystan nor Chester walked a yard if they could help it.

-

- The small heap of correspondence lying on the filing cabinet +

+ The small heap of correspondence lying on the filing cabinet beside my desk puts me in mind of the rise and fall of the telegram as a means of social communication. In English novels during the period up to and even well beyond the first world war - - particularly in detective stories - the incessant despatch and + particularly in detective stories - the in + + cessant despatch and receipt of telegrams, often of some length, play a prominent part in human relationships. They were an sastonishingly rapid and comparatively inexpensive medium of communication and were @@ -620,7 +670,7 @@ for any purpose, even commercially.

the Ppost Ooffice at Kirfchstetten. There was no telephone in the house at Holzweg 5 because of the distance from the nearest point of contact; it would have been too expensive to instal. Also, - Auden liked his peace and quiet and when he wanted to telephone + Auden liked his peace and quiet and when he wanted to telephone he did so from the post office, combining with his daily shopping expedition. The lack of a telephone accounts for much of my correspondence with Auden, or rather, because I have only scant @@ -628,27 +678,33 @@ for any purpose, even commercially.

for the telegrams. "We are here, where are you?" or "Wednesday would suit perfectly" and so on, are messages which mark the development of a cosy routine of coming and going between Schloss - Fridau, my mother-in-law's place where I have a flat, and - Kirchstetten. "Mama" was an eccentric of the old-fashioned kind - to be met with in many countries. Auden recognised the type at + Fridau, my + mother-in-law's place where I have a flat, and + Kirchstetten. + "Mama" was an eccentric of the old-fashioned kind + to be met with in many countries. + Auden recognised the type at once and rejoifced: a rough exterior and an abrupt manner, one who had feared neither Nazis nor Russian occupiers, obstinate, shy, cultured, not troubled by surface blemishes, hospitable, - terrifyingly outspoken, fond of good food. AudenHe liked to be + terrifyingly outspoken, fond of good food. + + Auden + He liked to be asked out in any case, and Fridau is an easy 25 minutes drive from - Kirchstetten, as it were across the fields: not round by - Böheimkirchen and St.Pölten, but across farmland and through + Kirchstetten, as it were across the fields: not round by + Böheimkirchen and St.Pölten, but across farmland and through villages, along lanes so winding that only a snake could have planned them. He too liked his food, all the more so if it

-

- 7. +

+ 7.

-

+

were roast saddle of roebu roe deer with cranberry preserve, - roastwild duck or roast pheasant, with a good wine, followed by + roastwild duck or roast pheasant, with a good wine, followed by one of the richer Austrian cakes - Wurmbrand-Torte for ihnstance, which consists mainly of ground burnt almonds and creamed chocolate,- and then to carry ones wine glass back into the sittingroom and @@ -657,9 +713,9 @@ for any purpose, even commercially.

indkispendsable conclusion to lunches even of the humbler, everyday sort: turkish coffee with the kaimak hissing faintly as the cup is filled - that pale brown foam which must be removed as the coffee - comesrises to the boil and carefully shared out between the empty cups. + comesrises to the boil and carefully shared out between the empty cups. Failure to do this is the unforgiveable sin. And Auden would sit, - filled with well nourished, blinking in the sunshine from the + filled with well nourished, blinking in the sunshine from the window opposite him from where he could see the crown of an immense pear tree. After his second cup he was likelsy to leap to his feet without any of those preliminary movements of eyes, hands and feet @@ -667,14 +723,15 @@ for any purpose, even commercially.

all round and hurry away. But sometimes there he felt like a turn round the park, or even to stay on for a time, sitting in a deck chair under the trees in the courtyard. But if he hurried, it was - no discourtesy; Wystan was the most courteous of men, wgho liked + no discourtesy; + Wystan was the most courteous of men, wgho liked to follow the customs of a the country he lived in, and above all he had no special voice for inferiorsemployees.. He got on well with Austrian people who sometimes - without the natural excuse of his food storekeeper in St. Mark's Place - had no idea of the calibre of the man with whom, in his home or theirs, they were having a meal. As I knew him, the only thing he couldn't bear was pretension. - So one would have supposed that writers young and older + So one would have supposed that writers young and older would have lost no time in beating a path out to Kirchstetten. Are writers convivial creatures? Do they like to congregate together for mutual admiration and to complain about their @@ -687,12 +744,13 @@ for any purpose, even commercially.

-

- 8. +

+ 8.

-

+

filmed, and the Gesellschaft für Literatur did itxs duty by him - and more, from start to finish. It still does. But the Austrian + and more, from start to finish. + It still does. But the Austrian Sociaety for Literature is neighther a club nor a coffee house but a society for the promotion of literature with a particular mission to writers in communist eastern Europe. Somehow, in the @@ -709,7 +767,7 @@ for any purpose, even commercially.

without further commitment on either side and with the minimum of effort. I can see the cigarette ash on the marble topped tables, the mounds of paper, see Auden slopping to and fro in - hsi his eternal bedroom slippers between his table and the + hsi his eternal bedroom slippers between his table and the telephone kiosk. But this world ended when Egon Friedell, giving the passers by a shouot of warning as he did so, jumped out of the window to his death on the entry of the Nazis. It @@ -718,47 +776,55 @@ for any purpose, even commercially.

survivors, Friedrich Torberg, and it has gone for ever. Today's writerys have no time. They are dashing from recording studios besyond Schönbrunn to newspaper offices at the opposite end of - Vienna, from the head post office to their homes, where they kiss + Vienna, from the head post office to their homes, where they kiss wife and children, snatch a bag and rush to the airport or to a railway terminal. - Alternatively, like Thomas Bernhard, they bury themselves + Alternatively, like Thomas Bernhard, they bury themselves in a farmhouse in a district carefully chosen for its unfashion- ableness and difficulty of access, emerging, like cats, only on their own terms, preferring to turn up unannounced in their friends' houses, perhaps late at night, enquiring for just that ration of warmth, light and unquestioning qacceptance which, - at that moment, they happened to need. Bernhard's fame has now + at that moment, they happened to need. + Bernhard's fame has now altered the character of the district he lives in and he has - withdrawn to still more distant quarters. Auden always wanted to + withdrawn to still more distant quarters. + Auden always wanted to

-

- 9. +

+ 9.

-

+

meet Bernhard, and asked me to mediate, which I did on several occasions, but to no effect; I think I did oveercome Bernhard's disinclination but the moment never arrived - The cultural historian Friedrich Heer, on the other hand, + The cultural historian Friedrich Heer, on the other hand, asked whether he would like to go out to lunch in Kirchstetten, replied that he would go - he has a tendency towards hyperbole - "on my knees". - The day is adescribeed in a letter of mine to a friend in Germany + The day is adescribeed in a letter of mine to a friend in Germany + dated 29th May ... - "I still can't put yesterday's expedition to Kirchstetten - ourt of my mind. Fritz Heer and I drove out to lunch. This manic- - depressive genius Friedrich Heer, dieser verschreckter Lausbub, + "I still can't put yesterday's expedition to Kirchstetten + + ourt of my mind. + Fritz Heer and I drove out to lunch. This manic- + depressive genius Friedrich Heer, dieser verschreckter Lausbub, + and the great English poet Auden - to say nothing of Kallman - - how would it go off? It went like a bomb. Fritz was like a man + how would it go off? It went like a bomb. + Fritz was like a man let out of prison. For months at a time he never escapes from the treadmill § and he rejoiced so over the soft greens of the Vienna Woods, over the accacia trees whose silver shimmder stood out against the darker background, over the good air, the clear view after the storm of two days ago. I was a bit worried that the - two big talkers might both speak at once or at cross purposes, + two big talkers might both speak at once or at cross purposes, but this only happened occasionally: each really wanted to hear what the other had to say, they exchanged anecdotes and sometimes - they moved on to (for Chester and me)on to ground where weChester and I + they moved on to (for Chester and me)on to ground where we + Chester and I couldn't follow them. Each picked up the other's illusions instantly, and the stimmung was wonderful. We were on one of my favourite hobby-horses, the desctruction of the German language @@ -768,44 +834,49 @@ for any purpose, even commercially.

held forth in Italian in a ranting, hectoring, high-pitched tone which - a performance which could have been transferred to any cabaret unaltered. I never knew he had such a talent for mimicry. Nor - was this all. The conversation moved to France and the Paris - intellectuals, and now RFritz topped up his cabaret with a + was this all. The conversation moved to France and the Paris + + intellectuals, and now R + Fritz topped up his cabaret with a simpering, lovingly luxuriant interchange between Gide and Claudel. - Wystan was convulsed. - The talk shifted to Wagner's texts, liturgical reform, - Weinheber, Rudolf Kassner and Freud; of these three Fritz could + Wystan was convulsed. + The talk shifted to Wagner's texts, liturgical reform, + Weinheber, Rudolf Kassner and Freud; of these three Fritz could speak from personal ex knowledge." (The letter continues with an

-

+

§ in th4e Burgtheater, where,such is Austrian logic, he works as a - chief dramatugrgist. + chief dramatugrgist.

-

- +

+ In the following year there was a reading of the play in the hall used by the Society for Literature in the Palais - Palffy. Auden read a short passage in English and the an - actor took over and read in German. It appears that Auden + Palffy. + Auden read a short passage in English and the an + actor took over and read in German. It appears that Auden + was not satisfied, as he kept muttering "Nonsense - completely wrong" and making notes in the text. -

+

-

- 1O. +

+ 1O.

-

+

attempt at an analysis of Heer's character and personality which would be out of place here.) - Unless Auden had friends to stay, talk of this quality was + Unless Auden had friends to stay, talk of this quality was a rare occurrence. It was possible to see why Bernhard, to take one example, did not care to go to Kirchstetten: there was a kind of gène, and a quite unjustified fear that he would have to speak English. But it is impossible to discern any reason, apart from lack of time, which could have got in the way of personal contact between Auden and his translators. During his - early years in Kirchstetten Auden did feel slighted by some of + early years in Kirchstetten + Auden did feel slighted by some of his translators in Austria and Germany who would publish their work in literary magazines, and if the poet himself ever heard of it, it was by pure chance. "They don't" he said indignantly, @@ -821,7 +892,7 @@ for any purpose, even commercially.

"For instance, I spoke in a poem about corn - maize - but the translator rendered it as wheat! I was annoyed, because that sort of thing can be avoided." - The fifty minute drive to Kirchstetten presented too great + The fifty minute drive to Kirchstetten presented too great a psychological barrier even to the young, now dead, author and poet Gerhard Fritsch (he committed suicide) who translated Auden's Christmas Oratorio "For the Time Being" into German. It was @@ -830,80 +901,92 @@ for any purpose, even commercially.

demonstrate a style of writing which has always been very English and is characteristic of Auden even within the confines of a stanza: shifts in tone from the lofty to the colloquial. In - "For the Time Being" Auden's language can be csurrealistic, every- + "For the Time Being" + Auden's language can be csurrealistic, every- day, ironical, grotesque, mocking, tender, full of grief, rising to moments of lyrical joy. Rarely even attempted in German literature, in religious writing tone changes of this description - are unknown. Austrian television showed a version of the oratorio + are unknown. + Austrian television showed a version of the oratorio on the eve of Epiphany - 5 January 1967 - in which the libretto

-

+

§ Article in Die Zeit, Hamburg, 23.4.1965, by Cornelia Jacobsen -

+

-

- 1Oa. +

+ 1Oa.

-

+

was adapted and the music written by the composer Paul Kont. - A review by the critic Helmut A. Fiechtner in "Die Furche" + A review by the critic Helmut A. Fiechtner in "Die Furche" + gives the impression that it was a performance which, like Victorian children, should be seen but not heard. Design and - costumes were by one of Austrian's leading painters of the + costumes were by one of Austrian + 's leading painters of the postwar era, Anton Lehmden, singers of the calibre of Gloria Davy and Hilde Rössel-Majdan did their best, but the music was unconvincing, it got in the way of the text, and the most impressive passage, not surprisingly, was Helmut Qualtinger's monologue as Herod. In the following year there was a reading - of "Hier und Jetzt" in the Palais Palffy under the auspices of - the Society for Literature. Auden read a short passage in + of "Hier und Jetzt" + in the Palais Palffy under the auspices of + the Society for Literature. + Auden read a short passage in English and an actor took over and read in German. It appears that Auden was not satisfied, ans he kept muttering "Nonsense - completely wrong!" and making notes in the margin. - In later years things changed very much for the better, and + In later years things changed very much for the better, and although Auden did not actually live to see the volume - "Gedichte - Poems" published in English and German in Vienna + "Gedichte - Poems" published in English and German in Vienna + in 1973, he did check the proofs, and a few of the translators had been to see him. Today. more of Auden's poetry exists in German than in any other foreign language. - + + + - Talking of translations: whatever became of the Ford + + + + + Talking of translations: whatever became of the Ford Foundation translation scheme? At one time Auden was thinking about a plan in which he had become involved. This was to bring

-

- ⁒ +

+ ⁒

-

- 11 +

+ 11

-

+

all the main literary works in the German language under review in so far as they exist in English translation, to judge their quality and to discover the gaps. The real purpose of the exercise was one with which Auden wholly agreed: to encourage professional writers of the first category to take part in the re-creation of German literature in English. To this end the - Ford Foundation would make funds available. Even at that time, + Ford Foundation would make funds available. Even at that time, for a publisher to have native poetry on his lists showed idealism enough. A translation fee usually wiped out any conceivable profits on literqary prose texts or poetry. Nothing, of course, came of the scheme. Why, it I don't know; we had a lot of fun making lists on the backs of engvelopes and lamenting - the impossibility of sharing playwrights like Raimund, Nestroy + the impossibility of sharing playwrights like Raimund, Nestroy + and Grillparzer and novelists like Adalbert Stifter with the - English-speaking world. Auden knew quite well, of course, that + English-speaking world. + Auden knew quite well, of course, that it is not so much the language barrier, as a fatal lack of universality which has made so many leading Austrian writers - as used to be said of Austrian wine though with less justification - - travel so badly. But it is wortt In a rforeword to a book I + travel so badly. + But it is wortt + In a rforeword to a book I wrote on Austria Auden was to write: - "The relation between Art and Societsy is so obscure that only - a fool will claim that he understands it. How, as the author + "The relation between Art and Societsy is so obscure that only + a fool will claim that he understands it. How, as the author + asks in her concluding chapter on Vienna, is one to explain the extraordinary eruption of genius in that city which began during the last decades of the nineteenth century and lasted until the @@ -911,7 +994,8 @@ for any purpose, even commercially.

painting, philosophy, medicine? When it began the empire was already dying on itys feet, and it continued after its total collapse. Why? Even more extraordinary in my opinion were the - artistic achievements of men like Nestroy and Adalbert Stifter + artistic achievements of men like Nestroy and Adalbert Stifter + living in Metternich's police state. More than that, I cannot help wondering if they could have written what they did under a more liberal regime. Talking of Stifter, (the author) says @@ -922,67 +1006,86 @@ for any purpose, even commercially.

-

- 12 +

+ 12

-

- Perhaps it is worth reminding ourselves of the abortive +

+ Perhaps it is worth reminding ourselves of the abortive scheme in these difficult times, because of the underlying principle: that leaeding writers of the day, who can no doubt earn good money in other ways, should be given some form of enducement to translate from foreign languages at a standard - equivalent to the original. And also, to recall that Auden + equivalent to the original. And also, to recall that Auden + himself was a major translator of great stature. On the whole, it is arguable that English literature haxs been better served by its German - translators than vice versa. § Shakespeare apart, Tthe excellence + translators than vice versa. § + + Shakespeare apart, + Tthe excellence of Rudolf Alexander Schröder's version of Eliot's "Murder in - the Cathedral" comes to mind: a major writer himself, Schröder - produced a rendering in which all the cadences, the true Eliot + the Cathedral" comes to mind: a major writer himself, Schröder + + produced a rendering in which all the cadences, the true Eliot + "sound" are there, so that it is almost a matter of indifference whether the play is read in English or German. And uin a way, - Eliot hardly deserved it: Not longo ago George Steiner referred - to English writers' lack of a sympathy towards the German + Eliot hardly deserved it: Not longo ago George Steiner referred + to English writers' lack of + + a sympathy towards the German classics and mentioned Auden as a striking exception. -

-

- § Leaving Shakespeare on one side, as no modern translators have - managed to banish the Schlegel-Tieck version from the stage, - Eva Hesse made her name as the translator with Ezra CPound's - Cantos, a masterpiece of the translator's art.

-

- Auden immensely enjoyed working on Goethe's "Italian +

+ § Leaving Shakespeare on one side, as no modern translators have + managed to banish the Schlegel-Tieck + + version from the stage, + Eva Hesse made her name as the translator with Ezra CPound's + Cantos, a masterpiece of the translator's art. +

+

+ + Auden immensely enjoyed working on Goethe's "Italian Journey", and was always delighted when he came upon errorxs in - the original caused by Goethe's own faulty editing. Goethe as - a man fascinated him - three items in "Forewords and Afterwords" + the original caused by Goethe's own faulty editing. + Goethe as + a man fascinated him - three items in "Forewords and Afterwords" + and much else of an earlier date are there to prove it. So it can't have been later than 1962 when there was a ring at the doorbell of my flat in Vienna. I openeed the door and there was - Auden, panting, as well he might because this was before our + Auden, panting, as well he might because this was before our lift was put in and he had climbed nintety steps from street level. His shirt was grubby, his tie askew, his hair was matted, and before he was half through the door and with no further greeting he gasped out: - "I have come to the concliusion that Goethe was a very + "I have come to the concliusion that Goethe was a very lonely man."

-

- 13. -

-

- Which I think we may doubt. But Auden knew loneliness. -

- - Gate-crashing ghost, aggressive - invisible visitor, - tactless gooseberry, spoiling - my téte-à-tête with myself, - blackmailing brute, behaving - as if the house were your own... - -

+

+ 13. +

+

+ Which I think we may doubt. But Auden knew loneliness. +

+ + + Gate-crashing ghost, aggressive + + invisible visitor, + + tactless gooseberry, spoiling + + my téte-à-tête with myself, + + blackmailing brute, behaving + + as if the house were your own... + +

The strengtth, the violence of the pictures in this poem can hardly be paralleled in any other on a related subject. Loneliness is a vicious being, which makes the mind a quagmire @@ -992,27 +1095,38 @@ for any purpose, even commercially.

business letters. But Auden is safe from its haunting only when fast asleep. Yet: tomorrow

- - Chester, my chum, will return. - Then you'll be through: in no time - he'll throw you out neck-and-crop, - We'll merry-make your cadence - with music, feasting and fun. - -

- When Auden walked into Neulinggasse 26 and said what + + + + Chester, my chum, will return. + + Then you'll be through: in no time + + he'll throw you out neck-and-crop, + + We'll merry-make your cadence + + with music, feasting and fun. + +

+ When Auden walked into Neulinggasse 26 and said what he did about Goethe, it would be almost nine years before he would write this poem, but he was already facing whqat may have seemed the disaster of Chester's decision tnot to return to - New York. - In October 1964 he went to a PEN conference in Budapest, + New York. + In October 1964 he went to a PEN conference in Budapest, and came back saying that he had heard an unbelievable amount of hot air. The French delegat4es had got on his nerves with - much talk about "mon â`me." He may have been unjust; Auden - was not a lover of the French language, sayingand said that to maintain + much talk about "mon â`me." He may have been unjust; + + Auden + + was not a lover of the French language, sayingand said that to maintain + it is quite wrong to call it the most precise and logical of languages; in no other can a person deliver himself of so much intellectual - jibberish. But I had the courage to point out to him that + jibberish. But I had the courage to point out to him that + remind him that Paul Tillich had said he had learned to think by having to express himself in English and to teach orientals in that language. When he read what he had written years before @@ -1020,34 +1134,37 @@ for any purpose, even commercially.

-

- 14. +

+ 14.

-

- By Octob the end of October 1964 Auden was in Berlin, +

+ By Octob the end of October 1964 Auden was in Berlin, where he would spend the winter as a guest of the Ford - Foundation. As a visiting professor wohe would give lectures + Foundation + . As a visiting professor wohe would give lectures and be at the disposal of students who wanted to consult him. On 21st November he was arrested for drunk driving. It must have been rather a dreary Christmas, and he remarked in a letter - rthart he was lonely, as who wouldn't be in the circumstances. - Berlin-Dahlem, 23rd December, 1964: - It was sweet of you to think of me at Christmas, especially - since it's a little einsam¹ here. Am beginning to know some + rthart he was lonely, as who wouldn't be in the circumstances. + Berlin-Dahlem, 23rd December, 1964: + It was sweet of you to think of me at Christmas, especially + since it's a little einsam¹ here. Am beginning to know some local inhabitants. Oddly enough, the ones I can talk to most easily are from Ost-Berlin. The most awful thing about the - Bifkes² (sic)§ is that they are so much nicer under a little - Druck³ pressure). When they feel their oats they are so apt + Bifkes² (sic)§ is that they are so much nicer under a little + Druck³ + pressure). When they feel their oats they are so apt to become uppish." -

-

+

+

INSERT 14a.

-

- Characteristic tohough it is, one might not feel justified +

+ Characteristic tohough it is, one might not feel justified in quoting from this letter if it were not for the fact that it goes on to throw light on a passage in his long poem to - Josef Weinheber. It came about like this: I had been reading + Josef Weinheber. + It came about like this: I had been reading a paperback cqalled "The Rise of the South African Reich" by Brian Bunting and mentioned it in my letter with particular reference to torture. And I had complained that certain attitudes found @@ -1061,39 +1178,47 @@ for any purpose, even commercially.

and in the sort of people I meet, but I cannot conceive of myself or them torturning anybody. Where do the torturers come from? What class? Whom do they marry?" The words "Have you - ever met one?" are deleted. "To what pubs do they go?" + ever met one?" are deleted. "To what pubs do they go?" + Much love and best wishes for 1965, Wystan." - By 20th March 1965 he had completed, typed out and sent - off to me the long poem to Weinheber, with the verse: -

- - Today we smile at weddings - Where bride and bridegroom - -

+ By 20th March 1965 he had completed, typed out and sent + off to me the long poem to Weinheber + , with the verse: +

+ + + Today we smile at weddings + + Where bride and bridegroom + +

1. lonely . 2_Piefke, the rude Austrian generic term for Germans . 3_ Pressure.

-

- 14a. +

+ 14a.

-

+

Insert after "to become uppish".

-

- This was the private Auden. The publisc Auden in the interview +

+ This was the private Auden. The publisc Auden in the interview + with "Die Zeit" quoted earlier, hotly denied that he had been lonely. Many of his predecessors, said the interviewer, had - repeatedly complained that little notice had been taken of - them and that their stay was far from enjoyable. Auden's + repeatedly complain + + ed that little notice had been taken of + them and that their stay was far from enjoyable. + Auden's reply was "brusque": Grumbles of that sort were, he thought, unfair and personally objectionable. "One always has to do something to establish contacts, no one can do that for one." Not even the wealthy Ford Foundation or the Berlin senate. - It was very ungrateful to accept a monthly grant of a couple + It was very ungrateful to accept a monthly grant of a couple of tohousand marks and then to start criticising, instead of being thankful to be free to work without financial worries - how often was this possible? He himself, he went on, ewas @@ -1103,32 +1228,45 @@ for any purpose, even commercially.

-

- 15. -

- - Were both born since the Shadow - Lifted, or rather - Moved elsewhere. Never as wyet - Has Earth been without - Her bad patch, some unplace with - Jobs for torturders. - (In what bars are they welcome? - What girls marry them?) - -

- Later on, I told Chester about this infinitesimal and - unwitting contribution of mine to English literature. Chester +

+ 15. +

+ + + Were both born since the Shadow + + Lifted, or rather + + Moved elsewhere. Never as wyet + + Has Earth been without + + Her bad patch, some unplace with + + Jobs for torturders. + + (In what bars are they welcome? + + What girls marry them?) + +

+ Later on, I told Chester about this infinitesimal and + unwitting contribution of mine to English literature. + Chester + snapped: "Wystan never wastes anything." - There exists a prose translation of the poem to Weinheber, + There exists a prose translation of the poem to Weinheber + , made by Auden and "a German friend", which he sent to me for checking together with some amendments to stanza three. As the occasion for which the poem was written was a celebration of - the 20th anniversafry of Weinheber's death, the prose translation + the 20th anniversafry of Weinheber's death, the prose translation + was for general information. - "Herewith my effort" Auden wrote, "dto do my Gemeindepflicht." + "Herewith my effort" Auden wrote, "dto do my Gemeindepflicht." (his civic duty.) - It hardly needs saying that Auden's interest in Weinheber + It hardly needs saying that Auden's interest in Weinheber + wnent far beyond a mere civic duty. It was part of his whole relationship with Lower Austria, his feeling for the landscape, for its history, for the history of the people who lived, or @@ -1136,179 +1274,237 @@ for any purpose, even commercially.

the truth of this is to be found in the best known poems of his last decade - perhaps they are among the best he ever wrote. There is the first patrt of The Cave of Making (In Memoriam Louis - MacNeice.) He often emphasizes how unsensational it all is: -

- - "In a house backed by orderly woods, - Facing a tractored sugar-beet country, - Your working hosts engaged to their stint, - SYou are unlikely to encounter - Dragons or romance: were drama a craving, - You would not have come." - -

- (For Friends Only - for John and - Teckla Clark). -

-

+ MacNeice.) + He often emphasizes how unsensational it all is: +

+ + + "In a house backed by orderly woods, + + Facing a tractored sugar-beet country, + + Your working hosts engaged to their stint, + + + SYou are unlikely to encounter + + Dragons or romance: were drama a craving, + + You would not have come." + +

+ (For Friends Only - for John and + + Teckla Clark + ). +

+

It strikes me suddenly as odd that he should have said that: - in the mythology of Austria this areapart of the countryarea is not, I believe, a + in the mythology of Austria this area + part of the countryarea is not, I believe, a + dragon country. - Or in The Common Life (for Chester Kallman): + Or in The Common Life (for Chester Kallman):

-

- 16. -

- - I'm glad the builder gave - our common-room small windows - through which no observedr outside can observe us: ... - -

+

+ 16. +

+ + + I'm glad the builder gave + + our common-room small windows + + through which no observedr outside can observe us: ... + + +

Quite untrue. If they had the light on, anyone approaching the door could and did see them. In the poem to Weinheber he tells him: "Here, though, I feel as at home as you did". - But the most moving tdeclaration of love is in "Prologue at + But the most moving tdeclaration of love is in " + Prologue at Sixty (for Friedrich Heer). - It satisfied him to live nedxt door to where the poet - Josef Weinheber had lived, a man for whom he felt a remarkable + It satisfied him to live nedxt door to where the poet + Josef Weinheber had lived, a man for whom he felt a remarkable empathy and a strange compassion. It has occurred to me that an element in this sense of identity might have been this: that he himself had once changed his mind. He, like Weinheber, had made a political error and had entirely turned away from it. - Weinheber had allowed himself to be wooed by the Nazis, but + Weinheber had allowed himself to be wooed by the Nazis, but later on he rejected it all and finally he committed suicide. This may be fanciful; it is put forward simply as a suggestion. - Auden knew that he would have got on with the man next door. -

- - Categorised enemies - Ttwenty years ago, - now next-door neighbours, we might - have become good friends, - sharing a common ambit - and love of the wWord, - over a golden Kremser - had many a long - language on syntax, commas, - versification. - -

- On May 24th 1965,AudenAuden under the auspices of the Austro-British - Council and the Society for Literature, Auden gave a talk on T.S. Eliot in the lecture hall of - the Museum of Natural History Museum on the Ring. It was very + Auden knew that he would have got on with the man next door. +

+ + + Categorised enemies + + + Ttwenty years ago, + + now next-door neighbours, we might + + have become good friends, + + sharing a common ambit + + and love of the wWord, + + over a golden Kremser + + had many a long + + language on syntax, commas, + + versification. + +

+ On May 24th 1965,AudenAuden + under the auspices of the Austro-British + Council + and the Society for Literature, Auden gave a talk on T.S. Eliot + in the lecture hall of + the Museum of Natural History Museum on the Ring. + It was very well attended, largely by crowds of note-taking students of Eng. Lit, and I have never been quite sure whether, at one moment, he was treating us to a bit of traditional stage business. He told us that there is a game: if, like the Trinit,y, we were - made up of three persons, what would they be? Eliot, now, + made up of three persons, what would they be? + Eliot, now, contained, first,ly, the American pre-Jafckson aristocrat of a kind which died out in 1829. He was a dandy, very carefully

-

- 17 +

+ 17

-

+

dressed in black jacket, striped trousers and bowler hat. And he worked two floors underground. Then there was the little boy aged twenlve, adoring practical jokes such as cushions which fart when you sit on them, and who liked to shock people by - saying "Goethe is awful" and so on. Finally, there was the + saying " + + + Goethe is awful" and so on. Finally, there was the Yiddish Momma... - At this point a cascade of papers fell off the high reading - desk. Auden disappeared altogether from our sight, scuffed + At this point a cascade of papers fell off the high reading + desk. + Auden disappeared altogether from our sight, scuffed about on the floor for a bit and finally emerged, very slowly, to complete his sentence: "... who wrote the poems". By now - a very few people werde shaking with silent laughter, but the + a very few people werde shaking with silent laughter, but the students, with poised biros, blank-faced and puzzled, were waiting for all this to stop. - He was understandably proud of having been asked to preach + He was understandably proud of having been asked to preach + in Westminster Abnbey. His triumphant comment to me was: - "Eliot never did that". + " + Eliot + never did that".

-

- SApril 1967 brought a literary congress on avantgarde +

+ + SApril 1967 brought a literary congress on avantgarde literature to the Palais Palffy on the Josefsplatz in Vienna. - Auden came, together with a rich, at moments over-rich collection + Auden came, together with a rich, at moments over-rich collection of dons, writers and critics from eastern and western Europe. A number of journalists and a few public figures were present bay invitation, but no intervnention from the floor was allowed - and seldom desired by the listeners. It was enough to hear - Francis Bondy and Mary McCarthy, to enjoy the striking contrast - between Yefrim Etkind of Leningrad (now at the University of Paris), - and the square-headed commissar type from Moscow. And if some + and seldom desired by the listeners. + It was enough to hear + Francis Bondy and Mary McCarthy, to enjoy the striking contrast + between Yefrim Etkind of Leningrad + (now at the University of Paris), + + and the square-headed commissar type from Moscow + . And if some of the read contributions were dry, lifeless and badly delivered, we only had to wait for the knockout blow from Marfcel Reich-Ranicki. On the whole it was this leading West German critic with his maddeningly declamatory style and monitary ind wagging index finger who dominated the platform, but it was Etkind who with his quiet, reasonable argument and his good manners won the affection of - everyone in the room. SA A face-the-public session in the - Redoutensaal on the other side of the Josefsplatz ended the - congress. I asked Auden whether there was Qanything I could do for + everyone in the room. + SA A face-the-public session in the + Redoutensaal on the other side of the Josefsplatz ended the + congress. I asked Auden whether there was + Q + anything I could do for + to help such as lending him my flat, and he promptly replied: "Yes, help me to look after Philip and Mary." We agreed that we would all meet for supper in the Neulinggasse after the public

-

- 18. +

+ 18.

-

+

session. - Since I have no pretensions to being a literary hostess, + Since I have no pretensions to being a literary hostess, I found the propspect alarming. It was not that, as a journalist, famous men worried me in the least, but famous women are somehow a different matter and I was inclined to be overawed by Mary MacCarthy. But Chester was reassuring. "Don't you worry about - Mary, she won't eat you. In factthse she'll be charming, she'll + Mary, she won't eat you. In factthse she'll be charming, she'll merely put you in her next book." - A hostess should be at home to welcome her guests, or at + A hostess should be at home to welcome her guests, or at the very least, she should arrive with them. I did neither. Having allowed myself to be pushed down to towards the front of the hall, I was trapped and unable to get out, whereas the - members of the congress left the platform and were free. H I - at last fought my way out and the search began for Yefrim YekEtkind - whom I had invited as an eastern foil for the westerners! He + members of the congress left the platform and were free. + H I + at last fought my way out and the search began for Yefrim YekEtkind + + whom I had invited as an eastern foil for the westerners! + He was run to ground in a back passage, surrounded by fans. It was - only with the help of the Viennsase Ffire Bbrigade who were clearing + only with the help of the Viennsase + Ffire Bbrigade who were clearing the buiolding that I was at last able to extract him from the admiring group and take him out to my car. Knowing that the rest of the party would be standing outside a locked doork, I - drove fast. Etkind settled himself comfortably, stretched out + drove fast. + Etkind settled himself comfortably, stretched out his legs for a better purchase and said affably: "YOne day you must come to Leningrad, you'd love to drive there - large, wide, empty streets." Since then I have dreamed, Toad-like, of tearing down the almost deserted Nevsky Prospect, but in the meantime - Etkind, about whom Auden worried greatly as time went on, mainly - on account of his friendship with Sacharow, has left Russia + Etkind, about whom Auden worried greatly as time went on, mainly + on account of his friendship with Sacharow, has left Russia + and is living and working in France. And so there thesy all were, a - not too friendly row of faces gazing over the banisters into the - on the second floor as we puffed our way upstairs: Auden, - Kallman, Mary MacCarthy, the Toynbees, the author and critic - Hilde Spiel and a Danish journalist friend. But over drink and + not too friendly row of faces gazing over the banisters into the + + on the second floor as we puffed our way upstairs: + Auden, + Kallman, Mary MacCarthy, the Toynbees, the author and critic + Hilde Spiel and a Danish journalist friend. But over drink and food the party soon cheered up, and Mary sighed: "What heaven it is to get away from that man Reich-Ranicki!" There was a chorus of assent. - In August 1966 The Bassarids§ had had its première at the - Salzburg Festival. Now, in the following year, Auden was invited + In August 1966 The Bassarids§ had had its première at the + Salzburg Festival. Now, in the following year, Auden was invited

-

- The Bassarids, Opera Seria with Intermezzo in One Act bassed on - The Bacchae of Euripides by W.H. Auden and Chester Kallman. +

+ The Bassarids, Opera Seria with Intermezzo in One Act bassed on + The Bacchae of Euripides + by W.H. Auden and Chester Kallman. Music by Hans Werner Henze.

-

- 19. +

+ 19.

-

+

to deliver the opening address - a highly festive occasion, and his speedch would be widely reported. By late April he had already made a draft, and he asked me for my comments. He had, he said, @@ -1321,25 +1517,38 @@ for any purpose, even commercially.

and (the estimated length of half an hour was probably too long. Towards the end, where he should be riding high in an appeal for devotion to the optimal standards in music and the arts in general - and opera in particular, he was grumbling about the functional + and opera in particular, he was grumbling about the functional + erratic workings of the curtain in the Festspielhaus and the lack of canteen facilities for the scenseshifters. It was a horrible - anticlimax. It was not easy to sayHow could one tell him this in such a way as to + anticlimax. + It was not easy to sayHow could one tell him this in such a way as to get results without offending him? And there was another thing: - he should be advised to rehearse. Auden understood all the nuances + he should be advised to rehearse. + Auden understood all the nuances of the German language, but his spoken German was not as good as he seemed to think, being and his delivery was apt to become almost incomprehensible.

-

- The New York postmark usually meant an announcement of +

+ The New York postmark usually meant an announcement of domestic disaster and a request for help, and the winter of 1967 brought serious disruption to the peaceful running of the house - at Kirchstetten. Auden's poem to Emma Eiermann begins in German: - Liebe Frau Emma, / na, was hast du denn gemacht? + at Kirchstetten. + Auden's poem to Emma Eiermann + begins in German: + + + Liebe Frau Emma, / na, was hast du denn gemacht? + + and it contains just about all there is to say about her, and her - relationship with the two men Auden and Kallman. hHow, the poet - asksexclaims,, could she go and die when they were both away - and what + relationship with the two men + Auden and Kallman. + + h + How, the poet + asksexclaims,, could she go and die when they were both away - and what about the cats - they had to be destroyed. But when his letter to me arrived he didn't yet know that: it contains an urgent plea to hurry over to Kirchstetten and find out what on earth @@ -1350,20 +1559,27 @@ for any purpose, even commercially.

-

- 2O. +

+ 2O.

-

+

strays. - In February 1968 he flew over to Vienna to interview a co - Frau Strobl after the death of Emma Eiermann. We were lunching + In February 1968 he flew over to Vienna to interview + a co + + Frau Strobl after the death of Emma Eiermann + . We were lunching together at the Opern-Café and this was one of the very few - occasions when I kept a note of what had been said. Auden had + occasions when I kept a note of what had been said. + Auden had fr3equently taken a stand against drug-taking, and had made his attitude clear in a number of lectures and interviews. In - October 1967, for instance, he brought up the subject in a lecture + October 1967, for instance, he brought up the subject in a lecture + at Eliot College, and now I told him I was glad he had been - saying to young people in England that LSD is a dead duchk for + saying to young people in England that LSD is a dead duc + h + k for creative workers. This led to a long account of the experiments with LSD and Mmescalin that he himself had carried out in the company of his doctor. He was perfefctly certain that no original @@ -1384,7 +1600,7 @@ for any purpose, even commercially.

why didn't you answer?" An intercview he gave to the Siunday Telegraph, published on October 29, 1967, under the headline "On drugs and drivel" adds to what he said in the Opern-Café. Much of it is vintage Auden: - "Mandrake met W.H. Auden laxst week to a background of, not + "Mandrake met W.H. Auden laxst week to a background of, not redbrick, but dazzling, chalkwhite college buildings, with miniskirted freshers looking overwhelminged at having Auden pacing all their fresh-laid corridors in his carpet slipperas and Sloppy Joe @@ -1397,12 +1613,15 @@ for any purpose, even commercially.

-

- 21 -

-

- to what the mass does first. And London is so provincial. Pafris - is provincial. Berlin is provincial. But New York - it's dirty +

+ 21 +

+

+ to what the mass does first. And London is so provincial. + Pafris + + is provincial. + Berlin is provincial. But New York - it's dirty and a damned dangerous place to live in sometimes, but at least it isn't provincial.'... About drug-taking activities in some British universities, Auden says firmly he is an anti.-drug man, @@ -1411,31 +1630,35 @@ for any purpose, even commercially.

corrupting the young or anything ... so what I want to make absolutely clear are the three points which should help put young people right off the idea of taking drugs at all. - 'First, LSD is a dangerous thing - it should be taken only + 'First, LSD is a dangerous thing - it should be taken only under medical supervision, with somebody there, because you may get the willies and end up in a loony bin. Second, if people think they're going to get any dru fulfilment in Art through taking drugs then they're in for a hell of a disappointment. Because on tape recordings of people under LSD it's been shown they speak absolute drivel. - 'Thirdly, and lastly, taking drugs as a short cut to God + 'Thirdly, and lastly, taking drugs as a short cut to God is absolute drivel as well.' " - It is true, incidentally, that the progressive "vulgarisation" - of London struck him like a blow in the face every time he went - there. He seldom failed to mention the subjefct when he had + It is true, incidentally, that the progressive "vulgarisation" + of London struck him like a bl + + ow in the face every time he went + there. He seldom failed to mention the subjefct when he had + coame back to Kirchstetten, and was particularly angry about the advertisements on the London Underground, which he said beat anything to be found anytwhere.

-

+

+ + +

-

- Auden liked to be amused. As I mentioned earlier, he was +

+ + Auden liked to be amused. As I mentioned earlier, he was interested, as a human phenomenon, in my mother-in-law who until she was forced to abandon it was certainly one of the worst and most dangerous drivers who ever drove the roads of - Austria. She never went very fast but she had no idea where + Austria. She never went very fast but she had no idea where the cqar began and ended nor what by what means it was propelled, and she drove her cqar as though it were a tank, ignoring all that lainy in her path. I have seen her move off, the engine @@ -1445,7 +1668,7 @@ for any purpose, even commercially.

was usually to blame. This attitude she made clear once and for all when sitting beside the driver - my brother-in-law - on the road to St. Pölten, which was her, and for that matter - Auden's, shopping town. They came to a T crossing. It is a + Auden's, shopping town. They came to a T crossing. It is a blind corner, woone is about to turn on to a main arterial road down which the traffic thunders. The law and common sense require one to stop dead, look both ways, and only then to @@ -1453,10 +1676,11 @@ for any purpose, even commercially.

-

- 1822 +

+ + 1822

-

+

did precisely this, whereupon my mother-in-law fqavoured him with a withering glance and said, unforgivably: 'COWARD!' This was Auden's favourite story. She caught him once when @@ -1472,97 +1696,111 @@ for any purpose, even commercially.

brdeak. Whenever I saw him again for the first time after his arrival in the spring, sooner or later a look of gleeful expectancy would usher in the question: "Now: tell me about - ma-in-law's latest car smash." + ma-in-law's latest car smash."

-

- The reason why Auden himself failed one day to take a +

+ The reason why Auden himself failed one day to take a corner in Kirchstetten village and crashed I never had the courage to ask. It happened on the first day of his - arrival oin about April9 in 1968 . A message reacheed me in Vienna: + arrival o + in about April9 in 1968 . A message reacheed me in Vienna: he had had an caccident, was in St. Pölten hospital and could I - come at my convenience? As my informant thought that Auden + come at my convenience? As my informant thought that Auden + was about to be sent home it seemed advisable to telephone the hospital and find out where he would be by the afternoon. The following conversation ensued: - "May I ask whether Professor Auden is still in hospital , + "May I ask whether Professor Auden is still in hospital , presumably in the accident casualty department, or whether he has been sent home?" - "Professor who?" - "Auden. A - U - D - E - N, Anna Union Dora Emil Nordpol." - "The name is not familiar. I will check the records." + "Professor who?" + "Auden. A - U - D - E - N, Anna Union Dora Emil Nordpol." + "The name is not familiar. I will check the records." Pause. "No, we have no one of that name here." - "But I am informed that Professor Auden was admitted. + "But I am informed that Professor Auden was admitted. By the way he is an American citizen." - "Ah" (confidently) "then I can say quite definitely + "Ah" (confidently) "then I can say quite definitely that he has not been admitted here." - So I drove out to Kirchstettnen. And there was Auden, + So I drove out to Kirchstettnen. And there was Auden, a bundle of misery, sitting at the big table all by himself,

-

- 19.23 +

+ + 19.23

-

+

his right arm and shoulder in plaster. He was a little - offhand about the accident, but his memories of the hospital + offhand about the accident, but his memories of the hospital + which he had just left by taxi were unimpaired. They hadn't exact"ly put out the red carpet. For a long time, the first and - only attention he had received was from a man who wanted to + only attention he had received was from a man who wanted to + name and address and all relevant details and, anbove all, "how I proposed to pay for the t5reatment." - Soon I was asking what I could do for him and in what order. + Soon I was asking what I could do for him and in what order. What was the most urgent thing? - "I'm almost out of gin". Perhaps I would be kind enough + "I'm almost out of gin". Perhaps I would be kind enough to ring up Wild, the grocers on the Neuer Markt in Vienna, and ask them to send some down. But why, I asked, couldn't I drive to Böheimkirchen right away and fetch some? They'd have the usual brands. No, call up Wild. - Back in the Neulinggasse I rang up that high quality + Back in the Neulinggasse I rang up that high quality emporium and gave the order. "Are you" it seemed sensible to ask, "delivering in that district during the next few days?" - "We prac virtually never deliver to the country, Madam, + "We prac virtually never deliver to the country, Madam, but we always make a special trip for the Herr Professor." - "That must make the gin, which is quite After a shocked + + "That must make the gin, which is quite After a shocked silence I said: "It's no business of mine, but that's a pretty pricey way of buying the same make of gin as he could get at the local grocer's." - "Quite right, Madam, "said the cheerful voice. "But that - has been the Herr Professor 'susual practice for some years." + "Quite right, Madam, "said the cheerful voice. "But that + has been the Herr Professor 'susual practice for some years." + Who am I to criticise?" - A carefully worded letter to the hospital was indicated. - After aAAfter a brief summary of events came a few lines of comment: + A carefully worded letter to the hospital was indicated. + After aAAfter a brief summary of events came a few lines of comment: It was not of significance,, I sqaid heavily, that Professor Auden was a poet and author of international reputation who had been honoured by - the Austrian state. To a hospital, a casualty was a casualty. + the Austrian state. + To a hospital, a casualty was a casualty. + A hospital was not a respecter of persons, and a casualty was a casualty. But to disclaim all knowledge of a patient who was occupying a bed in the hospital would certainly create confusion and distress in any family which might be the victim of such a - mishap. A day or two later I went out to Kirchsttetten again to + mishap. A day or two later I went out to Kirchsttetten again to + with the idea of entertaining Wystan with a few horror stories

-

- 2O4. +

+ 2O4.

-

+

about Austrian politics or anything else that came to mind to hcheer him over the interval until Chester arrived.from - Athens. He had been back to the hospital for a check-up on + Athens. He had been back to the hospital for a check-up on the sit of the plaster, and he r as I walked in he grinned from ear to ear: "What did you say to them? I was treated like royalty." For the record, the hospital did in fact write a handsome apology in reply to my letter.

-

- Auden would often lend his car to someone or other during +

+ + Auden would often lend his car to someone or other during the winter, and one day when he and Chester turned up to lunch at Fridau I was shown, with some amusement, a bullet hole in - the car - just cbene below the windscreen, in line with the + the car - just + c + bene below the windscreen, in line with the driver's seat. Having had a little experience of some of - Chester's friends in Vienna I wasn't altogether surprised, In + Chester's friends in Vienna I wasn't altogether surprised, + In the end, that car became a total wreck, and the circumstances are the subject of various letters before and after C but it later transpired that I was wrong. Naturally, no one had @@ -1571,19 +1809,27 @@ for any purpose, even commercially.

led to his arrest and imprisonment. In the end, the car became a total wreck, and the circumstances are the subject of various increasingly frantic letters from Auden before and after - Christmas 1968. In December, Chester's Greek friend Jean Boras - who often stayed with the two men in Kirchstetten, was in Vienna + Christmas 1968. In December, Chester's Greek friend Jean Boras + + who often stayed with the two men in Kirchstetten, was in Vienna + and using the car. One day, on the road between Vienna and - Kirchstetten he collided with a lorry head on and was killed - instantly. As I was away at the time and omynly got back to the - Neulinggasse shor5tly before Christmas, to find a letter from Auden - telling me what had happened. Chester had been so prostrated with + Kirchstetten he collided with a lorry head on and was killed + + instantly. + As I was away at the time and omynly got back to the + Neulinggasse shor5tly before Christmas, to find a letter from Auden + + telling me what had happened. + Chester had been so prostrated with griedf that he, Auden, had hardly been able to understand him on the telephone line line from Athens, but he believed that he must be in - Vienna. Would I look for him and see what I could do? The - thought of Chester's framestate of mind, alone in Vienna at Chr over + Vienna. Would I look for him and see what I could do? The + thought of Chester's framestate of mind, alone in Vienna + at Chr over Christmas, was blood-chilling, and my imagination ran away with me. - A protracted search produced no signs that he had been in Austria + A protracted search produced no signs that he had been in Austria + at all, and it finally turned out that he had never left Athens. Letters flew to and fro on the subjects of: release of corpse, release of wrecked car and/or papers, with Auden becoming @@ -1592,35 +1838,42 @@ for any purpose, even commercially.

-

- 25. -

-

- that to attempt to carry out any form of business in Vienna - during the twelve days of Christmas between the last days +

+ 25. +

+

+ that to attempt to carry out any form of business in Vienna + + during the twelve days of Christmas + between the last days before Christmas and the Feast of the Epiphany on January 6th is a sheer wayste of time; during the Twelve Days of Christmas - not even a partridge in a peartree movewss. - When Auden and Kallman got back to Austria in the April - Chester was still profoundly shaken up and I remember Auden's + not even a partridge in a peartree movew + ss. + When Auden and Kallman got back to Austria in the April + Chester was still profoundly shaken up and I remember Auden's anxiety, saying to me "I don't know how he's going to get through the summer." And it strufck me: what a contrast between - these two writers: the lesser poet but much younger man, + these two writers: + the lesser poet but much younger man, cooking too much rich food for the entirely sedentary life - that they both led, but otherwise with little purpose left.in + that they both led, but otherwise with little purpose left.in + And the far greater and much older poet, with his regular hours of work and his considerable poutput. The days of their very fruitful collaboration on opera libretti were already over; what remained was the Times crossword. - It was so easy, I think, to make fun of the slightly + It was so easy, I think, to make fun of the slightly old-maidish wqays of the house. In all those amusing and - sessentially true newspaper articles in newspapers and glossy + s + essentially true newspaper articles in newspapers and glossy magazines the tendencsy is to leagvve out this all-important fact: - Auden was a very hard-working, systematic, self-disciplined + Auden was a very hard-working, systematic, self-disciplined writers, who knew, none better, how nice it is to sit sipping a cool drink in the shade of a tree, whiling away the hourws, looking with contentment upon his flowers and his asparagus beds. - This he ddie did, but having worked steadily through from 9 o'clock + This he ddie + did, but having worked steadily through from 9 o'clock until lunchtime. And much of the bosky contentnment, the cool drinks and so on, were sijmply owing to the presence of guests, including the journalist with his sharp eye. So that these @@ -1628,7 +1881,8 @@ for any purpose, even commercially.

household leave it altogether to us to remember that in the last dozen years of his life, Auden was writing several volumes of poetry, opera libretti, translating the Elder Ededa, the - "Italian Journey ", Dag Hammarskjöld's "Markings" and other + "Italian Journey ", Dag Hammarskjöld's "Markings" and other works, editing "The Dyer's Hand", the "Faber Book of Aphorisms", his Commonplace Book, "Forewords and Afterwords", and that heavenly compilation the "Nineteenth Century Book of Minor Poets". @@ -1638,60 +1892,67 @@ for any purpose, even commercially.

-

- 26 +

+ 26

-

- "Letters of Beethoven" - swhich he gave me, the blank pages are +

+ "Letters of Beethoven" - swhich he gave me, the blank pages are filled with his notes - and even a new 12 volume annotated translation of the Bible. In any case, the sacred beast in his lair was probably much wittier than most strangers who came to view the set-up.

-

- On 19th May 1970 I was mildly horrified (I write in German +

+ On 19th May 1970 I was mildly horrified (I write in German but do not translate into it) to get a telgegram asking "If I sent half hour speech in a few days could you translate soon into German - Love Wystan." On the principle: say yes now, worry afterwards, I agreed. He was to deliver the speech a couple - of weeks later in athe small country rtown of Neulengbach in the + of weeks later in athe small country rtown of Neulengbach + in the presence of the governor of Lower Austria. After making a draft, I sent both texts to my husband so that he could polish up my - version. This It had not been easy. + version. + This It had not been easy.

-

- "Sehr verehrter Herr Landeshauptmann,meine Damen und Herren: - I hope you will pardon me if I speak somewhat personally. +

+ "Sehr verehrter Herr Landeshauptmann,meine Damen und Herren: + I hope you will pardon me if I speak somewhat personally. I do so, not out of vanity, but because I do not wish to give the impression that I am attempting to lay down absolute laws which - are valid for all. I give you my experiences,as a poet, in the hope + are valid for all. + I give you m + + y experiences,as a poet, in the hope that you will be able to compare them with yours, and form your own judgment about them. - Most of what I know about the writing of poetry, or at least + Most of what I know about the writing of poetry, or at least about the kind I am interested in writing, I discovered long before I took any interest in poetry itself. - Between the ages of six and twelve, PI spent a great many + Between the ages of six and twelve, PI spent a great many of my waking hours in the fabrication of a private secondary sacred world, the basic elements of which were ( a) a limestone landscape mainly dderived from the Pennine Moors in the North of England and b) an industrsy - lead-mining. - It is no doubt psychologically significant that my sacred + It is no doubt psychologically significant that my sacred world was autistic - that is to say, I had no wish to share it with others nor could I have done so. However, though constructed for and inhabited by myself alone, I needed the help of others, - my parents in particular, in collecting its basic materials; + my parents in particular, in collecting its basic materials; others had to procure for me the necessary text-books on geology - qand machinery, maps, catealogues, guide-books and pohotographs, + qand machinery, maps, cat + e + alogues, guide-books and pohotographs, ancd, when occasion offered, to take me down real mines, tasks

-

- 27 +

+ 27

-

+

which they performed with unfailing patience and generosity. - From this activity, I learned certain principles which I was + From this activity, I learned certain principles which I was later to find applied to all artistic fabrication. First, whatever other elements it may include, the initial impulse to create a secondary world is a feeling of awe aroused by encounters, in the @@ -1704,8 +1965,9 @@ for any purpose, even commercially.

sense, is made of words which are not ethe poet's private property, but the communal creation of the linguistic group to whom he belongs, so that their meaning can be looked up in a dictionary. - Secondly, in constructing my private world, I discovered - that, though this was a game, or rather precisely because it was a + Secondly, in constructing my private world, I discovered + that, though this was a game, or rather precisely because it was a + game - that is to say, not a necessity like eating or sleeping, but something I was free to do or not as a chose - it could not be played without rules. Absolute freedom is meaningless: @@ -1716,12 +1978,18 @@ for any purpose, even commercially.

laws shall be. But to all games as to real life, Goethe's lines apply.

- - In der Beschränkung zeigt sich erst der Meister, - Und das Gesetz nur kann uns Freiheit geben. - -

- As regards my particular lead-mining world, I decided, or + + + + In der Beschränkung zeigt sich erst der Meister + , + + + + Und das Gesetz nur kann uns Freiheit geben. + +

+ As regards my particular lead-mining world, I decided, or rather, without conscious decision I instinctively felt, that I must impose two restrictions upon my freedom of fantasy. In choosing what objects were to be included, I was free to select @@ -1734,11 +2002,11 @@ for any purpose, even commercially.

-

- 28. +

+ 28.

-

- w either bay an adit or a pump - but physical impossibilities and +

+ w either bay an adit or a pump - but physical impossibilities and magic means were forbidden. When I say forbidden, I mean that I felt, in some obscure way, that they were morally forbidden. Then there came a day when the moral issue became quite conscious. @@ -1749,7 +2017,7 @@ for any purpose, even commercially.

was, I knew from my reading, the more efficient. At this point I realised that it was my moral duty to sacrifice my aesthetic preference to reality or truth. - When, later, I began to write poetry, I found that, for me + When, later, I began to write poetry, I found that, for me at least, the same obligation was binding. That is to say, I cannot accept the doctrine that, in poetry, there is a 'suspension of belief'. A poet must never make a statement simply because @@ -1758,7 +2026,7 @@ for any purpose, even commercially.

poet whose beliefs happen to co-incide with one's own. It does mean, however, that one must be convinced that the poet really believes what he says, however odd the belief may seem to oneself. - Between constructing a private fantasy world for oneself alone + Between constructing a private fantasy world for oneself alone and writing poetry, there is, of course, a profound difference. A fantasy world exists only in the head of its creator: a poem is a public verbal object intended to be read and enjoyed by others. @@ -1776,10 +2044,10 @@ for any purpose, even commercially.

-

- 29. +

+ 29.

-

+

of their species vital information about food, territory, sex, the presence of enemies etc., and in social animals like the bee, such a code may be exceedingly complex. We, too, of course, often @@ -1790,29 +2058,31 @@ for any purpose, even commercially.

because we must, but because we enjoy doing so. This activity is sometimes quite erroneously called 'self-expression'. If I write a poem about edxperiences I have had, I do so because I think - it should be of interest and value to others: the fact that it has + it should be of interest and value to others: + the fact that it has till now only been my experience is accidental. What the poet or any artist has to convey is a perception of a reality common to all, but seen from a unique perspective, which it is his duty as well as his pleasure to share with others. To small truths as well as great, St. Augustine's words apply.

-

- The truth is neither mine nor his nor another!s; but belongs - to us all whom Thou callest to partake of it: warning us - terribly, not to account it private to ourselves, lest - we be deprived or it. +

+ + The truth is neither mine nor his nor another!s; but belongs + to us all whom Thou callest to partake of it: warning us + terribly, not to account it private to ourselves, lest + we be deprived or it.

-

- Then the second impulse to artistic fabrication is the desire to +

+ Then the second impulse to artistic fabrication is the desire to transcend our mortality, by making objects which, unlike ourselves, are not subject to natural death, but can remain permanently 'on hand' in the world, long after we and our society have perished. - Every genuine work of art, I believe, exhibits two qualities, + Every genuine work of art, I believe, exhibits two qualities, Nowness and Permanence. By Nowness I emean the quality which enables an art-historian to date a work, at least, approximately. If, for example, one listens to a composition by Palestrina and one by - Mozart, one knows immediately that, quitde aside from their artistic + Mozart, one knows immediately that, quitde aside from their artistic merits, Palestrina must have liveed earlier than Mozart: he could not possibly have written as he did after Mozart. By Permanence, I mean thath the work continues to have relevance, and importance @@ -1823,18 +2093,19 @@ for any purpose, even commercially.

-

- 3O.- +

+ 3O.-

-

+

works of art, on the other hand, are of the utmost importance to the contemporary practitioner. Every artist tries to produce something now, but in the hope that, in time, it will take its proper place in the tradition of his art. And he cannot prouduce - anything significantly original unless he knows well what has be + anything significantly original unless he knows well what has be + already been done; that is to say, he cannot 'rebel' against the past without having a profound reverence for it. - There are periods in history when the arts develop uninterr- + There are periods in history when the arts develop uninterr- uptedly, each generation building on the achievements of the previous generation. There are other periods when radical breaks seem to be nefcessary. However, when they are, one will generally @@ -1843,11 +2114,12 @@ for any purpose, even commercially.

than his own, the clue as to what he should do now. In my own case, for example, I know how much I owe to Anglo-Saxon and Medieval Poetry. - When I review the contemporary artistic scene, it strikes me + When I review the contemporary artistic scene, it strikes me how extraordinarily fortunate men like Stravinsky, Picasso, Eliot, etc., that is, those persons we think of as the founders of 'modern' art, were in being born when they were, so that they came - to manhoofd before 1914. Until the First World War, western + to manhoof + d before 1914. Until the First World War, western society was still pretty much what it had been in the nineteenth century. This meant that for these artists, the felt need to create something new arose from an artistic imperative, not a @@ -1855,45 +2127,55 @@ for any purpose, even commercially.

kind of music to compose or picture to paint or poem to wirrite in the year 1912?" Secondly, their contemporary audiences were mostly conservative, but honestly so. Those, for instance, - who were scandalised by Le Sacre du Printemps, may seem to us now + who were scandalised by + Le Sacre du Printemps + , may seem to us now to have been old fogies, but their reaction was genuine. They did not say to themselves: "Times have changed and we must change with them in order not to be left behind." - Here are a few statements by Stravinsky to which the young, + Here are a few statements by Stravinsky to which the young, whether artists or critics would do well to listen and ponder over.

-

- In my youth the new music gerew out of, and in reqaction to, - traditions, whereas it appears to be evolving to-day as much - from social needs as interior artistic ones... The status - of new music as a category is another incomparable. It had -

+

+ + In my youth the new music gerew out of, and in + reqaction to, + + traditions, whereas it appears to be evolving to-day as much + from social needs as interior artistic ones... The status + of new music as a category is another incomparable. It had +

-

- 31 -

-

- none at all in my early years, being in fact categorically - opposed, and often with real hostility, But the unsuccess - of composers of my generation at least kept them from trading - on success, and our unsuccess may have been less insidious - than the automatic superlatives which nowadays kill the new - by absorbing it to death. - ++++++++ - The use of the new hardware naturally appears to the new - musician as "historicallv imberative "; but music is made - out of musical imperatives, and the awareness of historical - processes is probably best left to future and different - kinds of wage-earners. - +++++++++ -

-

- In times, like our own, of rapid social change and political +

+ 31 +

+

+ + none at all in my early years, being in fact categorically + opposed, and often with real hostility, But the unsuccess + of composers of my generation at least kept them from trading + on success, and our unsuccess may have been less insidious + than the automatic superlatives which nowadays kill the new + by absorbing it to death. + + ++++++++ + + The use of the new hardware naturally appears to the new + musician as "historicallv imberative "; but music is made + out of musical imperatives, and the awareness of historical + processes is probably best left to future and different + kinds of wage-earners. + + +++++++++ +

+

+ In times, like our own, of rapid social change and political crisis, there is always a danger of confusing the principles - governing political action and those governing artistic fabrication. + governing political action and those governing artistic fabrication. + The most important of such confusions are three. - Firstly, one may come to think of artistic fabrication as a + Firstly, one may come to think of artistic fabrication as a form of political action. Every citizen, poets included, has a duty to be politically 'engagé', that is, to play a responsible part isn seeing that the society of which he is a member shall @@ -1901,28 +2183,36 @@ for any purpose, even commercially.

one political function. Since language is his medium, it is his duty, by hiws own example, to defend his mother-tongue against corruption by demagogues, journalists, the mass-media etc. As - Karl Kraus said: "EDDie Sprache ist die Mutter, nicht das Magd, - des Gedankens.", and when language loses its meaning, social + Karl Kraus said: " + + + + + + ED + Die Sprache ist die Mutter, nicht das Magd, + des Gedankens.", and when language loses its meaning, social + its place is taken by violence. Of course, the poet may use political and social events as subject-matter for poems - they are as much a part of human experience as love or nature - buzt he must never imagine that his poems have the power to affect the course of history. The polictical and social history of Europe would be wzhat it has been if Dante, Shakespeare, Goethe, - Michael Angelo, Titian, Mozart, Beethoven, etc. had never edxisted. - Where political and social evils are concerned, only two + Michael Angelo, Titian, Mozart, Beethoven, etc. had never edxisted. + Where political and social evils are concerned, only two things are effective: political action and straightforward, truthful, detailed journalistic rapportage of the facts. The Arts are powerless. - The second confusion, of which Plato is the most famous exampole, + The second confusion, of which Plato is the most famous exampole, is to take artistic fabrication as the model fror a good society.

-

- 32 +

+ 32

-

+

Such a model, if put into practice, is bound to produce a tyranny. The aim of the artist is to produce an object which is complete and will endure without change. In the 'city' of a poem, there @@ -1936,7 +2226,7 @@ for any purpose, even commercially.

a large slave class kept out of sight in cellars and the strictest censureship (sic) of the Arts, forbidding anything to be said which is out of keeping with the official 'line'. - The third confusion, typical of our western 'free' sofcieties + The third confusion, typical of our western 'free' sofcieties at this time, is the opposite of Plato's, namely to take political action as the model for artistic fabrication. Political action is a necessity, that is to say, at (e)very moment something has @@ -1950,7 +2240,7 @@ for any purpose, even commercially.

a conformism with the tyranny of the immediate moment which is far more enslaving and destructive of integrity than any conformism with past tradition. - At this point, a little digression on the subject of 'free' + At this point, a little digression on the subject of 'free' verse, which seems now to be almost universal among young poets. Though excellent examples, the poems of D.H-. Lawrence, for example, exist, they are, in my opinion, the exception, not the rule. @@ -1962,42 +2252,51 @@ for any purpose, even commercially.

Further, in my experience, contrary to what one might expect, the free-verse poets sound much morde like each other than those who write in fixed forms. Whatever freedom may do, it does not, it - would seem, am make for originality. + would seem, am + make for originality.

-

- 31. a +

+ 31. a

-

- What, then, can the Arts do for us? In my opinion, they can +

+ What, then, can the Arts do for us? In my opinion, they can do two things. They can, as Dr. Johnson said, 'enable us a little - better to enjoy life or a little better to endure it."' And, + better to enjoy life or a little better to endure it. + "' + And, because they are objects lpermanently on hand in the world, they are the chief means by which the living are able to break bread with the dead, and, without a communication with the dead, I do not believe that a fully human civilised life is possible. - Perhaps, too, in our age, the mere making of a work of art + Perhaps, too, in our age, the mere making of a work of art is itself a political act. So long as artists exist, making what they please or think they ought to make, even if their works are not terribly good, they remind the Management of something managers need to be reminded of, namely, that the managed are - people with faces, not anonymous numbers, that Homo Laborans - is also Homo Ludens. - And now, I hope those of you who know no English will + people with faces, not anonymous numbers, that Homo Laborans + + is also Homo Ludens. + + And now, I hope those of you who know no English will forgive me if I conclude these remarks with a light poem of my - own, entitled Doggerel by a Senior Citizen." + own, entitled + Doggerel by a Senior Citizen."

-

- To what extent parts of this lecture had been said or written - before is immaterial, it is still surprising that heAuden chose to +

+ To what extent parts of this lecture had been said or written + before is immaterial, it is still surprising that he + Auden chose to repeat it in Neulengbach. If here and there, he

- - Adopted what I would disown - The preacher's loose immodest tone - -

+ + + Adopted what I would disown + + The preacher's loose immodest tone + +

in the main, such a closely argued statement must surely have floated past the ear of most of his listeners. This would not, I think, have been because of an innate lack of intelligence @@ -2008,7 +2307,8 @@ for any purpose, even commercially.

of another. This exceedingly demanding speech tells one something else about Auden: he never talked down to people. They would absorb as much as they were able to, as much as they were ready - for; and someone would have understood a great deal. Auden's + for; and someone would have understood a great deal. + Auden's attitude towards language as a means towards "artistic fabrication" is I think in the exact sense of the word sacramaental. Holding the insights that he died into the nature of the poet's struggle @@ -2018,10 +2318,10 @@ for any purpose, even commercially.

-

- 32.a +

+ 32.a

-

+

liturgies. The new banality offended his acute sense of the power contained in words and phrases which have brought mankind into mystical contact with the primary world: Darkness, Silence, @@ -2029,88 +2329,114 @@ for any purpose, even commercially.

particular cultural group. It is consistent that Auden was suspicious of Eng.Lit. textual analysis; that he felt the importance that - gross midsunderstanding apart - the reader should receive - something from a poem; it is consistent that he should have laughed + something from a poem; it is consistent that he should have laughed when he told me that some earnest person wanted to know just what he had meant by a word written thirty years ago. "Ridiculous! How should I know?" - It always seemed that as the years passed Auden became more - and more GEnglish; this natural process of reverting to type annoyed - Chester who would expostulate at signs of it. He liked to listen + It always seemed that as the years passed Auden became more + and more + G + English; this natural process of reverting to type annoyed + Chester who would expostulate at signs of it. He liked to listen to the cool, rounded tones of the British county gentry, he intensely admired "Akenfield", he loved the Lucia novels by E.F. Benson, he happily read and reviewed "The History of the British Nannie" and he was addicted to English detective novels - his collection is now at Fridau. I dropped in one early afternoon on my way to Vienna, - just to leave something for him, II forgeot what. Auden came pounding + just to leave something for him, + I + I forg + eot what. + Auden came pounding down the rickety outside staircase, greeted me with his usual warmth, urged me to come in, to stay ... No no, I said, we're both busy, I must get on. "Oh!" he exclaimed, and it was as though he were begging me not to infringe the most basic rule of British hospitality: "But you can't go without having a cup of tea!" - That study of his is so bare now: it is t"The Cave of Making" + That study of his is so bare now: it is t + "The Cave of Making" + which he wished he could have dshown to Louis MacNeice, and the house and garden.

- - ... Devoid of - flowers and family photographs, all is subordinate - here to a function, degsigned to - discourage daydreams - hence windows averted from plausible - videnda but admitting a light one - could mend a watch by - and to sharpen hearing: reached - by an - - - outside staircase, domestic - noises and odours, the vast background of natural - life are shut off. Here silence - is turned into objects. - -

- To write to Auden unnecessarily would have been to encroach on + + + ... Devoid of + + flowers and family photographs, all is subordinate + + here to a function, degsigned to + + discourage daydreams - hence windows averted from plausible + + videnda but admitting a light one + + could mend a watch by - and to sharpen hearing: reached + + by an + + + + outside staircase, domestic + + noises and odours, the vast background of natural + + life are shut off. Here silence + + is turned into objects. + +

+ To write to Auden unnecessarily would have been to encroach on his time. But Chester spent the whole of one winter in Vienna and - I could hardly resist describing a party in Chester's flat. + I could hardly resist describing a party in + Chester's flat.

-

- 33. +

+ 33.

-

+

Afterwards, I had given a lift home to a carload of people - including one whose pockets, had II but known it, were stuffed + including one whose pockets, had I + I but known it, were stuffed with Chester's money - lifted from a jacket huanging on the bedroom door. The party itself had been all but wrecked by a loudly argumentative individual who succeeded in clearing the sittingroom altogether as the gueests gradually slunk off to the kitchen, refugees from his abrasive but tedious presenfce. - Auden's reply was: - "So! You encountered the one-whose-name-we-never-mention. + Auden's reply was: + "So! You encountered the one-whose-name-we-never-mention. Why Chester should have been so foolish as to invite him to a party I cannot imagine. If he is to be seen at all he is to be seen alone." - My next sighting of this cloven-hooved adjunct to the + My next sighting of this cloven-hooved adjunct to the Viennese literary scene was at Auden's funeral, where I watched - him work his way up the procession to the church until he found + him work his way up the procession to the church until he found the place he sought: immediately behind the coffin among the chief mourners. Wondering at this, and remembering Wystan's - sinister euphemism, II subsequently asked Chester whether Auden + sinister euphemism, + I + I subsequently asked Chester whether Auden + had ever liked the man. "LIKED him?" shrieked Chester. "Why, he crossed himself whenever his name was mentioned." - In that same letter to Neew Work I mentioned that a friend + In that same letter to Neew Work I mentioned that a friend of his had quoted him as using the term - as a definition of humour - "Serious insistence on unseriousness." His response was as follows: "X has a genius for subtle misrepresentation. 'Serious insistence on unseriousness' telescopes two distinct - dconvictions of mine, falsifying both. + dconvictions of mine, falsifying both. One. I believe it to be a serious moral error when an artist overestimates the importance of art and, by implication, of himself. One must admit that the political history of Europe, with the same horrors, would be what it has been, if Dante, - Shakespeare, Goethe, Titian, Mozart, et al, had never existed." + Shakespeare, Goethe, Titian, Mozart, et al, had never existed." + Two. I believe that the only way in which, to-day at any rate, one can speak seriously about serious matters (the alternative - is silence) is comically.... I have enormously admired - and by + is silence) is comically.... I have enormously admired - and by + been influenced by - the tradition of Jewish humor. More than any other people, surely, they have seen in serious matters, that is to say, human suffering, the contradictions of human @@ -2120,30 +2446,33 @@ for any purpose, even commercially.

-

- 34. +

+ 34.

-

+

'Truth rests with God alone, and a little bit with me', or 'God will provide - ah, if only he would till He does so.'" After a brief domestic chronicle he adds that a friend of his who teaches schyzophrenics had a seventeen year old girl who was interested in poetry. Asked what poets she liked, she mentioned Auden. - ''I happen to know him quite well'said the friend. To wh8ich the + ''I happen to know him quite well'said the friend. To wh8ich the girl in astonishment: 'You mean to say, he's still alive?' (Auden was about 58 at the time). - That deeply scored face which struck awe into so many people + That deeply scored face which struck awe into so many people who saw him, that battlefield so mercilessly displayed above dozens upon dozens of newspaper articles: when I look at my own photographs of him I am appalled at the speed of the development. It was a head straight out of the icelandic sagas, or a prehistoric head - from the bogs of Jutland. Auden should have been carcved, much + from the bogs of Jutland. + Auden should have been carcved, much larger than life, by Henry Moore and placed in effigy on a high hill. - Abruptly, the way most statements emerged from Auden, he said - one day at lunch: "Kokoschka wants to paint me." It appears that - Oskar Kokoschka had written and asked him to come to Switzerland. + Abruptly, the way most statements emerged from Auden, he said + one day at lunch: "Kokoschka wants to paint me." + It appears that + Oskar Kokoschka had written and asked him to come to Switzerland. But Auden felt it was too much of an effort, and evidently the much - older man felt the same way, so that nothing came of it. It is a + older man felt the same way, so that nothing came of it. + It is a great pity, because for one thing they would have enjoyed each other's company, and the sight of these physically so oddly similar men sitting together must have fired some onlooker if only to the @@ -2153,12 +2482,15 @@ for any purpose, even commercially.

as he reached for his wine glass and narrowed his eyes to slits against the subnlight seeping in from the garden, "After all, I AM a Kokoschka painting." - But the causes: the question needs to be answered. Why was - Auden, in his sixties and indeed much earlier, a prematurely aged + But the causes: the question needs to be answered. + Why was + Auden, in his sixties and indeed much earlier, a prematurely aged man? "Ein alter Mann", one or two German obituarists were to write, but without surprise, or: "the aged poet" - when he was 68! - Surely not. There is one edxplanation which I place on record - only after much hesitation. Some time after Auden's death Chester + Surely not. There is one edxplanation which I place on record + only after much hesitation. Some time after + Auden's death + Chester Kallman gave me his edxplanation for the evidence that Wystan had become older than his years warranted: he put the phenomenon down to Benzedrine. "For how long?" Oh, said Chester, he began right @@ -2167,12 +2499,13 @@ for any purpose, even commercially.

-

- 35. +

+ 35.

-

+

in Austria. Most people now have forgotten about Benzedrene; - other things have taken its place. Chester reminded me that it + other things have taken its place. + Chester reminded me that it was the stimulant with the help of which airmen in wartime, examinees, doctors and so on, could keep themselves going in a state of complete wakefulness, to carry them through a period @@ -2183,103 +2516,120 @@ for any purpose, even commercially.

long period meant - I am quoting Kallman and subject to correction - using up ones body at an accelerated rate with the obvious consequence that it would become prematurely aged. - It would be difficult to think of any reason why Chester should - say rthis if it were not substantially true. As to why Auden + It would be difficult to think of any reason why Chester should + say rthis if it were not substantially true. As to why Auden + should have felt he needed such a powerful stimulant, over and above those which modern man indulges in as a matter of course - - coffee, tea, alcohol and cigaretetes - his friends of those days + coffee, tea, alcohol and cigaretetes - his friends of those days + years can answer. Perhaps an extract from Edmund Wilson's - "W.H. Auden in America" is helpful: it is one of a collection of + "W.H. Auden in America" is helpful: it is one of a collection of critical essays edited by Monroe Spears and published in 1964: the operative phrase lies buried in the quotation.

-

- "Since becoming an American citizen, the poet has not - ceased to explore, to roam - he has covered more ground in - this country than most Americans do, and he now spends every - summer in Italy. This spring he returns to England to be - lecturer on poetry at Oxford. It is a part of his role to go - everywhere, to be accessible to all sorts of people, serve - intrerestedly and conscientiously in innumerable varied - capacities: on the staff of a Middle Western college; at a - cultural congress in India; on a grand jury in New York City, - deciding the fate of gangsters; on a committee of the - American Academy, making handouts to needy writers. He has - above all withstood the ordeal of LYAmerica through a habitation - of seventeen years; he has even 'succeeded' here." And he - has made all these exploits contribute to the work of a great - English poet who is also - in the not mondain sense - one - of the great English men of the world." +

+ "Since becoming an American citizen, the poet has not + ceased to explore, to roam - he has covered more ground in + this country than most Americans do, and he now spends every + summer in Italy. This spring he returns to England to be + lecturer on poetry at Oxford. It is a part of his role to go + everywhere, to be accessible to all sorts of people, serve + intrerestedly and conscientiously in innumerable varied + capacities: + on the staff of a Middle Western college + ; at a + cultural congress in India + ; on a grand jury in New York City, + deciding the fate of gangsters; on a committee of the + + American Academy, making handouts to needy writers. He has + above all withstood the ordeal of + + L + Y + America through a habitation + of seventeen years; he has even 'succeeded' here." And he + has made all these exploits contribute to the work of a great + English poet who is also - in the not mondain sense - one + of the great English men of the world."

-

- 36. -

-

- + + + -

-

- During the uprising in Czechoslovakia in the early autumn +

+ 36. +

+

+ + + + +

+

+ During the uprising in Czechoslovakia + in the early autumn of 1968 Vienna was filled with people who had come across the border bent on emigration, or simply to snuff the air outside their own country and explore the possibilities. Many people had strangers in their houses and Auden wanted to do his bit. As he was just leaving Kirchstetten he left it to me to choose a suitable family, and having done so I wrote to him c/o Heyworth, - 32 Bryanston Square, London W.1. A reply is dated 15 October 1968: -

-

- "Got back from Oxford yesterday and found your letter waiting. - 1) I think I ought to take the couple in, but I must leave - it to you to decide whether they are O.K. If they are, all - rooms, including my study (which can't be heated) are open - to them. - 2) How much money will they need to keep going? And how - shall I make the arrangements for payment. - 3) Will they be able to find work or emigrate before I - return in April, when I'Mm afraid there will not be room - for them? - 4) I'm worried about how they will get gas cylinders for - cooking from Neulengbach, since, presumably, they have no car. - I expect someone in the village will help. - 5) If and when they come, I must know in advance so that - I can write a note to the Burgomeister..." -

-

- The couple found somewhere else to live in a less remote + 32 Bryanston Square, London W.1. A reply is dated 15 October 1968: +

+

+ "Got back from + + + Oxford yesterday and found your letter waiting. + 1) I think I ought to take the couple in, but I must leave + it to you to decide whether they are O.K. If they are, all + rooms, including my study (which can't be heated) are open + to them. + 2) How much money will they need to keep going? And how + shall I make the arrangements for payment. + 3) Will they be able to find work or emigrate before I + return in April, when I'Mm afraid there will not be room + for them? + 4) I'm worried about how they will get gas cylinders for + cooking from Neulengbach, since, presumably, they have no car. + I expect someone in the village will help. + 5) If and when they come, I must know in advance so that + I can write a note to the Burgomeister..." +

+

+ The couple found somewhere else to live in a less remote place, the emergency was soon over and Auden didn't not disguise his relief:

-

- "77 St. Mark's Place, N.Y.C. - Nov.6th. - Many thanks for your letter. Of course, selfishly, I'm - rather relieved. How horrid one is! - The U.S. is grim." -

-

- Auden was an extraordinarily generous person. An evening - at the Opern-Café comes to mind. Wystan and Chester had been to +

+ "77 St. Mark's Place, N.Y.C. + + Nov.6th. + Many thanks for your letter. Of course, selfishly, I'm + rather relieved. How horrid one is! + The U.S. is grim." +

+

+ + Auden was an extraordinarily generous person. An evening + at the Opern-Café comes to mind. + Wystan and Chester had been to a performance over the road and had asked me to join them avfterwards It was hoped that Balanchine would join us, but to my disappointment he never turned up. Conversation was lively, and the more so, the

-

- 37. +

+ 37.

-

+

greater the contrast with the enforfced silence of a young Austrian whose identity was never fully revealed, though - Chester muttered to me: "WYystan is helping with his studies + Chester muttered to me: "WYystan is helping with his studies at the College of Technology." When the party broke up it turned out that the young man lived in my direction, so I took him home, and in my car he opened his mouth and spoike, and what he said became engraved on my mind. "Who is Professor Auden?" he asked. "Tell me about him. Is he an important man?" - This is the cue for a story which, though with names + This is the cue for a story which, though with names omitted, should be placed on record. It must have been in about 1949 or 1950 that an American woman was travelling by train th in Austria. In the carriage were two Austrian boys @@ -2297,48 +2647,68 @@ for any purpose, even commercially.

the impression that Auden did meet the family in later years; nothing was ever further from my mind than to bring up the story with Auden. It was disinterested generosity of a rare order. - In the light of this kindness to Austrian citizens, it is all - the more sad, and ironical too, that his final years in Austria + In the light of this kindness to Austrian citizens, it is all + + the more sad, and ironical too, that his final years in Austria + should have brought him into conflict with the tax authorities. He had felt at peace in Kirchstetten:

- - Here, though, I feel as at home - as you did: the same - short-öolived creatures re-utter - the same care-free songs, - orchards cling to the regime - they know, from April's - rapid augment of colour - till boisterous Fall, - when at each stammering gust - apples thump the ground. - + + + Here, though, I feel as at home + + as you did: the same + + short-öolived creatures re-utter + + the same care-free songs, + + orchards cling to the regime + + they know, from April's + + rapid augment of colour + + till boisterous Fall, + + when at each stammering gust + + apples thump the ground. + -

- 38. +

+ 38.

-

+

A nd in his Prologue at Sixty:

- - Though the absence of hedge-rows is odd to me - (no Whitg landlord, the landscape vaunts, - ever uempired on Austrian ground), - this unenglish tract after ten years - into my love has looked itself... - -

- But then worry invaded it. While all the time believing + + + Though the absence of hedge-rows is odd to me + + (no Whitg landlord, the landscape vaunts, + + ever + u + empired on Austrian ground), + + this unenglish tract after ten years + + into my love has looked itself... + +

+ But then worry invaded it. While all the time believing himself not to be liable for income tax, debts to the fiscus were in fact running up to such an extent that a mortgage was placed - on the property in Kirchstetten. The final amount was A.S. + on the property in Kirchstetten + . The final amount was A.S. 930,000. What this meant to Auden was that instead of being able to take things a bit more easily, he had to pay out pretty well all that he had put on one side, and return to the lecture circuit in the States, a prospect which he viewed with dread. - "Do you know" he said to me, "they're accusing me of having + "Do you know" he said to me, "they're accusing me of having been inspired by the Austrian landscape! The Weinheber poem and all that." I said: "You wrote the poem in Berlin" and he shrugged. At that time I had no idea how serious the whole thing @@ -2349,49 +2719,62 @@ for any purpose, even commercially.

extraordinary affqair. One day, if the whole official correspondence is published, tihis document with the rest will be numbered among the curiosities of literary history.§ - Having disposed of the "accusations" that he had a "material + Having disposed of the "accusations" that he had a "material interest" in Austria, that he had been awarded athe state prize for literature and that a road in Kirchstetten had been named after him (he requested the local authorities, by the way, not to do so until after his death, but they disregarded his wish) he continued: - "You go on to say, correctly, that I have written a few + "You go on to say, correctly, that I have written a few poems on Austrian themes. To this I should like to make tzhree observations: 1. I have never received so much as a penny for my poetry in - Austria. A few of them were translated into German, but in this + Austria. A few of them were translated into German, but in this case the translators received the money, not I.

-

+

§ The statement is in German translation, what follows is my own - re-translation back into English and not the original. + + re-translation back into English and not the original.

-

- 39. +

+ 39.

-

+

2. I believe you are not aware how it is that poems are written. What is generally taken to be the subject is only a point of view, an occasion, in order to give expression to certain thoughts about nature, about God, history, mankind etc. - qhixh rhw powr m which the poet may have had in his head for + qhixh rhw powr m + which the poet may have had in his head for a very long time. I wrote a poem, for instance, for the 20th - anniversary of the death of Josef Weinheber. But basically, - the poem has to do with other things: firstly with the love + anniversary of the death of Josef Weinheber + . But basically, + the poem has to do with other things: firstly with the love which every good poet, of whatever nationality he may be, has for his mother tongue, and secondly with what has happened since the war in the countries that lost it, that is to say, not only Austria, but also Germany and Italy. - Then again: in 1964 I wrote a poem with the tietle - "'Whitsunday in Kirchstetten"' because I happened to be there + Then again: in 1964 I wrote a poem with the tietle + " + + 'Whitsunday in Kirchstetten" + ' + because I happened to be there at the time. But the place is unimportant. What this poem is - actually about is the question: "'What is the significance - for a Christian of the Feast of Penetecost??' And this applies + actually about is the question: + " + 'What is the significance + for a Christian of the Feast of Penetecost + ? + ?' And this applies to all countries alike. 3. I believe that you fail tuo understand the financial situation of a poet. A novelist can, if he is successful, earn a good - deal of money with his books. A peoet cannot do that, even if he + deal of money with his books. A p + e + oet cannot do that, even if he is very well known, because poems are only read by a minority. Far and awasy the greater part of my income derives, therefore, not from the sale of my volumes of verse, but from book reviews, @@ -2400,77 +2783,91 @@ for any purpose, even commercially.

say correctly, that I have a great interest in German and Austriqan literature - I might add, also in its music, but I have no need to come to Austria to read or to hear them." - Auden goes on to the length of time spent annually in - Austria, and concludes: - "One last word. If this in my view utterly unjustified + + Auden goes on to the length of time spent annually in + Austria, and concludes: + "One last word. If this in my view utterly unjustified nonsense does not cease, I shall leave Austria never to return, which both for me and perhaps too for the shopkeepers of - Kirchstetten would be very sad. But one thing I cannot conceal + Kirchstetten would be very sad. But one thing I cannot conceal from you, gentlemen: if this should come about, the consequence might be a scandal of world-wide dimensions."

-

- + + + -

+

+ + + + +

-

- 40. -

-

- The news reached me over the car radio on the motorway near - Linz, and I headed straight for Kirchstetten on the off-chance - that Chester might already have come home. Wystan had died in +

+ 40. +

+

+ The news reached me over the car radio on the motorway near + Linz, and I headed straight for Kirchstetten on the off-chance + that Chester might already have come home. + Wystan had died in the night of 28/29 September, and the fact blotted out all else. Why had I gone to Linz and missed his last reading at the - Society for Literature? I had talked it over with him a few + Society for Literature? I had talked it over with him a few days earlier, saying tähat I was exasperated at finding myself - committed to a meeting in Linz which I yearned to cut; + committed to a meeting in Linz which I yearned to cut; + particularly as I should like him to make use of my flat and perhaps spend the night there. I was glum, and he cheered me up, saying that I'd heard it all before, and I must come over afterwards and he'd tell me how it had gone off. - There was all too much time on the motorway to react, and I - fought against what seemed to be unreasonable waves of emotion. + There was all too much time on the motorway to react, and I + fought against what seemed to be unr + + easonable waves of emotion. Don't exaggerate, I told myself, don't flatter yourself that you have the right to mourn. Think of Chester. I am thinking of Chester; I hardly dare think of him. How will he live? Will he live? The car radion was still muttering quietly. As - a distrcaction, I turned it up and the familar voice of Friedrich + a distr + c + action, I turned it up and the familar voice of Friedrich Heer reviewing a book was something consoling to hold on to. - The green shutters on the door at Kirchstetten were closed, + The green shutters on the door at Kirchstetten were closed, and there was no one there. I wrote a note and stuck it in the centre gap, watched by the Strobls' eternally suspicious mongrel, and drove to Fridau. An answer to the note came by telephone: - Chester would like me to come over in the afternoon - by now it + Chester would like me to come over in the afternoon - by now it was Sunday. - The room was full of people. On the seat behind the fcoffee + The room was full of people. On the seat behind the fcoffee table sat the pathetic figure whom one instinctively acknowledged - as the widow. Mrs. Clark and her daughter had come up from - Florence, the mayor of Kirchstetten was there, the headmistress + as the widow. + Mrs. Clark and her daughter had come up from + Florence, the mayor of Kirchstetten was there, the headmistress of the high school, Frau Seitz, a writer friend of Chester's calleed Adolf Opel, and an assortment of unidentified young people. The expressions on the faces of the chief protagonists in what was clearly a heated discussion were not quite what one would expect at a gathering of mourners and local worthies who had come to - offer their condolences. The mayor was looking stubborn, the - Frau Seitz looked worried, the Clarks puzzled. Chester was hardly + offer their condolences. The mayor was looking stubborn, the + + Frau Seitz looked worried, the Clarks puzzled. + Chester was hardly coherent,; the rest conversed in whispers.

-

- 41 +

+ 41

-

- Chester tried to explain, and gradually his wishes became +

+ + Chester tried to explain, and gradually his wishes became clear. He hated everything in the shape of pompes funèbres. He wanted Wystoan buried quietly and at once, if possible on Tuesday, telegrams had been sent to John Auden, to Stephen Spender and others telling them to come on Tuesday morning or earlier. The mayor, Chester said, wanted a big funeral at the following weekend, with the town band out, a hearse coming to - the door, representatives of the Ministry of Education, the Land + the door, representatives of the Ministry of Education, the + Land + + and all the rest of it. He, Chester, couldn't bear it and wouldn't have it. Knowing Austrian burial customs it was evident tthat we were faced with a cultural clash of no mean proportions. @@ -2482,47 +2879,52 @@ for any purpose, even commercially.

sudden death in a hotel, where the circumstances are not wholly clear, there has had to be an inquest, and even with intervention, these things take time." And then: "Imagine not even informing - the ministry, the department of culture of the Land government - - it would be more than my job is worth." Frau Seitz now gave it as + the ministry, the department of culture of the Land government - + it would be more than my job is worth." + Frau Seitz now gave it as her view that Kirchstetten would hardly bury a dog in the wqay intended by Herr HKallman, let alone a major poet, a man moreover whom they had all known and loved. - The discussion continued, the young people drifted like + The discussion continued, the young people drifted like autumn leaves hither and thither, whispering and bearing bottles. - Frau Strobl made frequent dramatic entrances for reasons which + Frau Strobl made frequent dramatic entrances for reasons which were never quite clear. It was not, it occurred to us, only a question of when and how much, but: what kind of a funeral service - should it be? Auden was a practising member of the Church of + should it be? + Auden was a practising member of the Church of England§- or of the Episcopalian Church in the States - but he - had regularly attended Mass in the Catholic Church of Kirchstetten + had regularly attended Mass in the Catholic Church of Kirchstetten + and had wished to be buried there. Should not the Anglican - chaplain in Vienna be asked to participate? No one seemed to + chaplain in Vienna be asked to participate? + No one seemed to have any ideas, but it was finally agreed that an ecumenical service would be appropriate, the texts to be spoken being left to - John Auden to decide in conjunction with the clergy. + John Auden to decide in conjunction with the clergy.

-

+

§ Few people would question this, but in view of two or three statements in the press that he became R.C., th4e rfact perhaps needs emphasising.

-

- 42. +

+ 42.

-

- The room was stifling. It seemed that Chester needed to +

+ The room was stifling. It seemed that Chester needed to have fewer people around him and that the party needed to be broken up. The chance came when Chester agreed to have the - funeral postponed. If my memory of events is correct, agreement + funeral postponed. If my memory of events is correct, agreement was first reached only over the vital point that Tuesday was impossible and that people in In England should be notified at once, leaving the final date over for the moment. This decision conveniently created a natural pause, and now the Clarks undertook to send the telegrams and were driven to the Ppost Ooffice by Frau Strobl. We all stood up, Chester came over and asked me to - carry on discussions for the funeral arrangements with the mayror + carry on discussions for the funeral arrangements with the mayror + and Frau Seitz. It was all, he said, more than he could bear, I must just try to hold the others in check but he would agree to anything I said. He was all right really, he said he was @@ -2530,7 +2932,7 @@ for any purpose, even commercially.

We hugged each other warmly and, together with the mayor, I left in Frau Seitz's car and we drove to her house at the other end of the village. - This was not the sort of talk in which one can whip through + This was not the sort of talk in which one can whip through the avgenda, and we took our time. If only Chester had realised it, compared with the style in which an Austrian ivillage carries its senior citizens to the grave, what he was being asked to @@ -2544,24 +2946,27 @@ for any purpose, even commercially.

that Wystan would have been amused, and might, if he were watching, even enjoy it, and I agreed. Thursday was chosen to keep down the number of idle onlookers, a great concession for which I was - grateful. Chester had told me that he had a phobia about hearses + grateful. + Chester had told me that he had a phobia about hearses being brought to the door. What he wanted was for the coffin to be carried to the bottom of the hill, if not further, and only then placed in the hearse. But the thought of the weighty coffin being carried down a narrow lane, pitted with ruts and potholes and strewn with loose stones, made my hair stand on end. The - mayor and Frau Seitz felt the same wasy, and here too, Chester + mayor and Frau Seitz felt the same wasy, and here too, Chester + later agreed to our compromise. Subsequently, I was to blame myself very mzuch for not raising the qu4estion of who was to play -

+

-

- 43. +

+ 43.

-

+

pay for the band. As Chester was being compelled to comply with - local customs, and the district council in the person of its mayor + local customs, and the district council in the person of its mayor + wished to honour a citizen who had brought it great fame, it never occurred to me that it was not free of charge. Nor did it occur to Chester, whose anger at being sent in a bill precipitated a chain @@ -2569,25 +2974,30 @@ for any purpose, even commercially.

Literature to preserve the house as a place of memorial for W.H. Auden. At the time, however, we thought we had troubles enough, and the misunderstanding was born. - Meanwhile the mayor was worrying about something else altogetheer: + Meanwhile the mayor was worrying about something else altogetheer: the safety of Auden's manuscripts and papers in the attic room. Altogether, he took a distrustful view of the fate of the house and everything in it once Chester went back to Athens. He was afraid that in his state of despair and nervous exhaustion Chester might agree to almost anything that was suggested to him with sufficient - force or calculation. But to pursue this subject further is too would be to - reach out too far beyond the death of Auden. - When I got back to the house it was to find Chester in a calmer + force or calculation. But to pursue this subject further is too + would be to + reach out too far beyond the death of Auden + . + When I got back to the house it was to find Chester in a calmer frame of mind and body and able to talk in that gentle and affectionate way, with occasional burst of sardonic humour, which his friends will remember, overlooking all else. - In attempting a memoir of Auden in his latter years it would be + In attempting a memoir of Auden in his latter years it would be unreasonable to leave Chester Kallman to play a purely walking on - part, the more so as in articles by visitors to Kirchstetten - Chester was invariably the fall-fguy. It would be very difficult for + part, the more so as in articles by visitors to Kirchstetten + + Chester was invariably the fall-fguy. It would be very difficult for + fullsy to understand the relationship between Auden and Kallman, and it never seemed to me that it was any business of mine to try to do so. - But I saw something of Chester without Wystan´: during the winter + But I saw something of Chester without Wystan + ´: during the winter that he spent alone in Vienna in a flat in the Esslarhngasse not far from my own, and when he was in hospital in St.Pölten for treatment. He was a person full of contrasts where vulgarity and second-rate @@ -2596,50 +3006,64 @@ for any purpose, even commercially.

literature and music. It seems clear from their writings alone, that when both men went their own wasys in sexual matters, Auden's heart was not involved, whereas Kallman's hrelationship with Jean - Boras was both passionate and emotionally degrading. Both men + Boras was both passionate and emotionally degrading. + Both men + needed each other and perhaps it would have been better if Chester -

+

-

- 44. +

+ 44.

-

+

had never left New York for Athens. Apart, both lapsed into squalor; together, they kept the pot boiling and the stove crackling. The daily routine was maintained, drink disciplined - and loneliness banished. When Boras died, Auden wondered how - Kallman would get through the Austrian summer. When Auden died, - Kallman pined away. - The gathering in the livingroom on the eve of the funeral + and loneliness banished. When + Boras died, Auden wondered how + Kallman would get through the Austrian summer. When + Auden died, + Kallman pined away. + The gathering in the livingroom on the eve of the funeral + prompted that banal, well-known reflection about how much the deceased would have enjoyed it. There was the comforting presence of John Auden, Stephen Spender was there, David Luke, the Clarks, - Sonia Orwell. There were no more conflicts of interest, no more + Sonia Orwell. There were no more conflicts of interest, no more cultural confrontations, merely a group of people bent on mutual consolation. - Then Auden came home to Kirchstetten, that un-English tract. + Then Auden came home to Kirchstetten, that un-English tract. He had celebrated Kirchstetten village, the church where he sang so flat and now lies buried, and the house he lived. He had - celebrated Josef Weinheber, Franz Jägerstätter, Emma Eiermann + celebrated Josef Weinheber, Franz Jägerstätter, Emma Eiermann + and the cats. He had celebrated the whole quiet, unexciting landscape and its war-torn past and even the autuobahn which lies - between the church and his home, bisectintgg the invisible line + between the church and his home, bisectin + tg + g the invisible line joining one to the other. Though as we known from his statement for the taxation people, he would not want us to take him too literally. "What is taken to be the subject of a poem is only a point of view, an occasion, in order to give expression to certain thoughts about nature, about God..." In other words:

- - To speak is human because human to listen, - beyond hope, for an Eighth Day, - when the creature'as Image shall become the Likeness: - TGiver-of-Life, translate for me - till I accomplish my corpse at last. - + + + To speak is human because human to listen, + + beyond hope, for an Eighth Day, + + when the creature'as Image shall become the Likeness: + + + TGiver-of-Life, translate for me + + till I accomplish my corpse at last. +
- \ No newline at end of file + diff --git a/data/amp-transcript__0063.xml b/data/amp-transcript__0063.xml index 8a249c5..cd9df8c 100644 --- a/data/amp-transcript__0063.xml +++ b/data/amp-transcript__0063.xml @@ -1,211 +1,234 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 - Auden, W. H. - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - - Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 - - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 + Auden, W. H. + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + + Autograph Letter Signed Stella Musulin to Christine Busta 1962-05-23 + + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

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-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF78-C - - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Austrian National Library - Literary Archive - Christine Busta - LIT 202/B34 - - - - 1962-05-23 - - - - - - - - - - - German - English - - - - Busta, Christine - - - Musulin, Stella - Busta, Christine - Envelope W. H. Auden to Stella Musulin 1962-04-30 - Autograph Letter Signed W. H. Auden to Stella Musulin 1962-07-23 - - - - - template populated with script "create_templates.py" - text transcribed - transcription collated - container structure updated - entities updated, internal events created, @ana added - - - - - - - - - - - - -
-
- -
- - - - STELLA MUSULIN. +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

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+

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+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF78-C + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + Austrian National Library + Literary Archive + Christine Busta + LIT 202/B34 + + + + 1962-05-23 + + + + + + + + + + + German + English + + + + Busta, Christine + + + Musulin, Stella + Busta, Christine + Envelope W. H. Auden to Stella Musulin 1962-04-30 + Autograph Letter Signed W. H. Auden to Stella Musulin 1962-07-23 + + + + + template populated with script "create_templates.py" + text transcribed + transcription collated + container structure updated + entities updated, internal events created, @ana added + + + + + + + + + + + + +
+
+ +
+ + + + STELLA MUSULIN. - - -
- WIEN III., + + +
+ WIEN III., NEULINGGASSE 26 -
- - -
- FRIDAU +
+ + +
+ FRIDAU OBERGRAFENDORF bei ST. PÖLTEN, N. Ö. -
- - - 23. Mai . - - Sehr geehrte Frau Busta, - -

+

+ + + 23. Mai . + + Sehr geehrte Frau Busta, + +

Ich wollte Sie heute Abend nicht aufhalten. Sie hätten sich wahrscheinlich nicht an mich erinnert _ vor drei, vier Jahren - habe ich Sie im Caféhaus "Drei viertel" + habe ich Sie im Caféhaus "Drei viertel" + "interviewed"; und doch möchte ich mich für die Freude, die sich Sie mir heute gemacht haben, bedanken.

-

+

Dieser Brief hat aber einen weiteren Grund. - Professor Auden begrüsste Sie _ und verschwand. + Professor Auden begrüsste Sie _ und verschwand. Er ist ein erstaunlich bescheidener Mensch und verabscheut es, sich _ auch im kleinsten Dorf - irgendwie bemerkbar zu machen. Ich wollte Ihnen daher sagen, daß er gleich - darauf und auch beim Abendessen sehr + darauf und auch beim Abendessen sehr + anerkennende Worte über Ihre Dichtung gesprochen hat. Wenn Sie erlauben: auch Ihr Wesen, und die Art, wie Sie vorlesen, - sind ihm sehr sympathisch . + + + sind ihm sehr sympathisch .

-

+

Sein Freund und Mitarbeiter Chester - Kallman, war auch dar. Er ist ebenfalls + Kallman, war auch da + r + . Er ist ebenfalls Dichter, vor allem Librettist (Stravinsky, - Henze, Brecht u.s.w.) Er versteht zu wenig + Henze, Brecht u.s.w.) Er versteht zu wenig Deutsch, es hat mich aber interessiert,

- -

+ +

daß er imstande war, von der Technik Ihrer Dichtung eine Menge herauszuhören die der Laie, wenn er nur für den Inhalt Ohren hat, oft überhört .

-

+

Übrigens: warum wohl niemand dienach den - "Hinterhöfen" applaudiert hat? Eins Ihrer - Schönsten Gedichten, hat es etwas + "Hinterhöfen" applaudiert hat? Eins Ihrer + Schönsten Gedichten, hat es etwas (ärgern Sie sich nicht) Hofmannsthalsches an sich.

-

+

Sehr geehrte Frau Busta, ich werde diesen Brief sofort beenden, es ist ohnehin schon - halb eins! Halten Sie diesen Brief - bitte nicht für irgend eine Art von + halb eins! Halten Sie diesen Brief + bitte nicht für irgend eine Art von Wichtigtuerei, ich wollte nur Audens Lob weiterreichen.

- - + + Mit herzlichen Grüssen und - besten Wüsnschen + besten Wü + snschen Ihre - Stella Musulin . - -
-
- + + Stella Musulin . + +
+
+ beantw , 3.6.62 -
-
+
- - +
+ + diff --git a/data/amp-transcript__0064.xml b/data/amp-transcript__0064.xml index cc926b7..0cfbf84 100644 --- a/data/amp-transcript__0064.xml +++ b/data/amp-transcript__0064.xml @@ -1,105 +1,119 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Chester Kallman at W. H. Auden's Funeral 1973-10-04 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Chester Kallman at W. H. Auden's Funeral 1973-10-04 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

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-

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-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

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-

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- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF79-B - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1973-10-04 - - - - - - - - - - - second from right - - - photographer - - - - - - Kirchstetten - 4 October 1973 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -
- - +

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+

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+

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+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF79-B + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1973-10-04 + + + + + + + + + + + + second from right + + + photographer + + + + + + Kirchstetten + 4 October 1973 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +
+ + - diff --git a/data/amp-transcript__0065.xml b/data/amp-transcript__0065.xml index 83c67d7..4ff0a2a 100644 --- a/data/amp-transcript__0065.xml +++ b/data/amp-transcript__0065.xml @@ -1,111 +1,125 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Friedrich Heer, Chester Kallman, and W. H. Auden 1969-05-28 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Friedrich Heer, Chester Kallman, and W. H. Auden 1969-05-28 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

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-

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- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF7A-A - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1969-05-28 - - - - - - - - - - - left side - - - middle - - - right side - - - photographer - - - - - - Hinterholz 6 - 28 May 1969 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -
- - +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

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+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF7A-A + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1969-05-28 + + + + + + + + + + + + left side + + + middle + + + right side + + + photographer + + + + + + Hinterholz 6 + 28 May 1969 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +
+ + - diff --git a/data/amp-transcript__0066.xml b/data/amp-transcript__0066.xml index 12dd380..5e5e891 100644 --- a/data/amp-transcript__0066.xml +++ b/data/amp-transcript__0066.xml @@ -1,115 +1,128 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Friedrich Heer, Chester Kallman, and W. H. Auden 1969-05-28 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Friedrich Heer, Chester Kallman, and W. H. Auden 1969-05-28 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

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-

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Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

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You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF7B-9 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1969-05-28 - - - - - - - - - - - left side - - - middle - - - right side - - - photographer - - - - - - Hinterholz 6 - 28 May 1969 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -

- Fritz Heer , Chester, W.H.A. -

-
- - +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

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+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF7B-9 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1969-05-28 + + + + + + + + + + + + left side + + + middle + + + right side + + + photographer + + + + + + Hinterholz 6 + 28 May 1969 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +

+ Fritz Heer , Chester, W.H.A. +

+
+ + - - diff --git a/data/amp-transcript__0067.xml b/data/amp-transcript__0067.xml index 345cc25..a37e884 100644 --- a/data/amp-transcript__0067.xml +++ b/data/amp-transcript__0067.xml @@ -1,114 +1,125 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Friedrich Heer, Chester Kallman, and W. H. Auden 1969-05-28 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Friedrich Heer, Chester Kallman, and W. H. Auden 1969-05-28 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

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-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF7C-8 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1969-05-28 - - - - - - - - - - - left side - - - middle - - - right side - - - photographer - - - - - - Hinterholz 6 - 28 May 1969 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -
- - +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF7C-8 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1969-05-28 + + + + + + + + + + + + left side + + + middle + + + right side + + + photographer + + + + + + Hinterholz 6 + 28 May 1969 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +
+ + - - - - diff --git a/data/amp-transcript__0068.xml b/data/amp-transcript__0068.xml index 1967eb0..360064f 100644 --- a/data/amp-transcript__0068.xml +++ b/data/amp-transcript__0068.xml @@ -1,105 +1,120 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of W. H. Auden 1969-05-28 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of W. H. Auden 1969-05-28 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF7D-7 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1969-05-28 - - - - - - - - - - - - photographer - - - - - - Hinterholz 6 - 28 May 1969 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -

- W.H.A, 1969 . +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF7D-7 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1969-05-28 + + + + + + + + + + + + + photographer + + + + + + Hinterholz 6 + 28 May 1969 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +

+ W.H.A, 1969 .

-
- - +
+ + diff --git a/data/amp-transcript__0069.xml b/data/amp-transcript__0069.xml index da5f33e..a854d76 100644 --- a/data/amp-transcript__0069.xml +++ b/data/amp-transcript__0069.xml @@ -1,111 +1,125 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Friedrich Heer 1969-05-28 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Friedrich Heer 1969-05-28 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF7E-6 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1969-05-28 - - - - - - - - - English - - - - +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF7E-6 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1969-05-28 + + + + + + + + + + English + + + + - - photographer - - - - - - Hinterholz 6 - 28 May 1969 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -

- Friedrich Heer at - Kirchstetten. + + photographer + + + + + + Hinterholz 6 + 28 May 1969 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +

+ +

+ Friedrich Heer at + Kirchstetten.

-
- - +
+ + - diff --git a/data/amp-transcript__0070.xml b/data/amp-transcript__0070.xml index 7ece907..c2c8488 100644 --- a/data/amp-transcript__0070.xml +++ b/data/amp-transcript__0070.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Letter Signed W. H. Auden to Stella Musulin 1959-10-10 - Auden, W. H. + Auden, W. H. - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -44,9 +49,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -64,7 +74,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30C-9 + https://hdl.handle.net/21.11115/0000-000E-C30C-9 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -77,11 +88,13 @@ for any purpose, even commercially.

St. Pölten State Collections of Lower Austria Stella Musulin (Depot) - 3, 1 + 3, 1 + - 1959-10-10 + 1959-10-10 Hinterholz 6 @@ -99,7 +112,9 @@ for any purpose, even commercially.

Postamt Kirchstetten (post office Kirchstetten) Kirchstetten - 1959-10-10T11:00:01+01:00/1959-10-10T12:00:00+01:00 + 1959-10-10T11:00:01+01:00/1959-10-10T12:00:00+01:00 + Musulin, Stella @@ -108,7 +123,9 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Autograph Letter Signed W. H. Auden to Stella Musulin 1960-07-21 + Autograph Letter Signed W. H. Auden to Stella Musulin 1960-07-21 @@ -122,7 +139,7 @@ for any purpose, even commercially.

 - + @@ -138,9 +155,10 @@ for any purpose, even commercially.

- + - W.H.Auden + W.H.Auden +
Kirchsttetten (West Bahn) Hinterholz # 6 @@ -148,14 +166,17 @@ for any purpose, even commercially.

 - Die Baronin Stella Musulin + Die Baronin Stella Musulin +
- bei Windisch-frcty fracty - WIEN VI - Fillgradegasse I2 + + bei Windisch-frcty fracty + + WIEN VI + Fillgradegasse I2
- +
@@ -169,7 +190,8 @@ for any purpose, even commercially.

N.O. - Samstag + + Samstag Dear Baroness Musulin: @@ -177,20 +199,25 @@ for any purpose, even commercially.

Many thanks for your letter of Oct %5th which I have only just - received:it went to the wrong Kirchstetten. + received:it went to the wrong Kirchstetten.

- We shall be delighted to see you any day that is convenient for + + We shall be delighted to see you any day that is convenient for you,if you could drop us a postcard. Only next Monday is impossible.

- Yours sincerely + + Yours sincerely W.H. Auden - W.H.Auden + + + W.H.Auden +
@@ -198,4 +225,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0071.xml b/data/amp-transcript__0071.xml index df5a365..5b4c3d1 100644 --- a/data/amp-transcript__0071.xml +++ b/data/amp-transcript__0071.xml @@ -1,14 +1,19 @@ - + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) Typed Letter Signed Stella Musulin to W. H. Auden 1962-04-16--1973-04-16 - Musulin, Stella + Musulin, Stella - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra FWF Austrian Science Fund @@ -37,9 +42,14 @@ Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel @@ -57,7 +67,8 @@ for any purpose, even commercially.

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- https://hdl.handle.net/21.11115/0000-000E-C30C-9 + https://hdl.handle.net/21.11115/0000-000E-C30C-9 +

Machine-Readable Transcriptions of the Auden Musulin Papers

 @@ -74,7 +85,9 @@ for any purpose, even commercially.

- 1962-04-16--1973-04-16 + 1962-04-16--1973-04-16 @@ -96,8 +109,12 @@ for any purpose, even commercially.

Auden, W. H. Musulin, Stella - Typed Letter Signed W. H. Auden to Stella Musulin 1961-10-13 - Envelope W. H. Auden to Stella Musulin 1962-04-30 + Typed Letter Signed W. H. Auden to Stella Musulin 1961-10-13 + Envelope W. H. Auden to Stella Musulin 1962-04-30 @@ -111,7 +128,7 @@ for any purpose, even commercially.

 - + @@ -121,7 +138,7 @@ for any purpose, even commercially.

- +
@@ -130,15 +147,18 @@ for any purpose, even commercially.

A-3200 Fridau Obergrafendorf - bei St. Pölten, NÖ. + bei St. Pölten, NÖ. + Telefon 0 27 47 / 311
Neulinggasse 26/14 - A-1030 Wien - Telefon 73 94 015 + A-1030 Wien + + Telefon 73 94 015 +
@@ -152,7 +172,7 @@ for any purpose, even commercially.

Dear Wystan, -

+

Are you there? May I come across for a cuppa? I shall be at Fridau over Easter but am otherwise mostly in Vienna. @@ -168,7 +188,7 @@ for any purpose, even commercially.

Stella - +
@@ -179,4 +199,4 @@ for any purpose, even commercially.

- \ No newline at end of file + diff --git a/data/amp-transcript__0072.xml b/data/amp-transcript__0072.xml index dcd1cb3..532ce9a 100644 --- a/data/amp-transcript__0072.xml +++ b/data/amp-transcript__0072.xml @@ -1,113 +1,129 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Friedrich Colloredo, Chester Kallman, and W. H. Auden 1959-06-01--1973-09-28 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Friedrich Colloredo, Chester Kallman, and W. H. Auden 1959-06-01--1973-09-28 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF81-0 - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1959-06-01--1973-09-28 - - - - - - - - - - - left side - - - middle - - - right side - - - photographer - - - - - - 1959-06-01--1973-09-28 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -

- Colloredo, Chester, W.H.A . +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF81-0 + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1959-06-01--1973-09-28 + + + + + + + + + + + + left side + + + middle + + + right side + + + photographer + + + + + + 1959-06-01--1973-09-28 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +

+ Colloredo, Chester + , + W.H.A .

-
- - +
+ + - diff --git a/data/amp-transcript__0073.xml b/data/amp-transcript__0073.xml index b93a9e9..ff6d370 100644 --- a/data/amp-transcript__0073.xml +++ b/data/amp-transcript__0073.xml @@ -1,133 +1,150 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Chester Kallman, John Auden, Charles Monteith, Edward Mendelson, Charles Osborne, Sonia Orwell, Stephen Spender, and Lisa Clark at W. H. Auden's Funeral 1973-10-04 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Chester Kallman, John Auden, Charles Monteith, Edward Mendelson, Charles Osborne, Sonia Orwell, Stephen Spender, and Lisa Clark at W. H. Auden's Funeral 1973-10-04 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF82-F - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1973-10-04 - - - - - - - - - English - - - - - second from left - - - fifth from left - - - seventh from right - - - fourth from right - - - second from right - - - third from right - - - fifth from right - - - first from right - - - photographer - - - - - - Kirchstetten - 4 October 1973 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -

- Chester John A . Charles Monteith - Funeral Auden . Stephen Spender -

-
- - +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF82-F + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1973-10-04 + + + + + + + + + + English + + + + + second from left + + + fifth from left + + + seventh from right + + + fourth from right + + + second from right + + + third from right + + + fifth from right + + + first from right + + + photographer + + + + + + Kirchstetten + 4 October 1973 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +

+ Chester + John A . + Charles Monteith + + Funeral Auden . Stephen Spender +

+
+ + - diff --git a/data/amp-transcript__0074.xml b/data/amp-transcript__0074.xml index 680c868..f65927b 100644 --- a/data/amp-transcript__0074.xml +++ b/data/amp-transcript__0074.xml @@ -1,143 +1,158 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Edward Mendelson, Sonia Orwell, Charles Osborne, David Luke, Lisa Clark, Thekla Clark, Marny Yates, Michael Yates, Hella Bronold, Wolfgang Kraus, and Friedrich Heer at W. H. Auden's Funeral 1973-10-04 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Edward Mendelson, Sonia Orwell, Charles Osborne, David Luke, Lisa Clark, Thekla Clark, Marny Yates, Michael Yates, Hella Bronold, Wolfgang Kraus, and Friedrich Heer at W. H. Auden's Funeral 1973-10-04 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF83-E - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1973-10-04 - - - - - - - - - English - - - - - second from left - - - third from left - - - fourth from left - - - fifth from left - - - sixth from left - - - seventh from left - - - eighth from left - - - ninth from left - - - twelfth from left - - - thirteenth from left - - - fourteenth from left - - - photographer - - - - - - Kirchstetten - 4 October 1973 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -

- Tekla Clark Frau Bronold, Fritz Heer +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF83-E + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1973-10-04 + + + + + + + + + + English + + + + + second from left + + + third from left + + + fourth from left + + + fifth from left + + + sixth from left + + + seventh from left + + + eighth from left + + + ninth from left + + + twelfth from left + + + thirteenth from left + + + fourteenth from left + + + photographer + + + + + + Kirchstetten + 4 October 1973 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +

+ Tekla Clark + Frau Bronold, Fritz Heer + +dau . W. Kraus -

-
- - +

+
+ + - - diff --git a/data/amp-transcript__0075.xml b/data/amp-transcript__0075.xml index 6850352..91dc6fc 100644 --- a/data/amp-transcript__0075.xml +++ b/data/amp-transcript__0075.xml @@ -1,110 +1,122 @@ - - - - - Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) - Photograph [Stella Musulin] of Anton Schickelgruber and Bruce Duncan at W. H. Auden's Funeral 1973-10-04 - - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - FWF Austrian Science Fund -
- Sensengasse 1 - 1090 Vienna - - A - Vienna - -
- - - - AMP - - Transcription and commentary - Mayer, Sandra - Frühwirth, Timo - Grigoriou, Dimitra - - - - Austrian Centre for Digital Humanities and Cultural Heritage - Vienna - 2021 - - -

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material + + + + + + Auden Musulin Papers: A Digital Edition of W. H. Auden´s Letters to Stella Musulin (FWF P 33754) + Photograph [Stella Musulin] of Anton Schickelgruber and Bruce Duncan at W. H. Auden's Funeral 1973-10-04 + + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + FWF Austrian Science Fund +

+ Sensengasse 1 + 1090 Vienna + + A + Vienna + +
+ + + + AMP + + Transcription and commentary + Mayer, Sandra + Frühwirth, Timo + Grigoriou, Dimitra + + + TEI Schema, ODD/RNG + Andorfer, Peter + Elsner, Daniel + + + + Austrian Centre for Digital Humanities and Cultural Heritage + Vienna + 2021 + + +

You are free to: Share — copy and redistribute the material in any medium or format; adapt — remix, transform, and build upon the material for any purpose, even commercially.

-

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

-

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

-

Notices:

-

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

- -

Copyright literary texts W. H. Auden Estate of W. H. Auden.

- - https://hdl.handle.net/21.11115/0000-000F-FF84-D - -

Machine-Readable Transcriptions of the Auden Musulin Papers

- - - - - - - A - Vienna - Musulin private collection - - - 1973-10-04 - - - - - - - - - - - fifth from left - - - sixth from left - - - photographer - - - - - - Kirchstetten - 4 October 1973 - - - - - template populated with script "create_templates.py" - file created, metadata inserted - - - - - - - - - -
- -
- - +

The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms:

+

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

+

Notices:

+

You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation. No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.

+ +

Copyright literary texts W. H. Auden Estate of W. H. Auden.

+ + https://hdl.handle.net/21.11115/0000-000F-FF84-D + + +

Machine-Readable Transcriptions of the Auden Musulin Papers

+ + + + + + + A + Vienna + + Musulin private collection + + + + 1973-10-04 + + + + + + + + + + + + fifth from left + + + sixth from left + + + photographer + + + + + + Kirchstetten + 4 October 1973 + + + + + template populated with script "create_templates.py" + file created, metadata inserted + + + + + + + + + +
+ +
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E.g. a project web page or a personal page of a person.", "Subproperties_NonLinked": "", "Domain_NonLinked": "", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#anyURI", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/org-apa"}, "11": {"id": 11, "order": "11.00000000000000000000", "Name": "https://www.tcd.ie/committeepapers/board/membersh", "Literal": "https://www.tcd.ie/committeepapers/board/membersh", "Language": "na", "Predicate_uri": [{"id": 119, "value": "hasUrl", "data": {"Name": "hasUrl", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has url", "Notes": "Used to add URLs for a resource. E.g. a project web page or a personal page of a person.", "Subproperties_NonLinked": "", "Domain_NonLinked": "", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#anyURI", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/org-trinitycollegeboard"}, "12": {"id": 12, "order": "12.00000000000000000000", "Name": "Austrian Centre for Digital Humanities an Cultural Hertage", "Literal": "Austrian Centre for Digital Humanities an Cultural Hertage", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/acdh"}, "13": {"id": 13, "order": "13.00000000000000000000", "Name": "Austrian National Library", "Literal": "Austrian National Library", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://d-nb.info/gnd/2020893-5"}, "14": {"id": 14, "order": "14.00000000000000000000", "Name": "Austrian Press Agency", "Literal": "Austrian Press Agency", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/org-apa"}, "15": {"id": 15, "order": "15.00000000000000000000", "Name": "Austrian Science Fund", "Literal": "Austrian Science Fund", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], 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"https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://d-nb.info/gnd/1001454-8"}, "18": {"id": 18, "order": "18.00000000000000000000", "Name": "Landessammlungen Nieder\u00f6sterreich", "Literal": "Landessammlungen Nieder\u00f6sterreich", "Language": "de", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", 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E.g. a project web page or a personal page of a person.", "Subproperties_NonLinked": "", "Domain_NonLinked": "", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#anyURI", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/org-apa"}, "11": {"id": 11, "order": "11.00000000000000000000", "Name": "The board of Trinity College, the University of Dublin", "Literal": "https://www.tcd.ie/committeepapers/board/membersh", "Language": "na", "Predicate_uri": [{"id": 119, "value": "hasUrl", "data": {"Name": "hasUrl", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has url", "Notes": "Used to add URLs for a resource. E.g. a project web page or a personal page of a person.", "Subproperties_NonLinked": "", "Domain_NonLinked": "", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#anyURI", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/org-trinitycollegeboard"}, "12": {"id": 12, "order": "12.00000000000000000000", "Name": "Austrian Centre for Digital Humanities an Cultural Hertage", "Literal": "Austrian Centre for Digital Humanities an Cultural Hertage", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/acdh"}, "13": {"id": 13, "order": "13.00000000000000000000", "Name": "Austrian National Library", "Literal": "Austrian National Library", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://d-nb.info/gnd/2020893-5"}, "14": {"id": 14, "order": "14.00000000000000000000", "Name": "Austrian Press Agency", "Literal": "Austrian Press Agency", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://id.acdh.oeaw.ac.at/org-apa"}, "15": {"id": 15, "order": "15.00000000000000000000", "Name": "Austrian Science Fund", "Literal": "Austrian Science Fund", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://d-nb.info/gnd/2054142-9"}, "16": {"id": 16, "order": "16.00000000000000000000", "Name": "Carl Van Vechten Estate", "Literal": "Carl Van Vechten Estate", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://www.wikidata.org/wiki/Q258464"}, "17": {"id": 17, "order": "17.00000000000000000000", "Name": "Austrian Academy of Sciences", "Literal": "Austrian Academy of Sciences", "Language": "en", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://d-nb.info/gnd/1001454-8"}, "18": {"id": 18, "order": "18.00000000000000000000", "Name": "Landessammlungen Nieder\u00f6sterreich", "Literal": "Landessammlungen Nieder\u00f6sterreich", "Language": "de", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an entity.\nIf left empty for a Person it is automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Subject_uri": "https://d-nb.info/gnd/1108283586"}, "19": {"id": 19, "order": "19.00000000000000000000", "Name": "The Estate of W. 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"Name": "Neulinggasse 26", + "Predicate_uri": [ + { + "id": 114, + "value": "hasTitle" + } + ], + "Literal": "Neulinggasse 26", + "Language": "de", + "Subject_uri": "https://sws.geonames.org/12504033/" + }, + "4": { + "id": 4, + "order": "4.00000000000000000000", + "Name": "Vienna", + "Predicate_uri": [ + { + "id": 114, + "value": "hasTitle" + } + ], + "Literal": "Vienna", + "Language": "en", + "Subject_uri": "https://sws.geonames.org/2761369/" + } +} \ No newline at end of file diff --git a/json_dumps/Places_denormalized.json b/json_dumps/Places_denormalized.json index 9e26dfe..e1b41c4 100644 --- a/json_dumps/Places_denormalized.json +++ b/json_dumps/Places_denormalized.json @@ -1 +1 @@ -{} \ No newline at end of file +{"1": {"id": 1, "order": "1.00000000000000000000", "Name": "Kirchstetten", "Predicate_uri": [{"id": 114, "value": "hasTitle", "data": {"Name": "hasTitle", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has title", "Notes": "Title or name of an 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automatically computed by combining first and last names.", "Subproperties_NonLinked": "", "Domain_NonLinked": "http://www.w3.org/2002/07/owl#Thing", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Literal": "Vienna", "Language": "en", "Subject_uri": "https://sws.geonames.org/2761369/"}} \ No newline at end of file diff --git a/json_dumps/Project.json b/json_dumps/Project.json index a850f03..d042b78 100644 --- a/json_dumps/Project.json +++ b/json_dumps/Project.json @@ -1714,7 +1714,12 @@ "value": "eng" } ], - "Inherit": [] + "Inherit": [ + { + "id": 46, + "value": "Resource" + } + ] }, "92": { "id": 92, @@ -1787,7 +1792,7 @@ "94": { "id": 94, "order": "84.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -1804,7 +1809,7 @@ "Object_uri_places": [], "Object_uri_organizations": [], "Object_uri_resource": [], - "Literal": "Facsimiles (Highest Resolution)", + "Literal": "Facsimiles", "Language": "en", "Date": null, "Number": null, @@ -1814,7 +1819,7 @@ "95": { "id": 95, "order": "85.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -1831,7 +1836,7 @@ "Object_uri_places": [], "Object_uri_organizations": [], "Object_uri_resource": [], - "Literal": "Highest-resolution digital facsimiles of the Auden Musulin Papers: digital images of the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\".", + "Literal": "Digital facsimiles of the Auden Musulin Papers: digital images of the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\".", "Language": "en", "Date": null, "Number": null, @@ -1868,7 +1873,7 @@ "97": { "id": 97, "order": "87.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -1885,7 +1890,7 @@ "Object_uri_places": [], "Object_uri_organizations": [], "Object_uri_resource": [], - "Literal": "digital edition, Auden, Musulin, letters, facsimile, photograph, high-resolution", + "Literal": "digital edition, Auden, Musulin, letters, facsimile", "Language": "en", "Date": null, "Number": null, @@ -1895,7 +1900,7 @@ "98": { "id": 98, "order": "88.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -1922,7 +1927,7 @@ "99": { "id": 99, "order": "89.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -1954,7 +1959,7 @@ "100": { "id": 100, "order": "90.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -1971,7 +1976,7 @@ "Object_uri_places": [], "Object_uri_organizations": [], "Object_uri_resource": [], - "Literal": "Facsimiles (Lower-Resolution Web Images)", + "Literal": "Photos", "Language": "en", "Date": null, "Number": null, @@ -1981,7 +1986,7 @@ "101": { "id": 101, "order": "91.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -1998,7 +2003,7 @@ "Object_uri_places": [], "Object_uri_organizations": [], "Object_uri_resource": [], - "Literal": "Lower-resolution digital facsimiles of the Auden Musulin Papers intended for web display: digital images of the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\".", + "Literal": "Digital Scans of Photos and Images: Private photographs of W. H. Auden and Chester Kallman.", "Language": "en", "Date": null, "Number": null, @@ -2008,7 +2013,7 @@ "102": { "id": 102, "order": "92.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -2025,7 +2030,7 @@ "Object_uri_places": [], "Object_uri_organizations": [], "Object_uri_resource": [], - "Literal": "digital edition, Auden, Musulin, letters, facsimile, photograph, low-resolution", + "Literal": "digital edition, Auden, Musulin, letters, photograph", "Language": "en", "Date": null, "Number": null, @@ -2035,7 +2040,7 @@ "103": { "id": 103, "order": "93.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -2062,7 +2067,7 @@ "104": { "id": 104, "order": "94.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -2094,7 +2099,7 @@ "106": { "id": 106, "order": "95.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -2143,7 +2148,7 @@ "107": { "id": 107, "order": "96.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -2192,7 +2197,7 @@ "108": { "id": 108, "order": "97.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -2246,7 +2251,7 @@ "109": { "id": 109, "order": "98.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -2300,7 +2305,7 @@ "110": { "id": 110, "order": "99.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -2321,10 +2326,6 @@ ], "Object_uri_places": [], "Object_uri_organizations": [ - { - "id": 14, - "value": "Austrian Press Agency" - }, { "id": 16, "value": "Carl Van Vechten Estate" @@ -2350,7 +2351,7 @@ "111": { "id": 111, "order": "100.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -2400,7 +2401,7 @@ "112": { "id": 112, "order": "101.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -2441,10 +2442,6 @@ ], "Object_uri_places": [], "Object_uri_organizations": [ - { - "id": 14, - "value": "Austrian Press Agency" - }, { "id": 17, "value": "Austrian Academy of Sciences" @@ -2478,7 +2475,7 @@ "113": { "id": 113, "order": "102.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -3205,7 +3202,7 @@ "136": { "id": 136, "order": "125.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -3242,7 +3239,7 @@ "137": { "id": 137, "order": "126.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -3327,7 +3324,7 @@ "139": { "id": 139, "order": "128.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -3380,7 +3377,7 @@ "140": { "id": 140, "order": "129.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -3433,7 +3430,7 @@ "141": { "id": 141, "order": "130.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -3482,7 +3479,7 @@ "142": { "id": 142, "order": "131.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -3580,7 +3577,7 @@ "144": { "id": 144, "order": "133.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -3649,7 +3646,7 @@ "148": { "id": 148, "order": "137.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -3758,7 +3755,7 @@ "151": { "id": 151, "order": "140.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -3840,7 +3837,7 @@ "153": { "id": 153, "order": "142.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -3991,7 +3988,7 @@ "157": { "id": 157, "order": "146.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -4028,7 +4025,7 @@ "158": { "id": 158, "order": "147.00000000000000000000", - "Subject_uri": "auden-musulin-papers/facs", + "Subject_uri": "auden-musulin-papers/facsimiles", "Class": [ { "id": 12, @@ -4065,7 +4062,7 @@ "159": { "id": 159, "order": "148.00000000000000000000", - "Subject_uri": "auden-musulin-papers/web-img", + "Subject_uri": "auden-musulin-papers/photos", "Class": [ { "id": 12, @@ -4102,7 +4099,7 @@ "160": { "id": 160, "order": "149.00000000000000000000", - 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Is displayed as the main entry point on the GUI. A Top Collection can be optionally related to a Project (acdh:hasRelatedProject), in which it was created or curated.", "Subclasses_NonLinked": "", "filename": "Classes.json"}}], "Predicate_uri": [{"id": 112, "value": "hasTemporalCoverage", "data": {"Name": "hasTemporalCoverage", "Namespace": "https://vocabs.acdh.oeaw.ac.at/schema#", "Label": "has temporal coverage", "Notes": "Temporal coverage of the content of a Resource or Collection with period terms, e.g. 'Roman' for some archaeological data or 'First Viennese School' for a collection of musical notes from 1770-1830. Precise years and dates can be indicated with hasCoverageStartDate and hasCoverageEndDate.", "Subproperties_NonLinked": "", "Domain_NonLinked": "", "Range_NonLinked": "http://www.w3.org/2001/XMLSchema#string", "filename": "Properties.json"}}], "Object_uri_persons": [], "Object_uri_places": [], "Object_uri_organizations": [], "Object_uri_resource": [], "Literal": "1959-1996", "Language": "und", "Date": null, "Number": null, "Object_uri_vocabs": [], "Inherit": []}} \ No newline at end of file diff --git a/rdf/arche.ttl b/rdf/arche.ttl index d7900a0..f13652e 100644 --- a/rdf/arche.ttl +++ b/rdf/arche.ttl @@ -1,16 +1,8 @@ @prefix arche: . @prefix xsd: . - arche:hasTitle "Musulin, Janko"@und . - arche:hasTitle "Mayer, Elizabeth"@und . - arche:hasTitle "Auden, W. H."@und . - - arche:hasTitle "Spiel, Hilde"@und . - - arche:hasTitle "Musulin, Stella"@und . - a arche:Resource ; arche:hasAccessRestriction ; arche:hasCategory ; @@ -32,2333 +24,3417 @@ arche:isPartOf ; arche:isTitleImageOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C306-F" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1963-05-12"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0001"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C307-E" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1964-12-23"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0002"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C309-C" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Typed Letter Signed W. H. Auden to Stella Musulin 1966-02-03"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0003"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C30A-B" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1967-11-08"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0004"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C30B-A" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1968-02-06"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0005"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C30C-9" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-06"@en ; - arche:isPartOf . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0006"@en ; + arche:isPartOf ; + arche:isSourceOf . + + a arche:Resource ; + arche:hasAccessRestrictions ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C30D-8" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-12"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0007"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C30E-7" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1968-10-15"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0008"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C30F-6" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1968-11-06"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0009"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C310-3" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-13"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0010"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C311-2" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1968-12-29"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0011"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C312-1" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1969-01-04"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0012"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C313-0" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1969-05-21"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0013"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C314-F" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1970-06-10"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0014"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C315-E" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1970-09-18"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0015"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C316-D" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1971-06-04"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0016"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C317-C" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden \"Stark Bewölkt\" 1971-10-19"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0017"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C318-B" ; - arche:hasRelatedDiscipline , - , - , - , + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; + arche:hasRelatedDiscipline , + , + , + , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1972-02-22"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0018"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C319-A" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1973-09-24"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0019"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C31A-9" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Typed Letter Signed W. H. Auden to Stella Musulin 1961-10-13"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0020"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C31B-8" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1961-08-16"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0021"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C31C-7" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1962-07-23"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0022"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C31D-6" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1962-09-11"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0023"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasLicense ; - arche:hasLicensor ; - arche:hasMetadataCreator , - , + arche:hasDigitisingAgent , + , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C31E-5" ; + arche:hasLanguage , + ; + arche:hasLicense ; + arche:hasLicensor , + , + , + , + ; + arche:hasMetadataCreator , + , + , + ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1962-10-17"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0024"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C31F-4" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Notes W. H. Auden Stella Musulin 1959-06-01--1973-09-28"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0025"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C320-1" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Notes Stella Musulin in Copy Typescript W. H. 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H. Auden to Stella Musulin 1959-10-10"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0069"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C30C-9" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Typed Letter Signed Stella Musulin to W. H. Auden 1962-04-16--1973-04-16"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0070"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; - arche:hasCreator , - , - , - , - ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDigitisingAgent , + , + , + ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor ; + arche:hasLicensor , + , + , + , + ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-FF81-0" ; + arche:hasOaiSet ; + arche:hasOwner , + , + ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder ; - arche:hasTitle "Photograph [Stella Musulin] of Friedrich Colloredo, Chester Kallman, and W. H. Auden 1959-06-01--1973-09-28"@en ; - arche:isPartOf . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCreator , - , - , - , - ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasLicense ; - arche:hasLicensor ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-FF82-F" ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder ; - arche:hasTitle "Photograph [Stella Musulin] of Chester Kallman, John Auden, Charles Monteith, Edward Mendelson, Charles Osborne, Sonia Orwell, Stephen Spender, and Lisa Clark at W. H. Auden's Funeral 1973-10-04"@en ; - arche:isPartOf . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCreator , - , - , - , - ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasLicense ; - arche:hasLicensor ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-FF83-E" ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder ; - arche:hasTitle "Photograph [Stella Musulin] of Edward Mendelson, Sonia Orwell, Charles Osborne, David Luke, Lisa Clark, Thekla Clark, Marny Yates, Michael Yates, Hella Bronold, Wolfgang Kraus, and Friedrich Heer at W. H. Auden's Funeral 1973-10-04"@en ; - arche:isPartOf . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCreator , - , - , - , - ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasLicense ; - arche:hasLicensor ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-FF84-D" ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder ; - arche:hasTitle "Photograph [Stella Musulin] of Anton Schickelgruber and Bruce Duncan at W. H. Auden's Funeral 1973-10-04"@en ; - arche:isPartOf . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCreator , - , - , - , - ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasLicense ; - arche:hasLicensor ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet , - ; - arche:hasOwner ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C308-D" ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder ; - arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1965-09-29"@en ; - arche:isPartOf . + arche:hasRightsHolder , + , + , + , + , + , + , + , + , + ; + arche:hasTitle "Facsimile: amp_0071"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2368,6 +3444,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2381,9 +3459,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2396,16 +3473,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0001"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0072"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2415,6 +3492,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2428,9 +3507,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2443,16 +3521,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0001"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0073"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2462,6 +3540,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2475,9 +3555,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2490,16 +3569,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0002"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0074"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2509,6 +3588,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2522,9 +3603,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2537,16 +3617,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0002"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0075"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2556,6 +3636,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2569,9 +3651,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2584,16 +3665,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0003"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0076"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2603,6 +3684,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2616,9 +3699,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2631,16 +3713,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0003"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0077"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2650,6 +3732,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2663,9 +3747,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2678,16 +3761,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0004"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0078"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2697,6 +3780,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2710,9 +3795,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2725,16 +3809,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0004"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0001.xml" . + arche:hasTitle "Facsimile: amp_0079"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2744,6 +3828,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2757,9 +3843,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2772,16 +3857,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0005"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0080"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2791,6 +3876,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2804,9 +3891,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2819,16 +3905,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0005"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0081"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2838,6 +3924,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2851,9 +3939,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2866,16 +3953,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0006"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0082"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2885,6 +3972,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2898,9 +3987,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2913,16 +4001,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0006"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0083"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2932,6 +4020,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2945,9 +4035,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -2960,16 +4049,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0007"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0084"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -2979,6 +4068,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -2992,9 +4083,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3007,16 +4097,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0007"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0085"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3026,6 +4116,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3039,9 +4131,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3054,16 +4145,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0008"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0086"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3073,6 +4164,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3086,9 +4179,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3101,16 +4193,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0008"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0002.xml" . + arche:hasTitle "Facsimile: amp_0087"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3120,6 +4212,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3133,9 +4227,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3148,16 +4241,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0009"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0088"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3167,6 +4260,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3180,9 +4275,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3195,16 +4289,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0009"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0089"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3214,7 +4308,9 @@ , , ; - arche:hasLicense ; + arche:hasLanguage , + ; + arche:hasLicense ; arche:hasLicensor , , , @@ -3227,9 +4323,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3242,16 +4337,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0010"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0090"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3261,6 +4356,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3274,9 +4371,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3289,16 +4385,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0010"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0091"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3308,6 +4404,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3321,9 +4419,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3336,16 +4433,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0011"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0092"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3355,6 +4452,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3368,9 +4467,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3383,16 +4481,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0011"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0093"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3402,6 +4500,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3415,9 +4515,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3430,16 +4529,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0012"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0094"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3449,6 +4548,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3462,9 +4563,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3477,16 +4577,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0012"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0095"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3496,6 +4596,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3509,9 +4611,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3524,16 +4625,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0013"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0096"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3543,6 +4644,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3556,9 +4659,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3571,16 +4673,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0013"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0097"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3590,6 +4692,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3603,9 +4707,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3618,16 +4721,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0014"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0098"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3637,6 +4740,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3650,9 +4755,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3665,16 +4769,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0014"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0099"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3684,6 +4788,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3697,9 +4803,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3712,16 +4817,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0015"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0100"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3731,6 +4836,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3744,9 +4851,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3759,16 +4865,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0015"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0101"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3778,6 +4884,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3791,9 +4899,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3806,16 +4913,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0016"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0102"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3825,6 +4932,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3838,9 +4947,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3853,16 +4961,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0016"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0103"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3872,6 +4980,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3885,9 +4995,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3900,16 +5009,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0017"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0104"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3919,6 +5028,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3932,9 +5043,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3947,16 +5057,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0017"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0105"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -3966,6 +5076,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -3979,9 +5091,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -3994,16 +5105,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0018"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0106"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4013,6 +5124,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4026,9 +5139,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4041,16 +5153,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0018"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transkript__0015.xml" . + arche:hasTitle "Facsimile: amp_0107"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4060,6 +5172,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4073,9 +5187,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4088,16 +5201,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0019"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0108"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4107,6 +5220,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4120,9 +5235,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4135,16 +5249,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0019"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0109"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4154,6 +5268,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4167,9 +5283,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4182,16 +5297,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0020"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0110"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4201,6 +5316,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4214,9 +5331,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4229,16 +5345,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0020"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0111"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4248,6 +5364,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4261,9 +5379,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4276,16 +5393,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0021"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0112"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4295,6 +5412,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4308,9 +5427,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4323,16 +5441,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0021"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0113"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4342,6 +5460,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4355,9 +5475,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4370,16 +5489,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0022"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0114"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4389,6 +5508,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4402,9 +5523,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4417,16 +5537,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0022"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0004.xml" . + arche:hasTitle "Facsimile: amp_0115"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4436,6 +5556,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4449,9 +5571,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4464,16 +5585,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0023"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0116"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4483,6 +5604,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4496,9 +5619,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4511,16 +5633,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0023"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0117"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4530,6 +5652,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4543,9 +5667,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4558,16 +5681,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0024"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0118"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4577,6 +5700,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4590,9 +5715,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4605,16 +5729,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0024"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0119"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4624,6 +5748,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4637,9 +5763,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4652,16 +5777,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0025"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0120"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4671,6 +5796,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4684,9 +5811,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4699,16 +5825,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0025"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0121"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4718,6 +5844,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4731,9 +5859,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4746,16 +5873,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0026"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0122"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4765,6 +5892,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4778,9 +5907,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4793,16 +5921,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0026"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0005.xml" . + arche:hasTitle "Facsimile: amp_0123"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4812,6 +5940,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4825,9 +5955,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4840,16 +5969,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0027"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0124"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4859,6 +5988,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4872,9 +6003,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4887,16 +6017,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0027"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0125"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4906,6 +6036,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4919,9 +6051,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4934,16 +6065,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0028"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0126"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -4953,6 +6084,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -4966,9 +6099,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -4981,16 +6113,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0028"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0127"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5000,6 +6132,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5013,9 +6147,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5028,16 +6161,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0029"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0128"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5047,7 +6180,9 @@ , , ; - arche:hasLicense ; + arche:hasLanguage , + ; + arche:hasLicense ; arche:hasLicensor , , , @@ -5060,9 +6195,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5075,16 +6209,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0029"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0129"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5094,6 +6228,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5107,9 +6243,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5122,16 +6257,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0030"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0130"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5141,6 +6276,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5154,9 +6291,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5169,16 +6305,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0030"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0006.xml" . + arche:hasTitle "Facsimile: amp_0131"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5188,6 +6324,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5201,9 +6339,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5216,16 +6353,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0031"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0059.xml" . + arche:hasTitle "Facsimile: amp_0132"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5235,6 +6372,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5248,9 +6387,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5263,16 +6401,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0031"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0059.xml" . + arche:hasTitle "Facsimile: amp_0133"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5282,6 +6420,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5295,9 +6435,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5310,16 +6449,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0032"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0059.xml" . + arche:hasTitle "Facsimile: amp_0134"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5329,6 +6468,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5342,9 +6483,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5357,16 +6497,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0032"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0059.xml" . + arche:hasTitle "Facsimile: amp_0135"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5376,6 +6516,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5389,9 +6531,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5404,16 +6545,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0033"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0136"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5423,6 +6564,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5436,9 +6579,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5451,16 +6593,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0033"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0137"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5470,6 +6612,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5483,9 +6627,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5498,16 +6641,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0034"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0138"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5517,6 +6660,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5530,9 +6675,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5545,16 +6689,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0034"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0139"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5564,6 +6708,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5577,9 +6723,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5592,16 +6737,17 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0035"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0140"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5611,6 +6757,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5624,9 +6772,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5639,16 +6786,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0035"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0141"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5658,6 +6806,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5671,9 +6821,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5686,16 +6835,17 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0036"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0142"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5705,6 +6855,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5718,9 +6870,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5733,16 +6884,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0036"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0143"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5752,6 +6904,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5765,9 +6919,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5780,16 +6933,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0037"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0144"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5799,6 +6952,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5812,9 +6967,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5827,16 +6981,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0037"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0145"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5846,6 +7000,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5859,9 +7015,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5874,16 +7029,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0038"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0146"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5893,6 +7048,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5906,9 +7063,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5921,16 +7077,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0038"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0007.xml" . + arche:hasTitle "Facsimile: amp_0147"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5940,6 +7096,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -5953,9 +7111,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -5968,16 +7125,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0039"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0148"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -5987,6 +7144,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6000,9 +7159,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6015,16 +7173,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0039"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0149"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6034,6 +7192,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6047,9 +7207,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6062,16 +7221,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0040"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0150"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6081,6 +7240,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6094,9 +7255,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6109,16 +7269,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0040"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0151"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6128,6 +7288,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6141,9 +7303,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6156,16 +7317,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0041"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0152"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6175,6 +7336,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6188,9 +7351,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6203,16 +7365,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0041"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0153"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6222,6 +7384,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6235,9 +7399,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6250,16 +7413,17 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0042"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0154"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6269,6 +7433,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6282,9 +7448,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6297,16 +7462,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0042"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0008.xml" . + arche:hasTitle "Facsimile: amp_0155"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6316,6 +7482,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6329,9 +7497,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6344,16 +7511,17 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0043"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0156"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6363,6 +7531,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6376,9 +7546,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6391,16 +7560,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0043"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0157"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6410,6 +7580,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6423,9 +7595,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6438,16 +7609,17 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0044"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0158"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6457,6 +7629,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6470,9 +7644,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6485,16 +7658,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0044"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0159"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6504,6 +7678,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6517,9 +7693,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6532,16 +7707,17 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0045"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0160"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6551,6 +7727,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6564,9 +7742,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6579,16 +7756,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0045"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0161"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6598,6 +7776,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6611,9 +7791,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6626,16 +7805,17 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0046"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0162"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6645,6 +7825,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6658,9 +7840,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6673,16 +7854,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0046"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0009.xml" . + arche:hasTitle "Facsimile: amp_0163"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6692,6 +7874,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6705,9 +7889,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6720,16 +7903,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0047"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0164"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6739,6 +7922,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6752,9 +7937,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6767,16 +7951,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0047"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0165"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6786,6 +7970,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6799,9 +7985,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6814,16 +7999,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0048"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0166"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6833,6 +8018,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6846,9 +8033,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6861,16 +8047,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0048"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0167"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6880,6 +8066,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6893,9 +8081,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6908,16 +8095,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0049"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0168"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6927,6 +8114,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6940,9 +8129,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -6955,16 +8143,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0049"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0169"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -6974,6 +8162,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -6987,9 +8177,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7002,16 +8191,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0050"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0170"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7021,6 +8210,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7034,9 +8225,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7049,16 +8239,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0050"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0010.xml" . + arche:hasTitle "Facsimile: amp_0171"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7068,6 +8258,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7081,9 +8273,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7096,16 +8287,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0051"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0172"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7115,6 +8306,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7128,9 +8321,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7143,16 +8335,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0051"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0173"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7162,6 +8354,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7175,9 +8369,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7190,16 +8383,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0052"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0174"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7209,6 +8402,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7222,9 +8417,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7237,16 +8431,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0052"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0175"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7256,6 +8450,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7269,9 +8465,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7284,16 +8479,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0053"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0176"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7303,6 +8498,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7316,9 +8513,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7331,16 +8527,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0053"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0177"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7350,6 +8546,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7363,9 +8561,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7378,15 +8575,14 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0054"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0178"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -7397,6 +8593,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7410,9 +8608,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7425,15 +8622,14 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0054"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0011.xml" . + arche:hasTitle "Facsimile: amp_0179"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -7444,6 +8640,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7457,9 +8655,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7472,16 +8669,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0055"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0180"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7491,6 +8688,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7504,9 +8703,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7519,16 +8717,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0055"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0181"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7538,6 +8736,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7551,9 +8751,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7566,16 +8765,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0056"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0182"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7585,6 +8784,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7598,9 +8799,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7613,16 +8813,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0056"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0183"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7632,6 +8832,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7645,9 +8847,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7660,16 +8861,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0057"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0184"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7679,6 +8880,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7692,9 +8895,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7707,16 +8909,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0057"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0185"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7726,6 +8928,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7739,9 +8943,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7754,16 +8957,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0058"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0186"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7773,6 +8976,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7786,9 +8991,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7801,16 +9005,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0058"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0012.xml" . + arche:hasTitle "Facsimile: amp_0187"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7820,6 +9024,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7833,9 +9039,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7848,16 +9053,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0059"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0188"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7867,6 +9072,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7880,9 +9087,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7895,16 +9101,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0059"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0189"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7914,6 +9120,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7927,9 +9135,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7942,16 +9149,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0060"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0190"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -7961,6 +9168,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -7974,9 +9183,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -7989,16 +9197,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0060"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0191"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8008,6 +9216,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8021,9 +9231,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8036,16 +9245,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0061"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0192"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8055,6 +9264,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8068,9 +9279,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8083,16 +9293,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0061"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0193"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8102,6 +9312,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8115,9 +9327,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8130,16 +9341,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0062"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0194"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8149,6 +9360,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8162,9 +9375,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8177,16 +9389,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0062"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0013.xml" . + arche:hasTitle "Facsimile: amp_0195"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8196,6 +9408,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8209,9 +9423,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8224,16 +9437,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0063"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0196"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8243,6 +9456,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8256,9 +9471,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8271,16 +9485,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0063"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0197"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8290,6 +9504,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8303,9 +9519,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8318,16 +9533,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0064"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0198"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8337,6 +9552,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8350,9 +9567,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8365,16 +9581,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0064"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0199"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8384,6 +9600,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8397,9 +9615,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8412,16 +9629,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0065"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0200"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8431,6 +9648,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8444,9 +9663,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8459,16 +9677,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0065"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0201"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8478,6 +9696,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8491,9 +9711,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8506,16 +9725,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0066"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0202"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8525,6 +9744,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8538,9 +9759,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8553,16 +9773,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0066"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0014.xml" . + arche:hasTitle "Facsimile: amp_0203"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8572,6 +9792,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8585,9 +9807,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8600,16 +9821,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0067"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0204"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8619,6 +9840,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8632,9 +9855,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8647,16 +9869,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0067"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0205"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8666,6 +9888,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8679,9 +9903,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8694,16 +9917,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0068"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0206"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8713,6 +9936,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8726,9 +9951,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8741,16 +9965,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0068"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0207"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8760,6 +9984,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8773,9 +9999,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8788,16 +10013,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0069"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0208"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8807,6 +10032,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8820,9 +10047,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8835,16 +10061,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0069"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0209"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8854,6 +10080,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8867,9 +10095,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8882,16 +10109,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0070"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0210"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8901,6 +10128,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8914,9 +10143,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8929,16 +10157,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0070"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0040.xml" . + arche:hasTitle "Facsimile: amp_0211"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8948,6 +10176,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -8961,9 +10191,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -8976,16 +10205,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0071"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0212"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -8995,6 +10224,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9008,9 +10239,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9023,16 +10253,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0071"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0213"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9042,6 +10272,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9055,9 +10287,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9070,16 +10301,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0072"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0214"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9089,6 +10320,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9102,9 +10335,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9117,16 +10349,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0072"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0215"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9136,6 +10368,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9149,9 +10383,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9164,16 +10397,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0073"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0216"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9183,6 +10416,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9196,9 +10431,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9211,16 +10445,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0073"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0217"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9230,6 +10464,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9243,9 +10479,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9258,16 +10493,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0074"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0218"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9277,6 +10512,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9290,9 +10527,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9305,16 +10541,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0074"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0015.xml" . + arche:hasTitle "Facsimile: amp_0219"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9324,6 +10560,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9337,9 +10575,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9352,16 +10589,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0075"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0220"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9371,6 +10608,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9384,9 +10623,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9399,16 +10637,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0075"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0221"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9418,6 +10656,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9431,9 +10671,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9446,16 +10685,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0076"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0222"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9465,6 +10704,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9478,9 +10719,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9493,16 +10733,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0076"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0223"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9512,6 +10752,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9525,9 +10767,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9540,16 +10781,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0077"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0224"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9559,6 +10800,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9572,9 +10815,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9587,16 +10829,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0077"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0225"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9606,6 +10848,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9619,9 +10863,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9634,16 +10877,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0078"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0226"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9653,6 +10896,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9666,9 +10911,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9681,16 +10925,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0078"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0041.xml" . + arche:hasTitle "Facsimile: amp_0227"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9700,6 +10944,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9713,9 +10959,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9728,16 +10973,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0079"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Facsimile: amp_0228"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9747,6 +10992,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9760,9 +11007,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9775,16 +11021,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0079"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Facsimile: amp_0229"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9794,6 +11040,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9807,9 +11055,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9822,16 +11069,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0080"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Facsimile: amp_0230"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9841,6 +11088,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9854,9 +11103,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9869,16 +11117,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0080"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Facsimile: amp_0231"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9888,6 +11136,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9901,9 +11151,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9916,16 +11165,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0081"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Facsimile: amp_0232"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9935,6 +11184,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9948,9 +11199,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -9963,16 +11213,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0081"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Facsimile: amp_0233"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -9982,6 +11232,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -9995,9 +11247,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10010,15 +11261,14 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0082"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Facsimile: amp_0234"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -10044,7 +11294,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10061,11 +11311,11 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0082"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0016.xml" . + arche:hasTitle "Photo: amp_0235"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -10091,7 +11341,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10108,14 +11358,15 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0083"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Photo: amp_0236"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; + arche:hasCreator ; arche:hasCurator , ; arche:hasDepositor ; @@ -10138,7 +11389,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10155,14 +11406,15 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0083"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Photo: amp_0237"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; + arche:hasCreator ; arche:hasCurator , ; arche:hasDepositor ; @@ -10185,7 +11437,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10202,11 +11454,11 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0084"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Photo: amp_0238"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -10232,7 +11484,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10249,11 +11501,11 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0084"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Photo: amp_0239"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -10279,7 +11531,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10296,12 +11548,13 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0085"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Photo: amp_0240"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10311,6 +11564,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10324,9 +11579,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10339,16 +11593,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0085"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Facsimile: amp_0241"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10358,6 +11612,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10371,9 +11627,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10386,16 +11641,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0086"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Facsimile: amp_0242"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10405,6 +11660,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10418,9 +11675,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10433,16 +11689,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0086"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0017.xml" . + arche:hasTitle "Facsimile: amp_0243"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10452,6 +11708,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10465,9 +11723,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10480,16 +11737,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0087"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Facsimile: amp_0244"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10499,6 +11756,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10512,9 +11771,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10527,16 +11785,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0087"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Facsimile: amp_0245"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10546,6 +11804,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10559,9 +11819,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10574,18 +11833,18 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0088"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Facsimile: amp_0246"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; + arche:hasCreator ; arche:hasCurator , ; arche:hasDepositor ; @@ -10608,7 +11867,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10625,14 +11884,15 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0088"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Photo: amp_0247"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; + arche:hasCreator ; arche:hasCurator , ; arche:hasDepositor ; @@ -10655,7 +11915,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10672,12 +11932,14 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0089"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Photo: amp_0248"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10687,6 +11949,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10700,9 +11964,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10715,16 +11978,17 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0089"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Facsimile: amp_0249"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor , + ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10734,6 +11998,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10747,9 +12013,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10762,16 +12027,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0090"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Facsimile: amp_0250"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10781,6 +12046,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10794,9 +12061,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10809,16 +12075,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0090"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0018.xml" . + arche:hasTitle "Facsimile: amp_0251"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10828,6 +12094,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10841,9 +12109,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10856,16 +12123,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0091"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0252"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10875,6 +12142,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10888,9 +12157,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10903,16 +12171,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0091"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0253"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10922,6 +12190,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10935,9 +12205,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10950,16 +12219,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0092"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0254"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -10969,6 +12238,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -10982,9 +12253,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -10997,16 +12267,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0092"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0351"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11016,6 +12286,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11029,9 +12301,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11044,16 +12315,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0093"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0352"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11063,6 +12334,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11076,9 +12349,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11091,16 +12363,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0093"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0353"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11110,6 +12382,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11123,9 +12397,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11138,16 +12411,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0094"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0354"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11157,6 +12430,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11170,9 +12445,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11185,16 +12459,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0094"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0019.xml" . + arche:hasTitle "Facsimile: amp_0355"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11204,6 +12478,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11217,9 +12493,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11232,16 +12507,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0095"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0356"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11251,6 +12526,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11264,9 +12541,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11279,16 +12555,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0095"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0357"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11298,6 +12574,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11311,9 +12589,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11326,16 +12603,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0096"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0358"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11345,6 +12622,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11358,9 +12637,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11373,16 +12651,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0096"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0359"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11392,6 +12670,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11405,9 +12685,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11420,16 +12699,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0097"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0360"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11439,6 +12718,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11452,9 +12733,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11467,16 +12747,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0097"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0361"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11486,6 +12766,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11499,9 +12781,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11514,16 +12795,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0098"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0362"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11533,6 +12814,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11546,9 +12829,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11561,16 +12843,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0098"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0020.xml" . + arche:hasTitle "Facsimile: amp_0363"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11580,6 +12862,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11593,9 +12877,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11608,16 +12891,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0099"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0364"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11627,6 +12910,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11640,9 +12925,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11655,16 +12939,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0099"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0365"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11674,6 +12958,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11687,9 +12973,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11702,16 +12987,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0100"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0366"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11721,6 +13006,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11734,9 +13021,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11749,16 +13035,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0100"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0367"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11768,6 +13054,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11781,9 +13069,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11796,16 +13083,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0101"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0044.xml" . + arche:hasTitle "Facsimile: amp_0368"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11815,6 +13102,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11828,9 +13117,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11843,16 +13131,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0101"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0044.xml" . + arche:hasTitle "Facsimile: amp_0369"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11862,6 +13150,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11875,9 +13165,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11890,16 +13179,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0102"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0044.xml" . + arche:hasTitle "Facsimile: amp_0370"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11909,6 +13198,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11922,9 +13213,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11937,16 +13227,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0102"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0044.xml" . + arche:hasTitle "Facsimile: amp_0371"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -11956,6 +13246,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -11969,9 +13261,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -11984,16 +13275,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0103"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0372"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12003,6 +13294,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12016,9 +13309,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12031,16 +13323,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0103"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0373"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12050,6 +13342,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12063,9 +13357,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12078,16 +13371,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0104"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0374"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12097,6 +13390,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12110,9 +13405,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12125,16 +13419,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0104"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0042.xml" . + arche:hasTitle "Facsimile: amp_0375"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12144,6 +13438,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12157,9 +13453,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12172,16 +13467,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0105"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0057.xml" . + arche:hasTitle "Facsimile: amp_0376"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12191,6 +13486,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12204,9 +13501,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12219,16 +13515,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0105"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0057.xml" . + arche:hasTitle "Facsimile: amp_0377"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12238,6 +13534,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12251,9 +13549,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12266,16 +13563,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0106"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0057.xml" . + arche:hasTitle "Facsimile: amp_0378"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12285,6 +13582,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12298,9 +13597,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12313,16 +13611,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0106"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0057.xml" . + arche:hasTitle "Facsimile: amp_0379"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12332,6 +13630,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12345,9 +13645,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12360,16 +13659,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0107"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0058.xml" . + arche:hasTitle "Facsimile: amp_0380"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12379,6 +13678,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12392,9 +13693,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12407,16 +13707,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0107"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0058.xml" . + arche:hasTitle "Facsimile: amp_0381"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12426,6 +13726,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12439,9 +13741,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12454,16 +13755,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0108"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0058.xml" . + arche:hasTitle "Facsimile: amp_0382"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12473,6 +13774,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12486,9 +13789,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12501,16 +13803,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0108"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0058.xml" . + arche:hasTitle "Facsimile: amp_0383"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12520,6 +13822,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12533,9 +13837,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12548,16 +13851,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0109"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0384"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12567,6 +13870,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12580,9 +13885,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12595,16 +13899,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0109"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0385"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12614,6 +13918,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12627,9 +13933,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12642,16 +13947,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0110"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0386"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12661,6 +13966,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12674,9 +13981,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12689,16 +13995,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0110"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0387"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12708,6 +14014,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12721,9 +14029,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12736,16 +14043,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0111"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0388"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12755,6 +14062,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12768,9 +14077,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12783,16 +14091,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0111"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0389"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12802,6 +14110,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12815,9 +14125,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12830,16 +14139,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0112"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0390"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12849,6 +14158,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12862,9 +14173,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12877,16 +14187,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0112"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0045.xml" . + arche:hasTitle "Facsimile: amp_0391"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12896,6 +14206,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12909,9 +14221,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12924,16 +14235,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0113"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0392"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12943,6 +14254,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -12956,9 +14269,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -12971,16 +14283,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0113"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0393"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -12990,6 +14302,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13003,9 +14317,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13018,16 +14331,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0114"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0394"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13037,6 +14350,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13050,9 +14365,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13065,16 +14379,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0114"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0395"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13084,6 +14398,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13097,9 +14413,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13112,16 +14427,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0115"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0396"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13131,6 +14446,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13144,9 +14461,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13159,16 +14475,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0115"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0397"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13178,6 +14494,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13191,9 +14509,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13206,16 +14523,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0116"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0398"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13225,6 +14542,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13238,9 +14557,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13253,16 +14571,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0116"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0021.xml" . + arche:hasTitle "Facsimile: amp_0399"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13272,6 +14590,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13285,9 +14605,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13300,16 +14619,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0117"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0400"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13319,6 +14638,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13332,9 +14653,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13347,16 +14667,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0117"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0401"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13366,6 +14686,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13379,9 +14701,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13394,16 +14715,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0118"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0402"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13413,6 +14734,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13426,9 +14749,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13441,16 +14763,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0118"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0403"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13460,6 +14782,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13473,9 +14797,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13488,16 +14811,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0119"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0404"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13507,6 +14830,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13520,9 +14845,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13535,16 +14859,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0119"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0405"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13554,6 +14878,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13567,9 +14893,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13582,16 +14907,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0120"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0406"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13601,6 +14926,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13614,9 +14941,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13629,16 +14955,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0120"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0022.xml" . + arche:hasTitle "Facsimile: amp_0407"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13648,6 +14974,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13661,9 +14989,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13676,16 +15003,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0121"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0408"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13695,6 +15022,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13708,9 +15037,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13723,16 +15051,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0121"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0409"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13742,6 +15070,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13755,9 +15085,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13770,16 +15099,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0122"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0410"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13789,6 +15118,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13802,9 +15133,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13817,16 +15147,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0122"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0411"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13836,6 +15166,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13849,9 +15181,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13864,16 +15195,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0123"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0412"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13883,6 +15214,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13896,9 +15229,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13911,16 +15243,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0123"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0413"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13930,6 +15262,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13943,9 +15277,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -13958,16 +15291,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0124"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0414"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -13977,6 +15310,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -13990,9 +15325,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14005,16 +15339,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0124"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0023.xml" . + arche:hasTitle "Facsimile: amp_0415"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14024,6 +15358,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14037,9 +15373,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14052,16 +15387,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0125"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0416"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14071,6 +15406,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14084,9 +15421,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14099,16 +15435,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0125"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0417"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14118,6 +15454,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14131,9 +15469,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14146,16 +15483,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0126"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0418"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14165,6 +15502,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14178,9 +15517,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14193,16 +15531,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0126"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0419"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14212,6 +15550,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14225,9 +15565,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14240,16 +15579,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0127"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0420"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14259,6 +15598,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14272,9 +15613,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14287,16 +15627,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0127"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0421"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14306,6 +15646,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14319,9 +15661,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14334,16 +15675,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0128"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0422"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14353,6 +15694,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14366,9 +15709,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14381,16 +15723,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0128"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0024.xml" . + arche:hasTitle "Facsimile: amp_0423"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14400,6 +15742,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14413,9 +15757,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14428,16 +15771,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0129"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0424"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14447,6 +15790,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14460,9 +15805,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14475,16 +15819,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0129"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0425"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14494,6 +15838,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14507,9 +15853,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14522,16 +15867,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0130"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0426"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14541,6 +15886,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14554,9 +15901,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14569,16 +15915,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0130"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0427"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14588,6 +15934,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14601,9 +15949,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14616,16 +15963,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0131"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0428"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14635,6 +15982,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14648,9 +15997,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14663,16 +16011,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0131"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0429"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14682,6 +16030,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14695,9 +16045,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14710,16 +16059,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0132"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0430"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14729,6 +16078,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14742,9 +16093,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14757,16 +16107,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0132"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0025.xml" . + arche:hasTitle "Facsimile: amp_0431"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14776,6 +16126,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14789,9 +16141,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14804,16 +16155,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0133"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0432"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14823,6 +16174,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14836,9 +16189,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14851,16 +16203,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0133"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0433"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14870,6 +16222,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14883,9 +16237,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14898,16 +16251,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0134"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0434"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14917,6 +16270,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14930,9 +16285,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14945,16 +16299,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0134"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0435"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -14964,6 +16318,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -14977,9 +16333,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -14992,16 +16347,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0135"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0436"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15011,6 +16366,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15024,9 +16381,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15039,16 +16395,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0135"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0437"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15058,6 +16414,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15071,9 +16429,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15086,16 +16443,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0136"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0438"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15105,6 +16462,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15118,9 +16477,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15133,16 +16491,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0136"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0439"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15152,6 +16510,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15165,9 +16525,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15180,16 +16539,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0137"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0440"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15199,6 +16558,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15212,9 +16573,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15227,16 +16587,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0137"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0441"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15246,6 +16606,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15259,9 +16621,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15274,16 +16635,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0138"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0442"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15293,6 +16654,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15306,9 +16669,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15321,16 +16683,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0138"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0038.xml" . + arche:hasTitle "Facsimile: amp_0443"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15340,6 +16702,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15353,9 +16717,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15368,16 +16731,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0139"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0444"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15387,6 +16750,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15400,9 +16765,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15415,16 +16779,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0139"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0445"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15434,6 +16798,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15447,9 +16813,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15462,15 +16827,14 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0140"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Facsimile: amp_0446"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15496,7 +16860,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15513,11 +16877,11 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0140"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0039.xml" . + arche:hasTitle "Photo: amp_0447"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15543,7 +16907,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15560,11 +16924,11 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0141"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0046.xml" . + arche:hasTitle "Photo: amp_0448"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15590,7 +16954,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15607,11 +16971,11 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0141"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0046.xml" . + arche:hasTitle "Photo: amp_0449"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15637,7 +17001,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15654,11 +17018,11 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0142"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0046.xml" . + arche:hasTitle "Photo: amp_0450"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15684,7 +17048,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15701,11 +17065,11 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0142"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0046.xml" . + arche:hasTitle "Photo: amp_0451"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15731,7 +17095,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15748,11 +17112,11 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0143"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0047.xml" . + arche:hasTitle "Photo: amp_0452"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15778,7 +17142,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15795,11 +17159,11 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0143"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0047.xml" . + arche:hasTitle "Photo: amp_0455"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15825,7 +17189,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15842,11 +17206,11 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0144"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0047.xml" . + arche:hasTitle "Photo: amp_0456"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15872,7 +17236,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15889,11 +17253,11 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0144"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0047.xml" . + arche:hasTitle "Photo: amp_0457"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; arche:hasCategory ; arche:hasContact ; @@ -15919,7 +17283,7 @@ , , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15936,12 +17300,13 @@ , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0145"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Photo: amp_0458"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15951,6 +17316,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -15964,9 +17331,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -15979,16 +17345,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0145"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0459"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -15998,6 +17364,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16011,9 +17379,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16026,16 +17393,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0146"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0460"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16045,6 +17412,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16058,9 +17427,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16073,16 +17441,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0146"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0461"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16092,6 +17460,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16105,9 +17475,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16120,16 +17489,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0147"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0462"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16139,6 +17508,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16152,9 +17523,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16167,16 +17537,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0147"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0463"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16186,6 +17556,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16199,9 +17571,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16214,16 +17585,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0148"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0464"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16233,6 +17604,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16246,9 +17619,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16261,16 +17633,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0148"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0465"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16280,6 +17652,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16293,9 +17667,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16308,16 +17681,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0149"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0466"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16327,6 +17700,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16340,9 +17715,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16355,16 +17729,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0149"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0467"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16374,6 +17748,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16387,9 +17763,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16402,16 +17777,16 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0150"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0468"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16421,6 +17796,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16434,9 +17811,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16449,16 +17825,16 @@ , , , - , , , ; - arche:hasTitle "High Resolution Facsimile: amp_0150"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0469"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; arche:hasContact ; arche:hasCurator , @@ -16468,6 +17844,8 @@ , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -16481,9 +17859,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid ; + arche:hasPid "create" ; arche:hasRelatedDiscipline , , , @@ -16496,20439 +17873,2359 @@ , , , - , , , ; - arche:hasTitle "Low Resultion Facsimile: amp_0151"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . + arche:hasTitle "Facsimile: amp_0470"@en ; + arche:isPartOf ; + arche:isSourceOf . - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; + a arche:Metadata ; + arche:hasAccessRestriction ; + arche:hasCategory ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasDescription "TEI/XML Schema ODD for \"Auden Musulin Papers\" Edition Documents"@en ; + arche:hasFormat "text/xml"@und ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "High Resolution Facsimile: amp_0151"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "Low Resultion Facsimile: amp_0152"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "High Resolution Facsimile: amp_0152"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "Low Resultion Facsimile: amp_0153"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "High Resolution Facsimile: amp_0153"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "Low Resultion Facsimile: amp_0154"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "High Resolution Facsimile: amp_0154"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0043.xml" . - - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; - arche:hasContact ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; - arche:hasMetadataCreator , - , - , - ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; - arche:hasRelatedDiscipline , - , - , - , - ; 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H. Auden to Stella Musulin 1965-09-29"@en ; + arche:isPartOf . - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; + a arche:Person ; + arche:hasTitle "Kraus, Wolfgang"@und . + + a arche:Organisation ; + arche:hasTitle "Österreichische Gesellschaft für Literatur"@en . + + a arche:TopCollection ; + arche:hasActor , + , + , + , + , + , + , + , + , + , + ; + arche:hasCompleteness "incomplete, to be completed by July 2024"@en ; arche:hasContact ; + arche:hasCoverageEndDate "1996-01-21"^^xsd:date ; + arche:hasCoverageStartDate "1959-06-01"^^xsd:date ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; - arche:hasLicense ; + arche:hasDescription "A Digital Edition of W. H. Auden's Letters to Stella Musulin. The collection contains the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\". The collection has been edited in the context of an FWF-funded, three-year project at the Austrian Centre for Digital Humanities and Cultural Heritage."@en ; + arche:hasFunder ; + arche:hasLanguage , + ; arche:hasLicensor , , , , - ; + , + , + , + ; + arche:hasLifeCycleStatus ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; + arche:hasNamingScheme "XML edition files are named \"amp-transcript__####.xml\""@en ; arche:hasOwner , , + , , ; - arche:hasPid ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C343-A" ; + arche:hasPrincipalInvestigator ; arche:hasRelatedDiscipline , , , @@ -36945,346 +20242,272 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0466"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0070.xml" . + arche:hasSpatialCoverage , + , + , + ; + arche:hasSubject "peotry, literature, correspondence, photographs, digital edition"@en ; + arche:hasTemporalCoverage "1959-1996"@und ; + arche:hasTitle "Auden Musulin Papers: A Digital Edition of W. H. Auden's Letters to Stella Musulin"@en ; + arche:hasUrl "https://amp.acdh.oeaw.ac.at/" . + + a arche:Person ; + arche:hasTitle "Blaha, Rudof"@und . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C32D-4" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "Low Resultion Facsimile: amp_0467"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0070.xml" . + arche:hasRightsHolder ; + arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin 1969-06-10"@en ; + arche:isPartOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C338-7" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "High Resolution Facsimile: amp_0467"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0070.xml" . + arche:hasRightsHolder ; + arche:hasTitle "Typed Notes [Janko Musulin] Translation W. H. Auden \"Freedom and Necessity in the Arts\" 1970-05-19--1970-06-10"@en ; + arche:isPartOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C32B-6" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "Low Resultion Facsimile: amp_0468"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0070.xml" . + arche:hasRightsHolder ; + arche:hasTitle "Typed Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden \"Joseph Weinheber\" 1965-03-15"@en ; + arche:isPartOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C32C-5" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "High Resolution Facsimile: amp_0468"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0070.xml" . + arche:hasRightsHolder ; + arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden \"Joseph Weinheber\" 1965-04-28 and with Typescript W. H. Auden Translation \"Joseph Weinheber\""@en ; + arche:isPartOf . - a arche:Resource ; + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C339-6" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "Low Resultion Facsimile: amp_0469"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0071.xml" . + arche:hasRightsHolder ; + arche:hasTitle "Copy Typescript Hilde Spiel Translation W. H. Auden Statement to Austrian Tax Authorities 1972-07-26--1972-08-25"@en ; + arche:isPartOf . - a arche:Resource ; + a arche:Person ; + arche:hasTitle "Musulin, Elsa"@und . + + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor , + ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C320-1" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "High Resolution Facsimile: amp_0469"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0071.xml" . + arche:hasRightsHolder ; + arche:hasTitle "Notes Stella Musulin in Copy Typescript W. H. Auden \"Freedom and Necessity in the Arts\" 1970-05-21--1995-12-31"@en ; + arche:isPartOf . - a arche:Resource ; + a arche:Person ; + arche:hasTitle "Spiel, Hilde"@und . + + a arche:Person ; + arche:hasTitle "Musulin, Janko"@und . + + a arche:Resource ; arche:hasAccessRestrictions ; - arche:hasCategory ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C330-F" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasTitle "Low Resultion Facsimile: amp_0470"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0071.xml" . + arche:hasRightsHolder ; + arche:hasTitle "Autograph Letter Signed W. H. Auden to Stella Musulin with Typescript W. H. Auden \"Freedom and Necessity in the Arts\" 1970-05-21"@en ; + arche:isPartOf . - a arche:Resource ; - arche:hasAccessRestrictions ; - arche:hasCategory ; + a arche:Collection ; arche:hasContact ; arche:hasCurator , ; arche:hasDepositor ; + arche:hasDescription "Digital Scans of Photos and Images: Private photographs of W. H. Auden and Chester Kallman."@en ; arche:hasDigitisingAgent , , , @@ -37304,7 +20527,7 @@ , , ; - arche:hasPid ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-3255-9" ; arche:hasRelatedDiscipline , , , @@ -37321,110 +20544,60 @@ , , ; - arche:hasTitle "High Resolution Facsimile: amp_0470"@en ; - arche:isPartOf ; - arche:isSourceOf "https://id.acdh.oeaw.ac.at/auden-musulin-papers/amp-transcript__0071.xml" . + arche:hasSubject "digital edition, Auden, Musulin, letters, photograph"@en ; + arche:hasTitle "Photos"@en ; + arche:isPartOf . - a arche:Metadata ; - arche:hasAccessRestriction ; + a arche:Resource ; + arche:hasAccessRestrictions ; + arche:hasAuthor ; arche:hasCategory ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDescription "TEI/XML Schema ODD for \"Auden Musulin Papers\" Edition Documents"@en ; - arche:hasFormat "text/xml"@und ; - arche:hasLicense ; - arche:hasLicensor ; - arche:hasMetadataCreator , + arche:hasContact ; + arche:hasCreator , + , , , ; - arche:hasOwner ; - arche:hasPid "create" ; - arche:hasRightsHolder ; - arche:hasTitle "TEI/XML Schema ODD for \"Auden Musulin Papers\" Edition Documents"@en ; - arche:isMetadataFor ; - arche:isPartOf . - - a arche:Metadata ; - arche:hasAccessRestriction ; - arche:hasCategory ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDescription "TEI/XML Schema ODD for \"Auden Musulin Papers\" Edition Documents"@en ; - arche:hasFormat "text/xml"@und ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor ; arche:hasMetadataCreator , , , ; + arche:hasOaiSet , + ; arche:hasOwner ; - arche:hasPid "create" ; - arche:hasRightsHolder ; - arche:hasTitle "TEI/XML Schema ODD for \"Auden Musulin Papers\" Edition Documents"@en ; - arche:isMetadataFor ; - arche:isPartOf . - - arche:hasTitle "Duncan, Bruce"@und . - - a arche:Organisation ; - arche:hasTitle "Austrian Science Fund"@en . - - a arche:TopCollection ; - arche:hasCompleteness "incomplete, to be completed by July 2024"@en ; - arche:hasContact ; - arche:hasCoverageEndDate "1996-01-21"^^xsd:date ; - arche:hasCoverageStartDate "1959-06-01"^^xsd:date ; - arche:hasCurator , - ; - arche:hasDepositor ; - arche:hasDescription "A Digital Edition of W. H. Auden's Letters to Stella Musulin. The collection contains the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\". The collection has been edited in the context of an FWF-funded, three-year project at the Austrian Centre for Digital Humanities and Cultural Heritage."@en ; - arche:hasFunder ; - arche:hasLanguage , - ; - arche:hasLicensor , - , - , - , - , - , - , - ; - arche:hasLifeCycleStatus ; - arche:hasMetadataCreator , - , - , - ; - arche:hasNamingScheme "XML edition files are named \"amp-transcript__####.xml\""@en ; - arche:hasOwner , - , - , - , - ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C343-A" ; - arche:hasPrincipalInvestigator ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000E-C321-0" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasSubject "peotry, literature, correspondence, photographs, digital edition"@en ; - arche:hasTitle "Auden Musulin Papers: A Digital Edition of W. H. Auden's Letters to Stella Musulin"@en . + arche:hasRightsHolder ; + arche:hasTitle "Typed Memoir Stella Musulin \"In Retrospect\" 1985-11-29--1990-03-28"@en ; + arche:isPartOf . + + a arche:Organisation ; + arche:hasTitle "Austrian Press Agency"@en ; + arche:hasUrl "https://www.picturedesk.com/bild-disp/apa/de/prices.html" . a arche:Collection ; + arche:hasActor , + , + , + , + , + , + , + , + , + , + ; arche:hasContact ; arche:hasCreator , , @@ -37457,62 +20630,58 @@ arche:hasTitle "Edition Documents"@en ; arche:isPartOf . - a arche:Collection ; + a arche:Resource ; + arche:hasAccessRestrictions ; + arche:hasAuthor ; + arche:hasCategory ; arche:hasContact ; + arche:hasCreator , + , + , + , + ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDescription "Highest-resolution digital facsimiles of the Auden Musulin Papers: digital images of the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\"."@en ; - arche:hasDigitisingAgent , - , - , - ; + arche:hasLanguage , + ; arche:hasLicense ; - arche:hasLicensor , - , - , - , - ; + arche:hasLicensor ; arche:hasMetadataCreator , , , ; - arche:hasOaiSet ; - arche:hasOwner , - , - , - ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-3256-8" ; + arche:hasOaiSet , + ; + arche:hasOwner ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-7452-2" ; arche:hasRelatedDiscipline , , , , ; - arche:hasRightsHolder , - , - , - , - , - , - , - , - , - , - ; - arche:hasSubject "digital edition, Auden, Musulin, letters, facsimile, photograph, high-resolution"@en ; - arche:hasTitle "Facsimiles (Highest Resolution)"@en ; - arche:isPartOf . + arche:hasRightsHolder ; + arche:hasTitle "Typescript Memoir Stella Musulin \"The Years in Austria\" 1976-09-04--1980-12-01"@en ; + arche:isPartOf . - a arche:Collection ; + a arche:Person ; + arche:hasTitle "Musulin, Stella"@und . + + a arche:Person ; + arche:hasTitle "Auden, W. H."@und . + + a arche:Collection ; arche:hasContact ; arche:hasCurator , ; arche:hasDepositor ; - arche:hasDescription "Lower-resolution digital facsimiles of the Auden Musulin Papers intended for web display: digital images of the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\"."@en ; + arche:hasDescription "Digital facsimiles of the Auden Musulin Papers: digital images of the letters and literary papers sent by British-American poet W. H. Auden to Welsh-Austrian writer Stella Musulin in the period 1960-1973; private photographs of W. H. Auden and Chester Kallman; correspondence and papers related to Stella Musulin's biographical work on W. H. Auden; Stella Musulin's Auden memoirs \"In Retrospect\" and \"The Years in Austria\"."@en ; arche:hasDigitisingAgent , , , ; + arche:hasLanguage , + ; arche:hasLicense ; arche:hasLicensor , , @@ -37526,9 +20695,8 @@ arche:hasOaiSet ; arche:hasOwner , , - , ; - arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-3255-9" ; + arche:hasPid "https://hdl.handle.net/21.11115/0000-000F-3256-8" ; arche:hasRelatedDiscipline , , , @@ -37541,23 +20709,16 @@ , , , - , , , ; - arche:hasSubject "digital edition, Auden, Musulin, letters, facsimile, photograph, low-resolution"@en ; - arche:hasTitle "Facsimiles (Lower-Resolution Web Images)"@en ; + arche:hasSubject "digital edition, Auden, Musulin, letters, facsimile"@en ; + arche:hasTitle "Facsimiles"@en ; arche:isPartOf . a arche:Person ; arche:hasTitle "Brenner, Simon" . - a arche:Person ; - arche:hasTitle "O'Sullivan, Michael"@und . - - a arche:Person ; - arche:hasTitle "Mendelson, Eduard"@und . - a arche:Person ; arche:hasPersonalTitle "Dr." ; arche:hasTitle "Burns, Eduard M."@und . @@ -37579,6 +20740,12 @@ a arche:Organisation ; arche:hasTitle "Carl Van Vechten Estate"@en . + a arche:Person ; + arche:hasTitle "Mendelson, Eduard"@und . + + a arche:Person ; + arche:hasTitle "O'Sullivan, Michael"@und . + a arche:Organisation ; arche:hasTitle "Austrian Academy of Sciences"@en . @@ -37593,10 +20760,6 @@ a arche:Organisation ; arche:hasTitle "The Estate of W. H. Auden"@en . - a arche:Organisation ; - arche:hasTitle "Austrian Press Agency"@en ; - arche:hasUrl "https://www.picturedesk.com/bild-disp/apa/de/prices.html" . - a arche:Person ; arche:hasPersonalTitle "BA MMA" ; arche:hasTitle "Grigoriou, Dimitra"@und ; diff --git a/scripts/arche_constants.py b/scripts/arche_constants.py index 94b4f14..8cd6b6b 100644 --- a/scripts/arche_constants.py +++ b/scripts/arche_constants.py @@ -2,7 +2,7 @@ import re import glob import os -from config import USER_CONFIG, PROJECT_NAME, LATEST_RELEASE +from config import USER_CONFIG, PROJECT_NAME, LATEST_RELEASE, PRMARY_FILE_FORMAT from acdh_tei_pyutils.tei import TeiReader from tqdm import tqdm from acdh_graph_pyutils.graph import ( @@ -29,7 +29,7 @@ COLLECTION_NAME = PROJECT_NAME -def create_entity_uri_from_string(string) -> URIRef: +def create_entity_uri_from_string(string: str) -> URIRef: """ Create an URIRef from a string. """ @@ -52,7 +52,7 @@ def create_entity_uri_from_string(string) -> URIRef: return "" -def create_minimal_entity_triple(entity, entity_type) -> None: +def create_minimal_entity_triple(entity: list, entity_type: str) -> None: """ Create URIRef from string and entity type triple. """ @@ -153,12 +153,13 @@ def get_number( def get_resource_triple_from_xpath( doc: TeiReader, subject_uri: URIRef, - xpaths: dict + xpaths: dict, + custom_lang: str = "en" ) -> None: print("Getting triples from xpath.") if isinstance(xpaths, dict) and len(xpaths) > 0: for key, value in xpaths.items(): - lang = "en" + lang = custom_lang prefix = "" if "__nolang" in key: key = key.replace("__nolang", "") @@ -166,7 +167,7 @@ def get_resource_triple_from_xpath( if "__prefix" in key: key = key.replace("__prefix", "") prefix = f"https://id.acdh.oeaw.ac.at/{COLLECTION_NAME}/" - predicate_uri = URIRef(f'{NAMESPACES["arche"]}{key}') + predicate_uri = URIRef(ARCHE[key]) object_uri = doc.any_xpath(value) if isinstance(object_uri, list) and len(object_uri) > 0: for obj in object_uri: @@ -174,15 +175,54 @@ def get_resource_triple_from_xpath( obj_text = obj.text except AttributeError: obj_text = obj - get_literal( - subject_uri=subject_uri, - predicate_uri=predicate_uri, - literal=f"{prefix}{obj_text}", - literal_lang=lang - ) + if "hdl.handle" in f"{prefix}{obj_text}": + get_literal( + subject_uri=subject_uri, + predicate_uri=predicate_uri, + literal=f"{prefix}{obj_text}", + literal_lang=lang + ) + elif f"{prefix}{obj_text}".startswith("http"): + create_custom_triple( + g, + subject=subject_uri, + predicate=predicate_uri, + object=URIRef(f"{prefix}{obj_text}") + ) + else: + get_literal( + subject_uri=subject_uri, + predicate_uri=predicate_uri, + literal=f"{prefix}{obj_text}", + literal_lang=lang + ) return print("Triples from xpaths created.") +def create_static_resource_triples( + subject_uri: URIRef, + static_values: dict +) -> None: + if isinstance(static_values, dict) and len(static_values) > 0: + for key, value in static_values.items(): + predicate = URIRef(f'{NAMESPACES["arche"]}{key}') + object_uri = URIRef(value) + if value.startswith("http"): + create_custom_triple( + g, + subject=subject_uri, + predicate=predicate, + object=object_uri + ) + else: + create_custom_triple( + g, + subject=subject_uri, + predicate=predicate, + object=Literal(value) + ) + + def create_resource_triples( file_path: str, file_format: str, @@ -190,6 +230,7 @@ def create_resource_triples( id_suffix: str = "", id_as_title: bool = False, id_as_title_prefix: str = "", + custom_lang: str = "en", init: bool = False, xpaths: dict = None, static_values: dict = None, @@ -204,44 +245,27 @@ def create_resource_triples( xml_id = doc.any_xpath(subject_id) if isinstance(xml_id, list) and len(xml_id) > 0: for x in xml_id: - resource_id = x + resource_id = x.strip() if resource_id.startswith("#"): resource_id = resource_id.replace("#", "") - elif resource_id.startswith("http"): + elif resource_id.startswith("http") and resource_id.endswith("/"): resource_id = resource_id.split("/")[-2] + elif resource_id.startswith("http") and not resource_id.endswith("/"): + resource_id = resource_id.split("/")[-1] if len(resource_id) != 0: item_id = f'{arche_id}{COLLECTION_NAME}/{resource_id}{id_suffix}' subject_uri = URIRef(item_id) if init: create_type_triple(g, subject_uri, ARCHE["Resource"]) + get_resource_triple_from_xpath(doc, subject_uri, xpaths, custom_lang) + create_static_resource_triples(subject_uri, static_values) if id_as_title: create_custom_triple( g, subject=subject_uri, predicate=ARCHE["hasTitle"], - object=Literal(f'{id_as_title_prefix} {resource_id}', lang="en") + object=Literal(f'{id_as_title_prefix} {resource_id}'.strip(), lang="en") ) - get_resource_triple_from_xpath(doc, subject_uri, xpaths) - if isinstance(static_values, dict) and len(static_values) > 0: - for key, value in static_values.items(): - predicate = URIRef(f'{NAMESPACES["arche"]}{key}') - object_uri = URIRef(value) - create_custom_triple( - g, - subject=subject_uri, - predicate=predicate, - object=object_uri - ) - # if isinstance(vocabs_lookup, dict) and len(vocabs_lookup) > 0: - # for key, value in vocabs_lookup.items(): - # predicate = URIRef(f'{NAMESPACES["arche"]}{key}') - # object_uri = URIRef(f'{NAMESPACES["arche"]}{doc.any_xpath(value)}') - # create_custom_triple( - # g, - # subject=subject_uri, - # predicate=predicate, - # object=object_uri - # ) else: get_entity_uri( subject_uri=subject_uri, @@ -286,12 +310,12 @@ def create_resource_triples( ) -def verify_config_keys(key, result): +def verify_config_keys(key: str, result: str | bool | None): try: return CONFIG[key] except KeyError: if result == "raise": - raise UnboundLocalError(f"User Config: id {key} is required") + raise KeyError(f"User Config '{key}' is required") else: return result @@ -305,19 +329,21 @@ def verify_config_keys(key, result): # initialize resource URIs (lookup USER_CONFIG) if isinstance(LATEST_RELEASE, str) and len(LATEST_RELEASE) > 0: - for CONFIG in USER_CONFIG.values(): - create_resource_triples( - file_path=verify_config_keys("resource_file_path", "raise"), - file_format=verify_config_keys("file_format", "raise"), - subject_id=verify_config_keys("id", "raise"), - id_suffix=verify_config_keys("id_suffix", ""), - id_as_title=verify_config_keys("id_as_title", ""), - id_as_title_prefix=verify_config_keys("id_as_title_prefix", ""), - init=True, - xpaths=verify_config_keys("xpaths", None), - static_values=verify_config_keys("static_values", None), - vocabs_lookup=verify_config_keys("vocabs_lookup", None) - ) + if PRMARY_FILE_FORMAT.lower() == "xml": + for CONFIG in USER_CONFIG.values(): + create_resource_triples( + file_path=verify_config_keys("resource_file_path", "raise"), + file_format=verify_config_keys("file_format", "raise"), + subject_id=verify_config_keys("id", "raise"), + id_suffix=verify_config_keys("id_suffix", ""), + id_as_title=verify_config_keys("id_as_title", False), + id_as_title_prefix=verify_config_keys("id_as_title_prefix", ""), + custom_lang=verify_config_keys("custom_lang", "en"), + init=True, + xpaths=verify_config_keys("xpaths", None), + static_values=verify_config_keys("static_values", None), + vocabs_lookup=verify_config_keys("vocabs_lookup", None) + ) for meta in tqdm(metadata.values(), total=len(metadata)): subject_string = meta["Subject_uri"] @@ -391,20 +417,22 @@ def verify_config_keys(key, result): number=number ) if isinstance(LATEST_RELEASE, str) and len(LATEST_RELEASE) > 0: - if isinstance(meta["Inherit"], list) and len(meta["Inherit"]) > 0: - for inherit in meta["Inherit"]: - try: - CONFIG = USER_CONFIG[subject_string] - create_resource_triples( - file_path=verify_config_keys("resource_file_path", "raise"), - file_format=verify_config_keys("file_format", "raise"), - subject_id=verify_config_keys("id", "raise"), - id_suffix=verify_config_keys("id_suffix", ""), - id_as_title=verify_config_keys("id_as_title", ""), - id_as_title_prefix=verify_config_keys("id_as_title_prefix", ""), - ) - except KeyError: - print("No config for this resource.") + if PRMARY_FILE_FORMAT.lower() == "xml": + if isinstance(meta["Inherit"], list) and len(meta["Inherit"]) > 0: + for inherit in meta["Inherit"]: + try: + CONFIG = USER_CONFIG[subject_string] + create_resource_triples( + file_path=verify_config_keys("resource_file_path", "raise"), + file_format=verify_config_keys("file_format", "raise"), + subject_id=verify_config_keys("id", "raise"), + id_suffix=verify_config_keys("id_suffix", ""), + id_as_title=verify_config_keys("id_as_title", ""), + id_as_title_prefix=verify_config_keys("id_as_title_prefix", ""), + custom_lang=verify_config_keys("custom_lang", "en") + ) + except KeyError: + print("No config for this resource.") # create graph for ARCHE entities # open json file diff --git a/scripts/baserow_dump.py b/scripts/baserow_dump.py index 57f96ef..9a90185 100644 --- a/scripts/baserow_dump.py +++ b/scripts/baserow_dump.py @@ -37,7 +37,7 @@ else: dir = "*" if isinstance(PRMARY_FILE_FORMAT, str) and len(PRMARY_FILE_FORMAT) > 0: - file_format = PRMARY_FILE_FORMAT + file_format = PRMARY_FILE_FORMAT.lower() else: file_format = "xml" r = requests.get(LATEST_RELEASE) diff --git a/scripts/config.py b/scripts/config.py index 7735c78..731b50e 100644 --- a/scripts/config.py +++ b/scripts/config.py @@ -38,9 +38,11 @@ "resource_file_path": "data", "file_format": "xml", "id": "//tei:TEI[@xml:id]/@xml:id", + "custom_lang": "en", "xpaths": { "hasTitle": "//tei:titleStmt/tei:title[@level='a']", "hasPid__nolang": "//tei:publicationStmt/tei:idno[@type='handle']", + "hasAuthor__nolang": "//tei:titleStmt/tei:author[@ref]/@ref" }, "static_values": { "hasAccessRestrictions": "https://vocabs.acdh.oeaw.ac.at/archeaccessrestrictions/public", @@ -49,38 +51,42 @@ }, "vocabs_lookup": {} }, - "auden-musulin-papers/facs": { + "auden-musulin-papers/facsimiles": { "resource_file_path": "data", "file_format": "xml", - "id": "//tei:pb/@facs", + "id": "//tei:pb/@facs[ancestor::tei:text[not(@type='photograph')]]", + "custom_lang": "en", "id_suffix": ".tif", "id_as_title": True, - "id_as_title_prefix": "High Resolution Facsimile:", + "id_as_title_prefix": "Facsimile:", "xpaths": { - "isSourceOf__prefix__nolang": "//tei:TEI/@xml:id" + "isSourceOf__prefix__nolang": "//tei:TEI[@xml:id]/@xml:id", + "hasAuthor__nolang": "//tei:titleStmt/tei:author[@ref]/@ref" }, "static_values": { "hasAccessRestrictions": "https://vocabs.acdh.oeaw.ac.at/archeaccessrestrictions/public", "hasCategory": "https://vocabs.acdh.oeaw.ac.at/archecategory/image", - "isPartOf": "https://id.acdh.oeaw.ac.at/auden-musulin-papers/facs", + "isPartOf": "https://id.acdh.oeaw.ac.at/auden-musulin-papers/facsimiles", "hasPid": "create" }, "vocabs_lookup": {} }, - "auden-musulin-papers/web-img": { + "auden-musulin-papers/photos": { "resource_file_path": "data", "file_format": "xml", - "id": "//tei:pb/@facs", - "id_suffix": ".png", + "id": "//tei:pb/@facs[ancestor::tei:text[@type='photograph']]", + "id_suffix": ".tif", "id_as_title": True, - "id_as_title_prefix": "Low Resultion Facsimile:", + "id_as_title_prefix": "Photo:", + "custom_lang": "en", "xpaths": { - "isSourceOf__prefix__nolang": "//tei:TEI/@xml:id" + "isSourceOf__prefix__nolang": "//tei:TEI[@xml:id]/@xml:id", + "hasCreator__nolang": "//tei:titleStmt/tei:author[@ref]/@ref" }, "static_values": { "hasAccessRestrictions": "https://vocabs.acdh.oeaw.ac.at/archeaccessrestrictions/public", "hasCategory": "https://vocabs.acdh.oeaw.ac.at/archecategory/image", - "isPartOf": "https://id.acdh.oeaw.ac.at/auden-musulin-papers/web-img", + "isPartOf": "https://id.acdh.oeaw.ac.at/auden-musulin-papers/photos", "hasPid": "create" }, "vocabs_lookup": {}